Tag Archives: Monte Reyes

NEW ORLEANS JOYS: CLINT BAKER, BILL CARTER, JIM KLIPPERT, MONTE REYES, BILL REINHART, SAM ROCHA, J HANSEN at CAFE BORRONE (June 6, 2014)

A few nights ago, on Friday, June 6, 2014, Clint Baker and friends turned Cafe Borrone (1010 El Camino Real, Menlo Park, California) into a New Orleans dance hall for two sets from 7:30 to 10 PM. Clint and friends are usually known as Clint Baker and his Cafe Borrone All Stars; for this night, because of so many long-time friends and colleagues gathered together to make music, they were his New Orleans Jazz Band.  Appropriately!

“Hear me talkin’ to you!” Clint, trumpet, vocal; Bill Carter, clarinet, ensemble vocal; Jim Klippert, trombone, ensemble vocal; Monte Reyes, banjo, vocal; Bill Reinhart, guitar; Sam Rocha, string bass, vocal; J Hansen, drums.

PUT ON YOUR OLD GREY BONNET (with ensemble warbling):

CARELESS LOVE:

BUGLE BOY MARCH:

I’M ALONE BECAUSE I LOVE YOU (vocal by Sam):

THE SECOND LINE:

SOME OF THESE DAYS (vocal by Clint):

OLE MISS:

SWEET LOTUS BLOSSOM (vocal by Clint):

ICE CREAM (ensemble chorusing. no artificial ingredients):

“KEEP IT REAL” Bb BLUES:

JUST A LITTLE WHILE TO STAY HERE (that rocking carpe diem):

LADY BE GOOD (with Monte’s justly famous vocal):

A friend gave me a copy of the latest issue of DOWN BEAT — with nice coverage of Eric Alexander, Brian Blade, Sonny Rollins, even a review of a new Bucky Pizzarelli CD.  But no feature on Clint Baker or the wonderful happenings at Cafe Borrone.  Their loss.  What would it take to get DOWN BEAT to come down here? I would buy the reporter a nice plate of polenta, carrots, kale, and cauliflower, or something else from their good kitchen: you have my word.  Until then, if you can get down here, you won’t regret the trip; if it’s too far away, please share this blogpost with people you know who would like it.  Clint and his pals are creating hot, subtle delights regularly — and your attention is perhaps the best tribute.

 May your happiness increase!

TWO’S COMPANY: KATIE CAVERA and CLINT BAKER: “Who’s Foolin’ Who?”

Katie Cavera is a woman of many talents: she can play anything with strings (a variety of banjos, guitars, and string basses).  Her ideal is Freddie Green, which should tell you something about her taste and swing.

She is also a sweetly unaffected but convincing singer, able to create delightful variations.  (She played trombone in high school and is currently picking up the trumpet to fill in for a scarcity of trumpet players in her area: very little holds Katie back!)

Katie is also a nifty creator of short films that are both funny and sweet, some starring Tofu, the naughty Sock Monkey, who goes everywhere and breaks the rules wherever he goes.  More about that in a minute.

Clint Baker can do it all: he can lead a band gently but effectively.  He can write arrangements or create head-arrangements on the spot; he’s a good down-home singer, a hot cornetist, drummer, trombonist, reedman, guitarist, banjoist, bassist, tubaist, washboardist.

Katie and Clint made a CD.  It’s a doozy, a honey, a wow, the cat’s whiskers / pajamas / meow.  (Translation: I won’t be parted from my copy.)

Before we move on to the details, here’s a sample (courtesy of my pal Rae Ann Berry) of Katie and Clint — with Ray Templin at the piano — romping through TOO BUSY in 2009.  (Katie likes the approach and repertoire of Lillie Delk Christian, and this performance is a particular favorite.)

The CD Katie and Clint collaborated on is called WHO’S FOOLIN’ WHO? — but the title doesn’t mean that you will be taken in if you purchase it.  Oh, no — quite the contrary.  Aside from a guest appearance by Monte Reyes on tenor banjo (on one track) and a piano feature for Robert Young on a rag Katie composed — which combines Satie, Joseph Lamb, and Spike Jones — the CD is entirely given over to Katie and Clint.  “Uh oh.  Banjo and cornet, maybe, for an hour?” I hear some of you muttering.

No.  Through the magic of beautifully-done overdubbing, it’s a full hot band.  Katie sings and plays five instruments; Clint plays ten.  I know that overdubbing doesn’t always work.  Sidney Bechet’s One-Man-Band worked because it was Bechet (a matter of sheer passion); George Avakian’s cut-and-paste experiments with Louis Armstrong were miraculous because they allowed us to hear Louis accompany Louis.  (Is there anything finer?)

But the Katie-Clint endeavor works so well because the recording was done by Monte Reyes, who knows how jazz should sound, and because Katie and Clint are on the same wavelength.  So the result swings most enchantingly — a nice mix of standards and a few originals.

I must report that one of the originals, YOU’VE BEEN A NAUGHTY BOY — somewhere between Annette Hanshaw and Mae West — so captivated me that I played it over and over in the car, grinning as I drove.

I have little patience for Christmas songs — especially at the end of March — but this Christmas song promises something sweetly, tenderly romantic as a present, and it rolls along irresistibly.  But you don’t have to take my word for it.

Fortunately for us, Katie used her song — in this version– as the soundtrack for one of her “silent” films, where she reveals yet another talent . . . as subtly funny philosopher.  The film features Katie’s husband, magician Woody Pittman, in a starring role:

To find out more about the CD (such as the important question: How can I buy several?) visit http://www.katiecavera.com/disc.html and find out all the answers.

And — just in a musing way — I think the moral of the film, tenderly enacted, is that our life’s pleasures are often under our noses, so much so that we take them for granted.  (You may begin to hum BACK IN YOUR OWN BACKYARD at this point.)  I feel this way about Katie and Clint’s CD: once you have a copy, you will wonder how you got along without it to listen to.

NEVER TOO BUSY . . .

Courtesy of “SFRaeAnn,” here’s just under five minutes of pure relaxed pleasure: Clint Baker and his Cafe Borrone All-Stars, recordeon on April 3 at Menlo Park, California, with Robert Young, C-meloody sax;  Leon Oakley, cornet;  Jim Klippert, trombone; Jason Vanderford,  guitar;  Monte Reyes, banjo; and Bill Reinhart, bass.  Visit Clint at: http://www.clintbakerjazz.com

I’m especially fond of this almost-forgotten tune (memorable to me because of a 1928 recording where Louis Armstrong backs Lillie Delk Christian) but this performance is special in itself.  No one rushes the tempo; no one gets loud or louder, and the musicians work together in a casual, affectionate understanding of what a band needs.  Great fun, and if you’re too busy for this, what can I say?