Tag Archives: Le Jazz Hot

“LE JAZZ HOT” KEEPS THE FLAME LIT at MONTEREY (Part Two): PAUL MEHLING, EVAN PRICE, SAM ROCHA, MIKIYA MATSUDA, MARC CAPARONE, DAWN LAMBETH (March 8, 2020)

Here is the first part of the delightful set of music that Le Jazz Hot performed at the Jazz Bash by the Bay (Monterey, California) on March 8, 2020: I WONDER WHERE MY BABY IS  TONIGHT, BE THAT WAY, I’M CONFESSIN’, ONE SWEET LETTER FROM YOU, NEVERTHELESS (I’M IN LOVE WITH YOU).  And here’s the second half.

This beautiful set of gypsy jazz — hot and lyrical, with all the possible shadings in between — was the last music I heard at the 2020 Jazz Bash by the Bay, and the last music I heard at a jazz festival in this wickedly unpredictable year.  So it has not only beauty but a certain poignancy, rather like the last delicious spoonful for an indeterminate time.  The brilliant players and singers of Le Jazz Hot are Paul Mehling, guitar, vocals; Evan Price, violin; Sam Rocha, rhythm guitar, vocals; Mikiya Matsuda, string bass.  At the end of the set — which will appear in the sequel, to remember Bartelby — my hero-friends Marc Caparone, cornet; Dawn Lambeth, vocals, dropped by and added more good sounds.

I always think that the perspectives of the musicians themselves are more important than mine, so I asked Paul to write something about this occasion that no one recognized at the time as so significant:

Looking back on these performances which would turn out to be the “last” of Le Jazz Hot Quartet from “BEFORE TIMES” I’m struck with a bittersweet joy: of course we had no way of knowing…
For those of you who don’t know us: this is what happens when musicians feel connected to their listeners (and vice versa!): synergy not just within the band, but a certain give-and-take with the audience where they’re in on the joke(s), verbal and musical.
This festival was a mutli-faceted victory for us:
*we’d been invited back after a very long hiatus and we were GRATEFUL and wanted to SHOW IT
*we were super thrilled to be among such stellar fellow acts, some of whom we invited to join our little show, many of whom were just in the room to enjoy themselves
*we clearly were bringing IT -as we do, but there’s always the chance that the little EXTRA something will spark some great moments and these videos captured so many delights.

Michael seems to often be in the right place at the right time. He deserves an extra-special honorary award for these end-of-an-era captures. We’re all going to come back roaring onto the jazz venues and stages when this pandemic blows over- JAZZ IS NOT OVER- in the meantime, we have these videos for consolation.

What would life be without the occasional STRUT?

Louis shines his light — “My brother!” as Django is reported saying — and Paul has a right to sing these Harold Arlen-Ted Koehler blues:

Dawn Lambeth joins in with NIGHT AND DAY:

Marc Caparone joins in with Dawn to Louisize the air a little more, with A KISS TO BUILD A DREAM ON:

and at the intersection of Louis and French pop music, here’s C’EST SI BON:

Finally, one of the two or three most-played signing-off tunes (who does GOODNIGHT, SWEETHEART any more?) here’s I’LL SEE YOU IN MY DREAMS:

Until next time.  But before you move on to the next web-delight, consider subscribing to Paul’s YouTube channel — much good music there and it’s been proven to keep the vegetables in the crisper fresher longer.

All the musicians I know have had their incomes stop or deflate just a few days later in March.  I hope that viewers who enjoy this music can offer gratitude in tangible form.  Thus . . . the PayPal link is pazzo@hotclubsf.com.  Your generosity repays the people who give us so much.

May your happiness increase!

“LE JAZZ HOT” KEEPS THE FLAME LIT at MONTEREY (Part One): PAUL MEHLING, EVAN PRICE, SAM ROCHA, MIKIYA MATSUDA and GUESTS (March 8, 2020)

This beautiful set of gypsy jazz — hot and lyrical, with all the possible shadings in between — was the last music I heard at the 2020 Jazz Bash by the Bay, and the last music I heard at a jazz festival in this wickedly unpredictable year.  So it has not only beauty but a certain poignancy, rather like the last delicious spoonful for an indeterminate time.  The brilliant players and singers of Le Jazz Hot are Paul Mehling, guitar, vocals; Evan Price, violin; Sam Rocha, rhythm guitar, vocals; Mikiya Matsuda, string bass.  At the end of the set — which will appear in the sequel, to remember Bartelby — my hero-friends Marc Caparone, cornet; Dawn Lambeth, vocals, dropped by and added more good sounds.

