Tag Archives: jazz guitar

ANDY BROWN’S PASTORAL ORCHESTRA

If you haven’t heard Andy Brown play guitar, you’ve been deprived of deep subtle pleasures.  First off, Andy loves melody: he doesn’t see George Gershwin’s composition as a series of chord changes.  And he understands the song emotionally: no howling double-time arsonist passages on a love ballad.  His tone is beautiful; his rhythm is steady but flexible.  And he’s mastered the very difficult art of turning his guitar into the most delicate orchestra, playing what George Van Eps called “lap piano,” deftly offering the listener a melodic line that even the most jazz-phobic could follow, while offering melodic-harmonic figures that also keep the rhythm going.  In some ways, he is more reminiscent of Hank Jones than of any guitarist I know.  Listen and see that I do not overpraise him.

Here, Andy plays a solo guitar feature as a member of the Ben Paterson Trio  at the “Live at Studio5 Jazz Series” in Evanston, IL on April 9, 2017.  You can follow him here.  And he’s going to be one of the two guitarists at the September Allegheny Jazz Party: the other, a newcomer named Howard Alden.

May your happiness increase!

(CAFE) DIVINE INSPIRATION: LEON OAKLEY and CRAIG VENTRESCO, IN LIVING COLOR (Part Two: June 15, 2014)

Good things happen at Cafe Divine (1600 Stockton Street, San Francisco, California) — the food and the North Beach ambiance — but for me the best things happen on the third Sunday of each month, when the Esteemed Leon Oakley, cornet,and Craig Ventresco, guitar and banjo, improvise lyrically on pop tunes and authentic blues for two hours.  I posted four performances from their satisfying June 15, 2014, session here. I was taught as a child to share . . . so here are five more beauties, in living color both in the view and the soaring improvisations.

STRUTTIN’ WITH SOME BARBECUE (with Craig on banjo, delightfully):

BLUES IN F (nothing more, nothing less — evoking Joseph Oliver):

MARGIE (that 1920 lovers’ classic):

And two songs that make requests — one spiritual, connected to Bunk Johnson and Sidney Bechet, LORD, LET ME IN THE LIFEBOAT:

and one secular — I think of Pee Wee Russell with TAKE ME TO THE LAND OF JAZZ:

Which they do.  More Divine Music to come.

 May your happiness increase!

(CAFE) DIVINE INSPIRATION: LEON OAKLEY and CRAIG VENTRESCO, IN LIVING COLOR (Part One: June 15, 2014)

Have you been? I refer to the hot chamber music sessions created by Maestro Leon Oakley and Professor Craig Ventresco — improvising on classic themes — held at Cafe Divine, 1600 Stockton Street, San Francisco, California, on the third Sunday of each month.

Here are the first four of a dozen treats — in living color visually as well as musically:

SOMEDAY SWEETHEART:

A SHINE ON YOUR SHOES:

I WOULD DO ANYTHING FOR YOU:

MOONGLOW:

May your happiness increase!

FROM SPIRITUAL TO SWING: THE IVORY CLUB BOYS at ARMANDO’S (May 31, 2014): “NOBODY KNOWS THE TROUBLE I’VE SEEN,” Take One: PAUL MEHLING, EVAN PRICE, MARC CAPARONE, SAM ROCHA, ISABELLE FONTAINE

Hot music straight from their hearts: NOBODY KNOWS THE TROUBLE I’VE SEEN, as performed by the IVORY CLUB BOYS, Paul Mehling’s evocation of Stuff Smith’s delicious swing on Fifty-Second Street circa 1946-45. They are, for this hot concert, Paul, guitar; Evan Price, violin; Marc Caparone, cornet (subbing for Clint Baker); Sam Rocha, string bass; Isabelle Fontaine, guitar. This was recorded on May 31, 2014, at Armando’s in Martinez, California.  I was behind the camera, so you can’t see how much I was and am grinning. emotionally deep but very light-hearted improvisations, the work of swing masters:

Oh, and for those in the know . . . that was the soundcheck.  Draw your own conclusions about how wonderful this band is.

Here is the first posting — a riotous BUGLE CALL RAG from that same session. More to come, thank goodness. And the IVORY CLUB BOYS (with Clint on trumpet) will be appearing at Yoshi’s in Oakland on August 19.  Make a note of that, please.

May your happiness increase!

MAKING MELODIES RING: MUNDELL LOWE / BUCKY PIZZARELLI: GUITAR DUETS at the SAN DIEGO JAZZ PARTY (February 22, 2014)

The title says it all.  I am honored to have been there and to have captured these performances.  Mundell Lowe and Bucky Pizzarelli are masters, having a heartfelt conversation about all the important matters in the universe: love, light and dark, cosmic rhythms, melodies that sound like birdsong, all in front of us. We celebrate their endurance, but more than that we celebrate their art.

If you need official information about Mundell, here is his website; Bucky is moving too quickly to care about such things, so we must make do with Wikipedia.

Recorded at the 26th annual San Diego Jazz Party, on February 22, 2014.  On that day, Mundell was 91, Bucky 88.

JITTERBUG WALTZ (the crowd quiets down after a bit):

EMILY:

BODY AND SOUL:

STUFFY:

DARN THAT DREAM:

How often will any of us be in the presence of such Sages?

May your happiness increase!

CELEBRATING THE TWO GUITAR QUARTET: HOWARD ALDEN and ANDY BROWN CELEBRATE IN CHICAGO (November 1-2, The Green Mill)

I wish I could be there, because this quartet (Andy Brown, Howard Alden, guitars, Joe Policastro, string bass; Bob Rummage, drums) makes splendid music.

TWO GUITARS

If you can’t make it to these gigs (and even if you can) you will want a copy of their splendid new CD, HEAVY ARTILLERY, on Delmark Records. Here is what I wrote about it.

May your happiness increase!

DAVIDE BRILLANTE: FROM BOLOGNA TO NEW YORK, BRINGING SWEET SOUNDS

One of the loveliest aspects of our odd cyber-life is the experience of meeting someone face-to-face — a person known up to that point only as words or sounds on a screen — and finding that the person is even more rewarding than the original simulacrum.  In brief, “Isn’t it great when your Facebook friends are even more friendly in person?”

Guitarist Davide Brillante, from Bologna, is a shining example.  He and his wife Monica — whom I met in Brooklyn a few weeks ago — are sweet, generous people.  And although I had known Davide’s subtle guitar playing from YouTube videos, it wasn’t until I asked him to sit down and play some solos for me (for us, for JAZZ LIVES) that I saw how his gentle, inquiring soul comes right through the strings and notes.

Here are three touching performances.  And a word before the viewer jumps in.  Many of us are accustomed to fingerboard-burning guitar virtuosi who skitter all over like supercharged alien life forms.  Their playing is both astonishing and exhausting.

Davide Brillante, although he can play with splendid speed and crisp articulation, is seriously in love with melody and its possibilities.  So he will — on purpose — begin his performance as if he’s shyly meeting the song for the first time (introducing himself to the timid young woman across the dance floor at the sophomore prom) and gaining confidence in his ardent explorations.  His approach makes wonderful musical sense, and when I was through listening to these three performances, I thought, “Davide is a true romantic!” I think you’ll agree.

AFTER YOU’VE GONE (at a lovely leisurely tempo with a ruminative verse):

LET’S FALL IN LOVE:

ALONE TOGETHER:

Thank you, Davide.  Come back to New York soon!  Bring Monica, of course!

May your happiness increase!