Tag Archives: Ivory and Gold

IT HAPPENS IN MONTEREY (March 7-9, 2014)

These two worthies found love at the Jazz Bash by the Bay:

I am not proposing that everyone who goes to this year’s festival (March 7-9) will come away with the Love of His / Her Life — maybe you are all already spoken for.

But the music will be wonderful. And I write this as someone who’s been there since 2010.

For me, the Jazz Bash by the Bay was a transformative experience.

I had not been to California since having been conceived there . . . . insert your own witticism here. And when I had the notion in March 2010 of going to see and hear the people I so admired in their video appearances, I expected to have a good time in a new jazz setting, perhaps make a few new friends.

It was a life-altering experience: I came back to New York and said to the Beloved, “I’ve never had such a good time in my life. Do you think we could spend the summer in California?”

Fast forward to 2014, where I am writing this from Novato, with serious plans to make the Golden State my retirement home.

So if the Jazz Bash by the Bay can make one couple find love; if it can make a native New Yorker say, “I’ll move to California,” I think its powers are . . . powerful.  But enough personal narratives.  What’s in store for you?

As always, a wide variety of well-played music.

You can visit the site to find out if Your Favorite Band is going to be there, but here are some kinds of music that will be played: blazing stride piano in solo and duo, boogie-woogie, sweet singing in so many forms, rocking small-band swing, New Orleans ensemble polyphony, trad, Dixieland, blues, zydeco, gypsy swing, classic songs from the Great American Songbook, Jazz Age hot dance music, ragtime piano, stomp, swing, music to dance to, San Francisco jazz, washboard rhythm, music to hold hands to.

And the stars?  Well . . . Ray Skjelbred, High Sierra, Carl Sonny Leyland, Bob Draga, Rebecca Kilgore Trio, Dan Barrett, Ivory and Gold, Ellis Island Boys, Marc Caparone, Le Jazz Hot, Jeff Hamilton, Dawn Lambeth, Virginia Tichenor, Marty Eggers, Yve Evans, Katie Cavera, Paul Mehling, Clint Baker, Stephanie Trick, Paolo Alderighi, Frederick Hodges, Jim Buchmann, Eddie Erickson, Jason Wanner, John Cocuzzi, Howard Miyata, Big Mama Sue, Ed Metz, the Au Brothers, Bob Schulz, Pieter Meijers, Brady McKay, Tom Rigney, Royal Society Jazz Orchestra . . . and more, and more.

Important links.

The BAND LINEUP.

The all-important too-Much-Of-A-Good-Thing-Is-Wonderful SCHEDULE, which calls for careful planning (“If I go to see X, then I have to miss part of Y, but it puts me in a good place to be right up front for Z.  Anyone have a Tylenol?”) — with four or five sessions going on at the same time.

And most important — with a Sidney Catlett drum roll or a Vic Berton tympani flourish — the GET TICKETS NOW page.

I try to hold down the didactic tendencies that four decades of standing in front of sleepy (good-natured) young men and women have solidified, but I hope readers will permit me this basic logic exercise.  Festivals where people buy tickets last forever.  Festivals where people don’t vanish.  And then there is a wailing and a gnashing of teeth — very hard on the neighbors and harder on the dental work.  I think of the California festivals that have moved into The Great Memory even in my short acquaintanceship with this state.

(Or, as William Carlos Williams — or was it Philip Larkin? — wrote: “Want it to stay?  Do not delay.”)

So I hope to see throngs of friends and even strangers at the Jazz Bash by the Bay.  Anything that makes live jazz in profusion go on is a good thing.

P.S.  Need more evidence?  Go to YouTube and type in “Dixieland Monterey,” or “Jazz Bash by the Bay,” or the name of your favorite artist.  I, Rae Ann Berry, and Tom Warner, among others, have created many videos — enough to while away the hours in the most energized ways.  Proof!

May your happiness increase!

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EXTREMELY HEALTHY FATS! (THANKS TO JEFF BARNHART and FRIENDS)

No, not these.

avocado

Or this.

olive-oil

They are certainly good for you.  But I mean this.

fats jeff

It’s a recent CD on the Lake Records label, under the leadership of the irresistibly talented pianist / singer / arranger Jeff Barnhart, with the assistance of four wonderful players, who summon up all the many sides and angles of Thomas “Fats” Waller with love rather than caricature.

