Tag Archives: Joe Fee

RHYTHM AND MIRACLES

LOUIS and GORDON JENKINS larger

Since 1971, July 6 is always a mournful date for me, since Louis Armstrong departed this temporal neighborhood (“made the transition,” “passed into Spirit,” or what you will) on that day.

Because of the beautiful post Ricky Riccardi wrote about the last music Louis listened to before he died (here) I was ready to write about an emotional vortex that hit me hard.

On the last tape Louis made for himself, he led off with SATCHMO IN STYLE, the life-enhancing music he and Gordon Jenkins made from 1949-52).  That’s important to me, because eight of those performances are the music that made me absolutely devoted to Louis — this is more than a half-century ago.

But then I thought of the tradition where you rejoice at the funeral, and that Louis would not have wanted us to weep, but to hear good music with a strong lead and wonderful melodies.  I think he would also have approved of seeing buoyant young swing dancers move around, for this was the way (in a backwards fashion) that he fell in love with Lucille Wilson, his fourth wife.

So here we are,  rhythm and miracles conjoined, which is also appropriate.

I GOT RHYTHM:

I BELIEVE IN MIRACLES (with the verse and at a gorgeous tempo):

These videos come to us through the generosity of the musicians and dancers, but also because of videographer Laura Beth Wyman of Wyman Video, who did a splendid job in capturing that most difficult situation: a room full of dancers with musicians playing for them.  The musicians!  James Dapogny, piano; Mike Jones, clarinet; Roderick McDonald, guitar; Joe Fee, string  bass. This performance took place during the properly named Plenty Rhythm Weekend.  Filmed at Gretchen’s House, Ann Arbor, Michigan, on December 5, 2015.  For more rhythmic miracles, visit here.

Good enough for Louis.  Good enough for us.

May your happiness increase!

EMOTION IN MOTION: ERIN MORRIS, NATHAN BUGH, JAMES DAPOGNY and FRIENDS (May 8, 2015)

The way they move moves me so.

I am not a student of the dance (ask my former ballroom dance instructor) so I cannot annotate the various gestures and motives that Erin Morris and Nathan Bugh so sweetly and nimbly offer us on their exploration of MY DADDY ROCKS ME — performed with the James Dapogny Quartet.

I know it’s hard work to look so casual.  But for me, while I am admiring their hilarious slinky grace, their obvious joy in movement, I see an entire emotional drama, the subtle shifts that take place within and through a pairing, the way two individuals become a couple, echoing, mimicking, mirroring, delighting.  This too-brief interlude seems a novel without pages, an opera without words.  A play about play.  Visual and mobile purring.

Details?  MY DADDY ROCKS ME (J. Bernie Barbour; arr James Dapogny) – Erin Morris (dance), Nathan Bugh (dance), Mike Karoub (cello), James Dapogny (piano), Rod McDonald (guitar), Joe Fee (bass). Improvised social dance from Erin Morris & Her Ragdolls’ JASSAFRASS show. College Theater, Washtenaw Community College, Ann Arbor, Michigan, May 8, 2015. Filmed by Laura Beth Wyman.

I find it also very touching that this dear interlude is described as “Improvised social dance,” for isn’t that what we are doing every moment of our lives on the planet?  If only we could perform our various curlicues with as much grace as Erin and Nathan do here, this world would blissfully swing, and grinning would be the rule rather than the exception.  I hail them — and James, Rod, Mike, and Joe — as uncredentialed spiritual teachers — the best ones, teaching us by example that existence is too gorgeously large to be put in to words.

Parenthetically, a friend affectionately needled me, “Hey, Michael, JAZZ LIVES is becoming the Official Erin Morris Lovefest Site, isn’t it?” And I immediately said, “Wow, you say the nicest things!”

As a postscript, a laginappe, an amuse-bouche or what you will, here’s everybody’s rollicking get-off-the-stage to music adapted liberally from a Fats Waller song:

The Felons of Swing, in addition to the Band, are Erin Morris (dance/choreography), Nathan Bugh, Brittany Armstrong-Morton, Sarah Campbell, Rachel Bomphray, Hayden Nickel.

May your happiness increase!

