Tag Archives: George Coleman

WE INTERRUPT OUR REGULARLY SCHEDULED BLOGGING

No, JAZZ LIVES is not going away.  Nor is there some crisis.  Nor am I asking for money.  However, I would like my viewers to devote themselves to what follows, which will take perhaps ten minutes.

That man is pianist Junior Mance, born in Evanston, Illinois, in 1928.  Before he was twenty, he had begun recording with the stars we revere: Gene Ammons, Howard McGhee, Lester Young, Sonny Stitt, Dinah Washington, Clark Terry, Paul Gonsalves, Clifford Brown, Maynard Ferguson, Israel Crosby, Chubby Jackson, Art Blakey, Johnny Griffin, Cannonball Adderley, Sam Jones, Nat Adderley, Jimmy Cobb, Carmen McRae, Wilbur Ware, Bob Cranshaw, James Moody, Jimmy Cleveland, Bill Crow, Art Taylor, Dizzy Gillespie (he’s on the duet with Louis of UMBRELLA MAN), Leo Wright, Harry Lookofsky, Lockjaw Davis, Johnny Coles, Ray Crawford, Paul Chambers, Bennie Green, George Coleman, Eddie Jefferson, Louis Jordan, Irene Kral, Joe Williams, Coleman Hawkins, Zoot Sims, Ben Webster, Kenny Burrell, Mannie Klein, Shelley Manne, Etta Jones, Benny Carter, Jim Hall, Joe Newman, Milt Hinton, Richard Davis, Frank Wess, Wilbur Little, Jimmy Scott, Marion Williams, Les McCann, Dexter Gordon, George Duvivier, Carrie Smith, Ken Peplowski, Howard Alden, Milt Jackson, Harry “Sweets” Edison, Al Grey, Houston Person, Joe Temperley, Benny Golson, Jay Leonhart, Jackie Williams, Andrew Hadro . . . and I know I’ve left two dozen people out.

Next, in the world of jazz, one would expect a tribute.  Or an obituary. Or both.

But not a love story, which is what follows.

A few days ago, I was contacted by Sarit Work, co-producer of SUNSET AND THE MOCKINGBIRD, a not-yet-finished documentary about Junior and his wife, Gloria Clayborne Mance.  They have created a Kickstarter to help them finish the documentary.  The headline is “The love story of jazz legend Junior Mance and Gloria Clayborne Mance. As he loses his identity to dementia she reckons with her own.”

Being a man (although this may not be typical of my gender) I have less ability to cope with illness than women I know.  It’s terribly irrational, but I cringe at visiting people in hospitals, visiting the ailing, the dying . . . and so on.  There must be a name for this — call it “testosterone terror”? — which makes people like me hide under the couch, if possible.  Or in the car.  And dementia is especially frightening, because I am closer to being a senior citizen than ever before.  But Sarit was very politely persuasive, so I watched the trailer.

And it hit me right in the heart.

Junior has a hard time remembering, and he knows this. But he knows he loves Gloria.  And Gloria, for her part, is a lighthouse beacon of steady strong love.  It is not a film about forgetting who you are so much as it is a film about the power of devotion.

So I urge you — and “urge” is not a word I use often — to watch the trailer, and if you are moved, to help the project along.  It will be a powerful film, and I think that helping this project is very serious good karma.  Maybe it will protect us a few percent?

Here is the link.  Yes, the filmmakers need a substantial amount of money.  But anything is possible.  And, yes, I’ve already contributed.  And from this day (or night) the filmmakers have only EIGHT days to raise the sum they need.  So please help — in the name of jazz, in the name of love, or both.  In my dictionary, the two are synonyms.

May your happiness increase!

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LENA BLOCH, VLADIMIR SHAFRANOV, PUTTER SMITH, MARK FERBER — in NEW YORK!

I don’t know when and where I first encountered the superb saxophonist Lena Bloch: perhaps she sat in at one of the Michael Kanan – Ted Brown – Joel Press gigs at Sofia’s?  and I recall her joining Brad Linde on the stand — happily!  However, she impressed me there as someone with a gentle lyricism and a pulsing inventiveness.  And Lena surrounds herself with equally surprising players who aren’t as well known as their music would deserve.  So I humbly suggest you take note of Lena’s two gigs at the end of this month and the start of the next.  You’ll go out into the winter night feeling warmed by the music she and her friends create.

Lena’s not the only reason to don your scarf (if this unpredictable weather requires it): another is pianist Vladimir Shafranov, who lived and worked in New York City more than a decade ago — with associations with George Coleman, Clifford Jordan, Dizzy Gillespie, Al Foster, George Mraz, Cecil McBee, Idris Muhammad, and many others.  The January 2012 HOT HOUSE describes him as “sinfully underrated.”

Here are two examples of Vladimir, improvising on familiar material: Watch him dance through HOW ABOUT YOU?

and a lyrical but harmonically deep WARM VALLEY:

Lena, Vladimir, and the fine bassist Putter Smith will be performing at Smalls Jazz Club on Monday, January 30, Monday, at 7 pm.  And on Thursday, February 2, they will be at the Kitano Hotel (joined by drummer Mark Ferber) at 8 and 10 PM.  Smalls has a music charge of $20 — for which one can stay all night, and the Kitano requires a $15 minimum spent on beverages or food.  Reservations are strongly suggested at the Kitano, so call 212 885 7119 ti assure yourself a space.

And if the name Lena Bloch is new to you, you might want to listen to this, where she and pianist Evgeny Svitsov make winding paths through EVERYTHING HAPPENS TO ME (recorded in May 2011):

She’s a special player, and she attracts others who think and feel deeply.