Tag Archives: Holland-Coots Jazz Quintet

LIFE IMPROVES AT FORTY, ESPECIALLY FOR THE SAN DIEGO JAZZ FEST and SWING EXTRAVAGANZA (Nov. 27-Dec. 1, 2019)

The 1932 best-seller (with a Will Rogers movie a few years later):

Even before I was 40, I was slightly suspicious of the idea, even though it came from better health and thus longer life expectancy.  Was it an insult to the years that came before?  And now that I’m past forty . . . .

But the San Diego Jazz Fest and Swing Extravaganza is celebrating its fortieth this year and is in full flower.  So no Google Images of birthday cakes for us — rather, music of the highest order.

The bands and soloists who will be featured include John Royen, Katie Cavera, the Holland-Coots Jazz Quintet, Grand Dominion, John Gill, On the Levee Jazz Band, the Mad Hat Hucksters, Carl Sonny Leyland, the Heliotrope Ragtime Orchestra, the Yerba Buena Stompers, the Chicago Cellar Boys, Titanic Jazz Band, the Night Blooming Jazzmen, and more than twenty others, with youth bands, sets for amateur jammers, and the Saturday-night dance extravaganza featuring On The Levee and the Mad Hat Hucksters.

The Festival is also greatly comfortable, because it is one of those divine ventures where the music is a two-to-five minute walk from the rooms at the Town and Country Convention Center.

http://www.sdjazzfest.org/data/uploads/pdf/schedule.pdf

is the “almost final” band schedule for Wednesday night through Sunday.  I will wait until the “final” schedule comes out before I start circling sets in pen and highlighting them — but already I feel woozy with an abundance of anticipated and sometimes conflicting pleasures.

For most of the audience, one of the pleasures of the festival circuit is returning to the familiar.  Is your trad heartthrob the duo Itch and Scratch, or the Seven Stolen Sugar Packets?  At a festival, you can greet old friends both on the bandstand and in the halls.  But there’s also the pleasure of new groups, and the special pleasure of getting to meet and hear someone like John Royen, whom I’ve admired on records for years but have never gotten a chance to meet.

Here’s John, playing Jelly:

And here are a few previously unseen videos from my visits to the Jazz Fest.  First, one of my favorite bands ever, the band that Tim Laughlin and Connie Jones co-led, here with Doug Finke, Katie Cavera, Hal Smith, Chris Dawson, and Marty Eggers — in a 2014 performance of a Fats classic:

and the Chicago Cellar Boys — who will be at this year’s fest — in 2018.  The CCB is or are Andy Schumm, John Otto, Paul Asaro, Johnny Donatowicz, and Dave Bock:

and for those deep in nostalgia for traditional jazz on a cosmic scale, how about High Sierra plus guests Justin Au and Doug Finke in 2014:

Pick the bands you like, explore those new to you, but I hope you can make it to this jolly explosion of music and friendship: it is worth the trip (and I’m flying from New York).  You’ll have an unabridged experience and lose your anxieties!

May your happiness increase!

THE STUFF IS HERE: THE HOLLAND-COOTS JAZZ QUINTET at the HOT JAZZ JUBILEE: BRIAN HOLLAND, DANNY COOTS, STEVE PIKAL, JACOB ZIMMERMAN, MARC CAPARONE (August 30 and September 2, 2019)

The Holland-Coots Jazz Quintet at Monterey, March 2019.

I need say no more . . . except Brian Holland, piano or keyboard; Danny Coots, drums; Steve Pikal, string bass; Jacob Zimmerman, alto saxophone or clarinet; Marc Caparone, trumpet.  Recorded at the Hot Jazz Jubilee in Sacramento, California, on August 30, 2019, by RaeAnn Hopkins Berry.  Thanks to everyone!

ROYAL GARDEN BLUES (with some Basie and Fats touches):

BERNIE’S TUNE, which takes its leisurely time, happily, making its way uptown:

Have something you want to get off your chest?  CONFESSIN’ is good for the soul:

As are vigorous heartfelt avowals of love:

and something sweet — theme music for rebuilding that cottage:

From a set on September 2, a romping BLUE LOU:

And the gorgeous song that Louis took as his band’s first theme song, HOME:

To me, this versatile quintet is operating at the very peak.  Have you seen them live?  It’s even better . . . .

May your happiness increase!

