Tag Archives: Matt Munisteri

SUNDAY NIGHTS AT 326 SPRING STREET (Part Thirty-One) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

Is it Sunday again?  Covid-time defies ordinary physics: we experience it as rushing and dragging at once.  But ordinary physics is dull and restrictive, so let me invite you this Sunday, January 10, 2021, to be with me in November 7, 2010, and wherever you are, to join me at The Ear Inn, 326 Spring Street, Greenwich Village, New York City.

I know an arm around the shoulders violates CDC guidelines about keeping proper distance, but I offer you mine, metaphysically, in swing friendship.

Here are two extended performances by a sextet, really the EarRegulars quartet of that moment expanded by three hero-pals with reed instruments: Jon-Erik Kellso, trumpet; Matt Munisteri, guitar; Alex Hoffman, tenor saxophone; Neal Miner, string bass; and friends Andy Farber, tenor; Dan Block, alto.

Gene Ammons’ RED TOP (solos: Block, Kellso, Hoffman, Farber):

RED TOP (concluded — solos Munisteri, Miner):

Adding the brilliant clarinetist Pete Martinez, on a barstool to my left, with a lovely curious admirer as well, to asking the musical question, HOW AM I TO KNOW? — at a tempo slower than Miles’, faster than Billie’s:

HOW AM I TO KNOW? (concluded):

See you next week!  I hope you can glide from this Sunday to the next.

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Thirty) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

Since time is a field rather than a series of beads on a string, we can savor 2021 and 2010 at once . . . as we will do now!  October 17, 2010: Jon-Erik Kellso, trumpet; West Coast luminary Dan Barrett, trombone; Matt Munisteri, guitar; Joel Forbes, string bass. . . . and welcome surprise guests.

Where?  Why, EAR!  (For those who haven’t been taking notes, that’s The Ear Inn, 326 Spring Street, New York City, where the EarRegulars have made us happier on Sunday nights since the summer of 2007.)

For Louis and Fats, I’VE GOT MY FINGERS CROSSED:

ROYAL GARDEN BLUES, with sitters-in Dan Block (clarinet), Danny Tobias (cornet), and Simon Wettenhall (Eb alto horn):

DONNA LEE plus INDIANA, scored for the original Quartet:

IF I HAD YOU, with Danny Tobias sitting in for Jon-Erik:

Jon-Erik returns to make it a brass trio for LET ME CALL YOU SWEETHEART:

What exquisite sounds: what other-worldly swing.  It happened, and it will happen again.  And, yes, I’m an optimist, otherwise I wouldn’t be here.  Come join me on the trip, however you define it: pleasures await.

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Twenty-Nine) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

Grab your coat, grab your hat . . . at least in theory.

We’re continuing with the brilliant music, romping or pensive — created by the EarRegulars on September 26, 2010: Jon-Erik Kellso, trumpet; Scott Robinson, tenor saxophone; Matt Munisteri, guitar; Pat O’Leary, string bass:

The Ear Inn, 2012 Photograph by Alexandra Marks

ON THE ALAMO:

concluded:

and Bob Barnard, cornet, in a properly Louis mode, sitting in for Jon-Erik, for CHINATOWN, MY CHINATOWN:

Then, a glorious exploration of Ray Noble’s THE TOUCH OF YOUR LIPS:

concluded:

My calendars tell me that this is the last Ear Inn / EarRegulars posting I will do in this most dramatic year, 2020.  I will continue to share the enthralling music from the recent past into 2021 — as long as it takes for us to be able to meet again in the temporal-physical universe.

Chronicling these precious evenings is a bittersweet pleasure, but the joy of celebrating this music and the wonderful people who so generously create it is nothing but sweet.  See you on the other side, at 326 Spring Street.  We live in hope.

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Twenty-Eight) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

Do you Ear what I Ear?

Ready to get ready?  Snow boots, ridiculous headgear, two pairs of gloves (for when one is left behind)?  Let’s prepare for cyber-joys at 326 Spring Street, New York . . . the EarRegulars at the Ear Inn, lifting spirits, no spirit too big or too small.

