Tag Archives: Marty Eggers

“KINDLY RESTRAIN THAT WILD CREATURE”: BRIAN HOLLAND, DANNY COOTS, MARTY EGGERS, MARC CAPARONE, EVAN ARNTZEN at the Scott Joplin International Ragtime Festival (Sedalia, Missouri: June 2, 2018)

A completely torrid interlude from the 2018 Scott Joplin International Ragtime Festival, featuring the Holland-Coots Jazz Quintet with Marty Eggers, string bass, sitting in for Steve Pikal.  The other incendiaries are Brian Holland, piano; Danny Coots, drums; Marc Caparone, cornet; Evan Arntzen, clarinet.  Although TIGER RAG owes something to Jelly Roll Morton, this rendition owes a great deal to Louis Armstrong. And who would find fault with that?

I’ve written a good deal and posted more than a few videos of this multi-talented group on this blog, which you can find.  However, I hope you know that they are among the stars of the late-Spring STOMPTIME cruise in the Eastern Caribbean: details here.  I am fairly sure that no pets are allowed on board, so you’ll have to check with the cruise line.

May your happiness increase!

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WE SAVOR THE RITUALS (WITH A SMALL UPDATE): THANKSGIVING at THE SAN DIEGO JAZZ FEST (Nov. 21-25, 2018)

Even in the midst of darkness there are always reasons to be thankful.  Here is a detail from the classic Norman Rockwell portrait of a late-November American celebration, make of it and its assumptions (culinary, sociological, political) what you will.

But this post is about another ritual of communal gratitude, another place to give thanks: the thirty-ninth San Diego Jazz Fest, held this year from November 21 through the 25th. My update (as of late November 11) is to offer the flyer below, and to point out something I didn’t know when I’d written this blogpost — that the Saturday night Swing Extravaganza will also feature the wonderful band Michael Gamble and the Rhythm Serenaders with the wonderful singer Laura Windley. Add that piece of news into your computations.

I’m sitting here with the band schedule in front of me, and can narrate my own pleasure-map of delights for the weekend.  How about dance lessons, opportunities for “jammers” to play with others of their ilk, a Saturday night swing extravaganza?  Ongoing solo piano recitals featuring Kris Tokarski, Vinnie Armstrong, Stephanie Trick, Carl Sonny Leyland, Conal Fowkes, Paolo Alderighi, Paul Asaro, Marty Eggers, Virginia Tichenor?  Then sets by the Dawn Lambeth Trio featuring Marc Caparone, High Sierra, Grand Dominion, the Chicago Cellar Boys, the On the Levee Jazz Band, the Original Cornell Syncopators, the Heliotrope Ragtime Orchestra, Katie Cavera, Clint Baker, Hal Smith, Yerba Buena Stompers, Titanic, Colin Hancock, Charlie Halloran, Ben Polcer, Joe Goldberg, John Gill, Kevin Dorn, Andy Schumm, John Otto, Leon Oakley, Tom Bartlett, and more.

And more.  At any given moment at the fest, let us say on a Saturday, the music goes from breakfast to wooziness — 9 AM to near midnight — in six separate locations.  Using my right index finger (the highly-skilled instrument for such computations) I counted sixty-six sets of music on Saturday, sets either 45 minutes or an hour.

At other festivals, that would make for transportation difficulties (a euphemism for “How am I going to get to that other building before the band starts?) but since all the action is contained in one building, even people with limited mobility make it in before the music starts.

Did I mention that everyone I’ve ever dealt with at San Diego has been terribly nice, including such luminaries of cheer and comfort as Paul Daspit and Gretchen Haugen?  This is no small thing.

And for those of you who think you will be deprived of Thanksgiving edibles (which means “too much food”) as depicted by Mr. Rockwell above, take heart. There is a splendiferous buffet served on Thursday from 2 to 6 — you can reserve a place there, with a discount for those who do so before November 15: details here.  If you’re vegetarian or vegan, you’ll still totter out of there, quite stuffed.

