Tag Archives: Jalopy Theatre

A GLORIOUS EVENING, PART THREE: TAMAR KORN, DENNIS LICHTMAN, MATT MUNISTERI, CRAIG VENTRESCO, MEREDITH AXELROD, JERRON PAXTON, TAL RONEN (JALOPY THEATRE, September 28, 2014)

By the end of this utterly satisfying musical evening (September 28, 2014) at the Jalopy Theatre in Brooklyn, New York, the stage was filled with happy individualists — not a repeater pencil or copycat in sight. The cast of characters was Tamar Korn, vocal; Dennis Lichtman, clarinet; Matt Munisteri, guitar; Craig Ventresco, guitar; Meredith Axelrod, vocal and ukulele; Jerron Paxton, piano; Tal Ronen, string bass.  I think that’s an accurate census of the people, not all of them appearing on each number, and some of them audible rather than visible.

In retrospect, it feels like a combination jam session – hootenanny – revival meeting – improvisational theatre piece. . . . unique and fulfilling. And even though those of us who have followed Tamar for the past five years or more know these songs (the first three: NEW YORK is a new favorite) the stage was alight with fresh energies.

For those who missed this glorious constellation of musical comets and asteroids, whether live or on video, here are the first two parts of this evening.

SUGAR BLUES:

THERE’LL BE SOME CHANGES MADE:

WHEN YOU WORE A TULIP (Ms. Korn in bliss, announced freely):

DO THE NEW YORK:

Rarely do I use the word “unforgettable” about an event I’ve attended, but this evening solidly fits that description.  Blessings on the artists and the generous people at Jalopy who made this evening happen.

May your happiness increase!

DOWN-HOME EBULLIENCE! THE FIRST SET: MEREDITH AXELROD, CRAIG VENTRESCO, TAMAR KORN, JERRON PAXTON, MATT MUNISTERI at JALOPY (Sept. 28, 2014)

One test of any artistic expression is how long it lingers in our selves after we’ve experienced it.  What follows has been my mental soundtrack for some time now, and its effect hasn’t diminished.

On September 28, 2014, Doug Pomeroy (my guide to uncharted Brooklyn) and I made the trek to the Jalopy Theatre ay 315 Columbia Street to see a double bill of Meredith Axelrod, vocal / guitar / ukulele; Craig Ventresco, guitar // the BRAIN CLOUD with Dennis Lichtman, clarinet; Tamar Korn, vocal; Matt Munisteri, guitar; special guests Jerron Paxton, vocal, piano, guitar; Tal Ronen, string bass.

It was a memorable evening, and revisiting these performances continues to make me immensely happy.  But Jalopy is a place where good things happen.  See their website for the schedule of events.  (And see this wonderful evidence from 2011, as well as this 2013 bouquet of sounds.)

Here are some highlights from the first set of September 28.

Craig and Meredith in duet on SILVER BELL — from darkness to light:

Meredith singing to Craig’s guitar — RED LIPS, KISS MY BLUES AWAY:

Tamar, Meredith, and Craig performing WHILE THEY WERE DANCING AROUND (a song brought back into twenty-first century repertoire by the intrepid Gordon Au, I believe):

An jubilant extravaganza on LONESOME AND SORRY, featuring Meredith, Craig, Tamar, Jerron, and Matt, and two verses:

The same players essayed SOME OF THESE DAYS although Matt was now seated in the audience — to my immediate right, which was friendly:

This joyous music — so playful — reminds me of what might happen in someone’s living room.  Wit is bubbling beneath the surface at all times. But you’d have to have the very best musical guests imaginable, people of this sensibility who can be absolutely full of good energy while performing the saddest songs.  (The lyrics of LONESOME AND SORRY are especially desolate, those of SOME OF THESE DAYS sorrowful with an angry undercurrent, but how delighted these performances are!)

The second set — with Dennis and Tal joining in — was unforgettable.  And it will be shared here as well.

May your happiness increase!