Correction: I realized that we don’t have to go outside.  So slippers and fleece sweatpants are perfectly appropriate attire.  Sorry if I frightened you.

Now that we’re settled in . . .

I’d forgotten about this marvelous constellation, but it happened on September 26, 2010:  Jon-Erik Kellso, trumpet; Scott Robinson, tenor saxophone; Matt Munisteri, guitar; Pat O’Leary, string bass, and — dropping by — the legendary Bob Barnard, cornet:

An easy-rocking BEALE STREET BLUES, just what Doctor Jazz prescribed:

BEALE STREET BLUES (concluded):

The first of two evocations of the Eternal Feminine, A PRETTY GIRL IS LIKE A MELODY.  Bob lives more than twenty hours away by air, so he didn’t get to join in here.  I note now, ten years later, that the last dozen or so bars of this performance are missing.  I blame YouTube, but You are free to blame Me:

and a truly lovely SLEEPY TIME GAL, music that feels like an embrace:

Aren’t you glad we did?  See you next Sunday, although you are free to nose around JAZZ LIVES in the interim.

May your happiness increase!

 

SUNDAY NIGHTS AT 326 SPRING STREET (Part Twenty-Five) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

In case you need help finding your metaphysical way to 326 Spring Street:

She’s ready.  Are you?

I’m thankful for the Ear Inn and the EarRegulars — a place and a group of delightful people (a shifting cast of characters, a jazz repertory company of the highest order) I first encountered in 2007 — I think I was there the second Sunday of their run.  So since this is a holiday weekend devoted to gratitude, and NOT to the purchase of big-screen televisions, I hope, let us make our regular Sunday-night cyberspace pilgrimage to 326 Spring Street. . . . to August 29, 2010, where the EarRegulars were Jon-Erik Kellso, trumpet; Matt Munisteri, guitar; John Allred, trombone; Jon Burr, string bass, and guests Harvey Tibbs, trombone; Dan Block, clarinet, as noted:

‘DEED I DO (the quartet plus Harvey):

BASIN STREET BLUES (as above):

JUMPIN’ AT THE WOODSIDE (as above):

MANDY, MAKE UP  YOUR MIND (Kellso, Allred, Munisteri, Burr):

NEW ORLEANS (the quartet, tenderly plunging):

THAT DA DA STRAIN (Harvey returns, and Dan Block sits in):

HOW COME YOU DO ME LIKE YOU DO? (tout l’ensemble):

HOW COME YOU DO ME LIKE YOU DO? (concluded):

See you next Sunday.  With gratitude and joy.

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Twenty-Two) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

I confess I’ve been a little distracted by the events of the past week, but I haven’t forgotten what we all do on Sundays.  Priorities.  So let me escort you, once again, to The Ear Inn, 326 Spring Street, for our weekly prayer meeting.

We return to the summer of 2010 — June 6, for two selections by Jon-Erik Kellso, trumpet; Dan Block, alto saxophone and clarinet; Jon Burr, string bass; Matt Munisteri, guitar.  The first one’s a full-tilt version of the Rodgers and Hart THIS CAN’T BE LOVE, where everyone navigates the turns magnificently:

And the EarRegulars were joined for their second set by a venerable jazz hero — Robert Sage Wilber, then 82, with his curved soprano saxophone — for CHINATOWN, MY CHINATOWN:

Join me next Sunday for more controlled explosions of joy.

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Nineteen) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

This is my antidote to the gnawing signs that winter, yes, winter, is coming — even though it’s over sixty degrees outside, the radiator is swinging out Blakey-fashion in my apartment and online sites are offering me forty-pound Thanksgiving turkeys for the crowd that exists in their imagination.

I plan to enjoy some time with the EarRegulars at The Ear Inn.  You come too.

Last week, I presented a lovely long set by Jon-Erik, Scott, Matt, and Neal (these names should be familiar to you by now) with guest Julian Lage.  If you missed this excursion, feel free to join in here.

