Tag Archives: Gerry Green

I HAVE A NEW DESTINATION FOR FEBRUARY 7-10, 2019. CARE TO JOIN ME?

Here’s the first clue: 

and the second:

Although February is brief on the calendar, it can be a long month for those of us, in New York and elsewhere, waiting for a thaw.  I have a cure I’ll be trying out in 2019 — the Fresno Sounds of Mardi Gras — which takes place from February 7-10 in the DoubleTree by Hilton in Fresno, California.  Rumors that I have fallen in with some strange linguistic cult (Pismo, CA, in October 2018, and now another place ending in a vowel) just aren’t true, and the people spreading such gossip should stop.  No, the reasons I’ll be there are musical (and the opportunity to meet some California hot-jazz pals).  Here’s a sample, in a video by Bill Schneider from 2018:

Bob told me that the band he’s bringing in 2019 has got the same personnel: himself, Doug Finke, Kim Cusack, Ray Skjelbred, Scott Anthony, Jim Maihack, and Ray Templin.

and there’s Grand Dominion, featuring Clint Baker, Gerry Green, Jeff Hamilton, and other spreaders of the gospel (video by Franklin Clay):

and Dave Stuckey and the Hot House Gang.  Since they are new to Fresno, I can’t draw on the Mardi Gras video trove but bring forward this delightfully raucous one, shot at the Saturday-night swing dance in 2016 at the San Diego Jazz Fest, featuring Dan Barrett, Nate Ketner, Corey Gemme, and other rascals:

Dave tells me that the Fresno Hot House Gang will have Marc Caparone, who’s also appearing with High Sierra on one of that venerable band’s last gigs, Nate Ketner, Sam Rocha, and David Aus on piano.

Here is the Facebook page for the 2019 blast.  And here is the complete band listing (I believe) for 2019 . . . click http://www.fresnodixie.com/badges-online for details about badges, pins, sponsorships, and other nifty artifacts.

I’ll be leaving my snow shovel behind for a weekend in early February, and I won’t miss it.  Even if there’s no snow where you are, the hot music is better than any pharmaceutical I know.  See you there.

May your happiness increase!

Advertisements

“HELLO, LOLA!”: GRAND DOMINION JAZZ BAND at SAN DIEGO (Nov. 22, 2012)

One can only imagine the circumstances that led to the titling of the first song in the Victor studios in 1929, but Lola was Pee Wee Russell’s girlfriend in the late Twenties and early Thirties.  Legend has it she was exceedingly jealous and showed it in remarkable ways: once cutting up all of her lover’s suits with a long sharp scissors.  (Maybe Lola said to Pee Wee, “If you really loved me, you would name a song after me and record it so that everyone could see my name on the label.”)

I doubt that Lola is with us today, or that anyone named Lola was in the audience at the 2012 San Diego Jazz Fest (formerly the Thanksgiving Dixieland Jazz Festival) but the Grand Dominion Jazz Band knows its social courtesies and said “Hello!” to the crowd through hot jazz.  The players here are leader Bob Pelland, piano; Clint Baker, trumpet; Gerry Green, reeds; Jim Armstrong, trombone; Hal Smith, drums; Mike Fay, bass; and Bill Dixon, banjo.  Any band that has Clint at the front and Hal at the back can’t get off course!

HELLO, LOLA!:

BOGALUSA STRUT (recalling Sam Morgan, who never had a pair of scissors):

PERDIDO STREET BLUES (another evocation of the Crescent City):

I WOULD DO ANYTHING FOR YOU (remembering Claude Hopkins and Alex Hill, both very willing individuals, eager to please):

Good manners in hot jazz.

May your happiness increase.

GRATITUDE IN 4/4 (Part Eight): THE GRAND DOMINION JAZZ BAND at the 2011 SAN DIEGO THANKSGIVING DIXIELAND JAZZ FESTIVAL (thanks to Rae Ann Berry)

Here’s another helping of spicy gumbo from the Grand Dominion Jazz Band:  Bob Pelland, leader, piano; Clint Baker, trumpet, vocal; Jim Armstrong, trombone; Gerry Green, reeds; Bill Dixon, banjo; guest Marty Eggers, bass; Jeff Hamilton, drums.

Brought to you thanks to Paul Daspit, who combines organization, swing, and a sense of humor, and “SFRaeAnn,” Rae Ann Berry, who couldn’t be any deeper in the music without sitting in: visit her up-to-date list of hot jazz gigs in the area on www.sfraeann.com and her YouTube channel here.

I like a band what takes its time!  Here’s Ma Rainey’s JELLY BEAN BLUES with that deep gutty Twenties flavor:

Then, a stomping MY LITTLE GIRL with a vocal by Clint (a song new to me but surely not to the scholars in the JAZZ LIVES audience?) and a fine solo by guest Marty Eggers:

And another “new” song, BRIGHT STAR BLUES, which builds up a serious head of steam:

Hot music and unusual tunes — a fine combination platter!

