Tag Archives: Gary Cattley

MARTY GROSZ LETS US KNOW IT (2012)

I wouldn’t go so far as to say that (I’LL BE GLAD WHEN YOU’RE DEAD) YOU RASCAL YOU expresses the guiding philosophy of Martin Oliver Grosz . . . and anyway the malice here is good-humored and swinging.

This nicely done video captures Marty and friends at a recent appearance at the Mermaid Inn — Danny Tobias, cornet; Joe Midiri, clarinet; Gary Cattley, string bass.  The video comes from GEO SOUND — created by award-winning filmmaker / composer George Manney.  Find out more about his work here.

And — wonder of wonders! — there’s a Marty Grosz Facebook fan page, where you can learn all about the great man’s comings and goings, including future gigs at the Mermaid Inn.  I hear tell he will be at the 2012 Jazz at Chautauqua, too.  The fan page is here.  And Marty will be leading another small group at the Mermaid Inn on Friday, June 8 — including ace brassman Randy Reinhart.  All you rascals should be there!

May your happiness increase.

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A WILD BLEND — COMING SOON!

The PENNSYLVANIA JAZZ SOCIETY is presenting A WILD BLEND OF HOT JAZZ AND SWINGING TUNES featuring THE PRESIDENT’S MEN JAZZ BAND. . . ! 

MIKE KUEHN – leader, banjo, guitar

DREW NUGENT – piano, vocals, cornet

RANDY REINHART – cornet, trombone

DAN BLOCK – clarinet

GARY CATTLEY – tuba, string bass

JOHNNY PEPPERS – bass saxophone

JASON SHIPTOSKI – percussion

SUNDAY, APRIL 11, 2010, 2 – 5 P.M.

EASTON MOOSE LODGE, 3320 FOX HILL ROAD, EASTON, PA 18045

TICKETS: $ 20.00 at the door, $ 18.00 members, STUDENTS FREE

SWING DANCERS – DRESSED TO IMPRESS – $ 10.00

For more information phone 610-625-4640 or visit www.pajazzsociety.org

A LITTLE JAM! (Nov. 29, 2009)

I remember that once an interviewer, trying to find out whether Ruby Braff was playing a cornet or a trumpet, asked him, “What is that?” pointing at his horn.  Ruby, characteristically, responded at top speed, but in italics: “That?  That is a musical instrument.”  Ruby would have approved of the jazz played at the end of the night on Sunday, Nov. 29, 2009, at The Ear Inn, where gifted improvisers seemed to come from everywhere.

After an easy-going opening set by the Earregulars: Jon-Erik Kellso, Dan Block (on tenor sax and clarinet), Chris Flory, and Jon Burr, some sterling players came in: cornetist Dan Tobias, bassist Gary Cattley, clarinetist Attilio Troiano, and (new to me and quite impressive) trumpeter Gordon Au.  (To read and hear more about Gordon, visit http://www.gordonaumusic.com/html/slideshow.php.

Jon-Erik first offered his chair to Dan Tobias and said, happily, “It sounds too good.  I’m going to take notes,” and he watched happily as Dan chose one of his favorite songs, THIS CAN’T BE LOVE, for a genial run-through that reminded me of one of Ruby Braff’s late-period groups. 

Then someone suggested THE PREACHER (perhaps by Horace Silver, although the version I know is by a pair of fellows named Bing and Louis).  To my ears, it’s really not much of a composition, and Jon Burr pointed out that its chord structure resembles I’VE BEEN WORKIN’ ON THE RAILROAD, but everyone swung out.

Finally, Jon-Erik ended the evening on a triumphant note by calling for STRUTTIN’ WITH SOME BARBECUE, complete with an upwards modulation at the end.  Trumpets all out!  (You knew, of course, that the title of that song — translated into current slang — would be WALKING AROUND WITH MY HOT GIRLFRIEND FOR EVERYONE TO SEE?  It has nothing to do with brisket or hot dogs.)

P.S.  Victor, the Ear’s guiding spirit and bartender, set the mood before any of the players had come in — by playing Bix and Norvo, Berigan and Condon . . . turning his head to the speakers, Jon-Erik said, “We know we’re in the right place!” and he was correct.

MR. TOBIAS COMES ON!

THE BRONZE MESSENGER, by Ericka Midiri

I’m very happy to report that cornetist Danny Tobias has finally come out with his own CD, aptly called CHEERFUL LITTLE EARFUL — a subtle trio session, intimate yet propulsive.

