Tag Archives: Johnny Burke

EVERYONE’S LOOKING OUT FOR YOU, SAY MESSRS. BURKE and SPINA

Imagine a community where people are concerned about your happiness in the most affectionate ways.  Today, with smartphone-induced isolation the norm, that world full of solicitous people seems like a dream.  I don’t know if it was truly possible in the middle Thirties, although I think of Wilder’s OUR TOWN, but a charming pop song came out of that vision: one of those simple but memorable melodies with witty sweet lyrics (“who prints / blueprints” is very clever).  As you see below, music by Harold Spina and words by Johnny Burke.

I would have liked to hear Miss Etting sing this.  But we have, instead, a sweet version with the verse (as sung by Kay Weber, Ray Eberle, and the Dorsey Trio — backed by the Dorsey Brothers Orchestra, the emphatically swinging Ray McKinley — echoing Stan King’s accents — moving it all along):

And here’s the masterful version I heard some decades ago and still love.  This song obviously appealed to Fats, who keeps referring to the bridal march, and the last sixteen bars are a model of great delicate swing:

Here is the only “modern” version that — to me — can follow Fats (Rebecca Kilgore, Chris Dawson, Hal Smith, and Bobby Gordon):

Some readers may wish to point out more recent versions by McCartney and Clapton.  Thanks, but no thanks.  But if you want to muse on the vagaries of pop music, listen — if you can — to the versions by Johnny Angel and Joy and Dave, found on YouTube.  Don’t say I didn’t warn you.  And thank the milkman if you’re up early.

May your happiness increase!

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GETTING SENTIMENTAL WITH JANICE DAY (November 8, 2015)

JANICE DAY

One of the real pleasures of the 2014 and 2015 Mike Durham Classic Jazz Party is getting to hear the delightful song stylist Janice Day at length.  She has her own style, and that’s a very good thing: a kind of delicate intensity that harks back to the girlish singers of the Twenties without being a copy of their most recognizable gestures.  She’s instantly appealing — without trying too hard.

Here’s a sweet vignette from this year’s Party — with Janice in front of a small band: solos by Matthias Seuffert and Duke Heitger, over a rhythm section of Keith Nichols, Henry Lemaire, Richard Pite, and Nicholas Ball.  The song is a 1938 pop hit by Johnny Burke and James V. Monaco, who wrote consistently for Bing Crosby’s films, ON THE SENTIMENTAL SIDE:

ON THE SENTIMENTAL SIDE

I think that Billie Holiday’s version has made the deepest impression, but for a song to have been recorded by Bing, Billie, and Louis (his version at a much brisker tempo) in the same year says something about its tender qualities. Here’s Janice’s sweet exploration — under three minutes, but she gets her sentimental message across with ease and clarity.  Beneath the glamour, there’s a deeply engaging artist:

I will be sharing more of Janice’s music in the weeks to come — but you can also visit her Facebook page and the website devoted to her collaborations with the wonderful pianist Martin Litton, here.  On that site, you can see a number of charming videos of Janice and Martin in performance — several of which I was fortunate enough to record.  More to come!

May your happiness increase!

DAWN LAMBETH: MOONBEAMS AT MONTEREY

Polka

POLKA DOTS AND MOONBEAMS, by Johnny Burke and Jimmy Van Heusen, was Frank Sinatra’s first big hit record.

Although the lyrics take odd turns — initially one stumbles over the idea of a “pug-nosed dream” as the brand-new Love Object, it remains an endearing song.  Lester Young, Clifford Brown, Paul Desmond, Glenn Miller, and Wes Montgomery recorded it, among others.

The song seemed especially endearing this past March when Dawn Lambeth sang it during a Van Heusen tribute set at Dixieland Monterey / Jazz Bash by the Bay, accompanied by Yve Evans and friends.

One of my favorite singers, Dawn is a sophisticated artist who manages to make the dream-castles she creates seem real, withour straining.  Easy and casual; she summons up deep emotions without feeling the need to act them out.  A performance by Dawn lingers in the memory with sweet swing.  Her song winds its way into our hearts.

Incidentally, the song has a verse that no one sings — a very brief prelude to introduce the story of love found in a garden:

Would you care to hear the strangest story? / At least it may seem strange to you. / If you saw it in a moving picture / You would say it couldn’t be true.  

But Dawn makes it perfectly true.

May your happiness increase! 

SERENE EARTHLY MUSIC: REBECCA KILGORE and KEITH INGHAM at JAZZ at CHAUTAUQUA (Sept. 22, 2012)

For me, this was one of the high points of the long jubilant weekend that was the 2012 Jazz at Chautauqua — the duet of Rebecca Kilgore and Keith Ingham on the Jimmy Van Heusen – Johnny Burke song, IT’S ALWAYS YOU.

Keith’s sweet harmonies, his rhythmic steadiness, his intuitive sense of the right notes — he is a brilliant accompanist — go so well alongside Rebecca’s convincing underacting, her gentle sincerity, her creamy tone and delicate rubatos.

And, like all great art, it looks easier than it really is.

Thank you, Keith and Rebecca.  This gracious fervent music touches the heart.

May your happiness increase.