Here are the closing selections from a long late-spring (May 30, 2010) session at 326 Spring Street, featuring in various combinations Danny Tobias, cornet; Chuck Wilson, alto sax; James Chirillo, guitar; Murray Wall, bass — and guests Dan Block, clarinet; Pat O’Leary, cello and bass; Tony Steele, bass. . . .although not everyone is present on every number.  I didn’t need to be reminded how much we all miss Chuck, who moved to another neighborhood two years ago.  Goddamnit.

(The selections performed earlier that night will appear next week in Part Twenty.  Have faith.)

BEALE STREET BLUES:

AIN’T MISBEHAVIN’:

AIN’T MISBEHAVIN’ (the conclusion, very brief, good to the last drop):

LOVE ME OR LEAVE ME:

LOVE ME OR LEAVE ME (the conclusion):

And a final romp on CHINA BOY by the original Quartet:

Until we meet again, ideally in person but perhaps here only for a time, may your Ears be full of good sounds.

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Eighteen) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

Won’t you come along with me?

Here is last week’s DOWNTOWN UPROAR, with its cast of glorious characters.  Or its “glorious cast of characters,” both being true.

JAZZ LIVES takes another Sunday-night trip to May 23, 2010, for a session with Jon-Erik Kellso, trumpet; Matt Munisteri, guitar; Neal Miner, bass; Scott Robinson, tenor sax and cornet, and guest Julian Lage, guitar. 

Please don’t make any remarks about my sister (someone completely lovable to whom I owe so much) but here’s OH, SISTER, AIN’T THAT HOT?

It’s getting dark earlier: join me ON THE SUNNY SIDE OF THE STREET:

IF DREAMS COME TRUE we know some of the shapes they will take:

and the DREAMS are so spacious they needed a second part:

The moody WABASH BLUES, plunged to perfection:

and its conclusion:

Here’s the first part of Lil Hardin’s STRUTTIN’ WITH SOME BARBECUE:

and its tasty conclusion (even though BARBECUE was an attractive person, not a meal):

How generous these musicians are — their gifts continue to reverberate.  Until the day we can meet in person, keep swinging wherever you are.

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Seventeen) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

Something you ought to Ear.

Wow.  It’s Sunday again.  How the days go by so quickly when it feels as if more than half of our former lives have been put in the freezer . . . a puzzlement, as the King said.  Here ‘s the record of last week’s pilgrimage to the Soho Shrine, The Ear Inn on 326 Spring Street.

And now, we spin the dial on the cyber-roulette wheel and take you back to May 16, 2010, when the EarRegulars were Jon-Erik Kellso, trumpet; Pete Martinez, clarinet; Matt Munisteri, guitar; Greg Cohen, string bass.

Let’s start with a pretty song, one that could be our national anthem these days, I BELIEVE IN MIRACLES:

Now, the fable of a remarkable Texan, I’M A DING DONG DADDY FROM DUMAS:

DING DONG DADDY (concluded):

I looked up Dumas, Texas, and it’s just under 1750 miles from New York, a straight shot of 26 hours in the car.  All things are possible for those who believe:

WILLIE THE WEEPER had a wonderful dream.  No words, but join him:

Care to Stomp?  Here’s MAHOGANY HALL STOMP, with Dan Block, tenor, sitting in, a performance that astonishes me ten years later:

For the final song of this offering, I’M CONFESSIN’, Dan sat out, and they were joined by Alex Norris, trumpet, from Vince Giordano’s Nighthawks:

Let us all believe in Miracles.  Honestly, we should.

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Sixteen) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

Brothers and Sisters, here‘s last week’s prayer meeting, in case any of you were otherwise occupied — at your country retreat or perhaps hiding behind the towels, praying for deliverance.  After fifteen weeks of this series, you wouldn’t need a map to find 326 Spring Street, New York City, but it’s pleasing to the eye:

I take you to the Ear Inn, where the EarRegulars play on Sunday nights — for one of those time-bending moments of THEN and NOW . . . in this case, May 9, 2010, “Mother’s Night,” where the inspired core quartet is Matt Munisteri, guitar; Jon-Erik Kellso, trumpet; Pat O’Leary, string bass, and Jim Masters, trombone.

