Tag Archives: high fidelity

WHEN LOVE LASTS: YAALA BALLIN and ARI ROLAND (2015)

Songwriters have always done well with the sudden romantic infatuation, the blinding green flash “across a crowded room.”  “And all at once I owned the earth and sky.”  But love that lasts when such mind-altering experiences have grown familiar is much more rarely a subject.  Oh, there’s WHEN YOU AND I WERE YOUNG, MAGGIE, but MAGGIE is no longer around to appreciate the encomium; there’s THE FOLKS WHO LIVE ON THE HILL, but that couple is also apparently fairly sedentary.

THEN I'LL BE TIRED OF YOU

The song that I think of with great affection is the 1934 THEN I’LL BE TIRED OF YOU, music by Arthur Schwartz, lyrics by Yip Harburg.  I heard it first in a rather irreverent version by Fats Waller (when the song was new) and later by Vic Dickenson and Joe Thomas — instrumental but deeply fervent.  The simple melody is memorable (Joe delighted in those repeated notes) yet for me what makes it complete is Harburg’s witty conceit: rather than attempt to revitalize “I will always love you,” he turns it on its head in the conditional: “I’ll weary of you when these improbable events happen, but not a second before.” High fidelity, and long-playing, too.

YAALA

Here’s a deliciously intimate version by the fine young singer Yaala Ballin and string bassist Ari Roland, recorded in December 2015 at The Drawing Room (video by the very gifted Neal Miner):

Even better than this video is the news that Yaala and Ari will be singing and playing on Sunday, June 19, at the pastoral hour of 3:30, at The Drawing Room (56 Willoughby Street, Brooklyn — right near a subway!)  Here are the details of that event.  And later on that same June 19, Lena Bloch, Russ Lossing, Cameron Brown, and Billy Mintz (the FEATHERY quartet) will be creating and improvising . . . from 7 PM on.

May your happiness increase!

SOLACE IN SWING (June 26, 2015)

Though it’s a fickle age, beauty can always rescue us if we know where to look. And how to listen.  This spiritual panacea is brought to us by James Dapogny, piano; Mike Karoub, cello; Rod McDonald, guitar; Kurt Krahnke, string bass. Recorded by Laura Beth Wyman on June 26, 2015, at Glacier Hills Senior Living Community, Ann Arbor, Michigan.

Fats Waller’s declaration of high fidelity:

Irving Berlin’s celebration of bliss (here with a little DROP ME OFF IN HARLEM nuance at the start and a little Spanish binge on the bridge):

How lyrical, how sublime.  I feel so much better.

May your happiness increase!

TWO SONGS FOR THE BELOVED, SUNG BY MESSRS. WALLER and CROSBY

If I needed proof that the world is miraculous, I would only have to think of the Beloved.  Mr. Waller explains:

Following her has increased my happiness beyond measure.  Mr. Crosby gives voice to my sentiments:

I hope all of you have a Beloved in your lives, a remarkable person with a deeply generous spirit.

And it was her idea that I start JAZZ LIVES.  So I might suggest that she has earned your gratitude as well as mine!

May your happiness increase!