Tag Archives: Lynn Redmile

HAPPINESS, EVERY SUNDAY AT EIGHT (DANNY TOBIAS, SCOTT ROBINSON, JAMES CHIRILLO, TAL RONEN, MIKE DAVIS at The Ear Inn, Sunday, October 4, 2015)

The Ear Inn, 2012 Photograph by Alexandra Marks

The Ear Inn, 2012 Photograph by Alexandra Marks

The regular EarRegulars — Jon-Erik Kellso and Matt Munisteri and friends — were spreading joy elsewhere on Sunday, October 4, 2015.  (They’ll be back!)

But joy was certainly spread in abundance at The Ear Inn (326 Spring Street, Soho, New York) by “the irregular EarRegulars”) and was captured for your pleasure by the fine photographer / videographer Lynn Redmile.

The creators were Danny Tobias, cornet; Scott Robinson, taragato, tenor saxophone, and a diminutive Eb alto horn; James Chirillo, guitar; Tal Ronen, string bass — with a guest appearance by Mike Davis, cornet, on ONCE IN A WHILE.

I WANT TO BE HAPPY:

ONCE IN A WHILE:

Remarkable music in a remarkable place . . . try it for yourself one Sunday night. Meet Pirate Barry, eat a salad, have a wonderful time.

May your happiness increase!

SHE KNOWS HOW TO THROW A PARTY! EMILY ASHER’S GARDEN PARTY AT JOE’S PUB (PART TWO: JUNE 7, 2015): EMILY ASHER, MIKE DAVIS, EVAN ARNTZEN, DALTON RIDENHOUR, NICK RUSSO, ROB ADKINS, JAY LEPLEY

You can find the first part of this delicious evening here.

Mike Davis, Emily Asher, Jay Lepley. Photo by Lynn Redmile

Mike Davis, Emily Asher, Jay Lepley. Photo by Lynn Redmile

And some words:

I’m honored to count Emily Asher as a friend and musical colleague, and I was thrilled to be at her swinging concert at Joe’s Pub on June 7, 2015.  To the uninitiated, Emily’s band — Garden Party — might seem just another retro-swing outfit, offering variations on familiar music.  That would be a deep misconception, because as the videos below will show, Emily and her musical pals have musical integrity — that is, they play honest music from their hearts — and expansive visions — so that any gig she’s on is going to be wide-ranging, each selection both improvised on the spot and well-thought out.  This is not a band devoted to copying the predictable, but its innovations don’t jostle or hurt.

Here is the second part of that very gratifying night at Joe’s Pub. Emily is our trusted trombonist, singer, composer, arranger; with her are Mike Davis, trumpet, vocal; Evan Arntzen, clarinet, alto sax; Dalton Ridenhour, piano; Nick Russo, guitar, banjo; Rob Adkins, string bass; Jay Lepley, drums, vocal.

Hoagy goes to the Pacific Northwest in Emily’s brooding, lovely PACIFIC LULLABY:

Hoagy, himself — LAZY BONES:

Percy Venable, not for the lactose-intolerant — BIG BUTTER AND EGG MAN:

Emily’s own evocation of country angst, MEET ME IN THE MORNING:

A gospel-on-wry sort-of-love-song, MY LIFE WOULD BE EASY:

And Emily’s loving tribute to her very adorable niece, SWEET PEA:

Now that you’ve heard and seen this band in their 2015 selves, please consider. This isn’t a repertory orchestra, tied to the old records; this isn’t a band with a stylistic set of restrictions (“We don’t play anything that the Golden Leaf Mendicants wouldn’t have played on American Music Records”).  What distinguishes this band is a delicious freedom for everyone to follow those evanescent yet memorable impulses . . . so there are tinges of gospel, country, “Dixieland,” Forties rhythm and blues, soul, “modern jazz,” and more — no one’s hemmed in and there is a wonderful energetic lyricism permeating every aspect of every performance.

Someone should take notice.  A residency for the Garden Party, anyone?

May your happiness increase!

SHE KNOWS HOW TO THROW A PARTY! EMILY ASHER’S GARDEN PARTY AT JOE’S PUB (PART ONE: JUNE 7, 2015): EMILY ASHER, MIKE DAVIS, EVAN ARNTZEN, DALTON RIDENHOUR, NICK RUSSO, ROB ADKINS, JAY LEPLEY

Mike Davis, Emily Asher, Jay Lepley. Photo by Lynn Redmile

Mike Davis, Emily Asher, Jay Lepley. Photo by Lynn Redmile

Perhaps when you think of a party you envision fascinating forbidden foods — in small or large portions — and many cheerful people mingling.  That’s not a bad image at all.  When I went to Google Images to find something suitable for this blog, most of the photographs were of athletic-looking women in brightly-colored swimwear, arms extended on high.  Nice, but I don’t remember being invited to those parties, so I chose something more appropriate.