For the cinematographers in the JAZZ LIVES audience, I point out that I had purchased a more light-sensitive camera, so we have emerged from the darkness, always a good thing.

From Mothers to Babies, in this case I FOUND A NEW BABY:

IT’S THE TALK OF THE TOWN, so pretty, always makes me think of Joe Thomas, who loved to play and sing it.  The EarRegulars catch the mood.  And the core quartet changes a bit: Chris Flory sits in for Matt, and Dan Block sings out on the alto saxophone:

The quintet stays for PLEASE DON’T TALK ABOUT ME WHEN I’M GONE:

The closing performance is LAZY RIVER, by Jon-Erik, Matt, Pat, and Jim:

As my friend, the Listening Woman (the title of a superb short story by Sylvia Townsend Warner) suggests, rapt attentiveness is the one true way, and it will help us get through the days and nights to come.

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Fifteen) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

Someone asked me last week, “Michael, aren’t you tired of that Ear Inn series?” and I answered, “Not at all.  I’m doing it to keep my spirits up,” and then I added, to be less self-absorbed, “Our spirits.  When we can all go downtown to 326 Spring Street and hear the EarRegulars on a Sunday night, then perhaps this retrospective can take a vacation.  But not until then.”

Here‘s last Sunday’s pilgrimage, in case you were otherwise occupied (and heaven knows there is enough to occupy us).

Herewith and henceforth, some musical souvenirs of the fun that was created on May 2, 2010, by Jon-Erik Kellso, trumpet; Andy Farber, tenor saxophone; Matt Munisteri, guitar; Danton Boller, string bass.  It’s a smaller than usual bill of fare, but by this time I had purchased a camera that was less afraid of the dark, so you will see more.

THE MAN I LOVE, scored for trio: Messrs. Farber, Munisteri, and Boller:

Halt, miscreant!  SOMEBODY STOLE MY GAL:

Variations on W.C. Handy, rechristened by me BEER STREET BLUES in honor of Jon-Erik’s mute:

and the concluding strains of BEER STREET BLUES:

Thank you, kind creative gentlemen.  I look forward to the night when what is now virtual becomes tangible.  Line up for hugs.

May your happiness increase!

 

 

SUNDAY NIGHTS AT 326 SPRING STREET (Part Fourteen) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

Are you ready to join me on our Sunday pilgrimage to the Shrine of Sounds, where the EarRegulars and friends gambol and inspire?  I hope so.

Let us begin with music from the second set at The Ear Inn, 326 Spring Street, on Sunday, April 25, 2010: Ben Webster’s line on IN A MELLOTONE, which was based on ROSE ROOM — Jon-Erik Kellso, trumpet; Harry Allen, tenor saxophone; Matt Munisteri, guitar; Neal Miner, string bass — asking the musical question, DID YOU CALL HER TODAY?

and the second part, the length of a 10″ 78 rpm record:

Then, another hint of Ellingtonia — Johnny Hodges’ line on I GOT RHYTHM, called THE JEEP IS JUMPIN’ — which adds Danny Tobias, trumpet, and Andy Farber, tenor saxophone to the mix . . . for ten minutes:

because it would be cruel to leave out the final forty-five seconds, here they are:

Mr. Tobias calls his favorite tune, THIS CAN’T BE LOVE, where he’s joined by Andy Farber, Harry Allen, Matt Munisteri, and Jim Whitney, string bass:

A new constellation of brilliant friends plays COMES LOVE: Jon-Erik Kellso, Danny Tobias, Harry Allen, Andy Farber, Chris Flory, guitar, and Jim Whitney:

and we know LOVE takes its own time to . . . . arrive:

Finally, the song that always amuses me by its paradoxical nature when it’s the last tune of the night, LINGER AWHILE, a gift from Messrs. Kellso, Tobias, Allen, Farber, Flory, and Miner:

Joy.  And while we contemplate the joys of a decade ago, let us keep our eyes comfortably fixed on a future not yet realized, but one we hope for.

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Thirteen) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

Once again, it’s time for the joyous pilgrimage — virtual, for the moment — to the Shrine, The Ear Inn, 326 Spring Street, to have the EarRegulars raise our spirits. I’ve posted a dozen small celebrations so far, which you can immerse yourself in here.

