Tag Archives: Margi Gianquinto

JUST THREE-QUARTERS OF AN HOUR OF LOVE WITH MONA’S HOT FOUR AND GUESTS (“THE ‘TUESDAYS AT MONA’S’ ALL-STAR JAM BAND”) at the ROCKLAND MUSIC HALL (Dec. 11, 2012)

Although my spiritual persuasions lead me in other directions, here is the Official JAZZ LIVES 20 13 Christmas Gift: forty-five minutes in jazz heaven.

That Elysium was found at the Rockland Music Hall (Allen Street, the East Village, New York City) on Dec. 11, 2012 — when Mona’s Hot Four (plus many stellar friends) took to the small stage to celebrate their CD / DVD release.  You can read about the CD / DVD here: in the words of Stuff Smith and Mitchell Parish, it’s wonderful.

Mona’s Hot Four appears every Tuesday night at Mona’s on Avenue B and Thirteenth Street; they begin their ecstatic festivities close to midnight and continue until 4 AM or so.  So this early-evening set was a treat for nine-to-fivers like myself (and my pals Ricky Riccardi and Ben Flood, who felt as I do about the music).  And through the kindness of MH4, I was allowed to record the proceedings and share them with you.

The core unit is Dennis Lichtman, clarinet; Gordon Webster, piano; Jared Engel, string bass; Nick Russo, guitar / banjo.

And they began with the Sidney Bechet song, CHANT IN THE NIGHT:

Then Dennis invited Gordon Au, trumpet; Emily Asher, trombone; Jerron Paxton, vocal / banjo to join in for CHINATOWN, MY CHINATOWN:

Miss Tamar Korn came along for a vocal duet with Jerron on SUGAR BLUES:

David McKay became the sole vocalist for a Nat Cole-inflected WHEN I GROWN TOO OLD TO DREAM:

And the scene shifted: Dennis, Gordon, and Nick remained, but Molly Ryan, Vocal; Rob Adkins, string bass; Chris St. Hilaire, snare drum; Mike Davis, cornet replaced their august friends for WHAT A LITTLE MOONLIGHT CAN DO:

And to close — a vocal trio of Tamar, Molly, Margi Gianquinto sang DREAM A LITTLE DREAM OF ME with help from Bob Curtis, clarinet:

If that isn’t three-quarters of an hour of love, I don’t know.

After you’ve watched these free-to-all videos a dozen times and told your pals, I urge you (if you can) to get down to Mona’s for a late-night swing session.  If  you can’t do that, the urge is transmuted . . . pick up several copies of the CD / DVD, which is just as sweet and far more riotous.  Art can’t live on love alone, can it?

May your happiness increase.

LET ME OFF UPTOWN FOR THE HOLIDAYS (Part Two): “CHRISTMAS STOMP” with GORDON AU’S GRAND STREET STOMPERS (Columbia University, December 1, 2012)

It bears repeating.

Saturday, December 1, 2012, was a wonderful day (they all are, if you have the right approach to them) but the evening was even better . . . I was fortunate enough to be uptown for the CD release party held at Columbia University.  The party was honoring the Grand Street Stompers on the occasion of their new CD, CHRISTMAS STOMP.  And STOMP they did.  (Learn more about that very pleasing CD here.)

GSS cover

For those of you who couldn’t take the A train (thank you, Billy Strayhorn) or drive uptown, here are some highlights of this most swinging, mobile evening. The participants: Gordon Au on trumpet / arrangements / compositions; Matt Musselman, trombone; Dennis Lichtman, clarinet; Davy Mooney, guitar; Jared Engel, string bass; Rich Levinson, drums; Tamar Korn, Molly Ryan, vocals — with guest appearances from the amazing dancer Andrew J. Nemr, clarinetist Dan Levinson, saxophonist Adam Lee, singer Margi Gianquinto, and more.

Before we start,a caveat (nicely browned for the holiday season).  The music is wonderful; my videos are somewhat below-par for reasons that anyone who has been in a large hall filled with wonderfully graceful dancers will recognize.  An event such as this (thank you, Lucy!) is organized for the comfort and pleasure of the people who not only know what the Peabody is but are able to do . . . the world is not my sound stage.  Knowing this, I took up a position at the rear of the hall — a happy observer — and recorded what I saw.  In situations such as this, I think, “This is what it was like at the edge of the Savoy Ballroom,” and any discontent vanishes.  Perhaps next year someone will lend me a crane or at least a stepladder and a longer tripod.  Or not.  Here are the remaining marvelous swirling delights I saw and heard on December 1.

It wasn’t wintry outdoors, but Tamar feels it’s always a pleasure to sing I’VE GOT MY LOVE TO KEEP ME WARM:

Moving along in the “I’ve got” cardfile, she beautifully delivers Fats’ I’VE GOT A FEELIN’ I’M FALLING:

Molly comes back for IT’S BEGINNING TO LOOK A LOT LIKE CHRISTMAS:

O HOLY NIGHT is not the vehicle one associates with high-energy jazz, nor with elegantly forceful tap dancing, but when Gordon Au and the Grand Street Stompers meet the wizard Andrew J. Nemr, magic happens.  I only wish I had been at a better angle to focus on those airborne feet.  Next time:

Molly, typically well-behaved, tells of holiday adulteries in I SAW MOMMY KISSING SANTA CLAUS.  Let us avert our eyes from this potentially lascivious scene — when the Grand Street Stompers play, we get the presents:

The Three Graces — Molly, Tamar, and Margi — give out with a very sweet WHITE CHRISTMAS:

Victor Herbert never knew his MARCH OF THE TOYS could look and sound like this:

AIN’T MISBEHAVIN is a way to welcome Adam Lee, Lucy Weinman, and Dan Levinson to the holiday stomp:

For the finale, everyone throws caution to the wind — at least metaphysically — for LET YOURSELF GO:

If you’ve enjoyed these experiments in Cinema Very Tea, you’re sure to enjoy the real thing: learn more about the actual CD (a winner no matter what the calendar says) here.

May your happiness increase.