Tag Archives: HOT JAZZ RABBLE

SHE CAME TO PLAY: SARAH SPENCER STOMPS IT DOWN, PART TWO (June 10, 2015)

I can precisely document the time and place my admiration for Sarah Spencer began.  The site was the second floor of Casa Mezcal (86 Orchard Street, on the Lower East Side of New York City) around 3 PM on Sunday, June 5 — an event I’ve documented here. Witnessing this was Tamar Korn (it was her gig), violinist / baritone saxophonist Andy Stein and pianist Ehud Asherie.  Then, happily, Sarah brought her tenor saxophone to the Wednesday, June 10 gig of the Hot Jazz Rabble at the Tryon Public House (4740 Broadway).

Her friends in the Rabble were Jim Fryer, trombone; Mike Davis, trumpet; Glenn Crytzer, banjo; Jennifer Vincent, string bass.

A word before readers jump into the videos.  To tenor saxophone aficionados who have grown up on Hawk, Ben, Lester, and their modern descendants, Sarah’s playing may take sixteen bars to get used to.  If, however, you know the New Orleans tradition of Cap’n John Handy and Emmanuel Paul, Sarah’s bubbling, exuberant work will make you feel at home immediately.

She told me that she doesn’t see herself as a member of the front line, alongside trumpet and trombone, but rather as part of the rhythm section, energizing it in naturally.  What you’ll hear in her joyous ensemble playing sounds like a cross between water rushing over rocks and a very dark, ferocious Bud Freeman who’s been boling crawfish.

With that as preface, here she is on MARIE:

And here Sarah sings DOWN IN THE MOUF’ BLUES, which is a late Clara Smith performance.  Please note that she does more than copy the recorded performance.  Even better, she varies her phrasing from chorus to chorus with lovely shifts of emphasis and meter.  There is the surface appearance of don’t-care roughness, but underneath there is many subtle variations on the simple theme:

Sarah’s authenticity and enthusiasm are very winning.  Her personality doesn’t come through entirely in the videos, so you have to see and hear her for yourself.  I think of her as a youthful Earth Mother of New Orleans stomp by way of the UK and Connecticut.

And she and her Transatlantic Band are playing a gig this June 20th: details here!

May your happiness increase!

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GO NORTH! GET HOT! (JIM FRYER, MIKE DAVIS, GLENN CRYTZER, JENNIFER VINCENT at the TRYON PUBLIC HOUSE, JUNE 10, 2015)

I wrote recently about a new scene for hot jazz — the late-Wednesday sessions led by Jim Fryer at the Tryon Public House, 4740 Broadway, a few blocks from the Dyckman Street station on the A line.  The sessions run from 11 PM to 1 AM.*

Last Wednesday, intrepid and intent, I took the A all the way uptown and found the place — cheerful, run by nice people, full of friends: Michelle DeCastro, Ana Quintana, Stephanie Robinson, Peter Mintun, Bliss Blood, Charlie Levenson, Sarah Spencer . . . and the Hot Jazz Rabble: Jim, trombone, vocal; Mike Davis, trumpet, vocal; Glenn Crytzer, banjo; Jennifer Vincent, string bass (arco and pizzicato).  Later, Sarah sat in for two fine numbers; then (after I left to go home to suburbia) Bliss, Jay Lepley, and Jordan Hirsch sat in.

The food looked good; the beer looked better; I was told there was parking on Broadway.  No cover, no minimum, a yearning tip jar.

Musically, I had the time of my life.

Three glorious samples from the first set:

I FOUND A NEW BABY (hotter than the devil’s kitchen, even when someone trips over my tripod — and then apologizes, bless him — at about 3:40):

A great Tim Laughlin original with a delightful title, SUBURBAN STREET PARADE:

Mike Davis’ BLUE TURNING GREY OVER YOU, where he sounds nicely like the Master to Jim’s Mister Tea:

I’ll have two more visceral ones to post featuring Sarah Spencer, too.

This scene is really worth being a little sleepy on Thursday morning.

*And incidentally, if you have old-fashioned notions of “uptown” being “a bad neighborhood,” Broadway up there was brightly lit, populated by a charming mix of people — nothing to be afeared of.

May your happiness increase! 

UPTOWN WEDNESDAY NIGHT!

Jim Fryer has good taste — as trombonist, euphonist, trumpeter, singer, composer, bandleader, reader of big books . . . and he’s currently trying something heroic and lovely: starting a new hot jazz scene in an area that hasn’t had one for a long time.

The place is the Tryon Public House, every Wednesday night from 11 PM to 1 AM.  It is genuinely “uptown,” 4740 Broadway, steps from the Dyckman Street stop on the A train.  New York City, of course.  Jim’s assembled a group he calls, demurely, the HOT JAZZ RABBLE.  In addition to Jim, the participants are trumpeter / singer Mike Davis, plectrist / singer / composer Glenn Crytzer, a bassist of choice — that means a choice bassist [last week it was Peter Ford; this week it will be Jennifer Vincent].  And the gig has been attracting virtuous New York hot talents — last week trumpeter Jordan Hirsch, and the word on the hot grapevine is that Mike and Jordan wailed on CORNET CHOP SUEY.  Dancing encouraged.  I am told there are fine liquids for purchase.  And I know there will be sitting-in.  As Jim says, “Please help us get a scene going here in Manhattan del Norte!”

Because I’ve been Going to School all my life, I am a morning person — but I hope to  make it to this Wednesday’s festivities.  And I know that my friend Sarah Spencer, a stomping New Orleans tenor player and down-home singer, will be there as well.

And now comes the didactic part.  Delicate readers may turn away or shield the children’s eyes.  But because of the internet and the overwhelming accessibility of free live music, audio and video, many jazz fans no longer have to or no longer choose to leave their houses to support living musicians actually playing the music.  Thrift, Horatio.  But when there is no scene, it might be because some of the fans didn’t put their shoes on and visit it.  Enough said.

May your happiness increase!