I always think that the perspectives of the musicians themselves are more important than mine, so I asked Paul to write something about this occasion that no one recognized at the time as so significant:

Looking back on these performances which would turn out to be the “last” of Le Jazz Hot Quartet from “BEFORE TIMES” I’m struck with a bittersweet joy: of course we had no way of knowing…
For those of you who don’t know us: this is what happens when musicians feel connected to their listeners (and vice versa!): synergy not just within the band, but a certain give-and-take with the audience where they’re in on the joke(s), verbal and musical.
This festival was a mutli-faceted victory for us:
*we’d been invited back after a very long hiatus and we were GRATEFUL and wanted to SHOW IT
*we were super thrilled to be among such stellar fellow acts, some of whom we invited to join our little show, many of whom were just in the room to enjoy themselves
*we clearly were bringing IT -as we do, but there’s always the chance that the little EXTRA something will spark some great moments and these videos captured so many delights.

Michael seems to often be in the right place at the right time. He deserves an extra-special honorary award for these end-of-an-era captures. We’re all going to come back roaring onto the jazz venues and stages when this pandemic blows over- JAZZ IS NOT OVER- in the meantime, we have these videos for consolation.

Asking the musical question, I WONDER WHERE MY BABY IS TONIGHT (the lyrics say she is off doing the Charleston — oh, for those sweetly antique times):

Paul (played by Steve Allen in the biographical film) explains BE THAT WAY:

They say this 1929 classic is good for the soul:

Sam sings an ode to the U.S. Mail, ONE SWEET LETTER FROM YOU:

and that dear song, NEVERTHELESS (I’M IN LOVE WITH YOU):

The second half of this set begins with a STRUT, so stay tuned.  All the musicians I know have had their incomes stop or deflate just a few days later in March.  I hope that viewers who enjoy this music can offer gratitude in tangible form.  Thus . . . the PayPal link is pazzo@hotclubsf.com.  Your generosity repays the people who give us so much.

May your happiness increase!

TRANSIT TIME: March 4-9, 2020

This post is more or less to amuse myself before the Jazz Bash by the Bay begins tomorrow, but you can come along as well.  I have just completed, or perhaps begun, the most intense loop of jazz travel I can recall.  It began with my happy viewing of Nancy Harrow and Will Pomerantz’s play, ABOUT LOVE, which is the subject of yesterday’s blogpost.  (“Don’t miss it” is the edited version).

Yesterday, I went to Philadelphia (the World Cafe Live) to hear, witness, and record Marty Grosz’s ninetieth birthday party, and after that I flew to Monterey, California, to the Portola Hotel and Conference Center, where I write these words.

I am sorry that Dan Barrett isn’t attending the Bash this year — for many reasons, but were he to see me with that button and ribbon pinned to my shirt, he would walk over and put his palm on the ribbon and push.  “It says PRESS.” But I shall go on.

On Thursday, at about 2 PM, I asked a favor of a neighbor who gave me — and my knapsack of video gear — a lift to the train station.  Once there, I found Amtrak (twenty minutes late) and eventually got to Philadelphia, where (once again) I imposed on a friend — this time Joe Plowman, a stellar fellow whether playing the string bass or not — to take me to the World Cafe Live.

The Marty Party was a delight, and, yes, if the Tech Goddess favors me, there will be video evidence.  I asked Danny Tobias and Lynn Redmile for a lift back to the 30th Street Station, and Dan Block and I rode back to New York City — arriving around 1:20 AM on Friday.  Dan went off to his home, about four subway stops away, but the next train to my suburban Long Island town was two hours later, so I asked the first cabbie in a line of cabs what he would charge; we settled on a price, and we were off.  (He had been a lawyer in Egypt, by the way).  Around 2:15 I was home and went to sleep for what I knew would only be a brief interlude.  My alarm went off, as planned, at 7; I did what was needed and got in my car to drive to parking for Kennedy Airport.  At 11:30 we were airborne; I arrived in Monterey close to 6 PM.  (I have adjusted none of this for New York and California time zones, but you can imagine that my eyelids are heavy.)

