Tag Archives: Georgia Korba

GRAB YOUR HIGHLIGHTERS: THE BAND SCHEDULE FOR FRESNO “SOUNDS OF MARDI GRAS” 2019 IS HERE (with some delightful MUSICAL EVIDENCE)

I’ve already posted this cheering bouquet of balloons, and I’m making my first trip to Fresno for “the sounds of Mardi Gras” early next month.  And not simply in hope of finding balloons.

Now, we can all get down to the delightful business of planning what to see and hear.  I’m sure there are people who simply amble through a festival, guided by the sounds they hear coming from one room or another.  But I’m a man with a mission: I know the bands I particularly want to hear and video . . . so I have to plan.  If I go to see X and her Jelly Whippers at 6, then I can’t (as Sir Isaac Newton reminds me) hear Y and her Joy Boys at the same time.  So either in the solace of my apartment or perhaps on the airplane, I bring out the highlighters so that I can plot and plan . . .
NEWS FLASH: as of January 25, some last-minute changes – – – –
On Friday, in Salon C/D, the morning – afternoon sequence is now Young Bucs / Yosemite / Climax / Tom Hook / High Sierra.  The evening sequence in C/D is now Bob Schulz, Dave Stuckey, and the rest unchanged.    As far as  my nearsighted eyes can tell, those are the only changes.  But the sole way to be sure you have the right schedule is to go to the Sounds of Mardi Gras and pick up the current paperwork.
I believe that an even larger version — spread it out on the floor so the whole family can play — can be found  here.  Since this is my maiden voyage to this festival, I haven’t any videos of my own to share.  But my colleagues have filled that need for years — one of them being the faithful Bill Schneider, who captured Bob Schulz’s band playing a lyrical YOU’RE DRIVING ME CRAZY at the 2018 festival — with lovely work from Bob, Kim Cusack, Ray Skjelbred, Doug Finke, Scott Anthony, Jim Maihack, and Ray Templin:

and a very hot MONA LISA from a 2010 performance by the New El Dorado Jazz Band co-led by Hal Smith and Clint Baker, with Marc Caparone, Howard Miyata, Mike Baird, Carl Sonny Leyland, Katie Cavera, and Georgia Korba.  Not everyone in this band will be at the 2019 festival, but their music is preserved for us thanks to RaeAnn Berry:

I look forward to the 2019 banquet of good sounds.  For details, visit the festival’s website and their Facebook page.  But don’t take so long looking for the right color highlighter that this hot weekend passes you by.

May your happiness increase!

OH, MY HONEY: THE NEW EL DORADO JAZZ BAND

Click on the video below of ALEXANDER’S RAGTIME BAND (with verse) and be delighted.  And when it’s about halfway through, notice how happy the musicians look:

These inspiring presences are Hal Smith, co-leader, washboard; Marc Caparone, cornet; Kim Cusack, clarinet; Howard Miyata, trombone; Katie Cavera, banjo; Georgia Korba, bass; Carl Sonny Leyland, piano.

Here’s EARLY HOURS, a deep-down opus, in the groove.  The title doesn’t refer to the morning commute to work: it’s Chicago 1926 brought whole into this century: 

Something more cheerful — WHEN YOU AND I WERE YOUNG, MAGGIE (at one of the many tempos this classic works well):

Katie suggests another kind of social networking here: I WISH I COULD SHIMMY LIKE MY SISTER KATE.  You know it’s serious business when Professor Miyata brings on his shiny tuba for a meditation on the theme:

This wonderful music was captured for us by Rae Ann Berry at the Fresno, California, Sounds of Mardi Gras celebration on February 12, 2011.

HOW ABOUT SOMETHING FOR THE MUSICIANS WE ADMIRE SO?  ALL MONEY COLLECTED GOES TO THEM:

https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=VBURVAWDMWQAS

ARE YOU FREE NEXT WEEKEND? DIXIELAND MONTEREY 2011: JAZZ BASH BY THE BAY

This is where I’ll be March 4-6, 2011.  I’ll be the fellow with the video camera and tripod, who’s either three hours ahead or behind.  It will straighten itself out, I’m sure.

Tickets are still available:

http://www.dixieland-monterey.com/?page_id=121

And if you need convincing, here’s the schedule of events: I’ve already got conflicts, but that’s a good thing:

http://www.dixieland-monterey.com/?page_id=19

Who could resist?

I’m looking forward to seeing West Coast friends, getting to meet musicians I’ve only seen on YouTube, celebrating players and singers I’ve known for some time . . . and having a good long weekend, busily carpe-ing away. 

CLICK HERE TO GIVE SOMETHING BACK TO THE MUSICIANS WE ALL ADMIRE.  ALL MONEY COLLECTED GOES TO THEM:

https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=VBURVAWDMWQAS

“MKG and FRIENDS” (Feb. 6, 2010)

Another jazz gift from some brilliant musicians, ably captured by Rae Ann Berry!

MKG and Friends, on February 6, 2010, at the Sounds of Mardi Gras in Fresno, California.

That new acronym, translated, adds up to MARC Caparone, cornet; KATIE Cavera, guitar; GEORGIA Korba, bass; along with Mike Baird, alto sax; Chris Tyle, clarinet and vocal; Ray Skjelbred, trombone; Jeff Hamilton, drums; and Carl Sonny Leyland, piano.

They were intended to perform as a trio, but this happy aggregation just grew, in a friendly way.  The overall ambiance reminds me of a late-Thirties record session (the Varsity Seven with Benny Carter, Joe Marsala, Coleman Hawkins, and George Wettling), or a Lionel Hampton Victor, perhaps a Keynote band — the same loose, groovy feeling.  Two of the musicians are happily and ambitiously playing instruments they aren’t always associated with: Ray is well-known on piano, Chris on trumpet and drums.  But their knowledge and love of the music comes through powerfully.

