Tag Archives: Luca’s Jazz Corner

“MISTER GLOOM WON’T BE ABOUT”: JON-ERIK KELLSO, EVAN ARNTZEN, ROSSANO SPORTIELLO, FRANK TATE at LUCA’S JAZZ CORNER (Dec. 22, 2016)

luca-jazz-corner

Feeling lower than a snake’s belly?  Or perhaps is “fump” the objective correlative for now?  (Milt Hinton would be happy to explain.) Is the inside of your skull terribly dark these days?

This might help.  The elixir of life mixes the inspiring shades of Louis Armstrong and Hoagy Carmichael with the real-life inspirations offered us by Jon-Erik Kellso, Evan Arntzen, Rossano Sportiello, Frank Tate and someone holding a video camera — on December 22, 2016, at Luca’s Jazz Corner (1712 First Avenue, New York City).  There are no artistic or audible flaws in this video, but there are a few seconds where the focus blurs.  I wasn’t trying out new special effects, but the bright light from above confused the camera’s little brain.  However, blessedly, the sound is unaltered.  Hear for yourself:

Here is more evidence of the cosmic happiness that took place that night: RUNNIN’ WILD and FINE AND DANDY.  Incidentally, a young musician (I believe he plays trumpet) named Wynton Marsalis came in for the second set.  I am sure that he inspired the band, but I am even more sure that this delicious quartet inspired him as well.  As they did me.

Jon-Erik will be bringing a quartet back to Luca’s on March 23, 2017.  I plan and hope to be there.  You should come too.  (Other heroes — Gabrielle Stravelli, Michael Kanan, Pat O’Leary, and Ken Peplowski — have gigs coming up.)

May your happiness increase!

“DO SOME STUFF”: JON-ERIK KELLSO, EVAN ARNTZEN, ROSSANO SPORTIELLO, FRANK TATE (Luca’s Jazz Corner, December 22, 2016)

fine-and-dandy

Two adjectives and a conjunction never sounded so good as they did at Luca’s Jazz Corner at 1712 First Avenue in New York City on the night of December 22, 2016.  A wonderful band lit up that cozy room on the Upper East Side: Jon-Erik Kellso, trumpet; Evan Arntzen, reeds; Rossano Sportiello, piano; Frank Tate, string bass.  (And if you wonder why this video is shot from behind the band, that was the best spot to be in.  We video types learn to be adaptable or we go home sulkily without hearing any music.)

The song itself is delightful to play and improvise on, although in my childhood a few bars of it at a rapid tempo became a comic cliche.  The composers, Kay Swift (music) and “Paul James” (lyrics) are a remarkable pair — married collaborators, even though Kay had a decade-long affair with another songwriter named George Gershwin.  The song was the title number for a hit Broadway show — the first ever composed wholly by a woman.  “Paul James” was the pen name of James Paul Warburg, a high-level economist and banker whose main desire in life was to write a hit song.

I think that Ms. Swift and Mr. Warburg would find this version lives up to the song’s title and intent.

A quite irrelevant anecdote here.  For the first twenty-plus years of my college teaching career, I labored under the burden of English 101: Freshman Composition.  “Burden” because I think writing can be improved, but there has to be something there to begin with, which many of my very delightful students lacked.  Relief came in the person(s) of many students who were born elsewhere, labeled “ESL” (English As A Second Language) students.  Their idioms were occasionally wobbly, but their insights were much deeper than their American-born peers.  From them, I picked up an expression I use now, “In my country.” as in “In my country, we don’t tip the waitstaff in pennies.”

But one of the idioms they found especially hard to digest was “not only _____ but also _______.”  So, writing this post, I thought often of the renamed Swift-James song, NOT ONLY FINE BUT ALSO DANDY, but I can see why the shorter title remains.  And how true it is of this performance.

May your happiness increase! 

 

A COZY LITTLE CORNER FOR JAZZ: JON-ERIK KELLSO, EVAN ARNTZEN, ROSSANO SPORTIELLO, FRANK TATE (Luca’s Jazz Corner: December 22, 2016)

We have a whole repertoire of negative associations with the idea of the corner. One paints oneself into a corner; one has to go stand in it when one has misbehaved; one is cornered, and so on.

But jazz, like prosperity and love, can be just around the corner.  Especially when the Corner is an actual place on New York’s East Side, run by the enthusiastic Luca Marcato: hence Luca’s Jazz Corner, 1712 First Avenue, between 88th and 89th Street, inside Cavatappo, a welcoming wine bar:

luca-jazz-corner

I made my first journey to Luca’s last Thursday night, December 22, 2016, to hear and record the Jon-Erik Kellso Quartet: Mister Kellso, trumpet; Evan Arntzen, clarinet and tenor saxophone; Rossano Sportiello, piano; Frank Tate, string bass.

A few words before the video gift to you.  Luca’s is a cozy rectangular room, with most of the space properly given over to tables (where delicious — and that’s no stage joke — delicious food and drink are served) so the area near the piano is rather compact.  I’d arrived early, no surprise, and asked the very gracious Elena for “a table near the music,” and chose one as close to the open space as I could get.  (Later, I was treated very kindly by Daniele.)

The musicians, when they came in and set up, properly aimed themselves at the audience rather than at me, so the video perspective is rather like being in the trombone section of a big band.  However, it works well for sound and it is not the usual angle at all.  I was so happy with what I was hearing that if I had only been able to get the quartet’s shoes in my viewfinder I would have taken that as a generosity.

Without further ado — the quartet plays RUNNIN’ WILD, deliciously:

More details: call (212) 987-9260 for reservations or visit their website here to see the menu or find out who’s playing there when and make plans.

May your happiness increase!