“WAKIN’ UP MUSIC”: BRIAN HOLLAND, STEVE PIKAL, DANNY COOTS at the EVERGREEN JAZZ FESTIVAL (July 27, 2019)

Let’s just say that you have to go back to work on Tuesday morning, September 3.  You’ve had a lovely summer or, at least, a pleasing long Labor Day weekend. How to bridge the gap, or jump the chasm without falling in?

Ben Webster, living his last years in Copenhagen, had a tape of what he called his “wakin’ up music”: a mix of Art Tatum, Fats Waller, and others — Ben fancied himself a homegrown stride pianist, and in his own seriously idiosyncratic way, he could cover the keyboard.

I offer this to JAZZ LIVES readers as a salutary alarm clock, something that might make the journey back to the world of work seem, for the moment, tolerable.  It’s a performance of Eubie Blake’s TROUBLESOME IVORIES by a trio calling themselves GROOVUS — a subset of the Holland-Coots Jazz Quintet (yes, a band-within-a-band) that is Brian Holland, piano; Steve Pikal, string bass; Danny Coots, drums.

GROOVUS has also recorded their first CD, called ALL WE KNOW: details        here.   And if you’d like to hear the version of TROUBLESOME IVORIES that Brian and Danny recorded recently, nothing’s simpler: look here.

And now we’re all awake.

May your happiness increase!

THE VERSATILE FIVE: THE HOLLAND-COOTS QUINTET TAKES EVERGREEN (BRIAN HOLLAND, DANNY COOTS, JOHN OTTO, STEVE PIKAL, MARC CAPARONE): THE EVERGREEN JAZZ FESTIVAL, JULY 26, 2019

The Holland-Coots Jazz Quintet in Sedalia, Missouri, in 2018.

The Holland-Coots Jazz Quintet performed eight sets at the 2019 Evergreen Jazz Festival in Evergreen, Colorado, and I — a fervent convert — was in attendance for all of them.  They are Marc Caparone, cornet, vocal; special guest for that weekend John Otto, clarinet; Danny Coots, drums; Brian Holland, piano; Steve Pikal, string bass.

At the end of one set, early in the Festival, I heard a woman’s enthusiastic voice from behind me, “This band can do EVERYTHING!” and before I could turn around sufficiently, she was gone.  Dear lady, wherever you are, I salute you on your insight.

First, AT THE JAZZ BAND BALL, written and recorded by the Original Dixieland Jazz Band — so perhaps one of those compositions we could call “Dixieland” without fear of rebuke:

and here in 2919:

Later that same day, something very pretty, and you don’t have to repair a thing, LOUISIANA FAIRY TALE (by Danny’s great-uncle and great uncle, J. Fred Coots):

and a nice easy Forties JUST YOU, JUST ME:

Versatile indeed.

May your happiness increase!

SOUP AND EARS FROM COLORADO (July 26, 2019)

A family-member-by-marriage, now removed, in childhood, used to refer to the trinkets from a trip as SOUP AND EARS.

It’s stuck in my mind as a charming locution, and the answer to the question, “Hey, what’d you bring us from the Evergreen Jazz Festival?”  Never fear, dear readers.  No photographs of double rainbows, and I saw no elk, but there was glorious music.

Here are the first three performances from the first set I saw, which should give you a good idea of the intense pleasures to be found there.  The group, a favorite, is the Holland-Coots Jazz Quintet, with Brian Holland, piano; Danny Coots, drums; Marc Caparone, cornet / vocal; Steve Pikal, string bass; John Otto (for this weekend) clarinet.

EVERYBODY LOVES MY BABY:

SHINE:

Incidentally, if you think that SHINE is a “racist” song, its authors were African-American and the song is an assertion of race pride in the face of prejudices.  Read this, please.

and ALL BY MYSELF:

Those of you who know that Danny’s father was a minister won’t be surprised that Danny takes the microphone between songs to share a moral moment, a little homily: worth your attention:

There’s much more good music to come.

May your happiness increase!

DOUBLE RAINBOWS OF SOUND: COME TO THE EVERGREEN JAZZ FESTIVAL! (July 26-28, 2019)

At the end of July, I will make my fourth visit to the Evergreen Jazz Festival, a weekend of music I look forward to avidly.  The rainbow photograph comes from my first visit; unfortunately, I couldn’t find the photographs I took of elk in the parking lot, but everybody comes out for fine jazz.

