Tag Archives: Larry Scala

PISMO JOYS (Part One): “LARRY, DAWN, and FRIENDS”: LARRY SCALA, DAWN LAMBETH, MARC CAPARONE, BILL BOSCH, DANNY COOTS (October 26, 2018, Jazz Jubilee by the Sea)

Only a few days ago, I had my first immersion in the pleasures of Pismo — not the sunsets or the salt-water taffy, but the musical joys of the Jazz Jubilee by the Sea, which combines congenial people and seriously uplifting music.

What finally got me to Pismo (aside from the immense kindness of Linda and John Shorb and other helpful folks) was the chance to hear and see some friends and heroes in new combinations: Larry Scala, guitar; Dawn Lambeth, vocals; Marc Caparone and Danny Tobias, cornet and trumpet; Dave Caparone, trombone; Carl Sonny Leyland, piano and vocal; Danny Coots and Jim Lawlor, drums; Steve Pikal and Bill Bosch, string bass; Katie Cavera, guitar and vocal; the Au Brothers; and — new to me in person — the Shake ‘Em Up Band and Jeff Beaumont’s Creole Syncopators.  She didn’t play an instrument, but I was also able to be dazzled by my Facebook friend Brettie Page.

But first on my list was “Larry, Dawn, and Friends,” a group that delighted me throughout the weekend.  Readers will know how much I admire Dawn Lambeth, Marc Caparone, and Danny Coots, but it was a pleasure to see Larry — with his nice mixture of the blues, Basie, and Charlie Christian — lead a small group.  His long-time friend Bill Bosch also impressed me because Bill is a purist who plays without amplification and has a lovely sound.

Here are three highlights from the first set I caught.  First, the rarely-played swing tune COQUETTE, yes, by Carmen Lombardo:

Dawn’s lovely version of the Gershwins’ THEY CAN’T TAKE THAT AWAY FROM ME:

And a lightly swinging THAT OLD FEELING that has a truly feeling coda:

More to come!  (I’ve already been invited back to Pismo for next year, and it took a long pause of several miliseconds for me to say “Yes!”)

May your happiness increase!

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A NOTE FOR THE BURGLARS, 2018

Dear Gentlemen or Ladies Who Might Enter My Apartment, Uninvited, During My Absence,

Some thoughts to make your lives easier.

  1.  Please watch your step.  There are cardboard boxes of Louis buttons all through the living room.
  2.  If you accidentally knock over a pile of CDs or books, I would take it as a great kindness if you would — to the best of your ability, and time permitting — put it back as it was.  Nothing upsets a homeowner more than an ungracious burglar.
  3.  On that same note, please put the seat down when you are through.
  4.  Help yourself to whatever you like in the refrigerator, but (again, time permitting) please wash whatever plates and utensils you might use.
  5.  There is very little of monetary value in the apartment, so if you look in my sock drawer for stacks of currency or gold coins, I fear you will be disappointed.  There are quarters on the kitchen counter, for laundry and the parking meters.  Feel free.
  6.  I would very much appreciate if you would leave me the autographed jazz photos on the wall.  You don’t want the avenging ghost of Sidney Catlett to plague you, do you?
  7.  There is a Banner 78 of BELIEVE IT, BELOVED, by Henry Red Allen on one of the turntables.  Please, only take it if you have a turntable yourself and a proper stylus.  Otherwise it is not worth the effort of properly wrapping it in bubble paper for your getaway.

Why am I writing this?

I will indeed be away from my apartment from October 25 to 29, more or less, at the Jazz Jubilee by the Sea in Pismo, California.  Why?  To enjoy the festival, to meet new friends, and to hear and see my beloved friends make music.  (I’ll have a video camera or two as well, should you worry about such things.)

I know that I will be showing up to enjoy the work of Larry Scala, Dawn Lambeth, Marc Caparone, Dave Caparone, Carl Sonny Leyland, Steve Pikal, Danny Coots, the Au Brothers, Three Blue Guitars, the Creole Syncopators, Chloe Feoranzo, Bob Schulz, Katie Cavera, the Shake ‘Em Up Jazz Band, and more.  I might pay a call on a few others, although if people reading this post expect me to make a full longitudinal video survey of the festival, neither my legs nor my aesthetic inclinations allow for such breadth.  (At any point in the festival, five groups are playing simultaneously in five locations.  Choices must be made.)

You’ll have to get out of your chair and be there in person your ownself — a radical thought for those of us accustomed to having the world come to us through cyberspace and for free.

For more information, click Pismo Jazz Jubilee by the Sea.

And a postscript for the burglars, or at least the one portrayed above.  I admire the striped shirt, but once one attains a certain girth, perhaps a nice paisley?  Horizontal stripes, alas, are not slimming at all, even if they are traditional.

Here’s the Red Allen 78 (or at least the music) I’d like to keep:

Here’s the flip side (now a completely archaic phrase):

May your happiness increase!