I was fortunate enough to write the very brief notes for the CD:

Danny Tobias is an old-fashioned jazz player in the best modern way, at home in any swinging jazz context. Like his heroes Buck Clayton and Ruby Braff, he loves melody, his improvisations have a beautiful shape, and he is always recognizably himself. Danny didn’t learn his jazz from a textbook but through experience – early gigs with Ed Metz, Jr., Paul Midiri, and Joe Holt, and a fifteen-year musical apprenticeship with drummer Tony Di Nicola and master clarinetist Kenny Davern.

Kenny was an inspiration. He taught me what not to play, how to play in an ensemble, and how to construct a solo. He could build a solo as well as anyone who has ever played. Period. Tony and Kenny were always willing to teach me and I loved every night that I had the privilege to work with them. Since those two passed away I’ve been traveling with the Midiri brothers to festivals all over the country and leading my own groups whenever possible. It’s funny but when I looked at the tunes I’d picked for this CD almost all of them were written between 1925 and1935. I don’t think of these songs as old. They speak to me and remind me of Tony and Kenny.

When I asked Danny about his original compositions, he said, The names of my tunes are rather silly. I rehearse with an organ trio once a week in Trenton saxophonist Dom DeFranco’s cellar. Hence the name DOMINIC’S BIG CELLAR, which is based on LOVE ME OR LEAVE ME. When I brought up NO MATH, he just grinned. And the song with the most striking title has an intriguing explanation: HOW’S YOUR MOTHER was first written as a Christmas song for my three sons. The title comes from a gag of mine (with people I know very well): when someone mentions something off color or foul, I will say “How’s your mother?” as if the bawdy comment has jogged a memory.

Danny’s trio is completed by two very sympathetic and supportive players. Pianist Joe Holt is a fixture in jazz rooms along the Eastern Seaboard, and he and Danny have been playing together for years, often with the Midiri brothers. (You can see them on YouTube.) Gary Cattley has his Ph.D. from North Texas State University, plays tuba in addition to string bass, and appears with the Princeton Symphony as well as Marty Grosz.

This easy-going trio got together for sessions in summer 2009, with the head arrangements done by Danny. The results remind me of the finest sessions for Keynote Records in the Forties or the John Hammond sessions for Vanguard a decade later: neat but inspired. Each performance was completed in one or two takes. This CD captures the kind of jazz that musicians play for their own pleasure when only the attentive customers are in the club. It’s comfortable, late-evening music, from the sorrowing SAY IT ISN’T SO to the romping CHICAGO RHYTHM and the title tune, a perfect description of Danny Tobias’s jazz.

The disc is available from the modest, soft-spoken Mr. Tobias himself for $15.00.  Send check, cash, or other negotiable instruments to Danny at 38 Fenwood Avenue, Mercerville, New Jersey 08619.  More to come!

P.S.   When Dan Barrett started his New York City tour — sadly too brief — one of the first things he said to me was that he had played two concerts in New Jersey with a wonderful cornet player, Danny Tobias.  Did I know him?  (I murmured assent but Dan was so intent that I don’t know if it registered.)  That young Mr. Tobias was so good, so melodic that he reminded the elder Dan why he had taken up the cornet himself: to play the melody.  Dan (Barrett) continued, looking at me sternly, “You really ought to mention Danny in your blog,” and I happily said, “I have, at length, and he’s coming out with his own CD.  He’s a fine player and a fine person!”  All true!

COMING SOON!

coming_soon I’d like to alert you to three new compact discs I’ve heard — available soon!  

MELISSA COLLARD has recorded a session for Audiophile — with Hal Smith, drums; Richard Simon, bass; Chris Dawson, piano; Bryan Shaw, trumpet.  I first heard Melissa some five years ago on her debut CD, “Old Fashioned Love,” (Melismatic Records), a wonderful disc, thoughtful, witty, and moving.  This one’s even better. 

For the same label, REBECCA KILGORE has recorded a disc devoted to Jerome Kern, “Sure Thing.”  It also features Hal, Richard, and Chris.  Until you’ve heard Becky sing I’VE TOLD EV’RY LITTLE STAR, you haven’t lived . . .

DANNY TOBIAS, who just brought his cornet to the Ear Inn, has recorded an intimate swing session with Joe Holt, piano; Gary Cattley, bass, that reminds me very much of the best late-period Ruby Braff recordings.  Need I say more?

Make room on your CD shelves . . .