Tag Archives: LONESOME ME

GROOVIN’: THE HOLLAND-COOTS JAZZ QUINTET at MONTEREY: BRIAN HOLLAND, DANNY COOTS, MARC CAPARONE, JACOB ZIMMERMAN, STEVE PIKAL (March 1, 2019)

Milt Gabler and Harry Lim would have loved this band.  But to move from the conditional to the present, we love them now.  Here are two rocking performances (and two on-the-spot comic interludes) by the Holland-Coots Jazz Quintet, created for your swing pleasure at the Jazz Bash by the Bay, March 1, 2019, in Monterey, California.  The gentlemen of the ensemble are Brian Holland, piano; Danny Coots, drums; Marc Caparone, cornet; Jacob Zimmerman, clarinet and alto saxophone; Steve Pikal, string bass.

Steve and Danny, waiting for the unusually capable soundman to do what needs to be done.  Carnitas, cliantro, and black beans, please:

Then to more serious bidniss: MOPPIN’ AND BOPPIN’ — from the 1943 film STORMY WEATHER — performed by the Quintet in the style of a Hot Lips Page small group:

Brian considers the situation and tells us how he feels, commentary from Danny:

And another massive Forties groove, the love-child of Stephen Foster and Albert Ammons:

What followed (I’ve already posted this one on its own, but for those who might have missed it, here is the lovely Fats ballad, now in context):

I promise to have more music by this band in different locations — joys to come.

May your happiness increase!

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“CAN WE PLAY A BALLAD NOW?”: HOLLAND-COOTS PLAYS FATS WALLER at MONTEREY (BRIAN HOLLAND, DANNY COOTS, STEVE PIKAL, MARC CAPARONE, JACOB ZIMMERMAN, March 1, 2019)

LONESOME ME is one of Fats Waller’s most lovely — and least-played — songs.  Marty Grosz has made several versions, but here’s a particularly splendid performance by the Holland-Coots Jazz Quintet (Danny Coots, drums; Brian Holland, piano; Steve Pikal, string bass; Marc Caparone, cornet; Jacob Zimmerman, clarinet and alto saxophone) at the 2019 Jazz Bash by the Bay in Monterey, California.  And catch the beautiful duet between Steve and Jacob once the melody’s been stated.

I didn’t feel lonesome this morning, but had I, this lyrical outpouring would have made me feel better about being in a world where such beauty was not only possible, but accessible.

One way to access it, is, of course, the CD referred to above:

And you can see the HCJQ in person, with “your very own two looking eyes.”  I’ll have the privilege on the Stomptime cruise at the end of April, and at the Evergreen Jazz Festival in July . . . but you should join me.  Video-life can only take you so far.

May your happiness increase!

A LONESOME SONG: JON-ERIK KELLSO and EHUD ASHERIE at MEZZROW (December 16, 2014)

Now that there’s a brief rest in the intense high spirits and good cheer of the holiday season, I think it is incumbent upon JAZZ LIVES to offer an emotional balance — some Thirties despair.

The song, courtesy of Fats Waller and Andy Razaf (the latter sensed but not heard) is LONESOME ME, performed just a few nights ago (December 16, 2014) by Jon-Erik Kellso, trumpet, and Ehud Asherie, piano, at the 163 West Tenth Street jazz mecca in New York City, Mezzrow:

I don’t know whether this music will make you feel better or worse. Despair, expressed beautifully in art, turns an admiring eye on itself, and says, “Life is sad but so beautiful.” LONESOME ME may act homeopathically: like curing like.  I hope its beauty is salutary.

May your happiness increase!