“GLIDE, SLIDE, PRANCE, DANCE!”: ERIN MORRIS, BRITTANY ARMSTRONG, NATHAN BUGH (and the JAMES DAPOGNY QUARTET) DO THAT THING! (May 8, 2015)

To set the mood, Bessie Smith singing NEW ORLEANS HOP SCOP BLUES, from where I take my title.  (It’s especially appropriate because of the welcome attention paid Miss Bessie, and this track counteracts the prevailing impression of her as an artist who lived in darkness and sadness.)

She sings most convincingly about the joys of gliding, sliding, prancing, dancing. But that’s only sound.  We need more.

Let’s have some thrilling audio-visual evidence here from Erin Morris and friends, performed and recorded on May 8, 2015.

AIN’T ‘CHA GOT MUSIC? (by James P. Johnson) performed by Erin Morris and Brittany Armstrong with vocal by Nathan Bugh. Instrumental support by James Dapogny, piano; Mike Karoub, cello; Rod McDonald, guitar; Joe Fee, string bass. And they offer the verse:

LOVE ME OR LEAVE ME, by Erin and Nathan, a performance that is clearly more about dancing love than making exits:

and EXACTLY LIKE YOU, by Nathan and the Quartet:

I think of these performances — aurally, visually — as happiness in its purest form embodied.  When I am sad ad I need an aural reassurance that the world is a generous place, I put on the music of Louis Armstrong and Gordon Jenkins.

When I want to look at something to remind me how joyously expansive life is, I look at the videos of Erin Morris and her Ragdolls / James Dapogny and friends. Works for me, and it can work for you too.  These three videos come from Erin Morris & Her Ragdolls’ JASSAFRASS show: recorded for us by Laura Beth Wyman.

If you feel the spirit, why not truck on down to Erin Morris and Her Ragdolls and click the button marked “Like.”  Costs nothing; no obligation; it makes these hard-working joy-spreaders happier. And you can see more life-affirming videos there as well.

May your happiness increase!

SPREADING MORE JOY IN MICHIGAN (May 8, 2015)

ERIN MORRIS AND HER RAGDOLLS

ERIN MORRIS AND HER RAGDOLLS

Has today been surprisingly rough, friend?  Did you turn away from the milk you were heating on the stove to find it had taken on new life as Vesuvius?  Are your ears still hurting from what someone said to you last night?  Did the Havanese puppy you bent down to pat on the street nip your hand?  Is your performance rating 10 . . . but the scale is now 1 to 100?  Are you being blamed for something you didn’t do?  Did someone siphon out all your emotional energy while you were sleeping?  Have all the treats been moved to a shelf higher than you can reach?  Have the rules of the board game been changed while you went to get the popcorn?

You know the feelings.  No over-the-counter cream has yet been invented to take away those stings.

But at JAZZ LIVES, we offer an infallible transfusion of joy.  Two, in fact. Created by skilled practitioners.  One tincture is in honor of an ancient dance; the other celebrates a noted explorer (and Chu Berry, let his name ne’er be forgot).

Healing tincture one:

And its counterpart:

Dancers:  Erin Morris, Brittany Armstrong-Morton, Rachel Bomphray, Sarah Campbell.  (For more information about Erin Morris and her Ragdolls, visit here, and then, feeling the spirit, here.  JAZZ LIVES will soon be able to offer information for those wishing to form local chapters of the Erin Morris and her Ragdolls International Fan Club.

Those who feel properly moved are encouraged to “like” the Erin Morris and Her Ragdolls Facebook page. JAZZ LIVES readers who show proof of a properly completed “like” of this page will be entitled to a free lifetime subscription to JAZZ LIVES.

Musicians: , Mike Karoub (cello), James Dapogny (piano), Rod McDonald (guitar / banjo), and Joe Fee (bass). Nathan Bugh sings on BALLIN’.  College Theater, Washtenaw Community College, Ann Arbor, Michigan. May 8, 2015. Filmed by Laura Beth Wyman.

A first helping of joy can be experienced here.  And more is promised, which is indeed joyous news.

The instructions on the prescription are very simple: REPEAT AS NEEDED. ay

May your happiness increase!

SPREADING JOY IN MICHIGAN (May 8, 2015)

Any universe is a beautiful place that has such brightly-shining people in it, including the unseen woman behind the camera.

Here are the details . . . the song, the dancers, the musicians, the occasion.

ALL GOD’S CHILLUN GOT RHYTHM (Walter Jurmann, Gus Kahn, Bronisław Kaper; arranged by James Dapogny).

