When I convinced myself that I needed more records, and would go through boxes at the yard sale, antique store, or secondhand shop, I would often encounter Dave Brubeck’s JAZZ GOES TO COLLEGE. Much rarer and never seen were Max Kaminsky’s JAZZ ON THE CAMPUS and the wonderful series of small-band recordings Billy Butterfield made on one and another college campus. Of course, going back a few decades, bands played dances. The college I once taught at had a notation in its files that a Charles Mingus group had played there in 1973: of course, the cassette that had captured the music was now missing.
I sense that college audiences, once rock came in, wanted the most “modern” music, which meant that jazz rarely was on the bill. But in 1947, a college audience was not too hip for TIN ROOF BLUES. And — if I can take the risk — “Dixieland” was popular: think of THIS IS JAZZ on the Mutual radio network. Although the players on this gig — at the Alumni Gymnasium at Hamilton College — were venerable, they were still late-middle-aged: Miff Mole had just turned fifty, James P. Johnson, fifty-four.
So here is the popular music of ago, played with Dispatch and Vigor (a nod to Marty Grosz, now ninety-one and concertizing next week in Philadelphia) by Max Kaminsky, cornet or trumpet; Miff Mole, trombone; Tony Parenti, clarinet; Art Hodes or James P. Johnson*, piano; Jimmy Butts, string bass; Danny Alvin, drums.
BLUES / ORIGINAL DIXIELAND ONE-STEP / JAZZ BAND BALL* / PEG O’MY HEART / BALLIN’ THE JACK / BASIN STREET BLUES / MUSKRAT RAMBLE* / TIN ROOF BLUES / SQUEEZE ME* / THAT’S A-PLENTY / HOW COME YOU DO ME? / (James P. Johnson solo) BACKWATER BLUES / LIZA / SNOWY MORNING BLUES / CAROLINA SHOUT / (James P. Johnson, Parenti, Alvin) MAPLE LEAF RAG / BLACK AND BLUE / (solo) BOOGIE WOOGIE STRIDE – TEA FOR TWO //
This transfer came from the collection of the late John L. Fell, who was a student at Hamilton, and someone had access to the original discs. BACK WATER BLUES and LIZA were issued on an lp compilation of James P. performances, “AIN’T CHA GOT MUSIC?” worth finding, on Bob Hilbert’s Pumpkin Records label. There was, John told me, a private party after the concert, where someone recorded James P. playing LIZA / HALLELUJAH / BOOGIE WOOGIE STRIDE – TEA FOR TWO – SQUEEZE ME / AIN’T MISBEHAVIN’ – JUST BEFORE DAYBREAK – I CAN’T GET STARTED / KEEPIN’ OUT OF MISCHIEF NOW. But James P. became inebriated and his playing was not up to his usual standard, I remember John explaining.
Here’s what we have of the concert, and of those days when hot music was in the air, on the campus, and welcome everywhere:
I looked up “May 3, 1947” in Tom Lord’s online jazz discography, and found that Bunk Johnson and Don Ewell were playing a college concert at Coffman Memorial Auditorium, the University of Minnesota, Minneapolis, Minnesota. A different time zone and more than eleven hundred miles away, but evidence that the kids dug the hot sounds.
And before you nostalgicize too much, remember that it you were even a precocious college student at either concert, you’d be over ninety now. Choose cautiously before you step into your home-built time machine.
May your happiness increase!