I really have no idea what time it actually is in my body clock, but will find out.  I can tell you that this travel rhapsody will have cost me about fifteen hundred dollars when it is all through.  I am blessedly fortunate to have that money, but the pleasure of seeing Marty Grosz, Vince Giordano, Dan Block, Scott Robinson, Danny Tobias, Randy Reinhart, Brennan Ernst, Joe Plowman, Jack Saint Clair, Jim Lawlor, meeting people in the flesh whom I’d only known in cyberspace — one night! — as well as receiving an autographed copy of Marty’s autobiography, IT’S A SIN TO TELL A LIE: MY LIFE IN JAZZ (Golden Valley Press) . . . .and from tomorrow on, seeing Marc Caparone, Dawn Lambeth, the Holland-Coots Jazz Quintet, Carl Sonny Leyland, Clint Baker, Jeff Hamilton, Hal Smith, Le Jazz Hot, and more — that pleasure is and will be uncountable in mere currency.  And unless you knew my past life well, the immense freedom to do what I want is bliss, a bliss I hadn’t always been able to have.

And I can sleep next week.

May your happiness increase!

MONTEREY DELIGHTS! (Jazz Bash By the Bay, 40th Anniversary Edition, March 5-8, 2020)

It’s never too early to get prepared for joy, especially the varieties that the Jazz Bash by the Bay delivers so generously.  (An All-Events badge is available at a discount before December 31, so if thrift makes your eyes gleam, check here.) Now.

I’ve been attending this March festival every year since 2011 (I missed 2018) and have fond memories.  I could write a good deal about the pleasures of this grouping of musicians and fans, and the pleasures of being able to walk around a truly charming town center . . . or the pleasure of being a guest at the Portola Hotel and Spa, with the music just a trot away, but I will simply direct you to the Bash’s website, where you can find out such useful information as the dates (March 6-8), the band schedule (not available yet), ticket prices, and the bands themselves.

For me, the bands and guest stars are the reason to come to a particular festival, so I will list them here (as of January 2020) so you can see the delights to be had.  First, the Musician of the Year is my hero Marc Caparone, so even though I doubt there will be a parasol-laden coronation, I want to be there to see the rites and praises.  Then, guest stars Bob Draga, Brian Holland, Danny Coots, Dawn Lambeth, Eddie Erickson, Gary Ryan, Jeff Barnhart, Jerry Krahn, and Katie Cavera.  The bands: Blue Street Jazz Band, Bye Bye Blues Boys Band, Carl Sonny Leyland Trio, Clint Baker’s New Orleans Jazz Band, Cornet Chop Suey, Crescent Katz, Don Neely’s Royal Society Jazz Orchestra, Fast Mama Excitement, Holland-Coots Jazz Quintet, Ivory&Gold, Le Jazz Hot, Midiri Brothers, Sierra Seven, Tom Rigney and Flambeau, We Three (Thursday only), Yve Evans and Company, and the Zydeco Flames.

Looking at the 2019 schedule, the Bash offered four simultaneous sessions for full twelve-hour days on Friday and Saturday, and a half day on Sunday . . . one hundred and fifty sessions, including full bands, singers, solo and duo pianos, youth bands, sets for amateur jammers, and more.  Even someone like myself, who doesn’t fell compelled to see and hear everything, finds it a delightfully exhausting experience.  There’s a separate Thursday-night dance and an appearance by We Three, and I quote: “Kick off Jazz Bash by the Bay on Thursday, March 5, 2020, with a big band dance party featuring Clicktrax Jazz Orchestra. Attendees will enjoy danceable swing and traditional jazz at the Portola Hotel and Spa from 7:30 to 11 pm. Admission is $25.00. Also, in a Special One-Night-Only appearance, the hit trio We3 featuring Bob Draga, Jeff Barnhart, and Danny Coots will be playing from 7 to 8:30 pm. Admission is $30.00. Add the dance for $20 more. All tickets can be purchased by phone, mail, online or at the door.”

