Souvenirs of a brilliant weekend, even though many of us did not make it to the Village Hotel, Newcastle, for this Party, held annually in November, bringing together wonderful European, British, and American musicians. Three v.hot selections from the last jam session of the Party, captured for us by Chris Jonsson, the nattily dressed fellow next to Anne-Christine Persson in the photo. I know them as “Chris and Chris” on YouTube, they are neatly CANDCJ:
Here’s CHRIS and CHRIS
I’M GONNA STOMP MISTER HENRY LEE (I prefer the version without the comma, but grammarians who wish to explicate this title may email me):
Andy Schumm, clarinet; David Boeddinghaus, piano; Dave Bock, tuba; Josh Duffee, drums; Torstein Kubban, trumpet; Graham Hughes, trombone; Matthias Seuffert, clarinet; Stephane Gillot, alto saxophone; Jacob Ullberger, banjo.
Colin Hancock, cornet, and Henry Lemaire, string bass, come in for Gillot and Bock, and Graham Hughes sings MAMA’S GONE, GOOD-BYE (splendidly!):
and, finally, MILENBERG JOYS, with Boeddinghaus, Hancock, Kubban, Duffee, Ullberger, Lemaire, Lars Frank, clarinet . . . and if I am not mistaken, Torstein essays his own version of Louis’ Hot Chorus here, magnificently:
I would have expected more violent approval, but it was after 2 AM.
A word about my title. What, you might ask, is “v. hot“? It’s an inside joke for those of us — including percussion wizard Nicholas D. Ball, who have visited the Village Hotel in Newcastle with any regularity: a meant-to-be-terribly-cute advertising gimmick:
and a different view:
When I was there last in 2016, the elevator (sorry, the lift) had inside it a glossy photo of a larger-than-life young woman and the words “v. snuggly” or some such. We joked about this, and wondered if the toilets in each room were labeled “v. flushy” or the pizza “v. costly.” And so on. But nothing can take away from the jam session, which was indeed “v.hot.” Bless the musicians and both Chrisses (Christer and Anne-Christine) too.
May your happiness increase!