And we’re back — at least in the world of video-performance of joy.  Here’s the wonderful evidence from April 25, 2010, with Jon-Erik Kellso, trumpet; Harry Allen, tenor saxophone; Matt Munisteri, guitar; Neal Miner, string bass.  The opening song from a splendid session was a Chicago jazz classic with roots in Oliver and Bix, performed as a Basie stroll.  I speak of ROYAL GARDEN BLUES: 

“You’ll miss me, honey!”  “When?” “Oh, SOME OF THESE DAYS”:

A tender I CAN’T BELIEVE THAT YOU’RE IN LOVE WITH ME:

Historical London, perhaps a century ago — LIMEHOUSE BLUES:

Harry’s chosen feature, SEPTEMBER SONG:

and a little caffeine, not needed with this quartet, TEA FOR TWO:

I will have the second-set jam session to share with you next week, barring natural disasters and emotional crises.  But let us keep looking forward with hope to the return of the real thing, at the intersection of Hugging and Restorative Sounds.  I know I can loosen my stiff legs and relearn the way to 326 Spring Street, and you can also.  (Your legs are your own business.)

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Twelve) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

Pandemic-time moves so slowly and so rapidly at once.  Here we are.  September looms.  It’s Sunday again.  And you know where we spend our Sunday nights, whether in actuality or virtually: 326 Spring Street, New York City.  This is the twelfth post in my series, and for those of you who have missed a few, here is a link to the eleven sessions that have gone before.  Make yourself to home.

Let me guide you gently back to a wonderful night, April 18, 2010.

Hello, Benny!  AVALON, with Jon-Erik Kellso, trumpet; Matt Munisteri,  electric guitar; Julian Lage, acoustic guitar; Harvey Tibbs, trombone; Jon Burr,  bass:

How about ONE HOUR, even compressed, of joy?  (Ask Einstein’s grandma.)  Cornetist Marc Caparone joins the band.  Somewhere, Ruby Braff smiles:

Marc is in charge of WHISPERING, with Harvey Tibbs, Dan Block, clarinet,  Matt Munisteri, Jon Burr, Julian Lage:

PERDIDO, to start –Jon-Erik, with Marc Caparone, Harvey Tibbs, Dan Block, Andy Farber, tenor saxophone; Julian Lage, Matt Munisteri, Jon Burr:

PERDIDO (concluded) .

THREE LITTLE WORDS (you can make up your own) with Jon-Erik, Marc, Harvey, Dan, Nick Hempton, alto saxophone; Andy, Matt, Julian, and Jon:

THREE LITTLE WORDS, concluded:

 

This wonderful long session — these videos capture the entire second set — is offered in the New York bagel spirit.  The Ear Inn doesn’t serve bagels, but in most bagel shops, when you order twelve, there’s “a baker’s dozen,” an extra.

For those of you who wrote in to inquire about her health, Ms. Jazz Lives Ear Inn is back, her tennis elbow and carpal tunnel quieted down by time off and some physical therapy.

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Eleven) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

When we last left our Intrepid Creators of Joy, the EarRegulars, it was Easter Sunday 2010 — centuries ago! — and they were making music: evidence here.  That link, not accidentally, will open the cyber-cat-door to the previous ten postings.  Knock yourself out, as we say.

Moving forward — or backwards? through April 2010 — hard to say, but here we are, in hope and swing, beginning with Jon-Erik Kellso, trumpet; Matt Munisteri, guitar; Harvey Tibbs, trombone; Jon Burr, string bass:

SOLITUDE:

ODJB ONE-STEP:

DALLAS BLUES:

CRAZY RHYTHM (Matt Munisteri, Harry Allen, tenor saxophone; John Allred, trombone; Pat O’Leary, string bass):

With hopes that the next time we see each other, there will be no lit screens, just people, friendship, free breathing, and music.  Until that day . . .

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Ten) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

Ear ye!  Ear ye! 

