Tag Archives: Katie Cavera

SENSATION! THE ORIGINAL CORNELL SYNCOPATORS with KATIE CAVERA at the SAN DIEGO JAZZ FEST (November 26, 2017)

The Original Cornell Syncopators, relaxing at the 2017 San Diego Jazz Fest.

They’re college students — 20 and 21 — they’re very intelligent and enthusiastic — and they play a kind of hot jazz that’s rarely heard these days.  And they play it with love. They’re the Original Cornell Syncopators, led by multi-instrumentalist Colin Hancock.  This is their five-piece incarnation, with Colin on cornet and vocal, Hannah Krall on clarinet and saxophones, Rishi Verma on trombone, Amit Mizrahi on piano, and Noah Li on drums.  For this Sunday afternoon set at the San Diego Jazz Fest, they were also graced by Katie Cavera, banjo and vocal, who has graduated from her own college and now teaches by exuberant example.

The Syncopators have a special place in my heart because they are exploring different areas of hot improvised jazz that are usually neglected.  I revere Louis, but this band is curious about kinds of hot jazz that are not heavily Louis-influenced; they often concentrate on bands from the Middle West: all of this is enlightening and their playing has that delightful youthful zest, the way the music must have sounded when it was brand-new, say, in 1924.

SENSATION RAG:

CHRISTINE:

WHO CAN YOUR REGULAR BE, BLUES:

FIDGETY FEET:

THE CO-ED:

ANGRY:

Here ‘s a very recent profile of leader Colin Hancock, an intriguing artist and a good fellow in the bargain.  And here is the band’s Facebook page.  The band has just released its debut CD — the cover below — which offers not only the quintet but the twelve-piece dance band and several other combos in between.  I’ve heard a few tracks and it’s marvelous.  So far, I think it is available on Spotify and iTunes, and a physical disc is in the works.  Details here.

I admire these young musicians tremendously, and think you will also.

May your happiness increase!

Advertisements

ANOTHER WIN FOR THE CUBS! (July 8, 2017)

I don’t know baseball well enough to carry on the analogy for the length of this sentence, but Ray Skjelbred and his Cubs are my favorite sports team.  The logic of that might not work, but you get the idea.

They performed — splendidly — as part of the annual Skjelbred California Tour — on July 8, 2017, at the Napa Valley Dixieland Jazz Society, and we have lovely videos thanks to the indefatigable chronicler of all things Skjelbred, RaeAnn Berry.  The Cubs were at full strength for this performance — no designated hitters: Ray, piano; Kim Cusack, clarinet; Jeff Hamilton, drums; Katie Cavera, guitar; Clint Baker, string bass.

Here’s a sampling:

Where Basie meets Handy, OLE MISS:

Asking the immortal question, HOW LONG HAS THIS BEEN GOING ON?

One of my favorites, beginning with a properly martial introduction by General Hamilton, SWEETHEARTS ON PARADE:

For Sir Charles Thompson and Fred Robbins, ROBBINS’ NEST:

A romping SHINE:

And, for Durante and Noone in equal measure, INKA DINKA DOO:

RaeAnn captured the afternoon’s performance — twenty-three videos — so there is even more pleasure to be had from these Major League Champions.

May your happiness increase!

“A REALLY PRETTY SONG”: RAY SKJELBRED, MARC CAPARONE, JEFF HAMILTON, KATIE CAVERA, CLINT BAKER (San Diego Jazz Fest, November 25, 2016)

Ray Skjelbred and his Cubs have the magical ability to play with Time (Einstein would be pleased) so that a nice steady medium-tempo groove from the band can also be ornamented with dreaming, almost motionless ruminations on the theme: it happens beautifully here.

The song is famous for Billie Holiday and Lester Young, although in 1937 it was simply another new pop tune, composed by Carmen Lombardo and John Jacob Loeb.  Carmen doesn’t get much credit for melodies — people are too busy sneering at the Lombardo reeds and vocalizing — but think of COQUETTE, SWEETHEARTS ON PARADE, RIDIN’ AROUND IN THE RAIN, and even BOO HOO (I hear Jimmy Rushing singing that one with perfect swing sincerity).

This isn’t a post about the glories of Billie and Lester (even though they can’t be celebrated too much) but rather a wholly instrumental and wholly satisfying version of this song in our century, created by Ray, piano; Marc Caparone, cornet; Jeff Hamilton, drums; Clint Baker, string bass; Katie Cavera, guitar:

What beautiful dreamy music.  Blessings on these musicians and thanks for the San Diego Jazz Fest for providing a time and place (November 25, 2016) for the musicians and audience to feel such expansive comfort.

May your happiness increase!

THE LESSONS OF THE MOST HUMBLE MASTER

Lessons for everyone, not only musicians.

Connie and Tim Laughlin at the San Diego Jazz Fest

I will write few words because Connie Jones is so much more eloquent.  Thanks to Joel Albert for photographing this at the New Orleans Traditional Jazz Camp, Banu Gibson’s dream, and for sharing it with us:

“There was just the way [Connie] played”:

And we can learn from Connie the way Ed did.

“Here’s one of the good old good ones that musicians all like to jam . . . the ROYAL GARDEN  BLUES!”  From the San Diego Jazz Fest, November 30, 2014, you can hear Connie, Tim Laughlin, Doug Finke, Chris Dawson, Katie Cavera, Marty Eggers, Hal Smith.

What are the lessons of the Master?

Humility before the Music.  Devotion to one’s Art.  Honoring the tradition and honoring one’s Self.  Willingness to work to create Beauty.  Actions more than words.  “I cannot be alive without hearing a melody.”  It’s all about love, which should be evident, and it’s a living, life-long focus on what’s important.

