Tag Archives: Mike Weatherly

HE’S A HERO OF MINE

Who’s that?  Why, the pianist, arranger, and occasional singer Mark Shane.

SHANE

I’d heard Mark on records and bootleg concert tapes going back to the late Eighties, but didn’t get to meet him until 2004.  And I was astonished.  He’s quiet; he doesn’t rely on volume or pyrotechnics, but he swings beautifully.  (He is A Stride Monster, but it’s not his only claim to our hearts.)  His playing is thoughtful, delicate, without being stiff or effete.  Right now, you are most likely to hear Mark as pianist and musical director for that force of nature, Catherine Russell.

But I thought a few minutes of Shane-beauty would help us keep perspective in these troubled times.

Here he is at the 2012 Atlanta Jazz Party, lovingly making his way through BLUE AND SENTIMENTAL, a hymn of praise and grief for Herschel Evans:

And, a year later, Mark’s stylish romp on MOONGLOW — always melodic, ticking away like a swing clock, with beautiful voicings and subtly varied embellishments:

Please notice how much the musicians onstage (Messrs. Chirillo, Weatherly, and Dorn) are appreciating it as well.  That says a great deal.

Here’s Mark with Tal Ronen and Dan Block — thinking about Fats and his Rhythm — playing YACHT CLUB SWING:

and another salute to gorgeous melody, Mark and Terry Blaine performing SHINE ON, HARVEST MOON in 2015:

“Don’t be shy,” says Terry.  And I’m not shy about my absolute admiration for Mister Shane.  Here is his website, where you can hear and learn more from this master.

May your happiness increase!

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TRAVELS WITH MOLLY: “LET’S FLY AWAY”

Molly Ryan by Don Spiro

Molly Ryan by Don Spiro

I’ve been admiring Molly Ryan’s singing — and her instrumental bandmates — for almost a decade now.  Her latest CD, her third, LET’S FLY AWAY, is a beautifully elaborate production, consistently aloft.

Molly Ryan CD cover

Here are the details.  The CD features a theme (hooray!) — the delights of travel, with some ingenious choices of repertoire:  WANDERER / BEYOND THE BLUE HORIZON / FAR AWAY PLACES / LET’S FLY AWAY / FLYING DOWN TO RIO / A RAINY NIGHT IN RIO / SOUTH SEA ISLAND MAGIC / THE GYPSY IN MY SOUL / THE ROAD TO MOROCCO / UNDER PARIS SKIES / TRAV’LIN’ ALL ALONE / IT’S NICE TO GO TRAV’LIN’ / ANYWHERE I WANDER . . .

and alongside Molly (vocal and guitar) some of the finest jazz players on the planet:  Bria Skonberg, Randy Reinhart, Dan Barrett, Dan Levinson, Adrien Chevalier, John Reynolds, Joel Forbes, Mike Weatherly, Mark Shane, Dick Hyman, Kevin Dorn, Scott Kettner, Raphael McGregor, with arrangements by the two Dans, Levinson and Barrett.

When I first heard Molly — we were all much younger — I was immediately charmed by her voice, which in its youthful warmth and tenderness summoned up the beautiful Helen Ward.  But Molly, then and now, does more than imitate. She has a gorgeous sound but she also knows a good deal about unaffected swing, and in the years she’s been singing, her lyrical deftness has increased, and without dramatizing, she has become a fine singing actress, giving each song its proper emotional context.  She can be a blazing trumpet (evidence below) or a wistful yearner, on the edge of tears, or someone tart and wry.

The band, as you’d expect, is full of great soloists — everyone gets a taste, as they deserve, and I won’t spoil the surprises.  But what’s most notable is the care given to the arrangements.  Many CDs sound as if the fellows and gals are on a live club date — “Whaddaya want to play next, Marty?” “I don’t know.  How about X?” and those informal sessions often produce unbuttoned memorable sounds.  But a production like LET’S FLY AWAY is a happy throwback to the glory days of long-playing records of the Fifties and Sixties, where a singer — Teddi King, Lena Horne, Doris Day, Carmen McRae — was taken very good care of by Neal Hefti or Frank DeVol or Ralph Burns, creating a musical tapestry of rich sensations.

Now, below on this very same page, you can visit the page where LET’S FLY AWAY is for sale, and hear samples.  But Molly and friends have cooked up something far more hilariously gratifying — a short film with an oddly off-center plot, dancers, visual effects, hard to describe but a pleasure to experience:

Yes, it does make me think of Mildred Bailey’s WEEK-END OF A PRIVATE SECRETARY, but perhaps that association is my own personal problem.

And tomorrow — yes, tomorrow, Thursday, September 3, at 9:30 PM — Molly and friends are having a CD release show at Joe’s Pub, with Dan Levinson, Mike Davis, Vincent Gardner, Dalton Ridenhour, Brandi Disterheft, Kevin Dorn.  You may purchase tickets (they’re quite inexpensive) here.  Details about the show here, and Molly’s Facebook page.

Purchase a digital download of the CD (with two hidden tracks) OR the physical disc itself (with twenty pages of liner notes and wonderful art / photographs) OR hear sound samples here.

Airborne, delightful swing.  Why not FLY AWAY?  Let’s.

May your happiness increase!

GLENN CRYTZER and his SYNCOPATORS COME EAST (November 14, 2011)

I had admired HARLEM MAD, the new CD of Glenn Crytzer’s compositions — with a swinging ensemble that included Ray Skjelbred, Solomon Douglas, Meschiya Lake, Dave Brown, and other hot luminaries.  (If you’ve never heard the band, here’s my review:  https://jazzlives.wordpress.com/2011/07/19/harlem-mad-glenn-crytzer-and-his-syncopators/.

