Tag Archives: Luca’s Jazz Corner

MARIANNE SOLIVAN’S EXUBERANCE (July 20, 2017)

MARIANNE SOLIVAN by Gulnara Khamatova

My current life is imperfect and (not “but”) I am deeply grateful for it.  One of the aspects of it that deeply warms me is living in a world where creative people are my friends. Even though we don’t see each other on a regular basis, one of the people I treasure is the extraordinary singer Marianne Solivan.  I was first introduced to her by the equally splendid Michael Kanan — this was in 2011 (!) and followed her around with a video camera a few years ago. We most recently encountered each other last September at an awards ceremony.  Hugging ensued.

Marianne has always had a powerful emotional connection with what she is singing: she doesn’t stand back and view the song with a cool postmodernist glance.  No, she’s IN it before she utters a syllable, and that’s entrancing.  It isn’t “acting”; rather it’s experiencing in the moment.  You can feel the music flow through her, as she embraces each note and syllable before passing it along to us.

But what I love most about Marianne’s performing is her willingness to take what someone else’s GPS says are wrong turns and make them inescapably right and rewarding.  Sometimes she even appears to be conversing with the song, “Song, what would you think if I emphasized this note, or held off on this phrase in an unexpected way?  How would you like that?”

She has a true playful spirit, she loves experimenting, and her internal compass never fails.  Drop her in strange surroundings, she makes friends; she sniffs out congenial places; she’s not afraid.  Ask her to sing in the wrong key, and she makes a banquet of it.

And so it is with the performance captured at Luca’s Jazz Corner — with Josh Richman, piano; Matthew Parrish, string bass — on July 20, 2017.

Watching and hearing this for the first of many times, I was laughing –Marianne is a great comedienne who hasn’t scripted a thing — while delighting in the music and the beauty she makes.  A courageous striving soul, a great spreader of joy.  I am honored to know her.  Seek her out here, on disc, and in person.

May your happiness increase!

A GERSHWIN CLASSIC, SWUNG: JON-ERIK KELLSO, EVAN ARNTZEN, EHUD ASHERIE, MARION FELDER at LUCA’S JAZZ CORNER (March 23, 2017)

Here’s the closing performance from the evening of March 23, 2017, at Luca’s Jazz Corner — created for us on the spot by Jon-Erik Kellso, Evan Arntzen, Ehud Asherie, and Marion Felder.  The rest of the evening can be savored here. Obviously everyone in the band and in the audience was joyous: listen for all the witty and inventive quotes in the delightful solo and ensemble work:

Ida Lupino sent her regrets, but that was the only flaw in this gorgeous evening. Thanks to the band and to everyone at Luca’s on the Upper East Side for making magic happen in such a congenial space.

May your happiness increase!

EUBIE BLAKE’S LANGUAGE OF LOVE: JON-ERIK KELLSO, EVAN ARNTZEN, EHUD ASHERIE, MARION FELDER at LUCA’S JAZZ CORNER (March 23, 2017)

It’s true.

The song is nearly one hundred years old, but it still has the feeling of a timeless melody with a long arching line.

 

Here is the earlier part of this enchanted evening, with music performed by Jon-Erik Kellso, Evan Arntzen, Ehud Asherie, and Marion Felder.  And here is their glorious version of LOVE WILL FIND A WAY:

So you can hear Eubie singing Noble Sissle’s very tender lyrics, here is his extremely touching 1978 performance:

May your happiness increase!

SOME ENCHANTED EVENING (Part Two): JON-ERIK KELLSO, EVAN ARNTZEN, EHUD ASHERIE, MARION FELDER at LUCA’S JAZZ CORNER (March 23, 2017)

More delicious music from a completely satisfying evening session at Luca’s Jazz Corner (inside the Cavatappo Grill and Wine Bar at 1712 First Avenue, New York City) performed by Jon-Erik Kellso, Evan Arntzen, Ehud Asherie, Marion Felder. Here is the first part, with four extended selections.

And four more.

Walter Donaldson’s IT’S BEEN SO LONG:

FAST AS A BASTARD (Dick Wellstood and Kenny Davern’s variation on Ellington’s JUBILEE STOMP):

BALLIN’ THE JACK (with verse):

ROYAL GARDEN BLUES:

You and I know all about “Mercury in retrograde,” the land of expired parking meters, disastrous gravity in the kitchen, and other reminders of how fragile we really are.  Obviously the Swing Planets were all affectionately on their proper orbits that night, as you’ve heard.  More to come.

May your happiness increase!

SOME ENCHANTED EVENING (Part One): JON-ERIK KELLSO, EVAN ARNTZEN, EHUD ASHERIE, MARION FELDER at LUCA’S JAZZ CORNER (March 23, 2017)

Something quietly miraculous took place on the Upper East Side of Manhattan (Cavatappo Grill, 1712 First Avenue) the evening of March 23, 2017.  In several decades of listening intently to live creative improvised music, I’ve noticed that performances ebb and flow over the course of an evening.  It’s perfectly natural, and it is one of the ways we know we’re not listening to robots.  The first performance might be the best, or the band might hit its peak in the closing numbers. I can’t predict, and I suspect the musicians can’t either.  

