Tag Archives: JAzz Bash by the Bay

“WHICH WAY TO FIFTY-SECOND STREET?”: DAWN LAMBETH, MARC CAPARONE, JOHN REYNOLDS, KATIE CAVERA at the JAZZ BASH BY THE BAY (Monterey, March 2, 2018)

I missed out on the 2018 Jazz Bash by the Bay in Monterey, California, March 2-4 of this year.  But once again the First Lady of Hot Video, RaeAnn Berry, brought back some good sights and sounds for us.

A particular favorite was this set featuring Marc Caparone, trumpet; Dawn Lambeth, piano; John Reynolds, guitar; Katie Cavera, string bass — with nifty vocals from each of the four.  Completely charming, light-hearted melodic swing, with no tricks.  They would have been a hit at the Hickory House or the Onyx Club, and what a blessing to have them with us now.

RaeAnn posted all ten performances, but here are the four I was especially charmed by because the songs are rarely performed — and, as JAZZ LIVES readers know, these four musicians are dear to me.

Anyone want to split cab fare to Fifty-Second Street?

PARDON ME, PRETTY BABY:

WHEN THE RED RED ROBIN COMES BOB BOB BOBBIN’ ALONG (another thing to thank Harry Woods for, as Dawn offers us some tender optimism):

LITTLE GIRL (I dream of the ten-CD set called JOHN REYNOLDS SINGS FOR YOU):

I’VE GOT MY FINGERS CROSSED (with a sparkling conversation between Marc and John near the end):

With luck and a GPS, I’ll be at the 2019 Jazz Bash by the Bay.  It beats worrying about snow and then shoveling it, which is March in my world of New York.

May your happiness increase!

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HERE’S THE BEAUTIFUL PART: CELEBRATING KING LOUIS (2013, 2014, 2015)

KING LOUIS

Take your pick.  Would you like to celebrate Louis Armstrong’s birthday as if it had been July 4, 1900 (what he and perhaps his mother believed it to be), July 4, 1901 (where Ricky Riccardi and I think the evidence points), or August 4, 1901 (what’s written in the baptismal record)?  I don’t think the debate is as important as the music.

KING LOUIS 2

And to show that LOUIS LIVES, I offer three examples of musicians evoking him with great warmth and success in this century.  Louis isn’t a historical figure; he animates our hearts today, and tomorrow, and . . .

KING LOUIS 3

Folks down there live a life of ease.  WHEN IT’S SLEEPY TIME DOWN SOUTH (San Diego Jazz Fest, November 29, 2014: Connie Jones, cornet; Tim Laughlin, clarinet; Doug Finke, trombone; Jim Buchmann, Dave Bennett, clarinet; Chris Dawson, piano; Katie Cavera, rhythm guitar; Marty Eggers, string bass; Hal Smith, drums):

Cold empty bed.  BLACK AND  BLUE (Fraunces Tavern, July 25, 2015: Mike Davis, cornet; Craig Ventresco, guitar; Rob Adkins, string bass):

Does he strut like a king?  HE’S A SON OF THE SOUTH (Jazz Bash by the Bay, March 2013: Marc Caparone, cornet and vocal; Clint Baker, clarinet; David Boeddinghaus, piano; John Reynolds, guitar; Katie Cavera, string bass; Ralf Reynolds, washboard):

KING LOUIS 4

Yes, Louis made the transition into spirit in 1971.  But his spirit is very much alive.

May your happiness increase!

MISSION TO MONTEREY (March 6-7-8, 2015), or BECKY GOES TO THE WISE WOMAN

This post is meant as a coda to my recent love letter to the Jazz Bash by the Bay, coming soon to Monterey, California.

Please consider this, recorded slightly more than a year ago (March 8, 2014) at the very same Jazz Bash:

For the detail-oriented, that’s Rebecca Kilgore, vocal; Paolo Alderighi, piano; Dan Barrett, trombone and vocal; Phil Flanigan, string bass; Jeff Hamilton, drums.  Sometimes the musicians’ smiles are part of the act.  Not here.  And Madame Ruth isn’t the only Wise Woman around.

Such marvels happen all the time at the Jazz Bash by the Bay.

See you there, I hope.

May your happiness increase!

GOING MY WAY? (to the JAZZ BASH BY THE BAY, March 6-7-8, 2015?)

bash

I hope that posts such as these aren’t too frustrating for those JAZZ LIVES readers who are far away from the particular Mecca of Hot.  If you’re in Illinois or Newcastle, you are hereby let off the hook.  But for those readers who can, or could, or might . . . read on.

The 2015 Jazz Bash by the Bay is happening soon — an opening concert / dance on Thursday, March 5, then full-steam ahead for Friday through Sunday. I have delightful memories of being there from 2011 on — a very friendly and hospitable festival, the staff and volunteers exceedingly nice, the rooms in which one hears and sees music very comfortable.  And the music itself, although the players and singers shift slightly from year to year, is always both superb and varied.  Your favorite bands — including High Sierra, the Carl Sonny Leyland Trio, Ivory & Gold, Ellis Island Boys, Crescent Katz, Cocuzzi/Vache All Stars, Le Jazz Hot, Royal Society Jazz Orchestra.  Soloists: Dan Barrett, Eddie Erickson, Rebecca Kilgore, Ehud Asherie, Stephanie Trick, David Boeddinghaus, Banu Gibson, Dawn Lambeth, Yve Evans, Jeff Barnhart, Jason Wanner, Marc Caparone, Bob Draga, John Reynolds, Jeff Hamilton, Paul Mehling, Clint Baker, John Cocuzzi, Allan Vache, Danny Coots, Virginia Tichenor, Marty Eggers, and many more.  Everything from hot jazz to swinging rhythmic ballads to ragtime, stride, and boogie-woogie, with offferings of zydeco and gypsy swing.

