Tag Archives: Gypsy jazz

GENTLY BUT FIRMLY: HOT CLUB PACIFIC: “JIVE AT FIVE”

HCP front

Looking at the sleeve, one could underrate this sweet session from a group of West Coast players as just another “Hot Club” effort.  But the listener who goes within the cardboard has pleasant surprises in store.

For one thing, the HCP is not bowing low to the Quintette of the Hot Club of France in its most famous — and most imitated — Thirties incarnation, with one solo guitar, two rhythm, one violin, one string bass.

Rather, it emulates in its instrumentation the later Reinhardt – Rostaing efforts, clarinet instead of violin. And the group eschews some of the more limiting aspects of “Gypsy jazz,” especially the note-laden guitar solos at searing tempos.

No, this Hot Club leans more towards a Basie / Charlie Christian aesthetic, which is fine with me. The prime movers here are Marc Schwartz (lead guitar), Jack Fields (rhythm guitar), Dale Mills (clarinet), Nat Johnson, Bill Bosch, or Matt Bohn (bass), Olaf Schipiacasse (drums).  And you’ll see from the tune list below that they have neatly sidestepped some of the most overplayed numbers in the G.S. repertoire, for which relief much thanks.

HCP back

I know what follows next might seem like faint praise, but as I was listening to JIVE AT FIVE, I kept noting those corners and musical niches where lesser players might have stuffed in familiar quotes, phrases taken from famous records — in short, cliches.  And each time the band went its own happy swinging way, which is always reassuring.

Here is the HCP Facebook page, and here is what I wrote about them a few years back — with convincing videos.

The HCF has regular gigs in the Santa Cruz / Monterey area, best checked on the Facebook page.  But for pictures of the band and booking information, there’s no better place than here.

The CD is a limited edition, so don’t wait too long to snap up a copy — or else you will be fishing around on eBay.  And if you don’t feel that my endorsement is sufficient proof, how about this: guitar maestri Paul Mehling, Howard Alden, and Larry Coryell have visited and sat in during the band’s ten-year run.  That’s good enough for me.

 May your happiness increase!

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BACK BY POPULAR DEMAND: MORE OF LE JAZZ HOT at MONTEREY (March 7, 2014)

A number of people wrote very enthusiastic responses to my posting part of a set by Dawn Lambeth and Le Jazz Hot (March 7, 2014) at Jazz Bash by the Bay. They wanted more, and I can’t blame them. More of Dawn’s beautiful singing from another set is on the way, but here are the remaining performances by Le Jazz Hot from that session.

For the latecomers, the posts I speak of can be seen here and here.

The band is Paul Mehling, guitar; Evan Price, violin; Isabelle Fontaine, rhythm guitar / vocal; Sam Rocha, string bass.

To the music.

PLACE DE BROUCKERE:

MELODIE AU CREPUSCULE:

I’LL SEE YOU IN MY DREAMS:

BUONA SERA, SIGNORINA:

I won’t attempt to explain the intricate relations between the Hot Club of San Francisco, Le Jazz Hot, and the Ivory Club Boys, except to say that the latter incarnation is gigging at Armando’s in Martinez on May 31.  Details here.

May your happiness increase!

DAWN LAMBETH SINGS, LE JAZZ HOT PLAYS at MONTEREY (March 7, 2014)

A winning combination for sure: the wonderful singer Dawn Lambeth paying a swing visit to Le Jazz Hot — Paul Mehling, guitar; Evan Price, violin; Isabelle Fontaine, rhythm guitar; Sam Rocha, string bass — at the Jazz Bash by the Bay on March 7, 2014:

I COVER THE WATERFRONT:

THE MAN I LOVE:

MY MELANCHOLY BABY:

WHEN DAY IS DONE:

You can find out more about Dawn here or on Facebook.  She has appeared at many major music festivals, recorded two CDs, and has a wonderful DVD out as well.  Dawn will be more prominently featured in the 2015 Bash.  As for the delightful Le Jazz Hot (and its various incarnations: the Hot Club of San Francisco or the Ivory Club Boys), follow them     here or at their Faccebook page.

But the music will tell you all you need to know about a wonderful singer and a fine band — the musical embodiment of “a starlit sky above,” even though we were indoors.

May your happiness increase! 

SWING SCENE: MONDAY NIGHT at LE COLONIAL SF with THE IVORY CLUB BOYS (PAUL MEHLING, EVAN PRICE, CLINT BAKER, SAM ROCHA, ISABELLE FONTAINE: April 28, 2014)

A week ago, last Monday night, I was making the scene at Le Colonial SF (20 Cosmo Place, San Francisco) on the site of the famous Trader Vic’s.

Virtuoso guitarist Paul Mehling and friends usually play hot gypsy jazz — homage to Django Reinhardt and Stephane Grappelli — as the Hot Club of San Francisco. But Paul brought a new variation on swinging themes, The Ivory Club Boys, to Le Colonial on April 28, 2014.

The Ivory Club Boys evoke the jazz scene of the late Thirties on New York City’s fabled Swing Street (Fifty-Second Street) with a special emphasis on the hot music of violinist Stuff Smith.

