Tag Archives: Mike Durham Classic Jazz Party

“I’D LOVE YOU STRONG”: ENRICO TOMASSO PLAYS LOUIS (Mike Durham Classic Jazz Party, November 5, 2016)

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Today is the day after Valentine’s Day, but we know that romance does not stop when February 14 ends.  Call it what you will, the light of love or the light of Louis or both, but they shine through Enrico Tomasso.  Here, Rico plays and sings his own version of Louis’ 1930 classic at the Mike Durham Classic Jazz Party (on November 5, 2016) accompanied by Keith Nichols, Andy Schumm, Alistair Allan, Claus Jacobi, Jean-Francois Bonnel, Richard Exall, Emma Fisk, Martin Wheatley, Phil Rutherford, Nick Ball.

I suppose it took and takes a particularly sensitized listener to understand the depths of Louis’ romantic passion, playing or singing.  Even Mezz Mezzrow, Louis’ great champion, said in his autobiography that the jukebox owners in Harlem had their machines full of Louis’ records, but that they had to have a few others because not everyone heard Louis so deeply.  But Rico does, and conveys that enthusiastic passionate energy, both singing and playing.  The only thing missing here is Vic Dickenson’s visual joke — holding up TWO fingers while singing about “one hour tonight.”  Sixty minutes is just too brief an interval to love someone effectively.

As is often the case, many thanks to Eric Devine for invaluable technical expertise — Eric is “CineDevine,” an expert videographer and a good fellow.

May your happiness increase!

JELLY ROLL MARTIN: LITTON PLAYS MORTON at the MIKE DURHAM CLASSIC JAZZ PARTY (November 4, 2016)

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I don’t think there’s such a thing as too much Morton, especially when it’s played as expertly as this — and from some unusual corners of the canon.  Here are Duke Heitger, trumpet; Graham Hughes, trombone, Jean-Francois Bonnel, Robert Fowler, reeds; Martin Litton, piano, transcriptions, arrangements; Martin Wheatley, banjo, guitar; Malcolm Sked, bass; Nick Ball, drums, at the Mike Durham Classic Jazz Party on November 4, 2016. “Sweet, soft, plenty rhythm” is at the foundation — these performances never rush or shout — but there is a good deal of rollicking energy here.  No doubt.

TRY ME OUT:

DEEP CREEK:

GAMBLING JACK:

ELITE SYNCOPATIONS:

May your happiness increase!

FROLICSOME, THEN TOUCHING: MENNO DAAMS AND FRIENDS HONOR HOAGY CARMICHAEL (RICHARD EXALL, DAVID BOEDDINGHAUS, MARTIN WHEATLEY, GRAHAM HUGHES, JOSH DUFFEE) at the MIKE DURHAM CLASSIC JAZZ PARTY, November 6, 2016

menno-daams

Menno Daams is one of the great trumpet players (arrangers, composers, bandleaders) of our era, but, better yet, he is a sensitive imaginer, someone who understands intuitively how to make even the most familiar standards glisten.

He does it here in his brief but very fulfilling tribute to Hoagy Carmichael at the 2016 Mike Durham Classic Jazz Party, with the help of five kindred spirits who get the feeling and never lose it: Josh Duffee, drums; Graham Hughes, string bass; Martin Wheatley, guitar; Richard Exall, tenor saxophone; David Boeddinghaus, piano.  (And — consciously or unconsciously, perhaps because one thinks of Louis and Hoagy in the same moment — there are two lovely delicate slow-motion homages to Louis as well.  You’ll hear them.)

