Tag Archives: Mike Pittsley

GOIN’ TO SAN DIEGO (The San Diego Jazz Fest, November 23-27, 2016)

california-here-i-come-eddie

Why, you ask?  Why would a reasonably stable person spend most of a day traveling across the country on Thursday and then do the same on Sunday night? The answer is the 37th San Diego Jazz Fest, which runs from November 23 through the 27th.  Many of my friends — musical, personal, and both! — will be there.  (Facebook page here).

Here’s a sample of what happened in November 2015:

and in 2014:

a day earlier in 2014:

and in 2013:

Optimism in 2012:

and a feature for the rhythm section in 2012.

Tim and Connie won’t be there this year — Connie has retired from playing, alas — but these videos sum up what I find most endearing about the Fest.  There’s nothing like it.  And it’s worth sitting in seat 7C, coming and going.  I assure you. And here is the schedule: if you can’t find something / someone to listen to, you might not be trying at all.

And, as a joyous bit of laginappe, here is a Frolick from Dixieland Monterey 2011 (John Reynolds, ever polite, calls this song, CALIFORNIA, HERE I BREATHE HEAVILY):

Dixieland Monterey is no more.  You — yes, you — are essential to keeping these mammoth enterprises afloat.  But you know that.

May your happiness increase!

 

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“IT’S A WONDERFUL WORLD” AT THE SAN DIEGO JAZZ FEST: TIM LAUGHLIN, CONNIE JONES, MIKE PITTSLEY, CHRIS DAWSON, KATIE CAVERA, MARTY EGGERS, HAL SMITH

You don’t have to write Odes to Nightingales to be lyrically poetic. In this century, we have Tim Laughlin, clarinet; Connie Jones, cornet and vocal; Mike Pittsley, trombone; Chris Dawson, piano; Marty Eggers, string bass; Katie Cavera, rhythm guitar; Hal Smith, drums, to prove this.

The song on which they wax poetic is IT’S A WONDERFUL WORLD, performed at the 2012 San Diego Jazz Fest:

(Connie — a great unheralded singer — embodies a special optimism. Bless him and his colleagues.)

While you are basking in the good sounds and good feeling, think of this: Tim and Connie, with their New Orleans All Stars — Doug Finke, trombone; Chris, Marty, Katie, and Hal — will be playing more than a few sets at this year’s San Diego Jazz Fest, November 26-30.

And they are certainly not the only band: click here.

If you can live joyously, it’s always a wonderful world.

May your happiness increase!

LOOK OUT! STEAMBOAT COMIN’ ROUND THE BEND!

It is May. Yet I am making plans for November 14-16, 2014. That’s the kind of fellow I am, even if it goes against all the good advice about living in the moment.

I learned from Duke Heitger at last weekend’s jubilant Atlanta Jazz Party that the 2014 Steamboat Stomp — a three-day floating jazz festival held on the steamboat Natchez, floating up and down the Mississippi from New Orleans, is going to happen.

890_stomp2014

It was a glorious weekend in 2013.

steamboatnatchez-paddle

And Duke has some of the same people lined up — the Yerba Buena Stompers, Banu Gibson, and Topsy Chapman — with hints of other heroes and heroines to come.

Of course, much of my pleasure was in the glorious music. But some of it was deeper and harder to explicate. Maybe it was looking out at the Mississippi River flowing by after all those years of reading and teaching HUCKLEBERRY FINN. Maybe it was being on an actual steamboat listening to jazz — the way one might have heard it in 1921 when Fate Marable’s band swung out. Maybe it was getting to walk down the streets of New Orleans — those fabled streets — and try different varieties of gumbo. I can’t tell you exactly what parts of the experience made the strongest impact. But I will be there! And I hope some of my friends can join me.

Here’s some musical evidence of the New Orleans Joys available to people at the Stomp. I do not overstate, you will see.

Before:

Palm Court Cafe, Part One

Palm Court Cafe, Part Two

Oh, Sheik That Thing!

The Steamboat Stomp itself:

Ms. Gibson’s Singular Cardiological Rhythms

Mr. Thompson’s Indigos

Doctor Pistorius and the Worlds of Love

Rocking the River

Stomping for Joy

Joe Oliver  Is Pleased

If that doesn’t convince the hesitant, I don’t know what will.  For myself, the thought of it suddenly becoming November is terrifying. But as far as the 2014 Steamboat Stomp is concerned, I’m ready.

May your happiness increase!

SHE’S GOT A HEART FULL OF RHYTHM

Portions of this musical self-portrait are not entirely accurate.  The ebullient singer, improviser, and comedienne Banu Gibson has very fine shoes as well as something to eat. So the dramatic lyrics of the 1937 Louis Armstrong song I’VE GOT A HEART FULL OF RHYTHM don’t apply in a self-pitying way.

But as this performance shows, the title is absolutely the truth, and Banu makes everyone feel comfortable in a matter of seconds: swing can do that!