I am a late adopter who hasn’t made all 38 festivals (to explain why would tax all your five wits) but when I did make my way to the Fest, of course it was video camera at the ready.  And here are three sets that pleased me greatly.  I have shot several hundred videos, and that’s no stage joke, but I don’t feel right about using videos of X if X isn’t at this year’s festival.  But the three sets below feature people who are alive and well for this year.  First, here are the Cornell Syncopators featuring Katie Cavera in 2017.  Then, here are the Yerba Buena Stompers in 2016, and here are Marc Caparone and Conal Fowkes paying tribute to Louism also in 2017.

Going back to 2009, I remember when I first started this blog, I used Rae Ann Berry’s videos as glimpses of the Promised Land.  Here, for example, is John Gill paying tribute, beautifully, to Mister Crosby, in 2009:

Why am I concluding this post with PENNIES FROM HEAVEN and John’s beautiful rendition?  It seems an obvious message as far as the San Diego Jazz Fest is concerned, this year or in years to come. Good things are coming, the lyrics say, but you can’t hide under a treeIf you bestir yourself on Monday, November 26, you’ll have to wait a whole year for this opportunity to be grateful amidst friends and lovely heated music.  Take a look here and you will be glad you did.  See you there.

May your happiness increase!

CONNIE AND TIM IN SAN DIEGO: TIM LAUGHLIN, CONNIE JONES, DOUG FINKE, CHRIS DAWSON, KATIE CAVERA, MARTY EGGERS, HAL SMITH (Nov. 30, 2014)

When you feel embraced and uplifted by a harmonious existence, you know it, perhaps because it happens all too rarely.  Readers will have their own remembered experiences, but for perhaps four years I could be certain of being transported to another, delicate yet solid plane of consciousness: when Connie Jones began to play.  He’s retired from playing, but the music he created is like a light in the darkness.

I saw Connie almost exclusively in the company of Tim Laughlin, who understood Connie’s irreplaceable majesties, and played wonderfully because of that inspiration.  I’ve been saving some video performances — not quite for my old age, but for a time when we might well need infusions of beauty.  So here are eight more performances: savor them gently and slowly.  The splendid band (all of them happily active) is Doug Finke, trombone; Chris Dawson, piano; Marty Eggers, string bass; Katie Cavera, guitar; Hal Smith, drums — performing at the San Diego Jazz Fest on November 30, 2014.  (By the way, that Fest is still perking along nicely: I’ll be there this Thanksgiving.)

MY GAL SAL:

YOU CAN’T LOSE A BROKEN HEART:

THAT OLD FEELING:

LINGER AWHILE (a different set):

A HUNDRED YEARS FROM TODAY:

GENTILLY STRUT:

SOMEBODY STOLE MY GAL:

Connie and friends bless us, so consider returning the compliment.

May your happiness increase!

WHERE THE COOL KIDS HANG OUT: CARL SONNY LEYLAND, MARTY EGGERS, JEFF HAMILTON (July 26, 2018: Longmont, Colorado)

Wow, what a time!  Dorothy and Frank Vernon put on a regular series of events in their beautiful barn in Longmont, Colorado: I’d been to one of their evenings in 2016 (see here) and couldn’t wait to come back.  Before you read a word more, check out their site here.  I was not ever a Cool Kid in school, but in their barn I feel as if my new self fits very comfortably, surrounded as I am by love and swing.

You can learn more here and get on their email list.  Carl Sonny Leyland, piano, vocals, and spiritual guidance; Marty Eggers, string bass and serious joy; Jeff Hamilton, drums and surprise — these are very Cool Kids and heroes of mine.

(And this took place the night before the Evergreen Jazz Festival — so it was a delicious appetizer to that swing banquet, where Carl, Marty, and Jeff also made deep friends through music.)

