Tag Archives: hot chamber music

THE FROLICS AT FRAUNCES (Part One): ROB ADKINS, MIKE DAVIS, CRAIG VENTRESCO (July 25, 2015)

Fraunces Tavern

To some, Fraunces Tavern at 54 Pearl Street in lower Manhattan is most famous as the spot where George Washington held a farewell dinner for his troops in 1789.  Others like it because of their wonderfully extensive beer list and straightforward food — nice servers always, too.  Also, it’s a fine place to bring the family if you’re coming or going to Ellis Island or the Statue of Liberty.

For me, it’s a little-known hot spot of rhythm on Saturday afternoons from 1-4. I came there a few months ago to enjoy the hot music of Emily Asher’s Garden Party Trio [plus guest] — which you can enjoy here — fine rocking music.

But let us live in the moment!  Here are four performances by Rob Adkins, string bass; Craig Ventresco, guitar (the legend from San Francisco and a friend for a decade); Mike Davis, cornet AND trombone.

“Trombone?” you might be saying.  Mike is very new to the trombone — a number of months — and he was playing an instrument not his own.  So he was a little sensitive about my making these performances public (those dangerous eyebrows went up and threatened to stay there) but I assured him that his playing was admirable, even if he was severe on himself.  His cornet work is a complete delight.  The music Rob, Craig, and Mike make is delicate and forceful, incendiary and serene.  You’ll see and hear for yourself on these four performances.  Rob swings out with or without the bow, by the way.

LILA, which I associate with a Frank Trumbauer / Bix Beiderbecke OKeh — a song I’ve never heard anyone play live, so thank you!

WHISPERING, which was once one of the most-played songs in this country and is now terribly obscure:

WAITING AT THE END OF THE ROAD, with memories of Paul Whiteman, Bing Crosby, Andy Secrest, Bix Beiderbecke, and Irving Berlin:

ALEXANDER’S RAGTIME BAND, another Berlin classic, this performance evoking Red Nichols and Miff Mole:

And although it gets me in trouble with some people every time I write it, these three musicians are not necrophiliac impersonators.  They know the old records — those cherished performances — intimately and lovingly, and the records might act as scaffolding, but they are not restricted to copying them. (Ironically, this session reminds me more than a little of the lovely impromptu recordings made by Johnny Wiggs and Snoozer Quinn, although those two musicians didn’t have the benefit of a wonderful string bassist of Rob’s caliber in the hospital.)

There will be more to come from this Saturday’s glorious hot chamber music performance.  And this coming Saturday (August 1) Rob Adkins has asked trombonist Matt Musselman and guitarist Kris Kaiser to start the good works.  I know they will.

May your happiness increase!

(CAFE) DIVINE INSPIRATION: LEON OAKLEY and CRAIG VENTRESCO, IN LIVING COLOR (Part Two: June 15, 2014)

Good things happen at Cafe Divine (1600 Stockton Street, San Francisco, California) — the food and the North Beach ambiance — but for me the best things happen on the third Sunday of each month, when the Esteemed Leon Oakley, cornet,and Craig Ventresco, guitar and banjo, improvise lyrically on pop tunes and authentic blues for two hours.  I posted four performances from their satisfying June 15, 2014, session here. I was taught as a child to share . . . so here are five more beauties, in living color both in the view and the soaring improvisations.

STRUTTIN’ WITH SOME BARBECUE (with Craig on banjo, delightfully):

BLUES IN F (nothing more, nothing less — evoking Joseph Oliver):

MARGIE (that 1920 lovers’ classic):

And two songs that make requests — one spiritual, connected to Bunk Johnson and Sidney Bechet, LORD, LET ME IN THE LIFEBOAT:

and one secular — I think of Pee Wee Russell with TAKE ME TO THE LAND OF JAZZ:

Which they do.  More Divine Music to come.

 May your happiness increase!

(CAFE) DIVINE INSPIRATION: LEON OAKLEY and CRAIG VENTRESCO, IN LIVING COLOR (Part One: June 15, 2014)

Have you been? I refer to the hot chamber music sessions created by Maestro Leon Oakley and Professor Craig Ventresco — improvising on classic themes — held at Cafe Divine, 1600 Stockton Street, San Francisco, California, on the third Sunday of each month.

Here are the first four of a dozen treats — in living color visually as well as musically:

SOMEDAY SWEETHEART:

A SHINE ON YOUR SHOES:

I WOULD DO ANYTHING FOR YOU:

MOONGLOW:

May your happiness increase!