By “caricature” I mean that Fats Waller was — by definition — a powerful personality, but someone who could be reduced to a series of outlandish gestures by musicians who didn’t understand him very well: rapid-fire showy stride piano, high-power clowning and singing, all the “let’s have a party in three minutes” we hear on many of his recordings.  Those “tributes,” and I’ve heard them, begin with the derby cocked over one eve, the same four or five songs, and they end at high volume.  To quote Chubby Jackson on a satirical record circa 1945, “Wasn’t that swell?”

But the essence of Fats Waller is more subtle and more varied than any clownish portrait in broad strokes, and Jeff Barnhart — an improviser / entertainer who gets beneath the obvious surfaces — has long understood that Waller was equal parts stride virtuoso and soulful musician — singer, pianist, composer. . . someone with a heart as large as his famous girth.  This isn’t to say that REFLECTIONS OF FATS doesn’t swing — but that it shows a deep awareness of Fats Waller’s depths.  Jeff hasn’t devoted himself entirely to the esoteric: the disc offers AIN’T MISBEHAVIN’, HONEYSUCKLE ROSE, KEEPIN’ OUT OF MISCHIEF NOW, YOUR FEET’S TOO BIG, BLUE  TURNING GREY OVER YOU, THE JOINT IS JUMPIN’, and TWELFTH STREET RAG — but it also gives us the lesser-known compositions: a meaty RUMP STEAK SERENADE, KEEP A SONG IN YOUR SOUL, HOLD MY HAND, MOPPIN’ AND BOPPIN’, MY FATE IS IN YOUR HANDS.  Three great delights of this disc are YOU MUST BE LOSING YOUR MIND (by Fats and Ed Kirkeby), AT TWILIGHT, and DO YOU HAVE TO GO? (both composed by Fats and his wife Anita).  AT TWILIGHT alone is sweetly memorable.

Jeff Barnhart is a splendid stride pianist, swing pianist, and bandleader — his ensemble playing, his support of soloists, is both uplifting and delicious.  And his singing is both original and Waller-imbued: he has some of the Master’s insinuating nasal croon that makes a Barnhart vocal both compelling theatre and a great deal of fun.  He doesn’t need the derby, in short.  On this CD he has assembled a neat band (shades of Fats’ Bluebird / Victor “Rhythm” but even more compact) of UK swing stars: John Hallam, reeds; Jamie Brownfield, trumpet; Bruce Rollo, string bass; Nick Ward, drums.  The latter two are a better rhythm team than you’d hear on some Thirties recordings — having seen them in tandem and individually at Whitley Bay, I know they are solid senders.  Nick Ward is sometimes pigeonholed as a “vintage drummer,” someone restricted by law and decency to his temple blocks, but he can swing out in the best style: Slick Jones would be proud.  John Hallam can boot things along in the appropriately vehement manner, but I was most impressed by his tender, quiet playing (I thought of Harold Ashby) on the slower numbers.  And Jamie Brownfield was only nineteen when this CD was made.  He is a great player now, and I hope to hear more from him.  And — as an aside — no one copies Autrey or Sedric here.

It’s a wonderful CD, full of surprises — with lovely annotations by Ray Smith and delightful recorded sound.  You can obtain a copy here  — I gather it is also available on iTunes, if this little band can fit in your earbuds.  Consult with your audiologist first.

Now, I don’t have something that directly pertains to REFLECTIONS OF FATS to share with you . . . . but I can offer this.  Jeff and his wife Anne (a splendid flautist and singer) who bill themselves as IVORY AND GOLD, have recently posted some performance videos on Jeff’s brand-new YouTube  channel. With their playful seriousness and serious playfulness, they make music that Mr. Waller would have liked.

Here’s their version — too short! — of AIN’T MISBEHAVIN’:

May your happiness increase.

MIGHTY GOOD at MONTEREY 2013 / THE CASE OF THE YEARNING DAMSELS

I am back home and back at the computer one day after the 2013 Jazz Bash by the Bay (or Dixieland Monterey for those who like alternatives): it was quite fine on many levels.  I didn’t video quite as much as I have done in past years, but this was because I had made a conscious decision to behave with greater rationality . . . rather than seeing how many sets I could cram into the weekend and arriving home with a cold or a cough that would take two weeks to shake off.  But there will be videos, I promise.