EXTRA! EXTRA! HOT TIMES IN PISMO (Jazz Jubilee by the Sea, October 25-18, 2018)

As I’ve written here, I am making my maiden voyage to the Pismo, California, JAZZ JUBILEE BY THE SEA next month — about five weeks from now.  While my suburban neighbors will be having illicit affairs with their leaf blowers and looking skeptically at their down parkas, I’ll be in Southern California, enjoying the sounds of (among others) Larry Scala, Bob Schulz, Carl Sonny Leyland, Chloe Feoranzo, Clint Baker, Creole Syncopators, Danny Coots, Danny Tobias, Dawn Lambeth, High Sierra, IVORY&GOLD, Jeff Barnhart, Marc Caparone,  Midiri Brothers, Mike Baird, Adrian Cunningham, the Au Brothers, The Shake ‘Em Up Jazz Band . . .  The list is subjective, and I am sure that someone’s favorite band in the cosmos has been omitted, but a complete listing follows below.

I invite you to join me, of course.  Details here (Facebook) and the much more comprehensive Pismo Jazz website.

But for people like me, and I would think many of my readers, going to a jazz festival is not just a matter of, “Oh, I’ll drop by this place.  Music is coming out of the windows and front door,” but a matter of strategy: “If we go to see the Land Rovers at 3, we’ll be in a perfect place to see the Hot Tortoises at 4:15, and then the Adrian Rollini Memorial Orchestra at 7, but we’ll have to miss the Broken Sandals on Friday.  No worry, though, they are playing an 8 AM Saturday set,” and so on.

“Hey, Mister! Hey, Lady! Get the Full Band Schedule here! The Pismo News!”

Such cogitation — worthy of a great eighteenth-century European general planning his campaign — is only possible when one has a Band Schedule, which I can offer you now, courtesy of the very kind people who run things.  Hence:

There’s a version of this schedule on the Jubilee website here, which may be easier to read and annotate.  I am sure that the schedule will also be given out to attendees when they buy tickets / pick up badges onsite.

Veterans of the Jubilee have pointed out to me that the performance venues are somewhat spread-out.  I am moderately ambulatory (that might be a euphemism) but my days of sprinting from one place to another are over.  So I report with pleasure the news from Jubilee HQ:

If you get stranded at a venue, we do have buses.  We are trying something new. Every venue will have a bus.  That bus will be available at the end of the set.  They will take you where you want to go, venues first.  If that bus is full, another bus will be along and dropping people off.

Very reassuring!

And in the spirit of “breaking news,” here’s a bouncy love song from 1934 by Chick Bullock and his Levee Loungers.  Alas, Sterling Bose (or Stirling?), Perry Botkin, Joe Venuti, and Jack Teagarden won’t be at the Jubilee — they have other commitments — but I know you and I will be in for a weekend of singular sights and music:

May your happiness increase!

FOUR-FOUR RHYTHM: KRIS TOKARSKI, JONATHAN DOYLE, LARRY SCALA, NOBU OZAKI, HAL SMITH at the SAN DIEGO JAZZ FEST (November 24, 2017)

Jazz at Lincoln Center (and JazzTimes) just sent an announcement about the 2019 Jazz Congress, January 7-8, 2019 at Jazz at Lincoln Center, Broadway at 60th Street, New York, New York.  One panel is:

 Jazz, Swing, Race and Culture
Considering swing as a rhythm or swing as a feeling or a verb, what are the social, cultural, and racial factors that affect individuals’ perception, acceptance or rejection of the concept? Player[s] and thinkers ponder what swing means in 2019.

I doubt that it will happen, but in my ideal world, the player[s] and thinkers at JALC will watch these videos before pondering.  The music was created in 2017, not 2019, and there are other ways to swing, but what Kris and his Gang did was genuine and might eliminate some theorizing.

These four performances come from a magical band that made a splash at the 2017 San Diego Jazz Fest: Kris Tokarski, piano; Jonathan Doyle, clarinet / tenor saxophone; Larry Scala, guitar; Nobu Ozaki, string bass; Hal Smith, drums.  I could spend paragraphs pointing out resemblances and echoes of the Ancestors (you’re free to chase such things at your leisure) but I’d rather you admire these living heroes at play, and such expert play.

LOVE ME OR LEAVE ME:

REPEATER PENCIL (and, yes, such a thing did exist: see here):

DROP ME OFF IN HARLEM:

JUST ONE OF THOSE THINGS:

Festival organizers, club bookers, concert promoters with taste: now’s the time!

Incidentally, this is the charming 1929 record from which I take my title:

May your happiness increase!

MORE FROM A GENEROUS TRIO: DAWN LAMBETH, MARC CAPARONE, CONAL FOWKES (San Diego Jazz Fest, Nov. 24, 2017)

Dawn Lambeth

She’s lyrical; she swings; she has deep feeling and a light heart.

Conal Fowkes

He’s versatile, a wonderful mix of elegance and roistering.

Marc Caparone and Ricky Riccardi, considering important matters Louis

Marc’s a hero of mine: listen and be moved.

