Tag Archives: Kerrytown Concert House

MICHIGAN MUSICAL MERRIMENT: PETRA van NUIS, ANDY BROWN, JAMES DAPOGNY, PAUL KELLER, PETE SIERS (thanks to WYMAN VIDEO)

Petra Andy Dapogny

On October 17, 2015, my friend and fellow videographer Laura Beth Wyman took her nimble camera to the Kerrytown Concert House in Ann Arbor, Michigan, to record a rewarding constellation of musicians.  (They all happen to be people I like as well as admire, which makes these videos a pleasure doubled and tripled).  Laura, if her name is new to you, is sole proprietor of Wyman Video.

The participants?  The delightful singer Petra van Nuis (enjoy her singular phrasing!); her husband, the eloquent guitarist Andy Brown; the wondrous James Dapogny, piano; the nifty string bassist Paul Keller; the irrepressible Pete Siers, drums.

I NEVER KNEW (Andy, Jim, Paul, Pete):

I GO FOR THAT (Petra, Andy, Jim, Paul, Pete) — remembering Mildred Bailey, but somehow I think the verse is new . . . courtesy of Petra:

I CAN’T BELIEVE THAT YOU’RE IN LOVE WITH ME (Petra, Andy, Jim, Paul, Pete):

COME IN OUT OF THE RAIN (Petra, Andy):

IF YOU WERE MINE (Petra, Jim):

SEPTEMBER SONG (Petra, Paul):

FOOLIN’ MYSELF:

How nice to have all my friends —  now, I hope, yours too! — making light-hearted yet deep music in the same place, with the invaluable work of Laura Wyman to preserve it all for us.  Bravo!  Encore!

May your happiness increase!

Advertisements

HAPPINESS, PLURAL: JAMES DAPOGNY, MIKE KAROUB, ROD McDONALD, KURT KRAHNKE (Ann Arbor, January 10, 2015)

I wrote elsewhere on this blog recently that so many of the songs in what we call the Great American Songbook are about the desolation of lost love, love unsuccessfully yearned for, love that has been broken past repair.

As a corrective, I offer two chamber-music improvisations on happier themes, created by James Dapogny and Strings at the Kerrytown Concert House in Ann Arbor, Michigan, on January 10, 2015.  This quartet — formal in aspect but lively in spirit — is Dapogny at the piano; Mike Karoub, cello; Rod McDonald, guitar; Kurt Krahnke, string bass.  No amplification requested or applied, and the lovely videos are the work of Laura Beth Wyman.

I am sure it is only a narrative I have created out of my essential romanticism and optimism, but the two songs below describe a brief play of risk-taking that is sure to bring deep rewards, and the delight of fulfillment.  May it be so for those listening as well!

Vernon Duke’s cheerful TAKING A CHANCE ON LOVE (impossible for me to hear this song without hearing Ethel Waters singing it as well):

And the full quartet returns for the Jimmy McHugh – Dorothy Fields EXACTLY LIKE YOU, a song that so epitomizes the most elated feelings of lovers at their most rapturous: “YOU are the only person I have ever wanted to be with, and our connection has been pre-ordained by both the cosmos and my Mother!”:

I have listened to these performances many times, and find them delightfully contradictory: on one hand, there is a priceless translucency, all of the component parts shining and apparently weightless — yet these performances are musically dense, and each time I listen I have the epiphanies, “Did you hear what he did there, how he responded?”  Playful brilliance at every turn, never showy or self-referential.  Thank you so much, James, Rod, Mike, Kurt, and Laura.

I have posted other performances from this gig, and here is an uplifting place to begin.

May your happiness increase!

INCANDESCENCE: JAMES DAPOGNY WITH STRINGS (January 10, 2015)

James Dapogny of Ann Arbor, Michigan, is properly known as a pianist, arranger, bandleader, jazz scholar, culinary explorer, and wit, among other things.

But from the performance you are about to see, it’s clear that he is insufficiently recognized as a composer.  FIREFLY is a haunting melody with harmonies that never seem formulaic.  It seems new yet instantly familiar, going its own ways without being consciously and distractingly innovative.  I think of a three-way conversation between Professor Dapogny, Brahms, and Alec Wilder — sweet lyricism that’s never sentimental and continues to swing in its own gentle fashion:

This performance comes from a magical concert of January 10, 2015, at the Kerrytown Concert House in Ann Arbor, blessedly captured by Laura Beth Wyman.  The superb players are Mike Karoub, cello; Rod McDonald, guitar; Kurt Krahnke, string bass.  For more from this concert, click here for uplifting performances of THAT OLD FEELING, RUSSIAN LULLABY, and MY DADDY ROCKS ME.  And there is more to come.

May your happiness increase! 

ROCKING BEAUTIES: JAMES DAPOGNY WITH STRINGS (Ann Arbor, Michigan, Jan. 10, 2015)

JAZZ LIVES is very fortunate to have Laura Beth Wyman as head of its Michigan Division.  An acclaimed musician, Laura recently added the video camera to her gig bag (which usually carries flute and piccolo) and we are the happy recipients of her latest work, recorded on January 10, 2015, at the Kerrytown Concert House in Ann Arbor, Michigan.  The James Dapogny Quartet was, for this occasion, Professor Dapogny on piano, arrangements, and spiritual leadership; Mike Karoub, cello; Rod McDonald, guitar; Kurt Krahnke, string bass.  Here are two transcendent performances from that evening: beautiful and stirring music.

Here is a performance of MY DADDY ROCKS ME that reminds me of a 1939 Basie small group.  Is there higher praise?

On RUSSIAN LULLABY, the Quartet becomes a Quintet (all things are possible), with the rewarding addition of violinist Priscilla Johnson:

So, although I am now ensconced in chilly in New York, and I don’t have the energy to fly back and forth to Ann Arbor, Michigan, I can enjoy the best seat in the house, thanks to Laura.  You come, too.

Is there a Jazz Angel in the house who will underwrite a DVD of Dapogny With Strings?  I’d buy multiple copies.

May your happiness increase!