You’ll notice that this photograph depicts a different young woman, listening intently.  My first model enjoyed the music but complained that her elbow was sore because of keeping that pose for nine weeks and she had to see her acupuncturist.  But she’s covered by the JAZZ LIVES health insurance plan, and she’ll be back soon.

And here is the doorway through which you can immerse yourself in the previous nine postings.

History: The Ear Inn in 1940, thanks to Kathy Barbieri:

Back to NOW, or the reachable past.

Being at The Ear Inn on a Sunday night is a kind of national holiday, although the calendar-makers haven’t gotten the idea yet.  But once in many Sundays it coincides with another holiday — in April 2010, it was also Easter Sunday, and the gallant celebrants took notice of this, musically.  They are Matt Munisteri, guitar; Pete Martinez, clarinet; Charlie Caranicas, trumpet; Pat O’Leary, string bass; Andy Farber, tenor saxophone, joins in for the closing number.  You’ll notice an affectionate bunny-and-[Irving] Berlin concentration of joyous energies.

I’M PUTTING ALL MY EGGS IN ONE BASKET:

EASTER PARADE, of course:

RUSSIAN LULLABY, also for Mr. Baline:

Matt invited Ellington’s little bunny to stop in for a salad:

See you next Sunday!  And someday I hope to say those words with “at 326 Spring Street” attached.

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Nine) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

Are you listening?

Before we inch forward, here is the doorway to the previous eight posts of Sunday-evening joy and solace at 326 Spring Street.

Return with us to the thrilling nights of yore, which will come again.

Because I feel that everyone is in the late-summer doldrums, I’ve ladled out a double helping from the glorious session of March 21, 2010.  Here, the EarRegulars are Jon-Erik Kellso, trumpet; Matt Munisteri, guitar; Scott Robinson, bass sax; Pete Martinez, clarinet, and guest Julian Lage, guitar.

CHINA BOY:

and a stunning I GUESS I’LL HAVE TO CHANGE MY PLAN — Julian sat back and admired the proceedings:

“No place is grander, I do declare.” Yes, 326 Spring Street but also LOUISIANA:

I hear a CREOLE LOVE CALL:

That NAUGHTY SWEETIE certainly gets around:

Scott leads off, so sweetly, for AT SUNDOWN:

And here’s something that touches my heart — not only the wondrous Pete Martinez making his way so beautifully, but also Scott playing both piccolo and bass sax; and guests John Bucher, cornet; Dave Gross, guitar.  It touches me so to hear John quote COLUMBIA, THE GEM OF THE OCEAN.  And the chosen text is I NEVER KNEW:

WHISPERING, with the same house band and guests:

And a very nostalgic IT’S THE TALK OF THE TOWN:

Every Sunday night at The Ear Inn was typical — people who knew, knew what to expect — but “typical” was also remarkable.  Utter the right invocations to the Goddess of Heartfelt Lyrical Swing and they will have a salutary effect.  See you there when the clouds clear.

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Eight) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

Let’s start our journey to The Ear Inn earlier today.  It’s restorative, you know.  If you’re late to the party, here’s a link to the previous seven Sunday pilgrimages.

Ready?

From March 14, 2010, a session featuring Pete Martinez, clarinet; Harvey Tibbs, trombone; Matt Munisteri, guitar; Neal Miner, string bass, considering I COVER THE WATERFRONT (appropriate because it was a rainy night and the Ear is not all that far from the river);

and a musical assent in ‘DEED I DO:

Finding delight in JAZZ ME BLUES:

Virtual now, for real someday . . . join me in either realm.

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Seven) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

For those even slightly late to the gig, here’s the roadmap: this is the seventh Sunday I have been celebrating those high points of civiliation, the Sunday-night sessions at The Ear Inn, 326 Spring Street, New York City — the spiritual uplift provided by The EarRegulars.  We’ll wait while you catch up here.