For RIVERBOAT SHUFFLE, rather than go all the way back to Bix — with the Wolverines or with Trumbauer — Menno and band take what I would call a 1936 Fifty-Second Street approach to this song, with echoes of Berigan or Hackett, Forrest Crawford or Joe Marsala, Teddy Wilson or Joe Sullivan, Carmen Mastren, Sid Weiss, and Stan King — light-hearted yet potent):

A thoughtful, gentle exploration of LAZY RIVER:

Then, something gossamer yet imperishable, a medley of SKYLARK / STAR DUST that begins as a cornet-guitar duet, and then becomes a trio. But allow yourself to muse over David’s incredibly deep solo exposition:

And because we need a change from those subtle telling emotions, Menno offers an audio-visual comedy, then THANKSGIVING, featuring a rocking and rocketing solo by Josh.  Appropriate, because I was thankful then and continue to be now:

Menno’s website is here; his Facebook page here.

Speaking of thanks, I owe some to the generous and expert Cine Devine, Rescuer Par Excellence and creator of fine jazz videos.

May your happiness increase!

HAIL, ENRICO!

No disrespect to the other musicians, but my focus is on the name at top left: ENRICO TOMASSO: majestic, determined, hilarious, tender, indefatigable, joyous.

2016-rico

And here’s The Man Himself, in two performances from the November 2016 Mike Durham Classic Jazz Party, one hot, the other sweet and hot.

EVERYBODY LOVES MY BABY:

From November 4, 2016, a tribute to Mike Durham, the much-missed founder of what is now the Mike Durham Classic Jazz Party, the venerable EVERYBODY LOVES MY BABY, performed by Rico with Keith Nichols, piano / vocal; Spats Langham, banjo / vocal; Phil Rutherford, sousaphone; Richard Pite, drums; Thomas Winteler, soprano saxophone; Alistair Allan, trombone. And here is Rico’s SWEET GEORGIA BROWN from the same set.

And a day later, Enrico honoring Louis, singing and playing IF I COULD BE WITH YOU ONE HOUR TONIGHT:

Here, Rico is accompanied by Keith Nichols, Andy Schumm, Alistair Allan, Claus Jacobi, Jean-Francois Bonnel, Richard Exall, Emma Fisk, Martin Wheatley, Phil Rutherford, Nick Ball.  And for those hoboes who missed the train, here is Rico’s SHINE from the same set.

Mr. Tomasso is our hero.

This post would not have been possible without Eric Devine’s generous technical expertise.  (Eric is “Cine Devine” on Facebook and a world-class videographer.)

May your happiness increase!

LOUIS SHINES THROUGH HIM: THE GLORY OF ENRICO TOMASSO at the MIKE DURHAM CLASSIC JAZZ PARTY (November 5, 2016)

When I first met the trumpeter / vocalist Enrico Tomasso at the Mike Durham Classic Jazz Party a few years ago, I was stunned by the warmth and energy of the man and the beauty of his music.  I rather timidly came up to him in the pub and introduced myself, received a big grin, and said, “The light of Louis shines right through you,” which pleased him.  Rico proved that once again at the 2016 Party.

But first, a bit of history: Rico, at seven, having played trumpet for Louis at the Leeds airport in 1968.  Note Louis’s inscription: THE KISS OF JOY.

rico-and-louis-kiss-of-joy

The sounds of joy were in the air at the Party on Saturday, November 5, 2016, when Rico performed several Louis features from 1930 . . . miraculously, in front of us, with fine support from Keith Nichols, Andy Schumm, Alistair Allan, Claus Jacobi, Jean-Francois Bonnel, Richard Exall, Emma Fisk, Martin Wheatley, Phil Rutherford, Nick Ball.

Extraordinary, no?  And it’s not simply the virtuosity.  Rico sends a glowing message of loving exuberance to everyone.

And should you fall into the trap of reflexively assuming that any song called SHINE must be racist, please visit this 2012 shine-reconsidered and learn the truth.

Many thanks to Eric Devine (“CineDevine”) for kind and invaluable technical expertise.

May your happiness increase!