I wouldn’t just write about the barn dance without offering some evidence of the joy to be found there.  Here are four beautiful effusions: rocking, splendidly deep, full of wonderful harmonic, melodic, rhythmic twists and turns.

Talk about swing!  This performance starts rocking immediately and keeps on without needing to be plugged in to the wall to recharge its battery:

Courtesy of the Harlem Hamfats, a kind request to one’s Squeeze:

the most famous rag of all, but pay attention:

and a jazz classic but nicely outfitted for 2018:

Beautiful tempos, irresistible propulsion.  I feel good when these fellows are in charge of the music: I hope you do, too.  Blessings on them and on Frank and Dorothy — and happy birthday to Judy!

May your happiness increase!

WESTWARD HOT! EVERGREEN JAZZ FESTIVAL (July 27-29) and a BARN DANCE PARTY with the CARL SONNY LEYLAND TRIO (July 26)

I am a failure as a well-trained tourist, because I shun guidebook attractions such as churches and museums in favor of second-hand stores, outdoor markets, and restaurants.  But I am not yet at the stage where I want to stay at home all the time.  What makes me happy is going to a place (ideally, a beautiful one) where good friends play and sing the music that makes me even more glad to be alive.  And I know I am not alone in this desire.

Double rainbow, Evergreen, Colorado, 2014. Photograph by Michael Steinman

Such opportunities for musical joy and fulfillment still exist, and one of them is the double boon of the Evergreen Jazz Festival in Colorado, and the barn dance concert that Dorothy Bradford Vernon and friends put on in Longmont, in the same state — they coincide most happily.

For those who want to go directly to the source(s), here you can learn all about the barn dance — featuring the Carl Sonny Leyland Trio — and here is the official site for the Evergreen Jazz Festival, a long weekend of beautiful music.

The EJF rotates its out-of-state attractions, so although I have twenty posts (with video evidence!) from my trips there in 2014 and 2016, I don’t feel it’s right to use videos from bands that won’t be there in 2018 to promote the current festival.  However, by typing EVERGREEN into this blog’s search engine, you can enjoy the evidence for many hours.  More about the 2018 band lineup below.

But since Carl’s Trio is more or less intact with the splendid Jeff Hamilton on drums (I believe Marty Eggers is playing string bass instead of our friend Clint Baker) I have no qualms about sharing this 2016 post with you.  My videos cannot convey the great warm welcome that Dorothy and friends extend to anyone walking through the barn doors.  The music and the dancers were truly memorable.

The Evergreen Jazz Festival offers ten bands, which means that the main problem most guests will have can be expressed by “I can’t decide between seeing X, Y , or Z,” rather than by “There’s nothing to do.”

Here is the schedule: eleven hours on Friday, twelve hours on Saturday, seven hours on Sunday.  You can sleep on Monday, or on the plane.  

A few words about the bands (you can read full descriptions on the EJF site).  Since I am an out-of-towner, I have no problem putting my fellow o-o-t women and men first — a kind of upside-down local pride.

Carl Sonny Leyland will be rocking the house once again (even the elk were doing splendid rhythmic gyrations in the parking lot).

The Holland-Coots Jazz Quintet — a band I succumbed to instantly last year in Nashville, where they recorded their debut CD, a tribute to Fats Waller that brought happiness and swing.  They are Brian Holland, piano; Danny Coots, drums; Marc Caparone, cornet and vocal; Evan Arntzen, reeds and vocal; Steve Pikal, string bass.

World-travelers Ivory&Gold — that’s Jeff Barnhart, piano and vocals; Anne Barnhart, flute and vocals — who offer musical world tours that always surprise.

The frolicsome Rock Island Roustabouts — co-led by Hal Smith, drums, and Jeff Barnhart, with Dave Kosmyna, cornet; Doug Finke, trombone; Jonathan Doyle, reeds; Bob Leary, banjo/guitar; Ryan Gould, string bass.  The names alone will tell you that hot music is assured.

