Tag Archives: Johnny Varro

NEW OLD MUSIC FROM “LITTLE BOBBY HACKETT” and HIS FRIENDS: JACK GARDNER, EDDIE CONDON, LOU McGARITY, PEANUTS HUCKO, JOHNNY VARRO, JACK LESBERG, BUZZY DROOTIN (1945, 1964)

Our generous friend Sonny McGown, through his YouTube channel called    “Davey Tough,” has been at it again, spreading jazz goodness everywhere.  And this time he features the man Louis Armstrong called “Little Bobby Hackett.”  If you’ve missed Ricky Riccardi’s wonderful presentation — music and words — of the remarkable relationship of Bobby and Louis, here  it is.

And here are more Hackett-gifts.  The duet with Jack Gardner I’d heard through the collectors’ grapevine, but the 1964 Condon material is completely new.  And glorious. Sonny, as always, provides beautiful annotations, so I will simply step aside and let Robert Leo Hackett cast his celestial lights.

Here he is with the rollicking pianist “Jumbo Jack” Gardner — and they both are wonderfully inspired:

and a wonderful surprise: an Eddie Condon recording I’d never known of, with Condon exquisitely miked for once (let us hear no more comments about his not playing fine guitar; let us hear no more about “Nicksieland jazz”).  And let’s celebrate the still-thriving Johnny Varro, alongside Peanuts Hucko, Lou McGarity, Jack Lesberg, and Buzzy Drootin:

May your happiness increase!

MARK IT DOWN! THE CENTRAL ILLINOIS JAZZ FESTIVAL (March 30, 2019: Decatur, Illinois)

Here’s something for the intellectual puzzle-solvers in the JAZZ LIVES audience.

One.

 

Two.

 

 

 

 

Three.

Kenny Davern, Yank Lawson, Connie Jones, Pee Wee Erwin, Doc Cheatham, Chuck Folds, George Masso, Don Goldie, Johnny Varro, Jon-Erik Kellso, Paul Keller, Ed Polcer, Eddie Higgins, Marty Grosz, Bill Allred, Bob Schulz, Bobby Rosengarden, Milt Hinton, Brian Torff, Johnny Frigo, Peter Ecklund, John Sheridan, Brian Holland, Rebecca Kilgore, Dan Barrett, Eddie Erickson, Ken Peplowski, Vince Giordano and the Nighthawks, the Fat Babies, and more.

Figured it out?  The answers, although indirect, are below, and they relate to the Juvae Jazz Society and the Central Illinois Jazz Festival: the story of their inception is here.

I confess that Decatur, Illinois has really never loomed large in my vision of bucket-list places.  But I have been terribly myopic about this for the past quarter-century.  Consider the poster below, please:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Juvae Jazz Society is celebrating its twenty-fifth anniversary, and rather than expecting people to bring them silver plates and candelabra, they are throwing a one-day jazz party, which you might have understood from the poster above.  (The list of musicians is just some of the notables who have played and sung for them in the last quarter-century.)

Although I admire Petra van Nuis and Andy Brown immensely, I’ve never had a chance to hear Petra and the Recession Seven live.  The Chicago Cellar Boys are one of my favorite bands and would even be so if Dave Bock wore a more sedate bow tie.  Other surprises are possible as well.

Some groovy evidence for you:

and those Boys:

So I’m going to be there.  Care to join me?

May your happiness increase!

RUBY, LOUIS, BUCK, ME (1954, 1983, 1989, 1996)

Ruby Braff, December 7, 1980. Photograph by Michael Steinman

Ruby Braff, December 7, 1980. Photograph by Michael Steinman

Ruby Braff remains one of my heroes: brave, curious, exploratory, full of lyrical warmth in his music — and one of those people I had many opportunities to observe between 1971 and 1983, at close range, in New York City.

