Tag Archives: Mart Grosz

MUSIC FOR THE MORNING COMMUTE, REVISITED

This post is devoted to one of my favorite songs — even though I stopped setting my alarm clock almost two months ago.  But I send it out for all of you who still have to obey the summons.  And if you are newly freed from such tyrannies, the song continues to be charming.

I saw in my online research into this song — music and lyrics by Herman Hupfeld (best known now for AS TIME GOES BY, less so for LET’S PUT OUT THE LIGHTS AND GO TO SLEEP, NIGHT OWL, or SING SOMETHING SIMPLE) — that I’d written about it in 2015, but there are now new versions on YouTube, so I propose this blogpost as an improvement rather than plagiarizing from myself.  Here’s my favorite Thirties version, led by Adrian Rollini, with  possibly Bunny Berigan, Al Philburn, Pee Wee Russell, Arthur Rollini, Fulton McGrath, Dick McDonough, Art Miller, Herb Weil, Red McKenzie:

I don’t have any personnel for this version.  Possibly a Gene Kardos group?

and a British version that includes the verse:

We move out of the Thirties for a 2008 version featuring Marty Grosz, Dan Block, Scott Robinson, Vince Giordano, Rob Garcia:

And to return to the song’s inception, it comes from a film delightfully titled MOONLIGHT AND PRETZELS.  Evidence herewith.

 

 

 

 

 

 

 

 

 

and the relevant film clip — homage to Mister Berkeley:

Whatever your circumstances, may that other sock not elude you, and I hope your colleagues treat you kindly and with respect where you make your living.

May your happiness increase!

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“RECORD TREASURES (2) MARTY GROSZ”

The syntax is sometimes baffling (thanks to Google translation from the Japanese) but the intent is clear, and it’s one I share — to celebrate and honor Martin Oliver Grosz, as well as his wonderful (and extremely rare) 1951 records with Dick Wellstood, Frank Chace, Pops Foster, Tommy Benford, Ephie Resnick, and Hugh McKay:

Record treasures (2) Marty Grosz
September 3, 2000 (Sun), Marty Gross charity concert was held in Tochigi Prefectural Museum of Art.
Why, you might reasonably be thought to concerts at the museum. Actually, the father of gross, but was born in Germany, continued to criticize the German caricaturist George Grosz’s largest Century 20 (real name: George Gross 1898-1959) is the.From August 6 to September to the 24th, the exhibition has been held by George Grosz, Tochigi Prefectural Museum of Art, Sept. 3, the concert is not held as one of the event Marty Gross.
Gross, now ages 20, 30 in the leading jazz and classical repertoire’s primary, has been active on the world stage as an arch-top guitar virtuoso.On the day, the Tsukuba depart 8:40 minutes, if all goes well I will get to Utsunomiya sometimes 12. Joban Line in injury Tsuchiura But straight out of a whopping three hours late! Start of the concert arrived 10 minutes before the museum was 2:50 minutes.So I became a part of stand. Year 1929 made by Gibson L-5 (16inch gold hardware in the body) have appeared in gloss, CD follows a familiar song and we sang and played. Still raw L-5 was a really good sound.The second part, and to return to families with young children could sit in the front. 2 meters before the closely watched technique was a good shout. No.1 song in the popular vote in the ability of power, now 70 years old and is unbelievably great, energetic two hours.After the concert, I went to see the gloss. People who bought the CD only, beating restrained by staff that差Shi出Shimashita two copies of the records SP Gross. Was surprised when I can not forget that face. Records this SP, June 6, 1951, which was recorded in New York, Gross was the first session will be 21 years old. In this session, and view photos Gross tenor (4 string), seems to play the guitar.

The time to migrate to the LP era, this record is the end of SP Gross and I have only two copies.
Historically, the record was one of my treasures, treasures risen in the ranks of the sign of the day.(2000.9.4)


Mart Gross & the Cellar Boys
(Jolly Roger 2003)

Mart Gross & the Cellar Boys
(Jolly Roger 2004)

Gross said during performance
Marty Grosz with Gibson L-5
(Photo: Dr. Yanagisawa)

(From left) After the concert, around the Gross
Seya Yanagisawa Mr. Hasegawa said Mr. Yamada, Mr. Gross’s exit
(Photo: Dr. Yanagisawa)

The original site, for those fluent in Japanese, is http://www.sakura.cc.tsukuba.ac.jp/~jazzsp/topic/rare2.htm.