Tag Archives: Los Angeles

“SUNDAY, BY THE POOL, IN LOS ANGELES”: DAN LEVINSON, MOLLY RYAN, MARK SHANE, KATIE CAVERA, RALF REYNOLDS, REBECCA ZOE LEIGH (Sept. 5, 2011)

Certain phrases evoke an instantaneous positive reaction: “on the beach in Maui,” “No school today,” “Friday after work,” “hand in hand in the park.”  You can certainly invent those that make for happy vibrations.

A new one to add to my personal lexicon is “Sunday, by the pool, in Los Angeles.”  It needs some clarification: I don’t swim well and Los Angeles is not the California city closest to my heart . . . but when these words connect with the Sweet and Hot Music Festival (as they did in September 2011), what could possibly go wrong?

Nothing, as far as I am concerned.  And the measure of this swing session is that even with the bright light, the early hour, and the wind gusts, the music was sweetly triumphant.  The participants were Dan Levinson, his phrasing so easy and comfortable on clarinet and tenor sax; Mark Shane, a pianist who has a real problem in that he finds it impossible not to swing; the tenderly compelling singer (and solid rhythm guitarist) Molly Ryan; the invaluable Katie Cavera on guitar.  (Scientific studies, for what it’s worth, say that “multi-tasking” is a sham, that we can’t do more than one thing at once well: I would like to say, “Science, meet Katie Cavera.”)  And then some guests — one an Eminence, one a Newcomer, showed up and made us even happier.

Myabe because the sun was out, they began with SHINE:

Poolside, unfortunately, is not the best place for a singer with a microphone — the Weather Channel could explain the prevalence of gusty winds.  But Molly Ryan, who is a resilient performer used to transcending larger obstacles than this, absolutely triumphed with a heartbreaking rendition of the Ink Spots’ hit, IF I DIDN’T CARE.  Molly cares!  And her swinging empathy comes through in every note — a performance that was one of the highlights of Sweet and Hot 2011 for me.  No, it’s not a 1938 Vocalion or Victor — it’s happening now:

And here comes the Eminence — not His Holiness, but the Prince of the Washboard, the Sultan of Hot, Mister Ralf Reynolds, to join in the fun.  I don’t know if Ralf is essentially an optimist, but he spreads joy copiously — so he suggested WHEN YOU’RE SMILING (rather than GLOOMY SUNDAY):

Then Dan invited a young woman up from the crowd and asked her to sing something.  She really can and does — I introduce you to Miss Rebecca Zoe Leigh, having a good time with BABY, WON’T YOU PLEASE COME HOME?  (She knows the verse: extra credit on the final):

The sky is dark and stormy: I wish we were back at poolside right now.  And if that’s not possible, I’ll immerse myself in these delightful performances.

GOOD NEWS FROM THAT OTHER COAST

Hello, Michael – – –

Jazz Lives on the Left Coast, too.
I have no idea how many of your subscribers live in Southern California and hereabouts; I can only humbly ask that you consider sending out a notice (attached) about an upcoming event sponsored by JazzAmerica.  We’re  a 501(c)(3) non-profit corporation co-founded by Los Angeles by jazz legend Buddy Collette. Since our inception in 1994, we have provided continuous jazz instruction to hundreds of middle- and high-school students, and it’s always tuition-free.from the early teens. 

On November 23 – sandwiched between nights of the Pharoah Sanders Quartet – we will take over LA’s top jazz venue, Catalina Bar & Grill, for a jazz brunch.  We’ll open with the Fairfax high school Young Lions, a fledgling jazz band comprised mostly of members of that school’s marching band. The Fairfax Lions marched their way to top honors in statewide competition last year.  We’re sharing with them information, recordings and charts that reflect the transition between marching music and early jazz. In that vein, their opening number is a Victor Goines arrangement of “Second Line,” a traditional sound from New Orleans.  Then they’ll play W.C. Handy’s “Beale Street Blues,” James P. Johnson’s “Victory Stride,” and make their way through the big band era, early Herbie Hancock and Stevie Wonder.
Following the Young Lions will be String Fever, a new ensemble consisting of classically-trained cellists, violinists and violists.  We’re exploring the sophisticated harmonic subtleties of Oliver Nelson’s “Stolen Moments,”   some Ellingtonia (“It Don’t Mean a Thing…” and “Caravan,”) plus some original material provided by the eclectic Turtle Island String Quartet.
Closing the show will be some traditional/swing performers based in Sacramento, CA: vocalist Brady McKay,pianist/vibist John Cocuzzi, reedman Otis Mourning and drummer Daryl von Druff.
Why should your readers know about this, especially if they aren’t local?  Maybe it will spawn some interest in generating jazz instruction for youngsters where it doesn’t already exist.
Before we knew the outcome of the recent election, we took a chance and billed the event as “A November to Remember.”  With the sea change of last Tuesday, there’s an added gravitas to the banner.   Candidate Obama was asked what appealed to him so much about playing basketball. He compared it to the improvisational essence and collaborative excitement of jazz.  Imagine the possibilities of inspired young people turning to music to experience that same adrenaline rush.  At JazzAmerica, we think it’s a slam-dunk.
Fraternally,
Richard Simon
Program Director
www.JazzAmerica.org

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P.S. from the East Coast “Jazz Lives” person: When I first read this letter, I was enthusiastic about the enterprise.  Anything that helps children become jazz musicians or even exposes them to jazz is, no question, valid and valuable.  Then I remembered that Richard Simon is an ace jazz bassist himself, who played splendidly on Eddie Erickson’s CD, IT’S A GREAT FEELING.  Any friend of Eddie Erickson is a friend of mine! 

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