Did you notice that there is an Early Bird All-Events Badge at a discount if you order before December 31, 2019?  Yes, I repeat myself: details here.

For me, a post advertising a particular festival is not effective unless some musical evidence can be included.  I broke one of my rules — that is, there are musicians in the 2011-19 videos below who do not appear at this year’s Bash, and I apologize to them if anyone’s feelings are bruised.  But I started to go through the 200+ videos I’d posted of various Monterey Bashes, and some of them were do fine that I couldn’t leave them out.  You’ll get a panoramic sense of the wide variety of good, lively, inventive music that happens here.  And each video has a detailed description of who’s playing and singing, and when it happened.

an old song, swung, 2019:

for Django:

Becky and the blues:

the late Westy Westenhofer:

Ivory&Gold (Jeff and Anne Barnhart):

Paolo Alderighi, Phil Flanigan, Jeff Hamilton:

Katie Cavera and the Au Brothers:

Bob Schulz and the Frisco Jazz Band:

Allan Vache, John Sheridan, John Cocuzzi, Paul Keller, Ed Metz:

High Sierra:

Hot Strings at Monterey 2011:

a jam session with Bryan Shaw, Jeff Barnhart, Dan Barrett, Marc Caparone, John Reynolds, Katie Cavera, Ralf Reynolds:

Carl Sonny Leyland, Marty Eggers, Jeff Hamilton, performing Sonny’s composition that insures that no rodents visit the Portola during the Bash:

It might seem a long way away, but it isn’t.  And it’s a truly enjoyable event.

May your happiness increase!

GOING MY WAY? (to the JAZZ BASH BY THE BAY, March 6-7-8, 2015?)

bash

I hope that posts such as these aren’t too frustrating for those JAZZ LIVES readers who are far away from the particular Mecca of Hot.  If you’re in Illinois or Newcastle, you are hereby let off the hook.  But for those readers who can, or could, or might . . . read on.

The 2015 Jazz Bash by the Bay is happening soon — an opening concert / dance on Thursday, March 5, then full-steam ahead for Friday through Sunday. I have delightful memories of being there from 2011 on — a very friendly and hospitable festival, the staff and volunteers exceedingly nice, the rooms in which one hears and sees music very comfortable.  And the music itself, although the players and singers shift slightly from year to year, is always both superb and varied.  Your favorite bands — including High Sierra, the Carl Sonny Leyland Trio, Ivory & Gold, Ellis Island Boys, Crescent Katz, Cocuzzi/Vache All Stars, Le Jazz Hot, Royal Society Jazz Orchestra.  Soloists: Dan Barrett, Eddie Erickson, Rebecca Kilgore, Ehud Asherie, Stephanie Trick, David Boeddinghaus, Banu Gibson, Dawn Lambeth, Yve Evans, Jeff Barnhart, Jason Wanner, Marc Caparone, Bob Draga, John Reynolds, Jeff Hamilton, Paul Mehling, Clint Baker, John Cocuzzi, Allan Vache, Danny Coots, Virginia Tichenor, Marty Eggers, and many more.  Everything from hot jazz to swinging rhythmic ballads to ragtime, stride, and boogie-woogie, with offferings of zydeco and gypsy swing.

It’s a lovely place to visit, also — my meteorological memories of Monterey in March (say that once at a conversational tempo) are lovely: sunny and warm.

Here are the band schedules.  I spent a happy fifteen minutes this morning with a green highlighter, noting sets I absolutely wanted to be at — and there were no idle hours.

And just for our collective happiness, here are my videos of a March 2011 performance featuring Clint Baker, Marc Caparone, Howard Miyata, Mike Baird, Dawn Lambeth, Katie Cavera, Jeff Hamilton, and Marty Eggers — mixing sweet, swing, and hot.

I am eagerly looking forward to it.  And I hope to see you there, too.  No fooling. And if you’re hungry for more music, you can search this site for “bash” or “Monterey” and find videos from 2011-14 . . . better yet, you can make plans to attend.

May your happiness increase!

