Tag Archives: Merrilee Trost

IN THE GARDEN OF SWING: MIKE LIPSKIN, DICK HYMAN, PAUL MEHLING at FILOLI (August 10, 2014)

Take a contemporary evocation of Eden, add some inspired jazz in front of an enthusiastic, attentive audience . . . and you have the 2014 Stride Summit at Jazz at Filoli, featuring Mike Lipskin and Dick Hyman, guitarist Paul Mehling, and a few other like-minded friends.  Here are a few more highlights from that wonderful afternoon, where the swinging music honors the present artists’ originality while casting affectionate glances back to Fats Waller, Art Tatum, Al Casey, and Django Reinhardt.

HANDFUL OF KEYS (Mike and Dick):

COULD IT BE YOU’RE FALLING IN LOVE? (Mike and Paul):

CARAVAN (Dick):

WILLOW WEEP FOR ME (Dick):

JUST YOU, JUST ME (Mike and Dick):

AFRICAN RIPPLES (Mike):

Thanks to the inspired gentlemen of the ensemble for such glowing pastoral music, and special thanks to Merrilee Trost for making Jazz at Filoli a happy, memorable gathering year after year.

May your happiness increase! 

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PASTORAL ELEGANCE: CHRIS DAWSON at FILOLI (August 8, 2014)

Last August, I was privileged to watch another of Mike Lipskin’s Stride Summits, this one at the gorgeously pastoral Filoli in California, part of their jazz series.

Here are four performances from that afternoon, featuring the remarkable Chris Dawson.  (I will be sharing other performances by Mike and by Dick Hyman — now 87 — in future postings.)

Honoring Teddy Wilson, Chris offers a lightly orchestral style — always mobile, always swinging, but with an elegant classical restraint balanced against an essential gaiety. The music is dense but appears crystalline.  The astute listener will also hear he is not bound by older harmonic conventions (as in the coda Chris creates for IT HAD TO BE YOU).  I hear subtle hints of Waller, Hines, Tatum, Nat Cole — but the sound Chris gets from a piano is singular and recognizable.  And the result is floating melodies in a wonderful pastoral setting.

IF I HAD YOU:

Another sweet Twenties classic, IT HAD TO BE YOU:

A taste of SUGAR:

Visit here to learn more about Chris.  Thanks to Merrilee Trost for making Jazz at Filoli a continuing pleasure — memorable music in the most welcoming surroundings. More videos to come.

May your happiness increase!

SWING IN PARADISE (The First Set): ROSSANO SPORTIELLO, STEPHANIE TRICK, NICKI PARROTT, HAL SMITH at FILOLI (July 29, 2012)

The nymphs and shepherds of pastoral verse, playing their pipes, weaving garlands of flowers, are hard to find.  But there’s one place where a beautiful setting and uplifting jazz improvisations come together — the remarkable gardens and estate at Filoli in Woodside, California.  On July 29, 2012, these four players showed everyone how it’s done — Rossano and Stephanie, striding or musing, at the pianos, Nicki singing and playing the string bass; Hal swinging out at the drums.

Here’s the first set:

I’LL SEE YOU IN MY DREAMS:

I’M GONNA SIT RIGHT DOWN AND WRITE MYSELF A LETTER:

I NEVER KNEW:

Stephanie offered James P. Johnson’s lovely, ruminative SNOWY MORNING BLUES:

Then, in the name of efficient public transit, she gave us her version of Donald Lambert’s improvisation on Judy Garland’s THE TROLLEY SONG:

Stephanie knows how to get a crowd moving (the sheep would have been bleating on 2 and 4) and she did it again with BOOGIE WOOGIE STOMP:

Nicki made people loosen their collars and ask for ice water with FEVER:

And she followed up with an insinuating BESAME MUCHO:

Rossano, who moves so easily between his musical worlds, offered a Scarlatti sonata before the foursome dug into RUNNIN’ WILD:

And, yes, shepherds and nymphs of the twenty-first century, there is a second set.  But for now, revel in this one.

May your happiness increase.