Multi-instrumentalist Dennis Lichtman’s Brain Cloud (yes, the name is strange — from a Bob Wills song — but the music is intoxicating) featuring Dennis on clarinet, fiddle, mandolin, and more, also with the phenomenal vocalist Tamar Korn and our man in swing Kevin Dorn, drums.

Pianists Brian Holland, Carl Sonny Leyland, and Jeff Barnhart will perform three trio sets on two pianos in the wonderful Evergreen church: beware of flying black and white ivories!

There will be a jam session set by the “EJF All-Stars”: Marc Caparone, cornet; Eric Staffeldt, trombone; Roger Campbell, clarinet; Rory Thomas, banjo; Jeff Barnhart, piano; Ryan Gould, string bass; Kevin Dorn, drums.

Two sets by the Sweet and Hot Quartet: Jeff Barnhart, Bob Leary, Anne Barnhart, and Steve Pikal (Friday) and Hal Smith (Sunday).

If that were not enough . . . Denver’s own After Midnight, which fashions itself after the Goodman Sextet with vibraphone; Felonius Smith Trio, which pays tribute to venerable guitar blues; the Gypsy Swing Revue, which lives up to its billing;  Joe Smith and the Spicy Pickles, a young energized swing band; the Queen City Jazz Band, celebrating its 65th anniversary and featuring Wende Harston on vocals; youth bands from the University of Colorado, the Denver Claim Jumpers, and the Denver Jazz Club Youth All-Stars.

The EJF features lovely small venues . . . so you need to consider purchasing tickets sooner rather than later.  I’ll be there, but I only take up one seat.  Hope you can make it also!  It’s been a great deal of fun and with this schedule, I know it’s going to continue.

And just in case you say, “What!  No music?” here is RUSSIAN RAG by the Holland-Coots Jazz Quintet, recorded informally in Nashville in July 2017:

May your happiness increase!

ON THE ROAD TO SEDALIA, MISSOURI (May 30 – June 2, 2018)

The Sages urge us to live in the moment, but I need something to look forward to — even if it’s nothing larger than that second cup of coffee.

But this post is about something far more expansive: the 37th Scott Joplin International Ragtime Festival that will take place in Sedalia, Missouri from May 30 – June 2, 2018.

The performers at the 2017 Festival, a welcoming bunch.

You can see the enticing list of the people who will be playing, singing, talking, and (if I guess correctly) being lively and funny at the 2018 Festival here.  I don’t know every one on the list, because I have never been immersed in ragtime, but those I do know are very exciting artists and good friends: Brian Holland, Danny Coots, Marc Caparone, Steve Pikal, Evan Arntzen (that’s the Holland-Coots Jazz Quintet), Carl Sonny Leyland, Jeff Barnhart, Marty Eggers, Virginia Tichenor, and Dalton Ridenhour.  There are just as many luminaries I haven’t mentioned here, and I hope they don’t take offense: look at the list to see what heroes and friends of yours will be there also.

The map suggests that the festival is neatly laid out, and it should be a pleasure to be trotting around in the late-Spring sun:

I expect to be dazzled by people I’ve never heard before (although I am no longer obsessed with Seeing and Hearing Everything — that’s for people with more energy) but here are two favorite groups / performers.  One is the Holland-Coots Jazz Quintet, the five brilliant planets that came together for a hot constellation last summer in Nashville.  I wrote about my visit here and about the CD that resulted here.

Incidentally, I don’t promote the CDs below as substitutes for the experience you will have in Sedalia — rather, as a way of making the time between now and May 30 seem easier to endure.

Here you can learn more and buy copies.

And if the thought of reading more words makes the room spin, try this:

As Eubie Blake would shout exultantly at the end of a performance, “That’s RAGTIME!”  And who would disagree?

The other group also has Brian Holland and Danny Coots at its center, but with the addition of the best chemical catalyst I know — the wonderful one-man orchestra, gutty and tender and rocking, Carl Sonny Leyland.  Here are more details.  And a few words from me.