I heard splendid music from Carl Sonny Leyland in a solo set full of his originals; I encountered Ivory and Gold for the first time, although I have known Jeff and Anne Barnhart — wonderful variety of sounds; their characteristic wit; a great presentation.  The Allan Vache – John Cocuzzi – John Sheridan – Paul Keller – Ed Metz group rocked (a highlight was an extended IN A MELLOTONE); the splendid singer Dawn Lambeth appeared with a number of bands and made us feel better and better as she sang; Marc Caparone appeared as a guest star with High Sierra — his teamwork with Bryan Shaw is astonishing; Jim Fryer had a rare and delightful solo set; the Reynolds Brothers with Clint Baker caused seismic shifts of the most rewarding kind.  Howard Miyata was crowned Musician of the Year 2013 in a ceremony both goofy and touching, and his nephews Gordon, Justin, and Brandon swung out with the noble help of Katie Cavera and Danny Coots.

And I know other attendees had their own version of an exquisite weekend while listening to all the other bands and soloists on the program.

Did you miss it?  Were you being wisely frugal?  Did it pass you by? Don’t despair: a 2014 Jazz Bash by the Bay is solidly in the works, with these artists and more — Becky Kilgore, Dan Barrett, Paolo Alderighi, the Reynolds Brothers, Eddie Erickson, Bob Draga, the Au Brothers, High Sierra, Bob Schulz’ Frisco Jazz Band, Danny Coots, Phil Flanigan, Stephanie Trick, Sue Kroninger, Carl Sonny Leyland, High Sierra, Crown Syncopators, and more.  (And without being too didactic, I will point out that these enterprises rely on your tangible support — financial / physical — or they evaporate.  Look around for the sad evidence.)

It will be held March 7-8-9, 2014.  You may call 831.675.0298 or visit here for more information.  I will provide updates as I know them.

On to a related subject.  You are encountering JAZZ LIVES through a computer, an iPad, a phone or some other electronic gizmo.  And probably you think nothing of it.  But for other members of the jazz community, this is a terrifying kind of esoterica.

I met several charming ladies of a certain age (one doesn’t ask) at the Bash who told me that they were pining away for want of gallant male swains with whom to dance.  In each case, the ladies had been happily married for a long time; their husbands had died.  And unattached men seem not only fragile but in short supply.  So — if you are a single fellow out there, with or without two-tone shoes, and you can dance, there are willing partners a-plenty at these festivals.

The second part of my thinking goes back to our easy reliance on technology.  Since I have had a life-changing experience on Craigslist (of the best sort), I said to each of the damsels, “Do you have a computer?”  No.  One had a computer but her son used it and she had no idea how to on her own.  In each case, it was as if I had asked, “Do you know how to speak Sanskrit?”  I was all ready to say, “I know there are music-loving men of your generation who would be happy to dance with you — you could go to STRICTLY PLATONIC or ACTIVITY PARTNERS (whatever it is now called) on Craigslist — and gratifying things would happen.” But no.

So, I propose this as a generous act for a segment of the JAZZ LIVES readership. If you know someone, Auntie or Grandma or the Lady Two Houses Down, and she loves to dance . . . either help her out on your computer OR show her how to operate one.  I think this would be an act of deep swinging charity.  I know that people say, “Oh, no!  I don’t go on the computer!  I could get killed!  I could get my identity stolen!”  These fears have some basis in reality, I admit . . . but going to your grave without a partner is, to me, a sorrowful idea.

May your happiness increase.

THE JAZZ BASH BY THE BAY IS COMING! (March 1-3, 2013)

I’m happy, excited, bewildered, and reaching for the oaktag and the colored Sharpies.  No arts and crafts project is on the horizon, but Dixieland Monterey’s JAZZ BASH BY THE BAY has just published its 2013 schedule.  This moment is always a combination of elation and puzzlement.  “Are all my favorite bands playing or am I dreaming?” to quote a late-Thirties record.  Yes, there’s John Sheridan and Jeff Barnhart, Carl Sonny Leyland and the Au Brothers, High Sierra, The Reynolds Brothers, David Boeddinghaus, Banu Gibson, Katie Cavera, Marc Caparone, Eddie Erickson, Sue Kroninger, Danny Coots, Howard Miyata, Pieter Meijers, Allan Vache, Bob Draga, Ivory and Gold, Jim Fryer, Titan Hot Seven, John Cocuzzi, Virginia Tichenor, Marty Eggers, Ivory and Gold, Frederick Hodges, We 3, Jerry Krahn, Ed Metz, Paul Keller, and more . . .