But when Jon-Erik Kellso, trumpet; Evan Arntzen, clarinet and tenor saxophone; Ehud Asherie, piano; Marion Felder, drums, began to play at Luca’s Jazz Corner — an evening’s concert of ten leisurely extended selections — I could not have known that this would be one of those magical nights that started at a high level of creativity, expertise, and joy . . . and stayed there.  Here are the first four performances, in the order that they were created, and the rest will follow.

Burton Lane and Frank Loesser’s 1939 THE LADY’S IN LOVE WITH YOU, much beloved by Eddie Condon, friends, and descendants:

Ellington’s BLACK BEAUTY:

William H. Tyers’ PANAMA:

Lillian Hardin Armstrong’s TWO DEUCES, dedicated to and played by Louis and Earl Hines:

Let the congregation say WOW!  And there’s more to come.

May your happiness increase!

TWO FOR LOUIS, WITH MR. MARSALIS IN THE HOUSE: JON-ERIK KELLSO, EVAN ARNTZEN, ROSSANO SPORTIELLO, FRANK TATE (Luca’s Jazz Corner, Dec. 22, 2016)

luca-jazz-cornerPast, present, future.  Louis Armstrong recorded one of these songs in 1928, one in 1947, but they are immensely alive in 2016 and 2017 and will keep on being alive.  On December 22, 2016, Jon-Erik Kellso brought what he correctly called “a swinging quartet” to Luca’s Jazz Corner (1712 First Avenue in New York City) — it’s part of the nice Italian restaurant called Cavatappo, so there are good things to eat as well as drink and hear.  The room is quiet, the audience more than usually attentive.  And that audience: Luca’s is like Rick’s in CASABLANCA in that everyone comes there.  One of the approving listeners in the room was Wynton Marsalis, who loves this music deeply, as we know.

So, here, for all the musicians in the house, and you as well, is the Earl Hines – Louis 1928 classic, OUR MONDAY DATE:

and something more ruminative but still moving forward nicely, Louis’ own SOMEDAY YOU’LL BE SORRY:

Everyone plays beautifully, in ensemble and solo.  But (meaning no disrespect to Messrs. Kellso, Arntzen, Sportiello) this time I would single out the wonderful (and sometimes underacknowledged) Frank Tate — splendidly audible here and offering so much: his intuitive grasp of the right notes in the right places.

And here you can enjoy this quartet performing four other beauties from that night.  I mentioned the future: Jon-Erik will be bringing another group to Luca’s on March 23, 2017.  I plan to be there, and I hope you can make it to the Upper East Side too.

May your happiness increase!

IF THERE’S A GLEAM IN HER EYE, SHE’S LISTENING TO THIS BAND: JON-ERIK KELLSO, EVAN ARNTZEN, ROSSANO SPORTIELLO, FRANK TATE at LUCA’S JAZZ CORNER (Dec. 22, 2016)

The song, THE LADY’S IN LOVE WITH YOU, music by Burton Lane (a bubbling rhythmic line) and witty incisive lyrics by Frank Loesser, first emerged in 1939 and was a big-band hit immediately for Krupa, Miller, and Goodman.  Then, in 1944, it emerged again as a Condon favorite.  I give full credit to Eddie for making it popular, with everyone from Jimmy Rowles to Annie Ross to Mel Torme to Susannah McCorkle recording it — with special notice for Marty Grosz and Rebecca Kilgore in my decades.

ladys-in-love-larger

It’s a great premise — that these are all the litmus tests one can use to determine if, in fact, the lady is infatuated — a nice change from the usual “I wish she loved me again” plaint.  Here are Rebecca and Dave Frishberg — verse and two choruses, beautifully:

But the punchy repeated phrases lend themselves to vigorous instrumental strutting, as evident in this version, created at Luca’s Jazz Corner on December 22, 2016, by Jon-Erik Kellso, Evan Arntzen, Rossano Sportiello, and Frank Tate. Building inspectors stopped in near the end of the performance because of calls that the whole block was swaying dangerously in 4/4:

Lovely music happens regularly at Luca’s Jazz Corner (1712 First Avenue in Manhattan): a Kellso quartet will be back on March 23 . . . a clear day for hot jazz indeed.  Incidentally, if you haven’t been following the intensive JAZZ LIVES coverage of this band, this evening, here you can enjoy dazzling renditions of JUBILEE, RUNNIN’ WILD, and FINE AND DANDY.  All three song titles appropriately describe the music, too.

May your happiness increase!

“MISTER GLOOM WON’T BE ABOUT”: JON-ERIK KELLSO, EVAN ARNTZEN, ROSSANO SPORTIELLO, FRANK TATE at LUCA’S JAZZ CORNER (Dec. 22, 2016)

luca-jazz-corner

Feeling lower than a snake’s belly?  Or perhaps is “fump” the objective correlative for now?  (Milt Hinton would be happy to explain.) Is the inside of your skull terribly dark these days?