Along with Paul, the ICB are Evan Price, electric violin; Clint Baker, trumpet AND trombone AND vocal; Isabelle Fontaine, guitar, vocal, and non-Boyishness; Sam Rocha, string bass, vocal.

OPENING BLUES (like the old days, and wonderful):

CRAZY RHYTHM:

CARELESS LOVE (a blues Stuff Smith adored):

An assertively quick reinvention of SWEET AND LOVELY:

DESERT SANDS:

DINAH:

Le Colonial is a fine place to be on Mondays — to hear hot music; to dance to it; to watch the exuberantly acrobatic dancers; to eat Vietnamese food and drink all sorts of intriguing liquids.  And now “20 Cosmo Place” is in my GPS, so I feel both secure and excited.

May your happiness increase!

LE JAZZ HOT PLAYS DJANGO at JAZZAGE MONTEREY’S JAZZ BASH BY THE BAY: PAUL MEHLING, EVAN PRICE, ISABELLE FONTAINE, SAM ROCHA (March 7, 2014)

The title says it all.  DIMINISHING BLACKNESS and RHYTHM FUTUR — compositions by Django Reinhardt that are both refreshingly futuristic.  They are performed marvelously by Le Jazz Hot: Paul Mehling, guitar; Evan Price, violin; Isabelle Fontaine, guitar; Sam Rocha, string bass.  All of this happened thanks to JazzAge Monterey’s Jazz Bash by the Bay on March 7, 2014:

Intriguing music, so far from AABA formula of the times — performed with an engaging freshness and life.  More to come from this group (and friends)!

May your happiness increase!

SWING SYNERGY: MIKE LIPSKIN, LEON OAKLEY, PAUL MEHLING at RANCHO NICASIO (March 24, 2014)

Some groups sound larger than their numbers.  Whether the reason is experience, community, or intuition, they blossom on the stand, emerging as an entity more gratifying and complete than their individual personalities, instruments, and sounds.

Here’s a trio of piano, cornet, and guitar.  Close your eyes and you could think you are listening to a six or seven-piece band.  Open your eyes, and you wouldn’t miss a clarinet, trombone, string bass, or drums.

Such magical synergy doesn’t happen as a matter of course — but it did last Sunday, March 24, 2014, when Mike Lipskin (piano), Leon Oakley (cornet), and Paul Mehling (guitar) delighted us.

Here are eight performances from that evening — cheerful music imbued with the sweet spirit of Fats Waller and his Rhythm. Mike, Leon, and Paul don’t copy people or records, but their buoyant joy in playing evoked the swing Masters.

James P. Johnson’s OLD FASHIONED LOVE:

BABY BROWN, for and by Alex Hill:

UNDECIDED, for Charlie Shavers:

SPREADIN’ RHYTHM AROUND, that 1935 anthem:

James P.’s SNOWY MORNING BLUES, a solo for Mike:

Hoagy Carmichael’s OLD MAN HARLEM:

A romp on AVALON:

YESTERDAY (the Lennon-McCartney soundtrack of the late Sixties, but watch out for the later choruses):

Messrs. Lipskin, Oakley, and Mehling play a variety of gigs with a variety of ensembles, from solo piano to gypsy jazz to a stomping two-trumpet band . . . catch them while you can!  (They are, singly and collectively, the real thing.)

May your happiness increase!

SWING STREET COMES TO NICASIO (Part Two): THE IVORY CLUB BOYS: PAUL MEHLING, EVAN PRICE, CLINT BAKER, SAM ROCHA, and MIKE LIPSKIN (March 2, 2014)

A second helping of The Ivory Club Boys, a hot band that satisfies. (Here is the first helping, for those who’d rather listen than read.)

On Sunday, March 2, 2014, while the rest of America was watching the Oscars, the Beloved and I were having a wonderful time with the Ivory Club Boys (presented by the Hot Club of San Francisco) paying tribute to violinist Stuff Smith and his Onyx Club Boys, at Rancho Nicasio in Nicasio, California.

The Ivories were (for this occasion) Paul Mehling, guitar and vocal; Evan Price, violin; Clint Baker, trumpet, euphonium, clarinet, and vocal; Sam Rocha, string bass, and guest star Mike Lipskin, piano.

And before we proceed: the Ivories aren’t a repertory band devoted to reproducing Stuff and Jonah’s hot sounds right off the record — so the scholars may find a certain liberty in their improvisations.  (Whisper this: the Ivories even perform songs Stuff never recorded.)  But they don’t want to make history; they just want to swing. Four-four, if you don’t mind. Charlie Christian and Teddy Bunn are at the bar, too.

Here are more rocking numbers from their second set:

ROSETTA (vocal Sam Rocha):

Stuff’s own IT’S WONDERFUL:

SOME OF THESE DAYS:

I COVER THE WATERFRONT:

‘S’WONDERFUL:

MOONGLOW:

SOLID OLD MAN:

MOTEN SWING:

This band was so rewarding.  I’m looking forward to their next gig, their CD, their DVD, the world tour, the t-shirts, keychains, their own Facebook page. Until the Ivory Club Boys come to your town, enjoy this set.

May your happiness increase!