A small version of the Syncopators: Kevin Woods, trumpet; Pete Petersen, reeds; Solomon Douglas, piano; Glenn, guitar, vocal, original compositions; Mike Weatherly, string bass; Mark Ribera, drums — played several sets two nights ago at SALOON on the Upper East Side of New York City.  I was impressed: the group has a charging energy.  They’re a jump band, somewhere between the 1939 Goodman Sextet (Glenn likes that Charlie Christian fellow) and a Louis Jordan unit.  Frankly, although all the members of the band appear to be fair-skinned, they could pass easily for one of the small bands in the Decca studios in the late Thirties, making records for Decca’s “Sepia Series.”  Or a powerful version of the little band Lee and Lester Young led.  Hear for yourself.

Here are three selections from the first set (I would have liked to stay, but work beckoned with its bony finger):

An original by Glenn, its title not explained — but we don’t mind a little mystery — SKINNY MINNIE.  That’s Mr. Woods on the hot mouthpiece:

Here’s an undisguised homage to the 1939 Goodman Sextet, the Christian – Hampton blues, SOFT WINDS:

And the best for last — Glenn’s deadpan paean to elevation, THE GRASS IS ALWAYS GREENER:

If you find fault with the lyrics or the concept, just remember it’s in praise of stilts, step-stools, elevator shoes, platform heels.

The Syncopators live up to their name.  And you can’t see the happy dancers — including the very hip Dawn Hampton and Lynn Redmile, but even the Beloved got out there and cut a very stylish rug on that floated wood floor.  Good job all ’round!

WHO DO YOU THINK IS COMING TO TOWN?

Glenn Crytzer and his Syncopators, that’s who:

https://jazzlives.wordpress.com/2011/07/19/harlem-mad-glenn-crytzer-and-his-syncopators/

This fine hot group has been making a brief Eastern tour, and they will be playing for listeners and dancers tomorrow — that’s Monday, November 14, 2011, at SALOON, 1584 York Avenue, between 83nd and 84rd, starting at 8 PM.  I’m told that SALOON is a particularly felicitous place — with a cabaret license and bar, as well as a floated wood floor.  The Syncopators are Kevin Woods, trumpet; Pete Petersen, reeds; Solomon Douglas, piano; Glenn Crytzer, guitar; Mike Weatherly, bass; Mark Ribera, drums.  It will be $15 at the door; $10 student discount with ID.  http://www.saloonnyc.com/

THE SPARKS WILL FLY (November 21, 2010)

Tri-State Jazz Society presents Cynthia Sayer and the Sparks Fly Quintet, Sunday November 21, from  2 – 5 pm.

Cynthia’s quintet features herself on banjo, vocals, and irrepressible enthusiasm; Charlie Caranicas on trumpet and eloquence; Scott Robinson on many saxophones and gratifying surprises; Mike Weatherly on string bass, vocals, and rocking swing; Larry Eagle on percussive propulsion (also called his trap kit).  Having seen and admired Cynthia in many performance settings, I can assure readers that they will be enlightened, entertained, and never bored — her musical and emotional range is wide and deep.

This concert will be held at the Brooklawn American Legion Post at 11 Railroad Ave, Brooklawn NJ 08030. Half-price admission is $10 available for first-time attendees and members.  High school and college students with IDs and children accompanied by a paying adult are free.  Pay at the door; there are no advance sales or reservations. The American Legion hall is approximately 10 minutes from the Walt Whitman Bridge. For information call (856) 720-0232 or visit www.tristatejazz.org.

 Cynthia has accumulated numerous awards and honors, including induction into the National Banjo Hall of Fame. Her most recent CD release, “Attractions,” which includes legendary jazz guitarist Bucky Pizzarelli, received two 2009 award nominations. She is also a subject of a PBS documentary about the banjo, expected to be aired in 2011. Please visit www.cynthiasayer.com for more about Cynthia, the band, their concert performances and samples of music and video recordings.

PETER ECKLUND / BLUE SUITCASE (Dec. 9, 2009)

Good news!  The very gifted (subtle, swinging, thoughtful . . . ) trumpeter / fluegelhornist / cornetist / plectrist / whistler Peter Ecklund has a new website — http://peterecklundmusic.com.  There, you can hear enticing musical samples. 

And he also has an upcoming Manhattan engagement at the Greenwich Village Bistro (Carmine between Bleecker and Sixth Avenue) on Wednesday, Dec. 9, 2009 from 9-11PM:

Peter Ecklund – trumpet, flugelhorn, ukulele
Matt Munisteri – guitar, vocals
Mike Weatherly – bass, vocals
Some additional accompaniment from the Blue Suitcase

A program of jazz standards, songs, and originals.

And, I quote Peter about the Bistro: “Dancing prohibited but often tolerated,” a qualifier that caused a number of comments the last time I posted it.  I think readers should go to the Bistro to see for themselves!

PETER ECKLUND’S BLUE SUITCASE

Peter

Peter Ecklund presents an evening of jazz standards and originals, Wednesday, Sept 2nd.
BLUE SUITCASE
Peter Ecklund, trumpet & flugelhorn, maybe uke and whistling
Mike Weatherly, bass & vocals
Will Holshauser, accordion
Guest appearances!

Dancing is officially forbidden and unofficially tolerated. Return to your seat after each dance. 

Wednesday, Sept 2, 9-11
Greenwich Village Bistro
13 Carmine Street, between 6th & Bleecker
212 206 9777.  No cover, no minimum.  Suggested donation $5.