Now, some more fine sounds from January 30, 2010, when the EarRegulars were Jon-Erik Kellso, trumpet; Dan Block, reeds; Matt Munisteri, guitar; Pat O’Leary, string bass / cello.  Here’s I GOTTA RIGHT TO SING THE BLUES:

CHINATOWN: Kellso, Munisteri, Block, O’Leary, with guest Frank Perowsky, clarinet:

I FOUND A NEW BABY (in two parts, thanks to 2010 technology) Kellso, Munisteri, Block, O’Leary — with guests Frank Perowsky and Anat Cohen, clarinet; Andy Farber, alto saxophone; Conal Fowkes, string bass:

I FOUND A NEW BABY, concluded:

RED TOP, Kellso, Munisteri, Block, O’Leary, Perowsky, Cohen, Farber, Fowkes:

RED TOP, concluded:

Until we meet again at the Sacred Grounds.  To hear Sacred Sounds, of course.

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Six) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

Here you can find five posts devoted to the truth that beauty never gets dusty.  And just below you can find the newest-historical-unaging samples from my (and perhaps your) Sunday-night worship services at 326 Spring Street, Soho, New York City.

From December 6, 2009, naughtiness from Jon-Erik Kellso, trumpet; Harvey Tibbs, trombone; Matt Munisteri, guitar; Nicki Parrott, string bass:

Also from that night, a deep-blue version of Benny Carter’s BLUES IN MY HEART:

And, from November 29, 2009, with Danny Tobias, sitting in for Jon-Erik Kellso, along with Dan Block, reeds; Chris Flory, guitar; Jon Burr, string bass, saying hello to Dick and Larry:

And some spiritually-enhanced jam from that session of November 29, 2009: Jon-Erik Kellso, Gordon Au, trumpet; Dan Block, Attilio Troiano, reeds; Chris Flory, guitar; Jon Burr, string bass:

Appropriately, something for Lil and Louis: Jon-Erik Kellso, Danny Tobias, Gordon Au, Dan Block, Attilio Troiano, Chris Flory, Jon Burr:

Imagine the experience we will all have when — to quote Jabbo Smith — “times get better.”  Balance between unrealistic optimism and depthless gloom; wear your mask; keep the mental-spiritual jukebox going.  We’ll get there.

And keep listening!

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Five) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

A shrine of a most unusual kind.

When we last left our intrepid friends, they were busily sending joy into the atmosphere.  The evidence is here.  It’s Sunday again, time to visit 326 Spring Street, even if the visit has to be navigated through the lit screens of the world. Writing that makes me sad, but I am trying my best to think of these days and nights as a fermata rather than the end of the composition.  So join me in hope.

Here is hopeful music from the EarRegulars’ session of November 22, 2009: the alchemists of Spring Street are Jon-Erik Kellso, trumpet; Scott Robinson, reeds; Matt Munisteri, guitar; Pat O’Leary, string bass.  As I pointed out in a previous post, in those bygone days, YouTube would not allow a video of more than ten minutes at the video quality (1080) I was using.  So there are longer performances split in two.  We work with what we have.

A swinging act of contrition:

My feeling about the whole EarRegulars’ enterprise:

What day is it today, boys and girls?

And the second part:

Hope springs eternal, and so do hopeful sounds.

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Four) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

It’s Sunday again — and that means it’s time to go to The Ear Inn.  This will explain it all.

I know, perhaps better than you’d think, the difference between a live performance and a video, but I’d ask you to not scoff at the latter, because it is our century’s version of a phonograph record . . . and since I would guess that few people alive in 2020 heard Charlie Christian, we’ve contented ourselves with his “recorded legacy.”

Here’s my humble contribution to keeping The Ear Inn and The EarRegulars fresh and lively in our ears and hearts.

Thanks to the magic of technology, we can go there (or back or sideways) to hear music from November 8, 2009, featuring Jon-Erik Kellso, trumpet; Matt Munisteri, guitar; Harry Allen, tenor saxophone; Neal Miner, string bass, unaffected Ministers of Magic.

Victor Herbert’s INDIAN SUMMER:

With nods to Whiteman and Horace Henderson, HAPPY FEET:

and Louis’s swinging anthem of reproach, SOMEDAY YOU’LL BE SORRY:

Blessings on the place, its inhabitants musical and non-musical.  Let us gather there soon in peace and safety, our hearts purged of fear.

May your happiness increase!