I’m honored to count Emily Asher as a friend and musical colleague, and I was thrilled to be at her swinging concert at Joe’s Pub on June 7, 2015.  To the uninitiated, Emily’s band — Garden Party — might seem just another retro-swing outfit, offering variations on familiar music.  That would be a deep misconception, because as the videos below will show, Emily and her musical pals have musical integrity — that is, they play honest music from their hearts — and expansive visions — so that any gig she’s on is going to be wide-ranging, each selection both improvised on the spot and well-thought out.  This is not a band devoted to copying the predictable, but its innovations don’t jostle or hurt.

Here are the first six selections from that very gratifying night at Joe’s Pub. Emily is our trusted trombonist, singer, composer, arranger; with her are Mike Davis, trumpet, vocal; Evan Arntzen, clarinet, alto sax; Dalton Ridenhour, piano; Nick Russo, guitar, banjo; Rob Adkins, string bass; Jay Lepley, drums, vocal.

WHEN YOU WORE A TULIP (a bright yellow tulip, no less) to start things rocking, with a delicious New Orleans parade beat from Jay:

I’VE GOT A FEELING I’M FALLING (a little romance from Tom and Andy — Waller and Razaf, that is — sung by Emily and Mike):

A rousing suggestion for increased personal happiness, WALK IT OFF, sung by Jay — and the band rocks in good middle-Forties style:

GARDEN PARTY PARTY, evoking Kid Ory’s SAVOY BLUES, but with no copying implicit or explicit:

A gorgeous evocation of Hoagy’s MEMPHIS IN JUNE thanks to Rob and Evan:

Music heals, we hope.  Listen to Emily’s joyously defiant AN OPEN INVITATION TO A RAINSTORM:

A swell party, indeed — full of musical energy, much more sustaining than bacon-wrapped shrimp and mojitos.  And there are more performances to come.

May your happiness increase!

MARTY AT THE MERMAID (Part Two), or CHESTNUT HILL CAPERS with DANNY TOBIAS, DAN BLOCK, ED WISE (May 17, 2013)

“Worth a trip from anywhere!” was the tagline of a radio advertisement: I thought of it many times during my recent sojourn to the Chestnut Hill suburb of North West Philadelphia to hear and record Marty Grosz and a congenial group of fellow Swingsters: Dan Block, clarinet / alto saxophone; Danny Tobias, cornet; Ed Wise, string bass; The Great Percusso, whiskbrooms and suitcase.  (The identity of  “Percusso” is concealed for legal reasons.)

See here and here for music created earlier that night.

And for those who want to begin mapping their next trip to this cozy version of Swing Street, The Mermaid Inn is at 7673 Germantown Ave, Philadelphia · (215) 247-9797.

Here’s more from the evening of May 17, 2013 — hijinks in swingtime.

WAY DOWN YONDER IN NEW ORLEANS:

A suggestion from Dan Block (creator of the delicious head arrangement) that we hope is financially accurate: WE’RE IN THE MONEY — with a bonus of a singing audience member:

My request, since I so admire Marty as balladeer in a Red McKenzie mode: I CAN’T BELIEVE THAT YOU’RE IN LOVE WITH ME:

For Bing!  LOVE IS JUST AROUND THE CORNER:

Mister Waller, I presume?  I BELIEVE IN MIRACLES:

ROSE OF THE RIO GRANDE:

ALL MY LIFE:

SWEETHEARTS ON PARADE (add The Great Percusso):

SUGAR:

Appropriate for the journey home in the dark: THE WORLD IS WAITING FOR THE SUNRISE:

Thank you all, ladies, gentlemen, and Mermaids alike.

May your happiness increase!

LOVE IN BLOOM AT BIRDLAND: DAN BLOCK / JAMES CHIRILLO (May 8, 2013)

May 8, 2013, was a special day in jazz lore — although the mainstream jazz media didn’t pay it any attention: the fourteenth anniversary of David Ostwald’s Wednesday early-evening gig at Birdland with the band once called the Gully Low Jazz Band, then the Louis Armstrong Centennial Band, now (appropriately) the Louis Armstrong Eternity Band.  The participants included Jon-Erik Kellso, Tom Artin, Dan Block, David Ostwald, James Chirillo, Marion Felder — and guest stars Anat Cohen and Bria Skonberg.  The joint was jumping, but here’s a sweet bit of musical romance: Dan and James duetting, becoming a tiny but fulfilling orchestra on TAKING A CHANCE ON LOVE:

Who knew midtown New York City could suddenly become so bucolic?  The pipes of Pan and a verifiable Roman lute . . .

This one’s for the Beloved, who was at my side, for Lynn and Danny, for Mar and Ricky, Noya and Eric, and all the other loving couples out there.  And if you’re currently single, be not afeard: take a chance on love!

May your happiness increase!

