Tag Archives: Jens “Jesse” Lindgren

SONGS ON SPRING: The EarRegulars: JON-ERIK KELLSO, JENS “JESSE” LINDGREN, EDDY DAVIS, JAY RATTMAN at THE EAR INN (Dec. 27, 2015)

ear-inn-5The Ear Inn (326 Spring Street, Soho or Hudson Square in the West Village of New York City) has been a mecca for heartfelt hot music on Sunday nights since the summer of 2008, thanks to the flexible quartet led by Jon-Erik Kellso, the EarRegulars.

Last Sunday night, December 27, 2015, the EarRegulars were Jon, trumpet; Eddy Davis, banjo and vocal; Jay Rattman, bass sax; Jens “Jesse” Lindgren from Sweden, trombone and vocal.  Here are two of the night’s delightful performances.

W.C. Handy’s adaptation of a folk melody or a hymn, HESITATING BLUES, with an earnest vocal by Eddy and a vocalized solo by Jon through his glass mute:

And here’s Jesse’s version of the lovely song PLEASE (Leo Robin – Ralph Rainger) forever associated with Bing Crosby:

In case your Swedish is as poor as mine is, here are the original lyrics sung by Bing with help from Eddie Lang:

And let Handy’s lyrics be your guide.  Don’t hesitate about visiting The Ear Inn on a Sunday evening, from about eight to about eleven . . . to hear and see The EarRegulars for yourself.

Hesitating Blues

(S)he who hesitates misses the good stuff.

May your happiness increase!

IN THE MOMENT WITH THE SPIRIT OF LOUIS

Here are four delicious performances from a concert at the Aneby Konserthus in Sweden — last month, March 2015, by the JAZZ CLASSICS, honoring Louis — with the special guest Duke Heitger, trumpet; Jens ”Jesse” Lindgren, trombone; Klas Lindquist, clarinet / alto; Holger Gross, banjo, guitar; Göran Lind, dtring bass.  Recorded for us by Claes Jansson, to whom we are most grateful.

These are four songs are taken for granted as overworked within the “Dixieland” repertoire.  But three of them (I am leaving aside DOLLY as a sentimentally affecting but not terribly dense composition) are complicated, full of small twists and turns to waylay the musician who’s forgotten an interlude. They are dance-like, elegant and hot at once.

And this band — the JAZZ CLASSICS with guest Duke Heitger — does them justice.  Pay attention to the ensemble interlude in the middle of MUSKRAT, where Duke picks up his plunger mute, and admire the way everyone so neatly takes those racing turns in BARBECUE and CORNET as well.  Louis and Jelly Roll Morton didn’t get along, but these often-delicate performances make me think of “Sweet, soft, plenty rhythm” as the highest aesthetic goal.

STRUTTIN’ WITH SOME BARBECUE:

MUSKRAT RAMBLE:

CORNET CHOP SUEY:

HELLO, DOLLY!:

Emerson writes in Nature that everything, closely observed, is beautiful. These performances are transcendental embodiments of that.  The most overplayed song can be made fresh and lively when it’s visited again with heartfelt expertise. The lessons of Louis, of course.

There is a wonderful concert CD of this band from 2013, which goes beyond the Twenties in the most delightful fashion: Holger Gross would be happy to tell you more about it.

May your happiness increase!

A UNIVERSAL LANGUAGE: THE SWINGING SWEDES IN CONCERT (KUSTBANDET, NOVEMBER 22, 2013)

Thanks to Claes Jansson, we have these performances by the hot, expert Swedish band KUSTBANDET — a band with fifty years of experience! — recorded in concert on November 22, 2013.

The members are Goran Eriksson, Jon “Jonte” Högman, and Klas Toresson, reeds; Jens “Jesse” Lindgren, trombone / vocal; Bent Persson, Fredrik Olsson, trumpet; Peter Lind, trumpet / vocal; Claes Göran Högman, piano; Hans Gustavsson, guitar / banjo; Bo Juhlin, tuba, string bass; Christer “Cacka” Ekhé, drums / vocal.

Onstage with OVER IN THE GLORYLAND into BIRMINGHAM BREAKDOWN:

More early Ellington with THE MOOCHE:

TISHOMINGO BLUES:

For Luis Russell, Red Allen, and the New Orleans boys in New York, SUGAR HILL FUNCTION:

Then, some Louis-inspired hot music:

AFTER YOU’VE GONE:

YOU’RE DRIVING ME CRAZY (thanks, Peter!):

YOU RASCAL YOU (with mock-threats from Peter and Jesse, who mean no one any harm):

and swing for saxophones with LADY BE GOOD:

What a band!  (How do you say, “Romp it, boys!” in Swedish?  No matter.)

May your happiness increase!

“GEORGIA BO BO”

This song, originally recorded in 1926 by “Lil’s Hot Shots” — a transparent pseudonym for the Louis Armstrong Hot Five, under contract to OKeh — nominally led by Lil Hardin Armstrong for Vocalion — is a fairly simple blues. 

Jesse’s Jazz Band, led by trombonist Jens “Jesse” Lindgren, is seen here at the 1999 Akersunds Jazz Festival in Sweden.  I knew in a minute that the Hot cornetist was my hero Bent Persson, but don’t know the name of the other sterling players: the clarinetist who has Dodds down, nimbly; the drummer accenting the rhythm on the rim of his bass drum, the steady banjoist and drummer.  If someone knows their names, please let us all know!  This video was posted on YouTube by “jazze1947,” and we thank him, as well as the players!

And perhaps Stephen Calt (author / compiler of BARRELHOUSE WORDS) will tell us if the “Georgia Bo Bo” was a euphemism, as was the “Georgia Grind.”  Inquiring minds want to know!