“THE DUKE STEPS OUT”: DUKE HEITGER, ALISTAIR ALLAN, LARS FRANK, DAVID BOEDDINGHAUS, HENRY LEMAIRE, MALCOLM SKED, JOSH DUFFEE at the MIKE DURHAM CLASSIC JAZZ PARTY (November 6, 2016)

odjb-label

If we believed in the narratives forced on us by advertisers, we would know that NEW is best, NEW AND IMPROVED better still, and anything OLD is to be discarded.  I present joyous evidence to the contrary.  Here’s a tune all the musicians like to jam.  And even though it is nearly a hundred years old, no one worries about having to dust it.

This performance was created on November 6, 2016, at the Mike Durham Classic Jazz Party in Newcastle upon Tyne, England.  The band was originally called DUKE HEITGER’S RHYTHMAGICIANS, a name Duke politely disavowed, but I hope he doesn’t mind my retitling this group his JOYMAKERS, because that is truth in advertising.  This performance speeds my heart rate in the most healthy ways.

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The Romping Masters here are Duke Heitger, trumpet; Alistair Allan, trombone; Lars Frank, reeds; David Boeddinghaus, piano; Henry Lemaire, banjo; Malcolm Sked, string bass; Josh Duffee, drums.  Please notice Duke’s little Louis-flourish at 3:20 onwards and the immense wisdom of his putting an ensemble chorus at 4:38, in the middle of the performance, to keep it rollin’.  Also, riffs, backgrounds. a drum solo with stop-time accents. These fellows are my heroes and I hope yours too.

Once you’ve caught your breath, you may read on.

For the past eight years, I’ve attended the Mike Durham Classic Jazz Party with great pleasure, and I’ve come home with a basketful of videos, which the musicians allowed me to disperse for free.  This was generous of them, and it took a good deal of labor for me to create and distribute them.

This year, a variety of difficulties — technical and logistical — got in the way of my being an unpaid Jazz Cornucopia.  There will be videos, but perhaps two dozen rather than four times that.  I wish it were otherwise, but not everything is within my control.

I write this in sadness, but also with a point.

Several jazz fans, who I am convinced are good people who love the music as I do, came to me during the weekend and were unhappy with my news: “This is not good for us!” said one to me in the hallway.

I am sorry to have let the imagined Team down, but I am not a natural resource like the sun, and I cannot reproduce an entire event for public consumption, nor do I want to.  Let these words be a reminder that not everything is for free, nor can it be, and let these sentences act as encouragement for people to slowly and carefully — those who can! — get out of their chairs in front of their computers and GO SOMEWHERE in front of the actual musicians rather than expecting it all to be given to us.

I hope this doesn’t sound excessively rancorous, but it is the truth, at least what the man behind the camera perceives it to be.  And I plan to be very selective about posting comments, pro and con, on this point.  (To paraphrase Lesley Gore, “It’s MY blog and I’ll post if I want to.”)  Exultant praise of Duke and his band is, as always, welcome.

And to mute any bad feelings, or to attempt to, here are Duke and his Joymakers again.  I could watch and listen to this a dozen times and not stop marveling:

Thanks to CineDevine for rescuing me so graciously from some of the technical problems: without him, this video would not be shared with JAZZ LIVES.

May your happiness increase!

NOT A HUNDRED YEARS FROM TODAY, BUT A MONTH: NOVEMBER 3-6, 2016

mike-durham-classic-jazz-party

Some of the faces will be different, but that scene is where I will be in less than a month — at the Mike Durham Classic Jazz Party in Newcastle, England. More details here.

Rather than launch some well-deserved paragraphs about how wonderful it is and how you should go if you can, I thought I’d let some videos from last year do the talking, and singing, and playing.

Spats Langham at the imaginary cinema of romance:

Richard Pite’s Gramercy Five:

Menno loves Spike, and Gabriel returns the compliment:

Thomas Winteler and Matthias Seuffert play the Fatha’s blues — but wait! — has young Master Ball made off with the spoons?

Keith’s heartbreaking entreaty:

 

The Sentimental Miss Day:

Rico’s Bar-B-Que:

Torstein Kubban and Frans Sjostrom in the Victory Pub:

Now you see why I am going?  I hope to see some JAZZ LIVES friends there as well.

May your happiness increase!