SAY FORWARD, THEY’LL SWING: MORE FROM THE IVORY CLUB BOYS AT ARMANDO’S (MAY 31, 2014): PAUL MEHLING, EVAN PRICE, MARC CAPARONE, SAM ROCHA, ISABELLE FONTAINE at ARMANDO’S

A New York jazz friend just wrote me, “Michael, are there any more videos from that Ivory Club Boys gig you posted from May 2014?  That is such a great band!”

Happy to oblige, dear NYJF, with more from that spectacular evening at Armando’s in Martinez — featuring Paul Mehling, guitar, vocal; Evan Price, electric (and electrifying) violin; Marc Caparone (sitting in for Clint Baker), cornet; Sam Rocha, string bass, vocal; Isabelle Fontaine, guitar, vocal.  They paid tribute, in their own way, to the mighty swing and joyously eccentric humor of Stuff Smith and his Onyx Club Boys.

One kind of crazy?  Yes, a second take of CRAZY RHYTHM:

Something searching and melancholy, I COVER THE WATERFRONT:

And another type of crazy, as in YOU’RE DRIVING ME CRAZY / MOTEN SWING:

And here, for those of you unaware of the ICB, here are the other selections from that night that I’ve posted on JAZZ LIVES:

endless-summer-in-swing

double-your-fun

rhythm-crazy

from-spiritual-to-swing

bugle-call-rag

Forget the morning news for a moment.  It’s a benevolent world that has this music in it.

May your happiness increase!

THEY’RE RHYTHM CRAZY NOW: THE IVORY CLUB BOYS at ARMANDO’S (May 31, 2014): PAUL MEHLING, EVAN PRICE, ISABELLE FONTAINE, MARC CAPARONE, SAM ROCHA

The Ivory Club Boys create wonderful music. Here are two more songs from the soundcheck at their May 31, 2014 performance at Armando’s in Martinez.  The ICB are Paul Mehling, guitar; Evan Price, violin; Isabelle Fontaine, guitar / vocal; Sam Rocha, string bass; Marc Caparone, cornet (sitting in for Clint Baker that night).

CRAZY RHYTHM:

‘DEED I DO (pertly sung by Isabelle):

Here is my most recent post from this wonderful evening’s performance (including a glorious BUGLE CALL RAG and a thoroughly spiritual NOBODY KNOWS THE TROUBLE I’VE SEEN).

I’ll be looking forward to the ICB’s next gig at Yoshi’s in Oakland, California, on August 19 (8 PM, one show).  I hope to see you there.

May your happiness increase!

FROM SPIRITUAL TO SWING: THE IVORY CLUB BOYS at ARMANDO’S (May 31, 2014): “NOBODY KNOWS THE TROUBLE I’VE SEEN,” Take One: PAUL MEHLING, EVAN PRICE, MARC CAPARONE, SAM ROCHA, ISABELLE FONTAINE

Hot music straight from their hearts: NOBODY KNOWS THE TROUBLE I’VE SEEN, as performed by the IVORY CLUB BOYS, Paul Mehling’s evocation of Stuff Smith’s delicious swing on Fifty-Second Street circa 1946-45. They are, for this hot concert, Paul, guitar; Evan Price, violin; Marc Caparone, cornet (subbing for Clint Baker); Sam Rocha, string bass; Isabelle Fontaine, guitar. This was recorded on May 31, 2014, at Armando’s in Martinez, California.  I was behind the camera, so you can’t see how much I was and am grinning. emotionally deep but very light-hearted improvisations, the work of swing masters:

Oh, and for those in the know . . . that was the soundcheck.  Draw your own conclusions about how wonderful this band is.

Here is the first posting — a riotous BUGLE CALL RAG from that same session. More to come, thank goodness. And the IVORY CLUB BOYS (with Clint on trumpet) will be appearing at Yoshi’s in Oakland on August 19.  Make a note of that, please.

May your happiness increase!

BACK BY POPULAR DEMAND: MORE OF LE JAZZ HOT at MONTEREY (March 7, 2014)

A number of people wrote very enthusiastic responses to my posting part of a set by Dawn Lambeth and Le Jazz Hot (March 7, 2014) at Jazz Bash by the Bay. They wanted more, and I can’t blame them. More of Dawn’s beautiful singing from another set is on the way, but here are the remaining performances by Le Jazz Hot from that session.