GRATITUDE IN 4/4 (Part Three): GRAND DOMINION JAZZ BAND at the 2011 SAN DIEGO THANKSGIVING DIXIELAND JAZZ FESTIVAL (thanks to Rae Ann Berry)

More wonderful music from the 2011 San Diego Thanksgiving Dixieland Festival, proving that gratitude is a year-round phenomenon.

Here are eight gratifying performances by the Grand Dominion Jazz Band, recorded on November 24-25, 2011, and made available for JAZZ LIVES through the generosity of Rae Ann Berry, whose handiwork can be seen in two places (if you don’t encounter her at a concert, gig, or jazz party): her up-to-date list of hot jazz gigs in the area on www.sfraeann.com and her YouTube channel here.

Grand Dominion is led by pianist Bob Pelland, and features our friend Clint Baker — the wonderfully fulfilling multi-instrumentalist — here on trumpet, with Jeff Hamilton on drums giving the band just the right kind of relaxed drive from his kit.  The other worthies are Mike Fay, string bass; Jim Armstrong, trombone and vocals; Gerry Green, reeds; Bill Dixon, banjo.

ALL THE GIRLS GO CRAZY ‘BOUT THE WAY I WALK had a less genteel title in its first incarnation, but this will do:

Still down in New Orleans, here’s the GRAVIER STREET BLUES, with Clint in a fine Mutt Carey mood:

ST. PHILIP STREET BREAKDOWN — recalling George Lewis — features Gerry Green and the rhythm section:

PANAMA (not “PANAMA RAG”) by William H. Tyers, gets a fine rocking treatment here, all of its strains treated respectfully and with heat:

WILD MAN BLUES reminds me of Red Allen’s 1957 version in its steady intensity — and that’s the highest compliment I can pay:

The New Orleanians — wherever they found themselves on the planet — liked to offer swinging versions of “pop tunes” for dancing, and INTO EACH LIFE SOME RAIN MUST FALL lends itself delightfully to this treatment, with fine solos after the sweet vocal:

Recalling the 1940 Decca session that paired Louis and Bechet, here’s a gutty PERDIDO STREET BLUES, with beautiful drumming from Jeff:

Asking the perennially nagging question, DO YOU EVER THINK OF ME? (and the answer is “Of course we do!):

Thanks to Paul Daspit and these glorious musicians.  More to come!

TRULY WONDERFUL: THE RAIN CITY BLUE BLOWERS (May 7, 2011)

The post’s title isn’t hyperbole.  A friend sent me a few YouTube videos of this new band — holding forth on May 7, 2011, at the Bellingham Jazz Club (in Washington State).

I got through about fifteen seconds of the first clip before becoming so elated that I stopped the clip to make a few phone calls . . . their import being “You HAVE to see this band!  You won’t believe how wonderful they are!”

For a change, let’s begin with the rhythm section.  You can barely see Candace Brown, but you can hear her firm, flexible pulse — she’s playing a Thirties National steel guitar.  On her left is her husband Dave on string bass — strong yet fluid.  Closer to the camera is that monument of unaging swing, Ray Skjelbred on piano — the hero of the steady, varied left-hand and the splashing, striding right hand.  (His right hand knows what his left is doing: no worries!)  The front line is a mere duo but with multiple personalities — great for Jimmie Noone / Doc Poston ecstasies — of two gifted multi-instrumentalists.  On the left is Steve Wright — cornet, clarinet, soprano sax, vocal; to his right is Paul Woltz, bass, alto, soprano, tenor sax, and vocal.  Their repertoire moves from New Orleans / ancient pop classics to Bix and Tram to Condonite romps with a special emphasis on Noone’s Apex Club.

You’ll hear for yourself.  I began with MY HONEY’S LOVIN’ ARMS (homage to Bing and to Cutty Cutshall, who called this tune MAHONEY’S . . . . ):

Pee Wee Russell had a girlfriend named Lola (this would have been in the late Twenties and onwards, before Mary came along); legend has it that Lola was violently jealous and when she got angry at Pee Wee, she’d take a big scissors and cut his clothes to bits.  The Mound City Blue Blowers (with Coleman Hawkins and Glenn Miller) recorded a wonderful song and called it HELLO LOLA — were they glad to see her or merely placating her, hoping she hadn’t brought her scissors along?  We’ll never know, but this version of HELLO, LOLA (with comma) has no sharp edges — at least none that would do anyone harm:

The young man from Davenport — forever young in our imaginations — is loved so intensely that the RCBB offer two evocations of his music.  Young Bix Beiderbecke is on everyone’s mind for a romping IDOLIZING (memories of those Goldkette Victors):

And we think of Bix at the end of his particular road — with I’LL BE A FRIEND (WITH PLEASURE):

Now do you understand why I find these performances so enlivening?  This band has tempo and swing, heart and soul, rhythm in its nursery rhymes!  Seriously — what lovely rocking ocean-motion, heartfelt soloing and ensemble playing.  This band knows and plays the verse and the tempos chosen are just right.  And that beat!