Speaking of “powerfully,” might I suggest that readers who aren’t on the West Coast or who aren’t familiar with his work need to pay close attention to Marc Caparone, whose hot playing is a highlight of this set and of the New El Dorado Jazz Band.  Rough or polished, intense or pretty, he’s a great trumpet player, subtle or driving.  He loves the obvious Masters, but you’ll hear a good deal of those glorious eccentrics Red Allen and Jim Goodwin in his ferocities. 

And I’ve singled out the nifty Jeff Hamilton for praise at other times in this blog — but he’s having a wonderful time here, getting the sounds out of a drum kit that say Swing Is Here.

Here is a spirited reading of Walter Donaldson’s MY BUDDY, originally written as a lament — but that was before Hawk (in France) and Hamp (in the US) latched on to it.  Wow!

Here’s another lament, defined by Katie Cavera as “the saddest song” she knows — NOBODY CARES IF I’M BLUE.  It’s not true, Katie — we would worry about you if the lyrics were true.  Could we make you some soup or a cup of tea?  

I delight in her girlish angst, as if Annette Hanshaw had somehow found herself in the Vocalion studios circa 1937, and in the ghosts floating through this performance — not only Pee Wee Russell and Red Allen but Sandy Williams or J. C. Higginbotham. 

DO YOU EVER THINK OF ME reminds me of Vic Dickenson, who liked it, and of Jon-Erik Kellso, who continues to do so.  A rocking performance of a sweet old tune, it has the sound of a Condon Town Hall Concert — with Jeff’s splashing cymbal summoning up Mr. Dave Tough, his accents suggesting Wettling or Catlett. 

Here’s something pretty and winsome from the singular Dawn Lambeth, who takes AS LONG AS I LIVE at the easy, convincing tempo she likes (with deep-down work from Marc, who seconds the emotions).  Nobody sounds like Dawn, and the embellishments she creates in her second chorus are delightful:

Time for something slow and romantic, a dance for the lovers, explicated by Dawn: hold your Beloved tight as Dawn and the band do BLUE MOON:

For the pastoral poets among us, a song I associate with Duke Ellington, Louis and the Mills Brothers: IN THE SHADE OF THE OLD APPLE TREE.  Dawn brings Nature inside for a few minutes:

A rocking boogie-inflected version of ST. LOUIS BLUES:

Finally, a swinging version of LINGER AWHILE, entirely in the spirit:

“Groovy!” I thought to myself, in its pre-1967 meaning.  You could look it up.

NEW EL DORADO JAZZ BAND 2010: MARDI GRAS COMES EARLY!

Thanks to the energetic Rae Ann Berry, who took her nimble video camera to Fresno, California on February 6, 2010, for the Sounds of Mardi Gras (sponsored by the Fresno Dixieland Society), here are some lively videos of the New El Dorado Jazz Band, co-led by Hal Smith (on washboard) and Clint Baker (clarinet, banjo, vocals, and more) with Howard Miyata on trombone, Marc Caparone on trumpet, Mike Baird on clarinet, Katie Cavera on banjo, Carl Sonny Leyland on piano, Georgia Korba on bass — with a guest appearances by singer Dawn Lambeth and the multi-talented Jeff Hamilton

Here they are on a romping BIG CHIEF BATTLE AXE, which Dawn once told me they called (privately) BIG CHEAP CADILLAC, a title I much prefer.  Now the secret is out!

Here’s SNAG IT, a wonderful evocation of New Orleans – Chicago funk:

Marty Bloom’s improvisation on the theme of jazz sorrow, MELANCHOLY (with the verse):

Are you prey to violent urges?  SHAKE IT AND BREAK IT might be the right theme music:

Jelly Roll Morton’s WININ’ BOY BLUES, at a splendid tempo, with Carl hilariously swerving around the more erotic lyrics not once but twice (send a quarter to this blog by email for the missing lines, if you’re over eighteen):

And a romping ORIENTAL MAN (which I would bet has wonderfully archaic and unpopular lyrics):

Here’s a delicious YOU’RE DRIVING ME CRAZY — even though Dawn’s microphone lets her down, the combination of her creamy legato approach and the band’s Louis / Moten riffs is irresistible:

In tribute to Papa Ray Ronnei, here’s his original, SALTY BUBBLE:

Here’s YOU ALWAYS HURT THE ONE YOU LOVE — a wonderful song but bad advice in personal relationships.  Howard’s shifted over to the massive helicon, and Jeff Hamilton sits in on trombone (not his usual drums or piano — who knew?):

Carl Sonny Leyland can certainly rock the blues, as he does here — see how Hal Smith is enjoying the tempo even before the band joins in for SONNY’S BLUES:

And a nearly dangerous ONE SWEET LETTER FROM YOU, with Howard and Jeff continuing.  This band delivers the mail for sure. 

This band has recorded a CD for Clint’s BURGUNDY STREET RECORDS: if you’re lucky enough to see members of the band on gigs, I’m sure they’ll have some, and Hal Smith promises that it will soon be available through his website.  (http://www.halsmithmusic.com/hals_cdpage.html.)  I’m buying some copies! 

Does anyone have the lyrics to ORIENTAL MAN?  Or the original sheet music to share?

P.P.S.  For no reasons aside from personal pleasure, I’d like to know the “reach” of this blogpost.  Who’s watching these clips from far, far away?  A prize to the most distant viewer . . . !