OLD FASHIONED refers to two pleasures: music-making the way it used to be, and the cocktail . . . sometimes consumed in tandem.  Recordings of two pianos plus “traps” go back to 1941 or perhaps earlier — I am thinking of a Victor set called EIGHT TO THE BAR, featuring Albert Ammons, Pete Johnson, and Jimmy Hoskins, which was about twenty-five minutes of locomotion, no matter what the tempo.  Having the train come roaring down the track is a pure adrenaline jolt, but eighty minutes of high-intensity, high-speed music could soon pall.  So the three wise men have opted for sweet variety — slow drags and old pop tunes treated with affection, originals in different moods.  Thus the CD rocks its way to the end before you know it.  And the sound is lovely — it’s possible that Carl’s singing voice has never been captured so well on disc.

May your happiness increase!

“JUST LIKE 1943, ONLY BETTER”: AT THE BOOTLEGGERS’ BALL! with CLINT BAKER, MARC CAPARONE, ROBERT YOUNG, DAWN LAMBETH, JEFF HAMILTON, MARTY EGGERS, BILL REINHART, RILEY BAKER (July 15, 2017)

I couldn’t make it to the Bootleggers’ Ball (I’ve supplied the apostrophe, if anyone wants to know) in San Francisco on July 15, 2017, because they haven’t perfected Swing Teleportation yet — or if they have, it’s out of my price range for now — but JAZZ LIVES’s readers are well-covered.

First, Clint Baker’s Golden Gate Swing Band was in charge: Clint, trombone and vocal; Marc Caparone, trumpet; Dawn Lambeth, vocal; Robert Young, saxophone and vocal; Jeff Hamilton, piano; Marty Eggers, string bass; Bill Reinhart, guitar; Riley Baker, drums.  RaeAnn Berry was on the case, possibly in the second balcony, shooting video, which I can now share with you.  I also knew that things would go well with Lori Taniguchi at the microphone and (unseen but sending out swing vibrations) Brettie Page on the dance floor.

My title is my invention: that is, everything in this band is beautifully in place in ways that connect to the jazz paradise we love — but the music is better, because it is created and accessible in the here and now.  I love blue-label Decca 78s with surface noise, but we’re also living in 2017, and Miniver Cheevy’s life in swingtime is not I one I think is a good model.

PENNIES FROM HEAVEN (with the delightful Dawn Lambeth, whose phrasing is a model of swing elegance):

I WANT A LITTLE GIRL (at a nice tempo, with riffs, no charge):

LINGER AWHILE (I feel Harry Lim, Fred Sklow, Jack Crystal, and Milt Gabler grinning):

MILENBERG JOYS (with the Palme du Joy to Messrs. Caparone and Hamilton — but the whole band is a marvel.  During the outchorus, the spice jars in my kitchen were swinging.):

IT’S A SIN TO TELL A LIE (Dawn eases us into the moral lesson: lying and romance don’t mix: and what an easy tempo for this!)  And by the way, was that Dicky Wells who just walked in?:

And that nifty Ellington blues, SARATOGA SWING:

Making the most of a documented meteor shower, Dawn sings STARS FELL ON ALABAMA:

They sparkle!  They bubble!  (Dawn sings THEM THERE EYES):

Care for an extended ocean voyage on the S.S. ROMANTIC CAPTIVITY? Dawn sings ON A SLOW BOAT TO CHINA:

JOE LOUIS STOMP (with an unexplained shriek at 2:57, echoed by quick-thinking Maestro Hamilton.  I hope it was a shriek of delight):

MY BUDDY (sung by ours, Robert Young):

DIGA DIGA DOO (for Lips Page and Specs Powell — some Krazy Kapers there, too, as mandated by moral law):

I like Dawn’s reading of Mercer’s optimism: “DREAM . . . and they might come true”:

A dozen performances are still yours to watch here. “Mighty nice,” as we say.

May your happiness increase!