For the latecomers, the posts I speak of can be seen here and here.

The band is Paul Mehling, guitar; Evan Price, violin; Isabelle Fontaine, rhythm guitar / vocal; Sam Rocha, string bass.

To the music.

PLACE DE BROUCKERE:

MELODIE AU CREPUSCULE:

I’LL SEE YOU IN MY DREAMS:

BUONA SERA, SIGNORINA:

I won’t attempt to explain the intricate relations between the Hot Club of San Francisco, Le Jazz Hot, and the Ivory Club Boys, except to say that the latter incarnation is gigging at Armando’s in Martinez on May 31.  Details here.

May your happiness increase!

SWING STUFF: THE IVORY CLUB BOYS ARE COMING! (May 31, 2014)

The Ivory Club Boys, a small hot band loosely based on Stuff Smith and his Onyx Club Boys of hallowed memory, will be playing a rare date at Armando’s in Martinez, California, on Satirday, May 31, 2014.  Admission will be $15; the gig will last two hours; the doors open at 7:30.  More information about Armando’s (a small cheerful room where I’ve heard Mal Sharpe and friends in the recent past) can be found here. Getting there isn’t difficult; I’ve accomplished this several times when California was entirely new to me: here is a map.

The Ivory Club Boys are a spinoff of the Hot Club of San Francisco and Le Jazz Hot — which only means they swing and guitarist Paul Mehling is at the helm, along with Evan Price (electric violin), Marc Caparone (cornet), Isabelle Fontaine (guitar and vocal), Sam Rocha (string bass). They aren’t a repertory band — or what this generation would call a “cover band” — which means they might perform songs outside the Smithian recorded canon, but that makes for an evening full of surprises.  And Paul’s announcement on Facebook mentions that we can expect surprise guests.

Let’s assume the Ivory Club Boys are a new entity to you, or that Martinez is off your radar, or even that you are a stubborn sort (Missouri-born or not) with folded arms, muttering “Show me.” Here’s some evidence: I’ve recorded the Ivory Club Boys twice: once at Rancho Nicasio, with Mehling, Price, Rocha, Clint Baker, and guest Mike Lipskin:

and more recently at Le Colonial SF with Mehling, Price, Baker, Rocha, and Fontaine:

Now do you see why I might encourage you to make the pilgrimage? I thought so.

May your happiness increase!

LE JAZZ HOT PLAYS DJANGO at JAZZAGE MONTEREY’S JAZZ BASH BY THE BAY: PAUL MEHLING, EVAN PRICE, ISABELLE FONTAINE, SAM ROCHA (March 7, 2014)

The title says it all.  DIMINISHING BLACKNESS and RHYTHM FUTUR — compositions by Django Reinhardt that are both refreshingly futuristic.  They are performed marvelously by Le Jazz Hot: Paul Mehling, guitar; Evan Price, violin; Isabelle Fontaine, guitar; Sam Rocha, string bass.  All of this happened thanks to JazzAge Monterey’s Jazz Bash by the Bay on March 7, 2014:

Intriguing music, so far from AABA formula of the times — performed with an engaging freshness and life.  More to come from this group (and friends)!

May your happiness increase!

ON THE ROAD TO MONTEREY (March 2014)

I am not readjusting Kipling’s famous lines for the twenty-first century, simply reminding everyone that the Jazz Bash by the Bay (a/k/a Dixieland Monterey) is almost here.  Think of this blogpost as a public service announcement, more exciting but just as necessary as those reminders to change the battery in your smoke detector.

Here is the schedule of sets for Friday / Saturday / Sunday (that’s March 7-8-9) . . . very good news indeed, with music from Rebecca Kilgore, Marc Caparone, Carl Sonny Leyland, Jeff Barnhart, Dan Barrett, High Sierra, Dawn Lambeth, Jeff Hamilton, Marty Eggers, Paolo Alderighi, Stephanie Trick, Bob Draga, Gordon Au, his brothers and uncle How, the Ellis Island Boys, Katie Cavera, Le Jazz Hot, Paul Mehling, Sam Rocha, Bob Schulz, Ray Skjelbred, Jason Wanner, Bob Draga, Danny Coots, Yve Evans, Frederick Hodges, Sue Kroninger, Virginia Tichenor, Steve Apple, Chris Calabrese, Don Neely, Eddie Erickson, Ed Metz, Phil Flanigan . . . . and I know I am leaving out a multitude here. But the music starts on Thursday night, so be sure to get there early!