Here is something new to me and I think absolutely remarkable — an interview with Ruby, done August 18, 1989, at the Newport Casino.  Ruby is remarkably patient with a somewhat inept questioner, but the subject is Louis Armstrong, so Ruby was very happy to speak about his and our hero:

Ruby despised his earlier recordings — and said so often, loudly and profanely.  I have no idea if he would have winced and swore at this one, but I am safe from his anger, so I present the 1954 Vanguard session (thanks to John Hammond) that paired him with Buck Clayton, Bennie Morton, Buddy Tate, Jimmy Jones, Steve Jordan, Aaron Bell, and Bobby Donaldson.  The shift into 4 / 4 at the start is one of my favorite moments in recorded jazz.  And the song is, of course, also.

LOVE IS JUST AROUND THE CORNER:

Much later, in 1996, Ruby created a gorgeous and irreplaceable Arbors CD, BEING WITH YOU, in honor of Louis and of Ruby’s recently-departed friend, the great reedman Sam Margolis. Along with Ruby, there were Jon-Erik Kellso, Scott Robinson, Dan Barrett, Jerry Jerome, Johnny Varro, Bucky Pizzarelli, Bob Haggart, Jim Gwin.  Ruby gave everyone a spot, and the results are glorious. And if you didn’t know what a magnificent singer he could be, savor LITTLE ONE.

I apologize for the intrusive advertisement that begins the final two videos:

LITTLE ONE:

And my own Ruby story, very brief and elliptical.  I had followed Ruby around with cassette and reel-to-reel recorder, with notebook and (once) camera — so much so that my nickname was “Tapes,” as in “Hey, Tapes!” — from 1971 on. This was not embarrassing to me; rather, it was an honor.

He played a concert at the New School with Dick Hyman early in 1983, and I, recently married, asked my new wife to come along.  She did not particularly like jazz, but it was a novel invitation and off we went.  We sat down in the middle of the auditorium — early, as is my habit — and I looked around for Ruby.  Surely, I thought, I could make eye contact and he would come over, exchange pleasantries, and I could not-so-subtly suggest to my new bride that I was Someone in this jazz world.  Ruby emerged from somewhere, and I stood up.  Perhaps I waved to catch his eye, or said, “Hey, Ruby!”  He looked at me, grinned, and pointed a forefinger.  “You!” he said.  “I remember you when you were in diapers!”  That was not the effect I had hoped to create, so I sat down and the deflated encounter was over.  He played beautifully.  As he always did.

Ask me about lyrical improvisation, and I might play you this as a glowing exemplar.

ONE HOUR:

I miss Ruby Braff, although, like Louis, he is always with us through his music.

May your happiness increase!

 

HELP FAST EDDIE GET BACK TO SPEED

Eddie Erickson and Becky Kilgore, striking a pose in 2008

Eddie Erickson and Becky Kilgore, striking a pose in 2008

If you don’t know Eddie Erickson, I humbly suggest that your life has been incomplete.  “Fast Eddie,” as he’s also called, is many things: a swinging solo and rhythm guitarist; a blazing banjoist; an incomparable clown and vaudevillian; a remarkably moving ballad singer.  I first encountered him as one-third or one-fourth (who’s counting?) of B E D, named for Becky Kilgore, Eddie, and Dan Barrett, with essential swing counseling from the “silent J,” Joel Forbes.

Here is Eddie as the captivating balladeer (in 2011, with Sue Kroninger and Chris Calabrese):

Here is Eddie as the wonderful swingster (in 2014, with Becky Kilgore, Dan Barrett, Rossano Sportiello, Nicki Parrott, Ed Metz):

Here is Eddie the irrepressible comedian, making old jokes seem new (in 2014, with Johnny Varro, Bria Skonberg, Antti Sarpila, Nicki Parrott, Chuck Redd):

How could a man so ebullient have medical problems?  Well, if you know Eddie, you know he’s recently recovered from serious heart surgery — a replacement valve — and is slowly, slowly doing all right.  He is recovering at home.