This might help.  The elixir of life mixes the inspiring shades of Louis Armstrong and Hoagy Carmichael with the real-life inspirations offered us by Jon-Erik Kellso, Evan Arntzen, Rossano Sportiello, Frank Tate and someone holding a video camera — on December 22, 2016, at Luca’s Jazz Corner (1712 First Avenue, New York City).  There are no artistic or audible flaws in this video, but there are a few seconds where the focus blurs.  I wasn’t trying out new special effects, but the bright light from above confused the camera’s little brain.  However, blessedly, the sound is unaltered.  Hear for yourself:

Here is more evidence of the cosmic happiness that took place that night: RUNNIN’ WILD and FINE AND DANDY.  Incidentally, a young musician (I believe he plays trumpet) named Wynton Marsalis came in for the second set.  I am sure that he inspired the band, but I am even more sure that this delicious quartet inspired him as well.  As they did me.

Jon-Erik will be bringing a quartet back to Luca’s on March 23, 2017.  I plan and hope to be there.  You should come too.  (Other heroes — Gabrielle Stravelli, Michael Kanan, Pat O’Leary, and Ken Peplowski — have gigs coming up.)

May your happiness increase!

“DO SOME STUFF”: JON-ERIK KELLSO, EVAN ARNTZEN, ROSSANO SPORTIELLO, FRANK TATE (Luca’s Jazz Corner, December 22, 2016)

fine-and-dandy

Two adjectives and a conjunction never sounded so good as they did at Luca’s Jazz Corner at 1712 First Avenue in New York City on the night of December 22, 2016.  A wonderful band lit up that cozy room on the Upper East Side: Jon-Erik Kellso, trumpet; Evan Arntzen, reeds; Rossano Sportiello, piano; Frank Tate, string bass.  (And if you wonder why this video is shot from behind the band, that was the best spot to be in.  We video types learn to be adaptable or we go home sulkily without hearing any music.)

The song itself is delightful to play and improvise on, although in my childhood a few bars of it at a rapid tempo became a comic cliche.  The composers, Kay Swift (music) and “Paul James” (lyrics) are a remarkable pair — married collaborators, even though Kay had a decade-long affair with another songwriter named George Gershwin.  The song was the title number for a hit Broadway show — the first ever composed wholly by a woman.  “Paul James” was the pen name of James Paul Warburg, a high-level economist and banker whose main desire in life was to write a hit song.

I think that Ms. Swift and Mr. Warburg would find this version lives up to the song’s title and intent.

A quite irrelevant anecdote here.  For the first twenty-plus years of my college teaching career, I labored under the burden of English 101: Freshman Composition.  “Burden” because I think writing can be improved, but there has to be something there to begin with, which many of my very delightful students lacked.  Relief came in the person(s) of many students who were born elsewhere, labeled “ESL” (English As A Second Language) students.  Their idioms were occasionally wobbly, but their insights were much deeper than their American-born peers.  From them, I picked up an expression I use now, “In my country.” as in “In my country, we don’t tip the waitstaff in pennies.”

But one of the idioms they found especially hard to digest was “not only _____ but also _______.”  So, writing this post, I thought often of the renamed Swift-James song, NOT ONLY FINE BUT ALSO DANDY, but I can see why the shorter title remains.  And how true it is of this performance.

May your happiness increase! 

 

A COZY LITTLE CORNER FOR JAZZ: JON-ERIK KELLSO, EVAN ARNTZEN, ROSSANO SPORTIELLO, FRANK TATE (Luca’s Jazz Corner: December 22, 2016)

We have a whole repertoire of negative associations with the idea of the corner. One paints oneself into a corner; one has to go stand in it when one has misbehaved; one is cornered, and so on.

But jazz, like prosperity and love, can be just around the corner.  Especially when the Corner is an actual place on New York’s East Side, run by the enthusiastic Luca Marcato: hence Luca’s Jazz Corner, 1712 First Avenue, between 88th and 89th Street, inside Cavatappo, a welcoming wine bar:

luca-jazz-corner

I made my first journey to Luca’s last Thursday night, December 22, 2016, to hear and record the Jon-Erik Kellso Quartet: Mister Kellso, trumpet; Evan Arntzen, clarinet and tenor saxophone; Rossano Sportiello, piano; Frank Tate, string bass.

A few words before the video gift to you.  Luca’s is a cozy rectangular room, with most of the space properly given over to tables (where delicious — and that’s no stage joke — delicious food and drink are served) so the area near the piano is rather compact.  I’d arrived early, no surprise, and asked the very gracious Elena for “a table near the music,” and chose one as close to the open space as I could get.  (Later, I was treated very kindly by Daniele.)

The musicians, when they came in and set up, properly aimed themselves at the audience rather than at me, so the video perspective is rather like being in the trombone section of a big band.  However, it works well for sound and it is not the usual angle at all.  I was so happy with what I was hearing that if I had only been able to get the quartet’s shoes in my viewfinder I would have taken that as a generosity.

Without further ado — the quartet plays RUNNIN’ WILD, deliciously:

More details: call (212) 987-9260 for reservations or visit their website here to see the menu or find out who’s playing there when and make plans.

May your happiness increase!