Here is information on ticket pricing, ordering, and all that intriguing data.

I think JAZZ LIVES readers who live in California know all about the Jazz Bash by the Bay, for it has been generously offering hot music of all kinds for three decades.  If the festival is new to you, and you can consider being there, you should: it has been a consistent pleasure for me since the first deliriously good one I attended in March 2010. I won’t belabor the subject, but if you search this blog for “Monterey” you will find enough wonderful improvisatory evidence; if you go to YouTube and type in “Dixieland Monterey” or “Jazz Bash by the Bay” the same thing will happen.  A powerful series of advertisements for those who can carpe the diem while the diem is still hot, or something like that.

May your happiness increase!

IT HAPPENS IN MONTEREY (March 7-9, 2014)

These two worthies found love at the Jazz Bash by the Bay:

I am not proposing that everyone who goes to this year’s festival (March 7-9) will come away with the Love of His / Her Life — maybe you are all already spoken for.

But the music will be wonderful. And I write this as someone who’s been there since 2010.

For me, the Jazz Bash by the Bay was a transformative experience.

I had not been to California since having been conceived there . . . . insert your own witticism here. And when I had the notion in March 2010 of going to see and hear the people I so admired in their video appearances, I expected to have a good time in a new jazz setting, perhaps make a few new friends.

It was a life-altering experience: I came back to New York and said to the Beloved, “I’ve never had such a good time in my life. Do you think we could spend the summer in California?”

Fast forward to 2014, where I am writing this from Novato, with serious plans to make the Golden State my retirement home.

So if the Jazz Bash by the Bay can make one couple find love; if it can make a native New Yorker say, “I’ll move to California,” I think its powers are . . . powerful.  But enough personal narratives.  What’s in store for you?

As always, a wide variety of well-played music.

You can visit the site to find out if Your Favorite Band is going to be there, but here are some kinds of music that will be played: blazing stride piano in solo and duo, boogie-woogie, sweet singing in so many forms, rocking small-band swing, New Orleans ensemble polyphony, trad, Dixieland, blues, zydeco, gypsy swing, classic songs from the Great American Songbook, Jazz Age hot dance music, ragtime piano, stomp, swing, music to dance to, San Francisco jazz, washboard rhythm, music to hold hands to.

And the stars?  Well . . . Ray Skjelbred, High Sierra, Carl Sonny Leyland, Bob Draga, Rebecca Kilgore Trio, Dan Barrett, Ivory and Gold, Ellis Island Boys, Marc Caparone, Le Jazz Hot, Jeff Hamilton, Dawn Lambeth, Virginia Tichenor, Marty Eggers, Yve Evans, Katie Cavera, Paul Mehling, Clint Baker, Stephanie Trick, Paolo Alderighi, Frederick Hodges, Jim Buchmann, Eddie Erickson, Jason Wanner, John Cocuzzi, Howard Miyata, Big Mama Sue, Ed Metz, the Au Brothers, Bob Schulz, Pieter Meijers, Brady McKay, Tom Rigney, Royal Society Jazz Orchestra . . . and more, and more.

Important links.

The BAND LINEUP.

The all-important too-Much-Of-A-Good-Thing-Is-Wonderful SCHEDULE, which calls for careful planning (“If I go to see X, then I have to miss part of Y, but it puts me in a good place to be right up front for Z.  Anyone have a Tylenol?”) — with four or five sessions going on at the same time.

And most important — with a Sidney Catlett drum roll or a Vic Berton tympani flourish — the GET TICKETS NOW page.

I try to hold down the didactic tendencies that four decades of standing in front of sleepy (good-natured) young men and women have solidified, but I hope readers will permit me this basic logic exercise.  Festivals where people buy tickets last forever.  Festivals where people don’t vanish.  And then there is a wailing and a gnashing of teeth — very hard on the neighbors and harder on the dental work.  I think of the California festivals that have moved into The Great Memory even in my short acquaintanceship with this state.