But he has expenses to pay.  You know what those white envelopes that come from the hospital, the medical group, and other people look like?  He’s got a pile of them.  And a free-lance jazz musician, a Swing Troubadour, is not always a bourgeois sort with a regular salary.  So if you can’t gig for some time while recovering . . . you can imagine.

(This is not, I assure you, an empty appeal.  I don’t like to use JAZZ LIVES to sell products or to raise money — but this afternoon I walked to the mailbox and sent a check before writing this blogpost.)

“Here’s the deal,” as Eddie and  Bill Dendle would say.

This little appeal for funds has been vouched for by Sue Kroninger, someone I trust deeply, and I’ve just gotten off the phone with Elinor Hackett, someone who loves Eddie sincerely — another secular saint.

Elinor, a dear friend/fan/supporter of Eddie (indeed a supporter of trad jazz, youth programs, festivals and live music) has opened an account at Chase, which will be used to collect any donations to help Eddie in his efforts to get well and pay his medical bills. Eddie has given so much love to so many people throughout his life, that it seems fitting that this time it’s his turn to receive some love in return.  At the moment, the account is in Elinor’s and Eddie’s sister, Diane’s name — Eddie will be able to access the money when he is a little stronger.

Thanks for giving this your attention. Please pass it along to anyone who you feel might also be interested.  I know that many people who love Eddie don’t always have computers or spend as much time on them as we do.

Please send as ample a check as you can to Elinor Hackett at the address below. Make the check out to Elinor, and write “Gift of Love to Eddie” in the memo space of your check.  Mail it to Elinor Hackett, 9037 Mojave Dr, Sacramento, Ca 95826-4521.

All checks will be logged and deposited in this special “Love Eddie” account.
Questions?  Email elnor2jaz@gmail.comor / phone 916-363-8895

And a few lines for me: it is more blessed to give than to receive, and the joys of doing a kindness last longer than the pleasure one has in being the recipient.  I don’t want to belabor the point, but I shall: if everyone who’d ever laughed hilariously or grown teary at a performance by Eddie Erickson sent him the price of a Starbucks coffee or a two-pound bag of supermarket potato chips, he would never have to worry.

Thank you for reading this.  And thank you even more on Eddie’s behalf.

May your happiness increase!

JAMMIN’ AT VINCE’S: VINCE BARTELS, DAN BARRETT, DAVE STONE, ALLAN VACHÉ, RUSS PHILLIPS, JOHNNY VARRO at SACRAMENTO (May 25, 2014)

Slightly less than a year ago I was a happy member of the throngs at the 2014 Sacramento Music Festival. I couldn’t make it there this year, but that’s no reason you and I can’t savor some wonderful music I recorded there. All but one performance is emerging from the JAZZ LIVES vaults (deep and extensive) for your listening, dining, and dancing pleasure.

Vince Bartels

The band here is led by drummer Vince Bartels — his All Stars — and they are accurately named.  Dan Barrett, cornet; Allan Vaché, clarinet; Russ Phillips, trombone; Johnny Varro, piano; Dave Stone, string bass.  The ambiance, for the most part, is an unabashed lovefest for the music Eddie Condon and friends made in the Fifties.  Not all the selections were in the Condon repertoire, but the band kicks along splendidly without any imitations.

SWING THAT MUSIC:

THE ONE I LOVE:

Condon Jam Session

THE SELFIE MEDLEY (which requires a little commentary. First, I think the selection of ballads — a beautiful thing — draws seriously on the Columbia recording of JAM SESSION COAST-TO-COAST, one of George Avakian’s nicest ideas.  I hadn’t known that Vince had a M.A. in improvisational theatre, but he puts it to good use here, asking the audience to come up, surround the band, take selfies of themselves and the band, put them on Facebook, send them to relatives overseas, or what you will.  Thus the visual is often a little obscured, but the music is delicious):

OH, BABY!:

CAN’T WE BE FRIENDS? (a heartfelt duo-feature for Russ and Dave):

MOTEN SWING:

JUBILEE:

Oh, joy was certainly spread in abundance.  More to come.

