Marc Caparone and Dawn Lambeth are dear friends and superb musicians. When they heard that the Beloved and I were coming to California for much of this summer, Marc proposed a jazz evening to be held at their house, and spoke of it in the most flattering way as the “Michael Steinman Jazz Party,” a name that both embarrassed and delighted me.
And it happened on Tuesday, August 9, 2011. You’ll see some of the results here: great music from good-humored, generous people.
The guests — of a musical sort — were a small group of warmly rewarding musicians. Besides Marc (cornet and string bass) and Dawn (vocals), there were Dan Barrett (trombone, cornet), John “Butch” Smith (soprano and alto saxophones), Vinnie Armstrong (piano), and Mike Swan (guitar and vocals). The listeners included the Beloved, Bill and Sandy Gallagher (fine friends and jazz enthusiasts), Cathie Swan (Mike’s wife), Mary Caparone (Marc’s mother), James Arden Caparone (four months but with a great musical future in front of him), and a few others whose names I didn’t get to record (so sorry!).
Jazz musicians take great pleasure in these informal, relaxed happenings: no pressure to play faster, louder, to show off to an already sated crowd. In such settings, even the most familiar old favorites take on new life, and unusual material blossoms. We all witnessed easy, graceful, witty, heartfelt improvising on the spot. And you will, too.
Jazz itself was the guest of honor. Everyone knew that their efforts were also reaching the larger audience of JAZZ LIVES, so this happy cyber-audience was in attendance as well, although silent.
The first informal group (Dan on cornet, Butch on soprano, Vinnie, Marc on bass, and Mike) led off with Walter Donaldson’s MY BUDDY, performed at what I think of as Lionel Hampton 1939 tempo:
Then, evoking memories of Jim Goodwin and the Sunset Music Company (more about that later), the band created a buoyant homage to Dorothy Fields and Jimmy McHugh, to Duke Ellington, and to Bill Robinson, in DOIN’ THE NEW LOWDOWN:
A request from the Beloved for ON THE SUNNY SIDE OF THE STREET (in 1945 Goodman Sextet tempo) was both honored and honorable:
Dawn — sweetly full of feeling and casual swing — joined the band for S’WONDERFUL:
After Dan told one of his Ruby Braff stories, Dawn followed up with BLUE MOON, one of her favorites, and you can hear The Boy (that’s James Arden) singing along in his own fashion:
Then the band shifted — Marc put down the string bass and picked up his cornet to lead the way alongside Dan, now on trombone, for ROSETTA:
And a really fascinating exploration of a song that isn’t played much at all (although Billie, Lester, Roy, and the Kansas City Five are back of it), LAUGHING AT LIFE, explored in the best way by Marc, Butch, and Vinnie:
Mike Swan joined this trio for a truly soulful IT’S THE TALK OF THE TOWN:
Without prelude, Mike launched into the verse of WRAP YOUR TROUBLES IN DREAMS (Dan couldn’t help himself and joined in): what a singer Mike is (and he’s listened hard to Crosby, always a good thing)!
Mike also began MELANCHOLY with Dan — wait for Marc and Vinnie adding their voices to this improvisation:
And the session ended with GEORGIA ON MY MIND, scored for a trio of Dan, Mike, and Vinnie:
The informal session came to a gentle stop there, but the music didn’t go away. Butch had brought with him a video (taken from Dutch television in 1978) of the Sunset Music Company — a band featuring banjoist Lueder Ohlwein, cornetist Jim Goodwin, trombonist Barrett, reedman Smith, pianist Armstrong. Since Vinnie and Dan and I had never seen the video, we all retreated to the den and watched it.
It was both moving and hilarious to see the men of 2011 watching their much younger 1978 selves, as well as a moving tribute to those who were no longer with us. I wish there had been time and space to make a documentary about those men watching themselves play. . . . perhaps it’s possible.
I feel immensely fortunate to be surrounded by such beauty, and to have my name attached to it in even the most tangential way is a deep honor. I can’t believe that it happened, and I send the most admiring thanks to all concerned. Even if you weren’t there, unable to witness this creation at close range, I think the generous creativity of these musicians will gratify you as well. This post is a gift also to those who will see it and couldn’t be there: Arianna, Mary, Melissa, Aunt Ida, Hal, June, Candace, Dave, Jeff, Barbara, Sonny, Clint, David, Maxine, Ricky, Margaret, Ella, Melody . . . the list goes on. These gigabytes and words are sent with love.
A postscript. JAZZ LIVES is so engrossed with music that I rarely write about anything else, but if you are ever in the Paso Robles, California, area, I urge you to consider spending a night (as the Beloved and I did) at the accurately-named INN PARADISO, 975 Mojave Lane (805-239-2800: firstname.lastname@example.org). We have never stayed at a more satisfying place. Everything was beautiful and comfortable — from the room to the view to the quiet to the dee-licious breakfast, to the gentle friendly kindnesses of Dawna and Steve — making it a genuinely memorable experience. I want to go back! See for yourself at www.innparadiso.com.