(Or, as William Carlos Williams — or was it Philip Larkin? — wrote: “Want it to stay?  Do not delay.”)

So I hope to see throngs of friends and even strangers at the Jazz Bash by the Bay.  Anything that makes live jazz in profusion go on is a good thing.

P.S.  Need more evidence?  Go to YouTube and type in “Dixieland Monterey,” or “Jazz Bash by the Bay,” or the name of your favorite artist.  I, Rae Ann Berry, and Tom Warner, among others, have created many videos — enough to while away the hours in the most energized ways.  Proof!

May your happiness increase!

ROCKIN’ IN RHYTHM and DANCING FOR JOY with LE JAZZ HOT: CLINT BAKER, EVAN PRICE, ROBERT YOUNG, SAM ROCHA (Le Colonial, July 8, 2013)

The Beloved and I made the scene at Le Colonial (20 Cosmo Place, San Francisco) on July 8 to hear some hot music.  As an extra bonus, we saw much expert, energetic dancing.

The music was provided by a compact, inventive band — Le Jazz Hot for four (leader Paul Mehling was stuck in France for a spell): Clint Baker, guitar, trumpet, trombone, clarinet, vocal; Evan Price, violin, guitar; Robert Young, saxophones, vocal; Sam Rocha, string bass.  They romped — musicians and dancers in sweet reciprocity!  Here are a few songs from the first set.

Incidentally, the Hopperesque lighting of the scene is very unjust to violinist Evan Price, who is seated at one side of the group.  But please don’t forget to pay attention to him — his playing, never sticky-sweet, always swinging — is delightful.

Before viewers embark on this jazz voyage, I should note that I was videoing from across the room, and the dancers — properly — were in motion.  So the visual aspect of what follows may strike some as more surreal than usual, but I think these videos are lovely in a moving-sculpture way (the famous 1954 short film JAZZ DANCE came to mind).

Someone who is willing to get in the groove with us can delight in the interplay between the expertly moving dancers and the hot band.  Viewing this at home, in the right frame of mind, one can sit back and be transported, as we were.

HONEYSUCKLE ROSE:

THREE LITTLE WORDS:

I’M CONFESSIN’:

WHAT IS THIS THING CALLED LOVE?:

ONE HOUR:

MY BLUE HEAVEN:

HESITATING BLUES:

LIMEHOUSE BLUES:

What a delicious scene!  Every Monday night this happens at Le Colonial, I hear tell — but Clint, Evan, Robert, Sam, and Paul bring the best vibrations with them wherever they play.

May your happiness increase!

WHY CURSE THE DARKNESS?

It’s dark in New York.  Daylight seems to get swallowed up every day.  

What to do?

Moving away isn’t an option, and reassurances that we will make it to April seem very thin comfort.  Were I a bear or a squirrel, I could drown my sorrows by stuffing myself with acorns and go hibernate.  But acorns give me indigestion and my college frowns on professors staying home for four months.

The only thing I can do is a jubilant nose-thumbing at winter.  I’ve paid for a seat at a hot jazz extravaganza for March 2011 — DIXIELAND MONTEREY — JAZZ BASH BY THE BAY.  That’s in California, by the way.  (Look at the bright yellow of the Bash logo — that’s much better than a full-spectrum light, isn’t it?)

Dixieland Monterey will take place March 4-6, and will be held at the Portola Hotel and Spa, the Monterey Conference Center and Fisherman’s Wharf.  The Monterey waterfront, I’ve been told, is lovely — and this Bash has been presenting “Dixieland, Big Band, Swing, Ragtime, Blues, and Gypsy Jazz” for more than thirty years.  In addition to the sets by a wide variety of bands, there will be a Swing Dance Party, three afternoon Banjo Jubilees, and a Dance Marathon.

“Well, Michael, who’s going to be there?” I can hear my loyal readership clamoring — on two and four, of course.

How about this list?   

And the website notes that reduced prices will be in effect until the end of 2010.  Better to go to a jazz party than curse the darkness.  I forget: did Eleanor Roosevelt say that or was it Zutty Singleton? 

For more information, check out http://www.dixieland-monterey.com/.  I now have some fun to look forward to . . . it will keep me more cheerful through the darkest days of winter.