I want Ralph Peer or Tommy Rockwell to hear the RCBB and I want them to be under contract to Victor or OKeh right this minute!  I would invite John Hammond to hear them, but John tends to meddle so – – – he’d want to replace half the band with people he liked better.  And I can’t think of people I would prefer . . .

How about two more selections?

This one’s for Mister Strong — his composition, you know! It’s MUSKRAT RAMBLE at the nice Hot Five tempo:

And just for fun (and because Red McKenzie sang it so wonderfully), the DARKTOWN STRUTTERS’ BALL — with the verse:

By day and by profession, I am an academic — which explains the didactic streak in my character — but this is a suggestion aiming my readers towards happiness rather than a graded assignment.  You might want to consider visiting Steve Wright’s YouTube channel — “” and indulging yourself in the other performances by this band.  How about SWEET SUE, EVERY EVENING, KING JOE, ONE HOUR, STACK O’LEE, CHANGES MADE, GEORGIA CABIN, LET ME CALL YOU SWEETHEART, and I’M CRAZY ‘BOUT MY BABY.

Multi-instrumentalist Steve Wright told me this about the band’s instant creation, gestation-while-you-wait:

“We pulled this together in a hurry.  Chris Tyle’s Silver Leaf Band was originally booked, but Chris got a call for some work in Europe and gave the gig to Dave and Candace (who play with him in Silver Leaf).  I play occasionally with the three of them in Candace’s Combo De Luxe, so I was looped in, and then we decided to pull in a second horn player (Paul) and Ray on piano.  I pulled together some leadsheets and two-reed arrangements from previous bands, and off we went.  Even the name was a rush job: I got a call from the Bellingham folks needing a band name for their publicity, and an hour to figure something out. Since I was already planning to use some Red McKenzie material from the First Thursday book (Hello Lola, for example), I thought of taking off from the Mound City Blue Blowers.”

Now . . . suppose the names of these players are new to you?  Ray Skjelbred has his own website — go there and feel good!

http://www.rayskjelbred.com/

— but Wright, Woltz, and the Browns might be less familiar to you.  Don’t fret.  Here are some facts for the factually-minded.

DAVE BROWN began his musical career decades ago, on banjo and guitar, later expanding his impressive talents to string bass.  He lays down solid rhythm with an energetic style influenced by Steve Brown and Pops Foster. Dave’s credits include membership in the Uptown Lowdown Jazz Band, Stumptown, Louisiana Joymakers, Chris Tyle’s Silver Leaf Jazz Band, Combo de Luxe, Glenn Crytzer’s Syncopators, Ray Skjelbred’s First Thursday Band, Gerry Green’s Crescent City Shakers and others.  Many West Coast bands call Brown for gigs, including Simon Stribling’s New Orleans Ale Stars, Red Beans and Rice, Vancouver Classic, Solomon Douglas Sextet, and Jonathan Stout’s Campus Five.  Over the years he has appeared at national and international jazz festivals and has been privileged to play alongside jazz greats “Doc” Cheatham, Spiegle Willcox, Jim Goodwin, and others.

STEVE WRIGHT has been a sparkplug of many fine bands, including the Paramount Jazz of Boston, the Happy Feet Dance Orchestra, the Stomp Off “studio” band (The Back Bay Ramblers).  He’s even substituted a few times with the Black Eagles on clarinet.  After moving to Seattle in 1995, he  joined the Evergreen Jazz Band as a second reed player and then moved to mostly playing cornet as personnel changed.  In the last few years, he’s played a great deal with Candace’s and Ray’s bands, as well as with a local Lu Watters-style two-cornet band, Hume Street Jazz Band.

CANDACE BROWN is one-half of the Jazzstrings duo with husband Dave, Combo de Luxe, Louisiana Joymakers, and she has subbed in many other bands (including Simon Stribling’s Ale Stars and Mighty Aphrodite) as well as playing in the pit orchestra for musical theater. Candace has been heard at a number of festivals including the Sacramento Jazz Jubilee, on an Alaskan jazz cruise, at several jazz society concerts, and in July of 2007 she was a member of the pit orchestra for a production of “Thoroughly Modern Millie.”  Candace is also a splendid writer — if you haven’t read her inspiring blog, GOOD LIFE NORTHWEST, you’re missing out on deep pleasure:  http://goodlifenw.blogspot.com/

PAUL WOLTZ began playing music in his youth, in California.  He performed frequently at Disneyland for a decade, worked as a studio musician in Hollywood, and was a member of the Golden Eagle Jazz Band.  In the Seattle/Everett area, he is a member of the Uptown Lowdown Jazz Band (with whom he has performed at countless jazz festivals and on jazz cruises) is principal bassoonist in the Cascade Symphony, occasionally performs with the 5th Ave Theater, and is called as a sub in numerous bands in the Puget Sound area and beyond — all over the United States and abroad.

TRULY WONDERFUL!