Bless the humble Master Connie Jones, who blesses us.

May your happiness increase!

SOLITUDE, THEN RUSHING WATER: TIM LAUGHLIN, CONNIE JONES, DOUG FINKE, CHRIS DAWSON, KATIE CAVERA, MARTY EGGERS, HAL SMITH at the SAN DIEGO JAZZ FEST (November 30, 2014)

I am not a certified Hoarder, although perhaps someone scrupulous would look at the books and music in the room I’m writing this in and say otherwise.  (I like clear paths in and around objects.)  But if I am guilty of Hoarding, it would be of video recordings of performances by the Tim Laughlin – Connie Jones All Stars, such as the two that follow, recorded at the San Diego Jazz Fest in November 2014).  You’ll understand why evidence of this magical orchestra is precious to me in about four bars.  Melodic, gentle, intense, swinging.  Tim, clarinet; Connie, cornet; Doug Finke, trombone; Chris Dawson, piano; Marty Eggers, string bass; Katie Cavera, guitar; Hal Smith, drums.

Irving Berlin’s ALL BY MYSELF:

and the folk-tinged favorite, DOWN BY THE OLD MILL STREAM:

This band won’t come again, but if JAZZ LIVES’ readers want to see and hear more, all that is needed would be to type in “Tim Laughlin” and “Connie Jones” into the magic Search box, and the whole day could be deliciously spent on things more uplifting than the news.  And . . . Tim, pianist David Boeddinghaus, and Hal have recently created the second volume of Tim’s “Trio Collection,” which I am told will soon be available to the eager public, of whom I am one.

May your happiness increase!

TWO BY EDDIE: RAY SKJELBRED, DAWN LAMBETH, MARC CAPARONE, CLINT BAKER, KATIE CAVERA, JEFF HAMILTON at the SAN DIEGO JAZZ FEST (Nov. 25, 2016)

Eddie Condon (pictured above in 1946) has a well-deserved reputation as a superb leader, a musical catalyst, a guitarist — but not as a composer of popular songs. He wrote only a few, but their melodies are memorable.

By way of illustration, a 1944 record label:

Although we associate Eddie more with the hard-charging small-band jazz he loved so well (think of Wild Bill, Pee Wee Russell, Lou McGarity, Gene Schroeder, Bob Casey, Cliff Leeman playing RIVERBOAT SHUFFLE) it’s clear he had a deeply romantic spirit, and WHEREVER THERE’S LOVE — not only De Vries’ lyrics — exemplifies this.

Ray Skjelbred, Marc Caparone, Dawn Lambeth, Clint Baker, Katie Cavera, and Jeff Hamilton admire Eddie and his musicians, thus they happily gave shape to Marc’s tribute to Eddie as composer, which happened at the San Diego Jazz Fest last November 25, 2016.

Here is Dawn’s tender version of WHEREVER THERE’S LOVE:

and Eddie’s LIZA — written with George Rubens, not Gershwin — first performed on the 1927 McKenzie-Condon Chicagoans date:

For me, the test of a song is that it lodges in my ear and memory.  Those two Condon compositions do, helped immeasurably by the passion and swing of these musicians.

May your happiness increase!

SATURDAY NIGHT FUN: DAWN LAMBETH, DAVE STUCKEY’S HOT HOUSE GANG, and DANCERS at SAN DIEGO (Nov. 26, 2016)

DAWN headshot

Dawn Lambeth sings; this band rocks. That’s all you need to know. Dave Stuckey, leader, guitar; Dan Barrett, Corey Gemme, brass (swapping cornet and trombone at will); Nate Ketner, reeds; Carl Sonny Leyland, piano; Katie Cavera, string bass; Gareth Price, drums. Recorded at the Saturday-night dance party at the San Diego Jazz Fest, November 26, 2016.

DAVE STUCKEY photos

Well, maybe a little explanation would do no harm.  Dave’s band is a wonderful combination of Fats Waller and his Rhythm (with sly twists) and any number of fabled Fifty-Second Street small groups.  But not only do they swing, but Dave writes and sings hilariously inventive originals. I’d known of Dave and the Hot House Gang because of their first CD, which I applauded here.

When I met him at San Diego, I immediately perceived him to be genuine, not someone wearing a mask for audiences.  Although he and his band had only one set on Saturday night, and it was to be a battle of the bands for dancers (not conducive to my video questing) I showed up anyway, and was rewarded with this riotous performance (audibly and visually) of SHIM-ME-SHA-WABBLE . . . and then this collection of Dave’s originals and jazz classics.

I met Dawn in the last century, first through the medium of her CDs, and then in person, on both coasts. I was impressed right away by her swing, the gentle timbres of her voice, the subtle way she glides in and out of notes and phrases, her approach always natural.  But usually I heard her in quiet, intimate settings (duos and trios) so when she stood in front of a larger band — such as Clint Baker’s — it was a pleasant shock.  And friends have told me that she is a superb big-band singer, utterly at home in front of four brass, three reeds, and a rhythm section.  I have yet to see this for myself, but look forward to it.  I got a taste of what it might be like when Dawn sang so beautifully with the Hot House Gang.

And these three videos — through no conscious design of mine — resemble Reginald Marsh paintings in motion, no small benefit.

The Forties hit for Ella Mae Morse — cowboy plus Harlem hip — COW COW BOOGIE:

Two for Billie, inspired by but not imitating her.  WHAT A LITTLE MOONLIGHT CAN DO:

And a pensive THESE FOOLISH THINGS, at a tempo to suit the dancers:

Hail, Dawn!  Hail, Dave!  Hail, dancers!  Thank you, San Diego Jazz Fest, for making this magic happen.

May your happiness increase!