Tag Archives: Molly Johnson


Sometimes you measure the worth of an enterprise not by the names of the players on the bill — but by the hearts of the people behind the players.

It’s in that spirit that I call your attention to the Jazz Performance and Education Centre (JPEC) of Toronto, Canada.

Raymond and Rochelle Koskie saw that their beloved city had no full-time jazz venue, and in 2008, got people together — musicians, business people, and arts professionals, all passionate about jazz in Toronto — to create a solution, that city’s own version of Jazz at Lincoln Center in New York.

“This first-class, multi-purpose facility will feature performances by top local, national and international jazz talent; educational programming in which fans of all ages can learn about jazz; recording facilities; and a Hall of Fame and Archives which will encompass and preserve Canada’s outstanding jazz heritage and tradition. The facility will enhance Toronto’s reputation as one of the best cities in North America in which to experience live jazz.”

Starting in 2009-2010, JPEC held a Jazz Gala, featuring Archie Alleyne (drums), Peter Appleyard (vibes), Guido Basso (trumpet and flugelhorn), Arlene Duncan (vocals), Michael Dunstan (vocals), Molly Johnson (vocals), Jackie Richardson (vocals) and Joe Sealy (piano).  They have held concerts featuring Oliver Jones, Dianne Reeves, Ingrid Jensen, Kurt Rosenwinkel, and Bill Charlap/Renee Rosnes.  They’ve hosted lectures by local musicians and writers.  In 2010-11, five concerts featured Fred Hersch and Norma Winstone, Lee Konitz, Robert Glasper, and Seamus Blake.  The next year’s concerts offered Lionel Loeke, Lucien Ban and John Herbert, Tom Harrell, Luciana Souza and Romero Lubambo.

On February 23, 2013, the JPEC will hold its fourth Gala — TAPESTRY:


I encourage you to attend, to support this enterprise, to follow your curiosity. Even if the names on the program aren’t familiar, the desire to bring jazz — living and creative — to a major city is worth investigating.  Learn more here.  And, yes, such endeavors cost money — but they might be the answer to the possibly bleak future of jazz performance in major cities as one can imagine it in twenty-five years, given the current facts.

May your happiness increase.


The very articulate Rochelle Koskie met me at Chautauqua and told me of a very worthy event at the Glenn Gould Studio in Toronto on October 1 — celebrating the inauguration of the JAZZ PERFORMANCE AND EDUCATION CENTRE of Toronto, with a musical gala in honor of Lincoln Alexander.  I didn’t know much about Alexander, but he is the first black Canadian to serve in a vice-regal position; he has been an influential political force for good.  And he is an ardent jazz fan!

I won’t supply all the details here but will say that the evening will include performances by Peter Appleyard, Guido Basso, Russ Little, Archie Alleyne, Joe Sealey, Arlene Duncan, Michael Dunstan, Molly Johnson, Jackie Richardson, Scott Alexander, Brian Barlow, Vern Dorge, Steve Mc Dade, Ted Quinlan, Michael Stuart, Tom Szcesniak, and Simon Walls — all Canadian jazz luminaries.

Those of us who remember CODA, who can recall when Toronto was host to world-famous players, will want to attend this event to support the JPEC, a not-for profit and charitable organization devoted to the preservation and continued development of jazz in Canada.  It promises to “inspire audiences through performances, education, workshops, and recordings,” and “will provide a Hall of Fame and Archive of Canadian and International Jazz History.” 

That’s worth supporting — and the gala evening ends with a dessert reception, always a good thing.  For more details, visit www.jazzcentre.ca.