Her Swing Band is on the same jubilant wavelength: Randy Reinhart, cornet; Mike Pittsley, trombone; Nick Ellman, reeds; David Boeddinghaus, piano; Kerry Lewis, string bass; Kevin Dorn, drums. This brief life-enhancing experience took place on October 12, 2013, at Duke Heitger’s first Steamboat Stomp in New Orleans.

Vitamins for the soul:

May your happiness increase!

“CALIFORNIA, HERE I COME!”: TIM LAUGHLIN – CONNIE JONES at SAN DIEGO (Nov. 24, 2012)

Just one more set!” as Bing Crosby might have crooned it in 1931.  Here is  the final one of a series of glorious Musical Offerings performed at the 2012 San Diego Jazz Fest by Tim Laughlin, clarinet; Connie Jones, cornet / vocal; Mike Pittsley, trombone; Chris Dawson, piano; Katie Cavera, guitar; Marty Eggers, string bass; Hal Smith, drums.

For me, the opportunity to see / hear / record this band was not simply one of the high points of the San Diego experience, or of 2012, but of my jazz experience.  Period.  No stage joke.  Here they are!

ROYAL GARDEN BLUES:

A BIENTOT:

MY GAL SAL:

NEW ORLEANS AND A RUSTY OLD HORN:

MY BUDDY:

IT’S WONDERFUL:

LULLABY OF THE LEAVES:

YOU CAN’T LOSE A BROKEN HEART:

CALIFORNIA, HERE I COME!:

Thank you to Paul Daspit and the members of this lovely band.  I won’t forget these sounds!

May your happiness increase.

“THAT OLD FEELING”: TIM LAUGHLIN, CONNIE JONES, MIKE PITTSLEY, HAL SMITH, CHRIS DAWSON, MARTY EGGERS, KATIE CAVERA at SAN DIEGO (Nov. 23, 2012)

Here is my penultimate offering by the Tim Laughlin All Stars featuring Connie Jones from the 2012 San Diego Jazz Fest.  That’s Tim on clarinet; Connie on cornet and vocal; Mike Pittsley, trombone; Chris Dawson, piano; Katie Cavera, guitar; Marty Eggers, string bass; Hal Smith, drums.

I rejoice that there are still more video performances by this wonderful band — let’s call it by its true name, an orchestra — although I wish the supply had no end.  They’re lucky to us (whatever the score is or was)!

YOU’RE LUCKY TO ME:

THAT OLD FEELING (with the warm sweet melody by Tim):

ONCE IN A WHILE (the Hot Five classic, though at a nice easy bounce):

Something pretty by Tim, CRESCENT CITY MOON:

Give that peerless rhythm section something healthy — how about CHERRY:

SUGAR:

THE ONE I LOVE:

AFTER I SAY I’M SORRY:

What delicious lyricism — that old feeling, indeed.

May your happiness increase.

“LINGER AWHILE”: TIM LAUGHLIN, CONNIE JONES, CHLOE FEORANZO, MIKE PITTSLEY, HAL SMITH, KATIE CAVERA, MARTY EGGERS, CHRIS DAWSON at SAN DIEGO (Nov. 25, 2012)

Here’s that lovely band again, with a youthful guest star who fits right in.  Tim Laughlin, clarinet; Connie Jones, cornet / vocal; Mike Pittsley, trombone; Chris Dawson, piano; Katie Cavera, guitar; Marty Eggers, string bass; Hal Smith, drums, and Chloe Feoranzo, clarinet / tenor.  Recorded at the San Diego Thanksgiving Dixieland Festival, now the San Diego Jazz Fest, on November 23, 2012.

The tune list reminds me of an imagined Eden — Eddie Condon’s in the late Fifties.  A few old-fashioned singable pop hits of the Twenties, some “Chicago jazz,” Morton, Beiderbecke, Carmichael, Handy, Charles Ellsworth Russell.  A perfectly balanced diet: ask any swing nutritionist.

LINGER AWHILE:

PEE WEE’S BLUES:

WOLVERINE BLUES:

SINGIN’ THE BLUES:

THERE’LL BE SOME CHANGES MADE:

BEALE STREET BLUES (how splendidly Connie — the great storyteller — sings this!):

AVALON:

NEW ORLEANS:

I’ve written a good deal about this band — whose music thrills me every time — but I’d like to point out a few things: the way Tim and Chloe intertwine, and his beautiful low register and her energies.  Marty’s unerring pulse and big fat notes! The beautiful introductions Chris creates.  How Hal keeps everyone on track, and his wonderful sounds.  Katie’s delicious acousticism!  Mike’s intelligent, intuitive ensemble work, and conversational solos.  And Connie’s poignancy. Beautiful tempos that never seem too fast or too slow: music for dancing, for dreaming, for uplifting the heart.

LINGER AWHILE isn’t just a song title here; it’s a gracious invitation into deep mysteries of beauty, accessible to everyone but nearly impossible to reproduce.

May your happiness increase.