MEREDITH AXELROD, CRAIG VENTRESCO, LEON OAKLEY, ROBERT YOUNG, ARI MUNKRES (The JAZZ LIVES House Concert Series, August 24, 2014)

Two very creative souls are singer / guitarist Meredith Axelrod and guitarist Craig Ventresco — wonderful elliptical individualists who energetically and sweetly reinvent the larger musics (the plural is intentional) of nearly-forgotten times.  I’ve known and admired them for nearly a decade now, but was often slightly frustrated because they send out extraordinary music that has to battle with conversation.  I know this is a fact of playing and singing in this century, but I was involved in a little house party that featured Meredith and Craig.  And there were friends making music, too: Leon Oakley, cornet; Robert Young, saxophone; Ari Munkres, string bass.  I asked this group if they would perform a few tunes just for you — the JAZZ LIVES audience.  They did, and here are three delicious unbuttoned but precise offerings:

NEW ORLEANS HOP SCOP BLUES:

EGYPTIAN ELLA:

I’M GOING TO MEET MY SWEETIE NOW:

I wish there were some way to hear Meredith and Craig with a small cast of strolling players on a regular basis, and several ideas come to mind.

If this music appeals to you, contact Meredith at her whimsical email address, meredithanthraxelrod@gmail.com and she will respond promptly.  They love the idea of coming to your home and making merry.

Or you can check her website to see videos of the two of them in performance, to learn their current schedule, to have deep metaphysical queries answered — perhaps with more queries, but that’s metaphysics. Here is Meredith’s website, a very educational experience.

If you live near North Beach in San Francisco, in Berkeley, or Oakland, you have a good chance to see these two — and friends — on a regular basis.  But I hear the New Yorkers whimpering, “What about US?”

Good news.  Meredith and Craig will be making a brief but intense New York tour in less than two weeks, and on Saturday, September 27, they will be appearing at the Jalopy Theatre in Brooklyn — along with Dennis Lichtman, Matt Munisteri, and Tamar Korn — for a 9 – 11:30 PM show.  Buy tickets here. Jalopy is at 315 Columbia Street, and their many-splendored website is here.

East or West, Meredith and Craig and their exalted friends make refreshing music.

May your happiness increase!

A SECOND HELPING OF DELICIOUS HOME-COOKING: THE BRAIN CLOUD at THE JALOPY THEATRE (April 26, 2013)

Big flavors.  Never genetically modified.  Nothing artificial.  Sweet and savory.  Real pleasure.  Intensity and delicacy in one.

Here’s the first set that the Brain Cloud (featuring Dennis Lichtman, Tamar Korn, Andrew Hall, Raphael McGregor, Skip Krevens, Kevin Dorn, with guests Noam Pikelny, Rob Hecht, and Michael Gomez) created at Brooklyn’s Jalopy Theatre on April 26, 2013.

And more!  As before, notice the delight this band takes in making the familiar new and lively, and creating its own classic tunes and performances:

WE ARE NOW!:

MISS THE MISSISSIPPI AND YOU:

WHEN MY DREAMBOAT COMES HOME:

IN THE BEGINNING (Tamar’s own “gospel tune”):

LONESOME ROAD BLUES:

I dedicate this post and the one before it to the loving presence of Tadek Korn.

May your happiness increase!

APRIL IS THE COOLEST MONTH, or NEW YORK JOYS (2013)

Every time I get ready to declare, “OK, I will spend the rest of my life happily in California,” New York crooks a dainty finger at me and whispers, “Not so fast, fellow.  I have something for you.”

ny skyline

These are some of the musicians I was able to see, hear, and video during April 2013 — an incomplete list, in chronological order:

Svetlana Shmulyian, Tom Dempsey, Rob Garcia, Asako Takasaki, Michael Kanan, Michael Petrosino, Joel Press, Sean Smith, Tardo Hammer, Steve Little, Hilary Gardner, Ehud Asherie, Randy Reinhart, Mark Shane, Kevin Dorn, James Chirillo, Brian Nalepka, Dan Block, Danny Tobias, Matt Munisteri, Neal Miner, Catherine Russell, Jon-Erik Kellso, Lee Hudson, Lena Bloch, Frank Carlberg, Dave Miller, Billy Mintz, Daryl Sherman, Scott Robinson, Harvie S, Jeff Barnhart, Gordon Au, John Gill, Ian Frenkel, Lew Green, Marianne Solivan, Mark McLean, Dennis Lichtman, Tamar Korn, Raphael McGregor, Skip Krevens, Andrew Hall, Rebecca Kilgore, Dan Barrett, Scott Robinson, Pat O’Leary, Andy Brown, Giancarlo Massu, Luciano Troja, Rossano Sportiello, Randy Sandke, Harry Allen, Dennis Mackrel, Joel Forbes.