A small cautionary note: I waited until almost too late to find lodging — if you plan to go to Evergreen, make arrangements now: there’s a list of places to stay on their site, noted above . . . then there’s air travel and car rental.  But it’s all worth the time and money, I assure you.  Last night, I landed happily in Bears Inn Bed and Breakfast, among my friends, and I feel so fortunate: thank you, Wendy!

For me, previous highlights of Evergreen have been the music of Tim Laughlin, Andy Schumm, Kris Tokarski, James Dapogny’s Chicago Jazz Band, Hal Smith, the Holland-Coots Jazz Quintet, the Riverboat Roustabouts, and I am leaving out many pleasures.

Here’s the band schedule for this year:

You see that great music will flourish.

I confess that my heart belongs to the Holland-Coots Jazz Quintet (this weekend with John Otto in the reed chair), Hal Smith’s On the Levee Jazz Band (playing songs associated with Kid Ory in truly swinging style, with Clint Baker playing the role of the Kid) and the Carl Sonny Leyland trio, but I hope to see the Wolverine Jazz Band also . . . there are a host of local favorites as well, including Joe Smith and the Spicy Pickles, Wende Hairston and the Queen City Jazz Band, After Midnight, and more.

Time for some music!

Here’s a romping tribute to Fats Waller by the Holland-Coots Jazz Quintet, whose debut CD “This Is So Nice It Must Be Illegal”) is a Waller tribute: that’s Brian Holland, piano; Danny Coots, drums; Marc Caparone, cornet; Jacob Zimmerman, reeds; Steve Pikal, string bass, seen here at the Monterey, California Jazz Bash by the Bay on  March 2, 2019.  At Evergreen, the reed chair will be filled by John Otto from Chicago (you know him from the Fat Babies and Chicago Cellar Boys):

and COME BACK, SWEET PAPA by the On the Levee crew:

This band is devoted to the music of Kid Ory in his later decades, led by drummer / scholar Hal Smith, and including Charlie Halloran, trombone, Ben Polcer, trumpet, Joe Goldberg, clarinet; Kris Tokarski, piano, Alex Belhaj, guitar, Josh Gouzy, string bass: PAPA was recorded on November 25, 2018, at the San Diego Jazz Fest.

And finally, a real delight — Dorothy Bradford Vernon’s Thursday-night barn dance in Longmont, Colorado, featuring Carl Sonny Leyland, piano and vocals; Marty Eggers, string bass; and Jeff Hamilton, drums.  Information here — wonderful music, irreplaceable atmosphere, reasonable ticket price.  That’s July 25, 7:30-10:00 PM.

I will miss it this year (travel conflicts) but here’s how YOU TOOK ADVANTAGE OF ME rocked the barn last year:

I hope to see many of JAZZ LIVES’ readers and friends in Evergreen.

May your happiness increase!

SUE’S CRUISE: A MUSICAL SOUVENIR from the first STOMPTIME CRUISE (Brian Holland, Danny Coots, Marc Caparone, Evan Arntzen, Steve Pikal, April 27, 2019)

 

Now that I’ve gotten your attention.  That’s what I’ve been eating (with some digressions) on my first cruise — also the inaugural STOMPTIME cruise — on the Celebrity Equinox.  Tasty, fresh, lively.  The same can be said about what I’m hearing: music from a wonderful assortment of bands and soloists, including Frederick Hodges, Stephanie Trick, Paolo Alderighi, Pat Bergeson, Andy Reiss, Annie Sellick, Jeff Barnhart,Dick Maley, Carl Sonny Leyland, Nate Ketner, Sam Rocha, Clint Baker . . .  !

Here is a video souvenir from the first night of the cruise, music by the Holland-Coots Jazz Quintet (Brian Holland, piano; Danny Coots, drums; Marc Caparone, cornet; Evan Arntzen, reeds, Steve Pikal, string bass). Recorded at sea aboard the Celebrity Equinox on April 27, 2019.  And all I will say is “Ev’ry star above / knows the swing I love”:

Did you dig?

You should know that there is a second STOMPTIME cruise, seven days to Alaska, in mid-June 2020.  (I think it’s June 12-19, but you should check.) If the creeks don’t rise, I’ll be there.

May your happiness increase!