That’s wonderful.  Then the headache starts to creep up my neck.  “All right.  I have to see X but Y is playing at the same time, and Z starts a half-hour later.  Where shall I go?”

We should all have such problems.  Plot out your perfect weekend — including dance lessons and a Thursday-night concert by We 3 (Barnhart, Coots, Draga) to kick things off properly.

Here is the schedule.

Try it for yourself.  You have seven weeks to calculate the possibilities that will bring the most joy.  But you can do it!

And I’ll see you in the Portola Room, or the De Anza, or the Bonsai . . . look for me and say hello!

May your happiness increase. 

MAGGIE BLACK’S HOT JAZZ FOR A BRITISH SUMMER

Maggie Black, whom I met at the 2010 Whitley Bay International Jazz Festival, sends word of jazz gigs that will surely interest JAZZ LIVES readers holidaying in the UK. 

Maggie Black Presents:

May 9:  The Pheasantry, 152 King’s Road, SW3 4UT.

JEFF BARNHART (stride/piano/singer), ANNE BARNHART (flute), DAN LEVINSON (clarinet), STEPHANE SEVA (washboard).  £15: 8.30pm.

May 26: Bloomsbury Theatre, 15 Gordon Street.  £20 £15-concs. 8pm.  Bookings: 020 7388 8822.

DJANGO A LA CREOLE: EVAN CHRISTOPHER (clarinet), SEBASTIEN GIRADOT (bass), DAVE BLENKHORN, DAVE KELBIE (guitars).  

August 27:

FREE DAYTIME JAZZ at Neal’s Uard (off Short’s Gardens) Covent Garden WC2.

JEFF BARNHART and ANNE BARNHART: “IVORY and GOLD”

Oct. 28: Bloomsbury Theatre, 15 Gordon Street

PARIS WASHBOARD: £20 8pm Tickets 020 7388 8822

Wimbledon Music Festival presents:

CLAUDE BOLLING, Ellington’s friend and disciple, his trio and THE Lebanese flautist, Wissam Boutany, playing the ‘Suite for Piano and Flute’ that Bolling co-composed with Rampal- which topped the charts every week for over a year!

Nov 14 @ Royal Wimbledon Golf Club £50.

For more information, contact Maggie Black at Maggie Black Presentations, Flat 6, Turner House, 2 Exchange Court, London WC2R 0PP. UK — or visit  maggieblackjazz.co.uk, or  www.travelsandjazz.co.uk.  Phone 020 7240 8866 (home/work) or 07891 602 878 (mobile), 06 33 74 22 01(France)

WHY CURSE THE DARKNESS?

It’s dark in New York.  Daylight seems to get swallowed up every day.  

What to do?

Moving away isn’t an option, and reassurances that we will make it to April seem very thin comfort.  Were I a bear or a squirrel, I could drown my sorrows by stuffing myself with acorns and go hibernate.  But acorns give me indigestion and my college frowns on professors staying home for four months.

The only thing I can do is a jubilant nose-thumbing at winter.  I’ve paid for a seat at a hot jazz extravaganza for March 2011 — DIXIELAND MONTEREY — JAZZ BASH BY THE BAY.  That’s in California, by the way.  (Look at the bright yellow of the Bash logo — that’s much better than a full-spectrum light, isn’t it?)

Dixieland Monterey will take place March 4-6, and will be held at the Portola Hotel and Spa, the Monterey Conference Center and Fisherman’s Wharf.  The Monterey waterfront, I’ve been told, is lovely — and this Bash has been presenting “Dixieland, Big Band, Swing, Ragtime, Blues, and Gypsy Jazz” for more than thirty years.  In addition to the sets by a wide variety of bands, there will be a Swing Dance Party, three afternoon Banjo Jubilees, and a Dance Marathon.

“Well, Michael, who’s going to be there?” I can hear my loyal readership clamoring — on two and four, of course.

How about this list?   

And the website notes that reduced prices will be in effect until the end of 2010.  Better to go to a jazz party than curse the darkness.  I forget: did Eleanor Roosevelt say that or was it Zutty Singleton? 

For more information, check out http://www.dixieland-monterey.com/.  I now have some fun to look forward to . . . it will keep me more cheerful through the darkest days of winter.