May your happiness increase!

“THE HOME OF SWEET ROMANCE”: REBECCA KILGORE, DAN BARRETT, JOHNNY VARRO, WAYNE WILKINSON, NICKI PARROTT, DANNY COOTS at the ATLANTA JAZZ PARTY (April 18, 2015)

SAVOY

It wins you at a glance.

Where?  The Savoy Ballroom, of course.  The  Home of Happy Feet in Harlem stopped being a Swing mecca in 1958, but its spirit remains.

That spirit was very much in evidence at this year’s Atlanta Jazz Party, and on April 18, 2015, Rebecca Kilgore and a wonderful small band brought it even more sharply into focus with a performance of Edgar Sampson’s STOMPIN’ AT THE SAVOY. Her Stompers were Dan Barrett, trombone; Johnny Varro, piano; Wayne Wilkinson, guitar; Nicki Parrott, string bass; Danny Coots, drums.  (Does that closing riff owe its existence to Coleman Hawkins and Roy Eldridge?)

You don’t need a ballroom with these wonderful musicians.

May your happiness increase!

THE MUSIC SPEAKS FOR ITSELF: THE WEST TEXAS JAZZ PARTY (May 14-17, 2015)

I could write a long piece on the history of the West Texas Jazz Party — in Odessa, Texas — which in 2016 will celebrate its fiftieth year.  This, for those keeping count, makes it the longest-running jazz party in existence.  I could list the names of the luminaries who played, say, in 1980 — Red Norvo, John Best, Lou Stein, Carl Fontana, Kenny Davern, George Masso, Herb Ellis, Buddy Tate, Flip Phillips, Dave McKenna, Milt Hinton, Gus Johnson, PeeWee Erwin, Cliff Leeman, Bobby Rosengarden, John Bunch, Buddy Tate, and the still-vibrant Ed Polcer, Bucky Pizzarelli, Michael Moore, Bob Wilber.

The West Texas Jazz Society site can be found here — quite informative.

But I think it is more important to offer the evidence: the music made at this party, which is superb Mainstream jazz.  Here are several videos from the 2013 WTJP — they will unfold in sequence if you allow them to — featuring Ken Peplowski, Ehud Asherie, Ed Metz, Joel Forbes, Chuck Redd, Randy Sandke, and John Allred:

And the musicians themselves speak sweetly about the pleasure of attending the party and playing there (Ken, Chuck Redd, Dan Barrett, Bucky):

The superb videos — both music and interview — are the work of David Leonnig, who’s also helped inform me about the Party.

This year’s party will take place May 14-17, at the MCM Eleganté Hotel
in Odessa, Texas and the musicians are:

Piano: Johnny Varro, Ehud Asherie, Rossano Sportiello
Bass: Joel Forbes. Frank Tate, Nicki Parrott (vocals)
Drums: Chuck Redd (vibes), Tony Tedesco, Butch Miles
Trumpet: Ed Polcer, Warren Vache, Randy Sandke
Trombone: Dan Barrett, John Allred
Reeds: Ken Peplowski, Scott Robinson, Allan Vache
Guitar: Bucky Pizzarelli, Ed Laub (vocals)
Vocals: Rebecca Kilgore

The West Texas Jazz Party is sponsored in part by:

• The Texas Commission for the Arts
• Odessa Council for the Arts and Humanities
• The Rea Charitable Trust

Patron Tickets: $200: Reserved Seating for all performances and Saturday Brunch.

General Admission: Each performance $50 • Brunch $50

For Hotel Reservations, call 432-368-5885 and ask tor the Jazz Rate of $129.00. For Jazz Party or Brunch Reservations, call 432-552-8962. The WTJP now is accepting credit cards or make a check payable to: West Texas Jazz Society • P.O. Box 10832 • Midland, Texas 79702.

It looks as if a good time will be had by all. For the forty-ninth consecutive year!

May your happiness increase!