It’s a lovely place to visit, also — my meteorological memories of Monterey in March (say that once at a conversational tempo) are lovely: sunny and warm.

Here are the band schedules.  I spent a happy fifteen minutes this morning with a green highlighter, noting sets I absolutely wanted to be at — and there were no idle hours.

And just for our collective happiness, here are my videos of a March 2011 performance featuring Clint Baker, Marc Caparone, Howard Miyata, Mike Baird, Dawn Lambeth, Katie Cavera, Jeff Hamilton, and Marty Eggers — mixing sweet, swing, and hot.

I am eagerly looking forward to it.  And I hope to see you there, too.  No fooling. And if you’re hungry for more music, you can search this site for “bash” or “Monterey” and find videos from 2011-14 . . . better yet, you can make plans to attend.

May your happiness increase!

SUNLIGHT, A LIFETIME COMMITTMENT, MOONLIGHT: DAWN LAMBETH, CARL SONNY LEYLAND, MARTY EGGERS, JEFF HAMILTON at the JAZZ BASH BY THE BAY (March 9, 2014)

Here are three more performances by one of the best singers I know (Dawn Lambeth) with one of the best bands (Carl Sonny Leyland, piano; Marty Eggers, string bass; Jeff Hamilton, drums) captured on March 9, 2014, at the Jazz Bash by the Bay in Monterey, California.

That ought to do it, but if you need more evidence, explication, explanation . . . for once I will stand aside and let the music say what the words only hint at. And here is a previous posting from this same session, with Dawn and friends making four seriously venerable songs bright shining new.

My title is whimsical, but since I am a self-employed independent contractor in Blogland, I am allowed these japes as long as they don’t clutter up cyberspace.

ON THE SUNNY SIDE OF THE STREET:

AS LONG AS I LIVE (with a divinely quirky introduction from Carl):

WHAT A LITTLE MOONLIGHT CAN DO:

Indeed.  For some, what I will write next is already obvious, but many people have figured that Carl Sonny Leyland is a fine boogie-woogie and blues pianist. That’s indisputable.  But some listeners have typecast him — not realizing that he is a spectacularly gratifying musician and jazz pianist. And I think that Marty and Jeff deserve a great deal of credit for uplifting the music whenever they play.

The fine news is that Dawn will be having her own sets at the 2015 Jazz Bash by the Bay which happens March 6-7-8 — something those who know about the best jazz singing are looking forward to.  My sources tell me that Carl, Marty, and Jeff will be there, too, so who knows what might happen?  But it will all be superb.

Dawn has a faithful following — as she should — but there’s always room for new admirers! To find out more about her upcoming gigs, visit her website or become a Facebook friend.

May your happiness increase!

MAKING IT NEW: DAWN LAMBETH, CARL SONNY LEYLAND, MARTY EGGERS, JEFF HAMILTON (Jazz Bash by the Bay, March 9, 2014)

“Make it new” was the compact artistic manifesto of Ezra Pound, and jazz has always taken it to heart.  “What can you do with that very familiar song?” has always been the question I imagine improvisers asking themselves, whether the time-honored material is a Bb blues (Basie and his flock, Bessie Smith), JINGLE BELLS (Fats Waller), or a hundred other standards in danger of being obliterated through repetition.

Dawn Lambeth has always understood the artist’s responsibilities — a delicate balance between honoring the original’s lyrical impulse, both melody and lyrics and at the same time illuminating it from within so that audiences can say, “Yes, I’ve heard I’M CONFESSIN’ a thousand times, but Dawn actually sounds as if she is telling the story of the words — and behind the words — with sweet convincing grace.”

Here, Dawn is joined by Carl Sonny Leyland, piano; Marty Eggers, string bass; Jeff Hamilton, drums, at the 2014 Jazz Bash by the Bay — for three favorite songs she and they make new:

BABY, WON’T YOU PLEASE COME HOME?:

I’VE GOT A FEELING I’M FALLING (with a little comedy to start):

I’M CONFESSIN’:

Even though it was the first set of the day, the trio sounds superb.  And Dawn has a faithful following — as she should — but there’s always room for new admirers! She’ll be appearing at Jazz Bash by the Bay next March 6-7-8, 2015.  To find out more about her upcoming gigs, visit her website or become a Facebook friend.

May your happiness increase!

THEY’RE SWEET ON SUE: CARL SONNY LEYLAND, MARTY EGGERS, JEFF HAMILTON (JAZZ BASH BY THE BAY, March 8-9, 2014)

I admire improvisers who can return to familiar material and approach it with freshness — in the way the great forebears did, playing the same tunes night after night.

Here are two very energizing examples of that kind of creative improvisation — performed in 2014 at the Jazz Bash by the Bay in Monterey, California, by Carl Sonny Leyland, piano; Marty Eggers, string bass; Jeff Hamilton, drums — variations on a 1928 pop tune, Victor Young’s SWEET SUE, JUST YOU.

The first gallops, nearly violently; the second (offered in the first set of the morning) is more gentle but no less swinging. Carl said he had played SWEET SUE at every set: had there been no other bands competing for my attention, I would have liked to record and present all six or seven versions. These two will act as evidence of the beautiful living music that Carl, Marty, and Jeff offer so generously.

SWEET SUE (late in the evening of March 8, 2014):

SWEET SUE (perhaps fourteen hours later, March 9, 2014):

I remind you that the Jazz Bash by the Bay is delightfully in gear for March 2015. Here is their Facebook page, and here is their band lineup for that happy event, with the Carl Sonny Leyland trio fourth from the top.  A good thing.

For those who have no intention of waiting until March, Carl and his trio will be at the San Diego Jazz Fest a week from now — details here. Hope to see you in both places.

May your happiness increase!