And I saw them at the Back Room Speakeasy, the Metropolitan Room, Smalls, the Bickford Theatre, the Ear Inn, Symphony Space, the Finaldn Center, Jazz at Kitano, Jeff and Joel’s House Party, Dizzy’s Club Coca Cola, Jalopy Theatre, Casa Italiana, and Zankel Recital Hall.

T.S. Eliot had it wrong.  Just another average jazz-month in New York.

P.S.  This isn’t to slight my California heroes, nay nay — among them Marc Caparone, Dawn Lambeth, Carl Sonny Leyland, Clint Baker, Jeff Hamilton, Chris Dawson, Marty Eggers, Katie Cavera, Kally Price, Leon Oakley, Mal Sharpe, Tom Schmidt, John Reynolds, Melissa Collard, Ari Munkres, GAUCHO, PANIQUE, Bill Carter, Jim Klippert, JasonVanderford, Bill Reinhart, Dan Barrett . . . .

May your happiness increase.

THE FORECAST: CLOUDY AND HOT (April 26, 2013)

BRAIN CLOUD ALBUM RELEASE PARTY

The BRAIN CLOUD is coming to Brooklyn, New York — to celebrate the release of their second CD.  What could be nicer?

In case this ebullient band of joymakers is new to you, a word in your ear: they seamlessly shift from Western Swing to Thirties jam session to original compositions that have authenticity, spring, and eloquence.  The basic BRAIN CLOUD is Dennis Lichtman, clarinet, electric mandolin, and fiddle; Tamar Korn, vocals; Kevin Dorn, drums, Raphael McGregor, lap steel guitar; Skip Krevens, guitar; Andrew Hall, string bass.  (On the CD, OUTSIDE LOOKING IN, they are joined by three guests: Noam Pikelny, banjo; Matt Munisteri, guitar; Aaron Lewis, fiddle.

The new CD’s eleven tracks so neatly embody the band’s cheerful repertoire: the ancient chestnuts, still relevant, WHEN YO WORE A TULIP, I AIN’T  GOT NOBODY, and WHEN MY DREAMBOAT COMES HOME; the fairly obscure WHAT’S THE USE OF LIVING WITHOUT LOVE? (courtesy of King Oliver’s Victor recording); “American roots music” GOTTA LOT OF RHYTHM IN MY SOUL, MISS THE MISSISSIPPI AND YOU, I’M GONNA SLEEP WITH ONE EYE OPEN, and the wholly idiomatic originals OUTSIDE LOOKING IN (with very clever lyrics), TRIGGER BLUES, WE ARE NOW!, and IN THE  BEGINNING.

A personal note.  I grew up with the stereotypical notion that much “country music” was formulaic — my woman, my truck, my hound — emotionally, rhythmically, and harmonically limited.  But the BRAIN CLOUD has introduced me to repertoire I would have never heard before, far from the synthetic music I came to deplore.  This band is a romping hot organization, its enthusiasm balanced by great precision and skill.

Here’s the post I wrote — with videos a-plenty — in celebration of their March 2011 concert at Jalopy.  It will get you moving, I guarantee.

Here’s the information for their April 26 extravaganza at the Jalopy Theatre (315 Columbia Street, Brooklyn).

You can pre-order OUTSIDE LOOKING IN as a CD, download, or vinyl record (why not get all three and be safe?) at braincloud.  Better yet, come to Jalopy, hear the band, share the exuberance, and buy the disc(s) there . . . gladdening the hearts of the musicians in the most direct way.  I’ll be there.

The cover of their new CD amuses me so — artwork and design by Nicole Schulman — that here it is again, in a slightly different format:

THE BRAIN CLOUD

May your happiness increase.

ROCKING WITH DENNIS LICHTMAN’S BRAIN CLOUD (at the Jalopy Theatre, March 25, 2011)

Dennis Lichtman’s Brain Cloud is a hot band.

Never mind that its guiding star is Bob Wills rather than King Oliver: don’t let it bother you.