MARTY AT THE MERMAID (Part One): MARTY GROSZ, DANNY TOBIAS, DAN BLOCK, ED WISE (May 17, 2013)

It took a great deal of energy to make the long journey from the JAZZ LIVES headquarters in suburban New York, to The Mermaid Inn in Chestnut Hill in Philadelphia — cars and bridges and tolls and service areas and heated dialogues with my aging GPS and the kindness of friends.  But it was worth it.  The result of the trek was another opportunity to see Martin Oliver Grosz, the Trolloope of Tempo, and his lyrical, imaginative friends Danny Tobias, cornet; Ed Wise, string bass; Dan Block, clarinet and alto saxophone.  Here’s a sample.

(The discerning cinematographers in the JAZZ LIVES audience may note that my musical heroes are an unusual shade of orange.  The Mermaid Inn was a cozy, friendly place lit in deep nocturnal hues.  What you see is the brightest image I could produce without added intrusive lighting.)

I’M CRAZY  ‘BOUT MY BABY:

BEALE STREET BLUES:

CRAZY RHYTHM:

JUBILEE:

Worth a trip from anywhere!  The only lapse I must note is that usually Marty invents imaginative names for his bands — the Orphan Newsboys, Destiny’s Tots, the Paswonky Serenaders.  No Homeric epithets, no Raymond Chandler monickers this time.  Marty Grosz and his Able Seamen?  His Swinging Mermen?  You’re on your own.

May your happiness increase!

LET ME OFF UPTOWN FOR THE HOLIDAYS (Part Two): “CHRISTMAS STOMP” with GORDON AU’S GRAND STREET STOMPERS (Columbia University, December 1, 2012)

It bears repeating.

Saturday, December 1, 2012, was a wonderful day (they all are, if you have the right approach to them) but the evening was even better . . . I was fortunate enough to be uptown for the CD release party held at Columbia University.  The party was honoring the Grand Street Stompers on the occasion of their new CD, CHRISTMAS STOMP.  And STOMP they did.  (Learn more about that very pleasing CD here.)

GSS cover

For those of you who couldn’t take the A train (thank you, Billy Strayhorn) or drive uptown, here are some highlights of this most swinging, mobile evening. The participants: Gordon Au on trumpet / arrangements / compositions; Matt Musselman, trombone; Dennis Lichtman, clarinet; Davy Mooney, guitar; Jared Engel, string bass; Rich Levinson, drums; Tamar Korn, Molly Ryan, vocals — with guest appearances from the amazing dancer Andrew J. Nemr, clarinetist Dan Levinson, saxophonist Adam Lee, singer Margi Gianquinto, and more.

Before we start,a caveat (nicely browned for the holiday season).  The music is wonderful; my videos are somewhat below-par for reasons that anyone who has been in a large hall filled with wonderfully graceful dancers will recognize.  An event such as this (thank you, Lucy!) is organized for the comfort and pleasure of the people who not only know what the Peabody is but are able to do . . . the world is not my sound stage.  Knowing this, I took up a position at the rear of the hall — a happy observer — and recorded what I saw.  In situations such as this, I think, “This is what it was like at the edge of the Savoy Ballroom,” and any discontent vanishes.  Perhaps next year someone will lend me a crane or at least a stepladder and a longer tripod.  Or not.  Here are the remaining marvelous swirling delights I saw and heard on December 1.

It wasn’t wintry outdoors, but Tamar feels it’s always a pleasure to sing I’VE GOT MY LOVE TO KEEP ME WARM:

Moving along in the “I’ve got” cardfile, she beautifully delivers Fats’ I’VE GOT A FEELIN’ I’M FALLING:

Molly comes back for IT’S BEGINNING TO LOOK A LOT LIKE CHRISTMAS:

O HOLY NIGHT is not the vehicle one associates with high-energy jazz, nor with elegantly forceful tap dancing, but when Gordon Au and the Grand Street Stompers meet the wizard Andrew J. Nemr, magic happens.  I only wish I had been at a better angle to focus on those airborne feet.  Next time:

Molly, typically well-behaved, tells of holiday adulteries in I SAW MOMMY KISSING SANTA CLAUS.  Let us avert our eyes from this potentially lascivious scene — when the Grand Street Stompers play, we get the presents:

The Three Graces — Molly, Tamar, and Margi — give out with a very sweet WHITE CHRISTMAS:

Victor Herbert never knew his MARCH OF THE TOYS could look and sound like this:

AIN’T MISBEHAVIN is a way to welcome Adam Lee, Lucy Weinman, and Dan Levinson to the holiday stomp:

For the finale, everyone throws caution to the wind — at least metaphysically — for LET YOURSELF GO:

If you’ve enjoyed these experiments in Cinema Very Tea, you’re sure to enjoy the real thing: learn more about the actual CD (a winner no matter what the calendar says) here.

May your happiness increase.