WHEN YOU AND I WERE YOUNG, MAGGIE scored for horn and continuo:

Mister Waller tips over due to love, thus I’VE GOT A FEELING I’M FALLING:

Rube Bloom and Harry Ruby’s wonderful GIVE ME THE SIMPLE LIFE:

An emotionally intense yet swinging SAY IT ISN’T SO:

PORTO RICO, a wonderful dance number first recorded by Bunk Johnson, Sandy Williams, Sidney Bechet, Cliff Jackson, Pops Foster, and Manzie Johnson on March 10, 1945.  But I wish audience members wouldn’t enter into dialogues with the musicians, even when they are correct:

Dawn will be appearing with swing / blues guitar master Larry Scala at the Jazz Jubilee by the Sea in Pismo, California (October 25-28); Marc will be there as well with High Sierra, the Creole Syncopaters, and who knows where Dawn, he, and Larry will turn up?

Conal, Dawn, and Marc will again appear as the Dawn Lambeth Trio at the San Diego Jazz Fest, which takes place over Thanksgiving weekend in that welcoming city, and Conal will be an integral part of the Yerba Buena Stompers there as well.

May your happiness increase!

“WON’T YOU COME ALONG WITH ME?”: PISMO JAZZ JUBILEE BY THE SEA (October 25-28, 2018)

I’m going to my first Jazz Jubilee by the Sea (although I have visited Pismo, California, once before) for hot jazz, floating swing, gritty blues, tender ballads, and good times among friends this October.

I can now spend the time between late August and late October figuring how I will see my favorite bands.  There are twenty-plus bands and guest stars, a cornucopia of jazz and other musics.  Here are some of the august participants, listed as they appear on the flyer:

Professor Cunningham and His Old School • Larry Scala, Dawn Lambeth, and Friends • The Shake ‘Em Up Jazz Band • Tom Rigney and Flambeau • Blue Street • Cornet Chop Suey • High Sierra • Midiri Brothers • Tom Hook and the Terriers • Dick Williams Jammers • We Three + One • Ivory&Gold® • Creole
Syncopators • Rag Bone Saints • Mariachi Autlence • High Street
Party Band • The Au Brothers • Sue Palmer and Her Motel
Swing Orchestra • Night Blooming Jazzmen • Ulysses
Jasz Band.
SPECIAL SETS WITH GUEST ARTISTS
Bob Draga • Carl Sonny Leyland • Larry Scala • Dawn Lambeth •
Jeff Barnhart • Danny Coots • Washboard Steve • Pat Yankee •
Bob Schulz • Paul Ingle • Danny Tobias • Chloe Feoranzo.

Now, if you’ve been reading JAZZ LIVES for any length of time, you can recognize the names of my friends and heroes above.  I will be there to celebrate them and hear new bands and new combinations, as is my habit and sometimes good fortune.

Here’s a promotional video from 2016 — an audio-visual tasting menu:

and one of my happy souvenirs of good times in Pismo — a 2014 concert by Clint Baker, Marc Caparone, Dawn Lambeth, Mike Baird, Carl Sonny Leyland, Bill Reinhart, Jeff Hamilton:

I hope to see you there for some good sounds.  Here is the Jubilee website, and here is their Facebook page.  It would be pleasing if you said “JAZZ LIVES sent me,” if, in fact, I did.  It’s too early to start charging camera batteries, but I assure you that my psychic ones are at full capacity.

May your happiness increase!

YES, IT’S STILL POSSIBLE! (Part One): KRIS TOKARSKI, JONATHAN DOYLE, LARRY SCALA, NOBU OZAKI, HAL SMITH at the SAN DIEGO JAZZ FEST (November 24, 2017)

Sometimes, as a devout jazz enthusiast, I feel caught between two ideologies — rather like a kernel of corn watching the two stone wheels approach. One group of fans insists that all the great music has already been made: that there’s really no point in leaving the house, because Lester and Louis and Hawkins are dead, so these fans bury their heads in their speakers and do takeout.  Another group embraces the new jazz flavors of the month, and insists that Hank McGillicuddy and his Stompers are as good as Basie at the Famous Door, and by the way, Zelda Red-Dress “brings Billie back.”  She doesn’t, but if you think so, that’s nice.

I offer a third possibility: that there are musicians who don’t have contracts with Jack Kapp or Eli Oberstein; they don’t pack the Palomar or the Savoy — but they are alive today, you can speak to them, they inhale and exhale — and they do that thing splendidly.  They are worth leaving the house for.

One shining example of this phenomenon — why I call this blog JAZZ LIVES rather than JAZZ NEEDS DUSTING — is the small group led by pianist Kris Tokarski that swung like mad at the 2017 San Diego Jazz Fest.  Along with Kris, they are Jonathan Doyle, clarinet and tenor saxophone; Larry Scala, guitar; Nobu Ozaki, string bass; Hal Smith, drums.  No too-small brightly-colored matching polo shirts; no funny hats; no group vocals.  Just wonderful music, sweet when it’s called for, hot enough to make us sweat.

Here are four examples.  Jazz thrives.

LOVE IS JUST AROUND THE CORNER, evoking Crosby and Condon:

and what Kenny Davern used to call “face to face”:

and an explosive LITTLE GIRL:

and a lovely pensive MEMORIES OF YOU:

May your happiness increase!