Dancers:  Erin Morris, Brittany Armstrong-Morton, Rachel Bomphray, Sarah Campbell, Hayden Nickel, Nathan Bugh, Patrick Johnston, Chris Glasow, Ryan Morton, Bryant Stuckey.  (For more information about Erin Morris and her Ragdolls, visit here, and then, feeling the spirit, here.  JAZZ LIVES will soon be able to offer information for those wishing to form local chapters of the Erin Morris and her Ragdolls International Fan Club.

Musicians: , Mike Karoub (cello), James Dapogny (piano), Rod McDonald (guitar), and Joe Fee (bass). College Theater, Washtenaw Community College, Ann Arbor, Michigan. May 8, 2015. Filmed by Laura Beth Wyman.

Bless each of them . . . so generously blessing us with joy.  Tell your friends.

May your happiness increase!

COME TO “JASSAFRASS”! (Hint: AN ALL-GIRL VINTAGE JAZZ DANCE TROUPE and THE JAMES DAPOGNY QUARTET)

I’ve been around the world in a plane.  But I’ve never been to Ypsilanti, Michigan.  However, this event is exerting a powerful pull west for the evening of May 8, 2015, at 8 PM.

ERIN MORRIS RAGDOLLS May 8

Here is the Facebook event page.

This event is the Second Annual Ragdolls Revue.

No, it doesn’t feature Little Orphan Annie figurines or those most beloved, apparently boneless, felines.

Erin Morris and and her Ragdolls are a splendid improvisatory jazz dance group. And that requires some explanation.  For me, most “jazz dance” is either wildly unfettered — tap dancers rioting percussively — or stylized, sometimes stiffly choreographed exercises performed to jazz music but without much flexibility.

Erin and the Ragdolls (do I see a comic book series, syndication rights, and real money?  Any hip investors?) are quite different.  They create their own loose-limbed but precise world.  It is easy to imagine them as the twenty-first century reincarnation of sisters / friends jiving in the basement to the new blue-label Decca or OKeh, and to the casual eye they might look more like kids who are following similar impulses, but their choreography masterfully fools the eye: it looks as if it was just thought up on the spot, but anyone who’s ever done a right rock turn can tell that their routines are intelligently planned while appearing improvised.  Just like jazz music, as a matter of fact.  Roadmaps plus passion, if you know the lingo.

I delight in the idea of an “all-girl vintage jazz dance company.”  It gives me hope for our civilization.

Here’s a sample, and an inspiring one, of what JASSAFRASS will be all about. Cross-species, too, as the Ragdolls work it out to the ALLIGATOR CRAWL:

The clip is from 2014; the dancers are Erin Morris, Brittany Morton, Sarah Campbell, and Rachel Bomphray. The musicians in the James Dapogny Quartet are James Dapogny, Mike Karoub, Rod McDonald, and Joe Fee. Videography by Richard Peng.

JASSAFRASS features live hot jazz from the incomparable James Dapogny Quartet, in a full-length show that unveils fresh, exciting dance numbers from the Ragdolls and scintillates with special guest dancer Nathan Bugh, all the way from New York City. The College Theater at WCC provides amazing acoustics and cozy raked seating for your unfettered viewing enjoyment.

Tickets $15 in advance (see your local Ragdoll), $20 at the door.

In case you are confused by all this, here is a visual aid.  This is what the thing in itself — a ticket to the show — will look like.  Don’t you covet this paper and what it offers  you?

ERIN MORRIS ticket

To learn more about the Ragdolls, visit www.emragdolls.com

May your happiness increase!

I ASKED THE TRANSLATOR, AND SHE SAID, “IT MEANS THAT YOU’RE GRAND”

Here are James Dapogny’s Jazz Band (a singular assemblage)  performing BEI MIR BIST DU SCHOEN at the Hillsdale College Swing Club Dance in Hillsdale, Michigan, on January 30, 2015.  The JDJB for this occasion is Professor Dapogny, piano; Mike Jones, clarinet / saxophone; Andrew Bishop, tenor saxophone; Paul Finkbeiner, trumpet; Chris Smith, trombone; Joe Fee, string bass; Rod McDonald, guitar; Pete Siers, drums:

I could say, “Bella, bella,” or even “Wunderbar,” but I’ll leave those encomia to you.  We owe the record of this exalted phenomenon to our own Laura Beth Wyman — whose YouTube channel you might choose to subscribe to, so you don’t miss a swinging four-bar phrase.

May your happiness increase!