Tag Archives: Marty Bloom

“I MUST HAVE IT”: YERBA BUENA STOMPERS at SAN DIEGO (Nov. 22, 2012)

The title phrase doesn’t refer to an illegal addiction, or the unquenchable desire for just one more cracker or chip.  It’s a King Oliver tune from his Victor period (1929-30) but here it sums up the fierce loyalties we feel about the Yerba Buena Stompers, captured on video one more time at the 2012 San Diego Thanksgiving Dixieland Jazz Festival, or (now) the San Diego Jazz Fest.  They are Leon Oakley and Duke Heitger, trumpet; Tom Bartlett, trombone; Orange Kellin, clarinet; Conal Fowkes, piano; John Gill, banjo; Clint Baker, tuba; Kevin Dorn, drums.

I MUST HAVE IT:

John Gill explains the cultural history behind BIG CHIEF BATTLE AXE:

The reference in the title TOO TIGHT isn’t to a constricting piece of clothing, but to a Johnny Dodds record from the old days in Chicago — when the phrase was a term of deep approval:

My lantsman, Jelly Roll Morton’s classic, WOLVERINE BLUES.  (To find out why Jelly and I are distant kin, read this):

Marty Bloom’s MELANCHOLY:

RHYTHM CLUB STOMP, another Oliver recording, poses a linguistic mystery.  The subtitle (or original title in the Victor archives) was CURWISHIP GLIDE.  What, or whom, or where . . . was [a] CURWISHIP?  Inquiring minds want to know:

JUST A GIGOLO is Duke and the band’s tribute to Mister Strong.  We know handsome Duke is no gigolo, though:

May your happiness increase.

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NEW EL DORADO JAZZ BAND 2010: MARDI GRAS COMES EARLY!

Thanks to the energetic Rae Ann Berry, who took her nimble video camera to Fresno, California on February 6, 2010, for the Sounds of Mardi Gras (sponsored by the Fresno Dixieland Society), here are some lively videos of the New El Dorado Jazz Band, co-led by Hal Smith (on washboard) and Clint Baker (clarinet, banjo, vocals, and more) with Howard Miyata on trombone, Marc Caparone on trumpet, Mike Baird on clarinet, Katie Cavera on banjo, Carl Sonny Leyland on piano, Georgia Korba on bass — with a guest appearances by singer Dawn Lambeth and the multi-talented Jeff Hamilton

Here they are on a romping BIG CHIEF BATTLE AXE, which Dawn once told me they called (privately) BIG CHEAP CADILLAC, a title I much prefer.  Now the secret is out!

Here’s SNAG IT, a wonderful evocation of New Orleans – Chicago funk:

Marty Bloom’s improvisation on the theme of jazz sorrow, MELANCHOLY (with the verse):

Are you prey to violent urges?  SHAKE IT AND BREAK IT might be the right theme music:

Jelly Roll Morton’s WININ’ BOY BLUES, at a splendid tempo, with Carl hilariously swerving around the more erotic lyrics not once but twice (send a quarter to this blog by email for the missing lines, if you’re over eighteen):

And a romping ORIENTAL MAN (which I would bet has wonderfully archaic and unpopular lyrics):

Here’s a delicious YOU’RE DRIVING ME CRAZY — even though Dawn’s microphone lets her down, the combination of her creamy legato approach and the band’s Louis / Moten riffs is irresistible:

In tribute to Papa Ray Ronnei, here’s his original, SALTY BUBBLE:

Here’s YOU ALWAYS HURT THE ONE YOU LOVE — a wonderful song but bad advice in personal relationships.  Howard’s shifted over to the massive helicon, and Jeff Hamilton sits in on trombone (not his usual drums or piano — who knew?):

Carl Sonny Leyland can certainly rock the blues, as he does here — see how Hal Smith is enjoying the tempo even before the band joins in for SONNY’S BLUES:

And a nearly dangerous ONE SWEET LETTER FROM YOU, with Howard and Jeff continuing.  This band delivers the mail for sure. 

This band has recorded a CD for Clint’s BURGUNDY STREET RECORDS: if you’re lucky enough to see members of the band on gigs, I’m sure they’ll have some, and Hal Smith promises that it will soon be available through his website.  (http://www.halsmithmusic.com/hals_cdpage.html.)  I’m buying some copies! 

Does anyone have the lyrics to ORIENTAL MAN?  Or the original sheet music to share?

P.P.S.  For no reasons aside from personal pleasure, I’d like to know the “reach” of this blogpost.  Who’s watching these clips from far, far away?  A prize to the most distant viewer . . . !