WARM YET COOL: BOB REITMEIER and KEITH INGHAM at JAZZ AT CHAUTAUQUA (September 21, 2012)

I had never seen these two singular musicians in duet before, but this set at the 2012 Jazz at Chautauqua was a highlight: clarinetist Bob Reitmeier bringing his own cool clear-toned lyricism alongside Keith Ingham’s more impassioned orchestral creations, rocking or pensive.

Berlin’s PUTTIN’ ON THE RITZ, which summons up Fred Astaire:

The Carmichael-Mercer SAY IT WITH A KISS, evoking Maxine, Billie, Teddy, and Bobby Hackett:

Bing and Bob, anyone?  Here’s the Burke-Van Heusen THE ROAD TO MOROCCO:

The Carmichael-Loesser HEART AND SOUL (explored fully this time):

Memories of Louis, Dizzy, and a Benny Goodman Camel Caravan before Charlie Christian burst on the scene — UMBRELLA MAN:

The Gershwins’ STRIKE UP THE BAND:

There’s a good deal of summer’s-not-over frolic here, but with an awareness that the leaves are starting to turn.  And I can look out my window and see the trees weighed down by a November mini-blizzard; I suggest we turn away from the Weather Channel and find our comfort and elation in the beautiful music.

May your happiness increase.

MORE CONVERSATIONS: HARRY ALLEN and ROSSANO SPORTIELLO at SMALLS (April 12, 2012)

It was a CD release party — and the CD, a series of duets devoted to the songs for which Johnny Burke wrote the lyrics, is called CONVERSATIONS:

But the conversations weren’t going on among the audience — they were appropriately reverent — nor were they restricted to the round piece of plastic in the sleeve above.  No, tenorist Harry and pianist Rossano were exchanging ideas, sweet and swinging, at the highest artistic and emotional level.

Here’s the second set:

The Rodgers and Hart THIS CAN’T BE LOVE, not too fast:

A wondrous reading of BUT BEAUTIFUL:

In praise of couplehood!  JUST YOU, JUST ME:

A high point of the evening for me — one of those performances that stays in the heart — SOME OTHER SPRING, both melancholy and serene:

A BLUES that summoned up Basie and Dave McKenna, Ben, Zoot, and Al:

And — to close — a positively exuberant RUNNIN’ WILD:

About that CD.

The best way (as I write this) to purchase a copy of the CD is to encounter Harry or Rossano on a gig — pleasure redoubled.  But it’s now also available at iTunes and CD Baby — click here — or, contact Harry here or Rossano there and either gentleman will find a way to get a copy to you.  It is worth it, I assure you.

P.S.  Starting on Friday, April 20, 2012, I will be watching and hearing Harry and Rossano and two dozen other jazz masters play and sing at the Atlanta Jazz Party . . . hope to meet some of my readers there!

May your happiness increase.

CONVERSATIONS: HARRY ALLEN and ROSSANO SPORTIELLO, PART ONE (Smalls, April 12, 2012)

Great conversationalists have something memorable to tell us; they know how to be still; they listen deeply; they encourage everyone around them.

Musically, Harry Allen (tenor sax) and Rossano Sportiello (piano) are exemplary models of this art, and they proved it beautifully on April 12, 2012, in two sets at Smalls Jazz Club (183 West Tenth Street, Greenwich Village, New York City).

The occasion was a CD release party in honor of the Allen-Sportiello duo — a tribute to lyricist Johnny Burke, a great friend of Harry’s father, and the man who contributed so much to American popular song.  Think of PENNIES FROM HEAVEN, IT COULD HAPPEN TO YOU, SWINGIN’ ON A STAR, MOONLIGHT BECOMES YOU, OH YOU CRAZY MOON, LIKE SOMEONE IN LOVE, WHAT’S NEW, and IMAGINATION among others . . . ask anyone about those songs, and the person will not only hum the melody but start to sing Burke’s words.  (And if you need more evidence, two fellows named Crosby and Sinatra made Burke’s words their own.)

More about the CD — which is called CONVERSATIONS — at the end of this posting.  For now, here is the first set — music so sweetly intimate, so wonderfully realized, that we could only watch and marvel at these two artists with so much to say and such grace in expressing it.

PENNIES FROM HEAVEN:

DID YOU CALL HER TODAY? — a Ben Webster line on the chord changes of IN A MELLOTONE, which was based on ROSE ROOM . . . but it’s all Harry and Rossano here:

And the yearning question, WHAT’S NEW?:

LIKE SOMEONE IN LOVE:

A romping DIAMONDS ARE A GIRL’S BEST FRIEND (with hilarious lyrics by Leo Robin):

A poetic IMAGINATION:

IT COULD HAPPEN TO YOU:

That was the first set.  More to come!

The duo CD is called CONVERSATIONS.  It’s beautifully recorded and the program is varied — with two “new” songs, both memorable: I WISH YOU NEEDED ME and IF LOVE AIN’T THERE — as well as very touching liner notes by Mister Allen himself.

The best way (as I write this) to purchase a copy of the CD is to encounter Harry or Rossano on a gig — pleasure redoubled.  But it’s now also available at iTunes and CD Baby — click here — or, contact Harry here or Rossano there and either gentleman will find a way to get a copy to you.  It is worth it, I assure you.

P.S.  Starting on Friday, April 20, 2012, I will be watching and hearing Harry and Rossano and two dozen other jazz masters play and sing at the Atlanta Jazz Party . . . hope to meet some of my readers there!

May your happiness increase.