Tag Archives: Matty Matlock and his Dixie-Men

MEET ME IN AISLE SIX (1957)

The multi-talented Chris Smith has a YouTube channel, as I may have mentioned, that will reward your attention — he’s been uploading out-of-print music by Jim Dapogny, all wonderful, and other treasures.  This morning, a “supermarket record,” an lp sold near the cash register in A&P or Bohack’s, perhaps for 69¢.  The labels were often not terribly honest: Spin-o-Rama, Craftsman, Tops — but you could find RCA Camden there, and there were sessions created specifically for this market, wordplay intentional:

This recording is called DIXIELAND (a musical product as clearly labeled as Ajax or Comet) by “Matty Matlock and his Dixie-Men,” for those who didn’t know of Matty — clarinetist and arranger for twenty years and more before 1957. I know some readers will bristle my open use of the D-word, but the shoppers in Waldbaum’s fifty years ago weren’t as enlightened.  Forgive them, Brother Matthew, for they knew not what they did: they just wanted some good music.

Speaking of good music, how’s this?

Although TISHOMINGO BLUES is First World War vintage, the band has an easy sophisticated glide.  These were musicians who took an afternoon off from studio work — reading Matty’s minimal, shapely charts on familiar songs.  But there’s no cliche, no fake-Roaring Twenties clatter: the band is more Forties-Basie (whisper it!) than Bailey’s Lucky Seven.  Dick Cathcart, trumpet; Abe Lincoln, trombone; Matty Matlock, clarinet; Eddie Miller, tenor saxophone; Stan Wrightsman, piano; Al Hendrickson, guitar; Phil Stephens, string bass; Nick Fatool, drums.  No striped vests, plastic boaters, club-date amateurishness.

Here’s the whole playlist — a wonderful aubade for those so inclined:

Let’s go shopping to this elegantly rousing soundtrack.  Piggly Wiggly has chuck roast at 59¢ / lb.  Don’t be late: we’ll have to ask the manager, Carmine, for a raincheck, and a raincheck won’t feed the four of us.

May your happiness increase!