There was a time in American popular music where these “genres” overlapped so happily that Western Swing recordings looked back to Lang and Venuti, sideways to Bennie Moten and later to Charlie Christian. . . and often swung as hard as the Condon Commodores.  Is that sufficient recommendation?

The Brain Cloud takes its name from a Wills song — where having a “cloudy” brain is related to the deep blues — but there’s nothing particularly foggy or ambiguous about the band.

Nice unison arrangements, intense (and not overlong) solos for everyone, and wonderfully on-target singing and impromptu choreography from Miz Tamar Korn.  Dennis plays electric mandolin, clarinet, and fiddle — and chooses the good-natured tempos; he’s joined by Andrew Hall, bass, and one of my dear friends, drummer Kevin Dorn.  Raphael McGregor plays the pedal steel guitar, and Skip Krevens the electric guitar — and sings a few.

At the Jalopy Theatre in Red Hook, Brooklyn — where the Brain Cloud had their CD release party on March 25, 2011, Dennis had a few special guests — and I don’t use that term lightly: Noam Pikelny on banjo; Scott Kettner on snare drum and triangle; Matt Munisteri on guitar; Pete Martinez on clarinet.  I was there on camera and tripod, along with JAZZ LIVES’ pal Doug Pomeroy, recording engineer extraordinaire.

Here’s what we saw.

As if to welcome the most finicky of JAZZ LIVES readers into the Brain Cloud tent, Dennis began with Mel Powell’s 1942 MISSION TO MOSCOW — a most interesting chart / composition for the Benny Goodman band.  Hear how it blends what the critics would later call “pre-bop” with sections coming straight from the Ellington “doo-wah, doo-wah” of IT DON’T MEAN A THING:

Then, the moody Wills song the band was named for, BRAIN CLOUDY BLUES:

Another piece of “crossover” music — HAVE YOU EVER BEEN LONELY?  I have the 1931 sheet music which has the face of that famous Western swingster, Harry Lillis Crosby, on the cover:

The mournful BLUES FOR DIXIE, which has neat lyrics:

I may have the title wrong, but I believe this is DARK AS THE NIGHT (BLUE AS THE DAY):

Courtesy of the well-versed Matt Munisteri (who sat in), HONEY FINGERS:

I learned MY WINDOW FACES THE SOUTH from another famous Western swing star, Thomas “Grits” Waller:

Dennis’ story of playing PEACOCK RAG in Hawaii is a rare piece of narrative plumage in itself:

RHYTHM IN MY SOUL is an apt title for this band’s efforts:

A 1939 Broadway song (from a production called YOKEL BOY, no kidding) that became a favorite with Billie Holiday and Summit Reunion, among others — it’s COMES LOVE:

Florists take note!  Here’s WHEN YOU WORE A TULIP (a song I associate with New Orleans bands and — perhaps oddly? — Judy Garland and Gene Kelly):

The sweet Jimmie Rodgers lament, MISS THE MISSISSIPPI AND YOU:

A different variety of sweetness, SUGAR MOON:

The very funny up-tempo narrative of love unfulfilled: girls, don’t ever hang out with a fiddler if he won’t put his instrument in the case for you — HE FIDDLED WHILE I BURNED:

And a closing rouser with all the guests — James P. Johnson’s OLD-FASHIONED LOVE (with the Western Swing changes, you’ll hear):

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What a wonderfully spirited band!  And now you know what band to engage for your daughter’s graduation, your son’s bris, your husband’s retirement, the mutual celebration of someone’s divorce coming through . . .

The only problem with these videos (of which I am quite proud) is that you can’t watch them in the car — except, of course, if you’re a passenger.  May I offer a safer solution?

Clock here: https://www.cdbaby.com/cd/braincloud to purchase the BRAIN CLOUD debut CD — which has the same band (Dennis, Tamar, Kevin, Skip, Andrew, and Raphael) performing ten selections: MISSION TO MOSCOW / BLUES FOR DIXIE / BRAIN CLOUDY BLUES / MY WINDOW FACES THE SOUTH / PEACOCK RAG / HE FIDDLED WHILE I BURNED / COMES LOVE / SWEET CHORUS / SUGAR MOON / SITTIN’ ALONE IN THE MOONLIGHT — beautifully recorded, so that you will hear things that the videos can’t capture.

Illustration by Jillian Johnson