Tag Archives: MOONLIGHT AND PRETZELS

MUSIC FOR THE MORNING COMMUTE, REVISITED

This post is devoted to one of my favorite songs — even though I stopped setting my alarm clock almost two months ago.  But I send it out for all of you who still have to obey the summons.  And if you are newly freed from such tyrannies, the song continues to be charming.

I saw in my online research into this song — music and lyrics by Herman Hupfeld (best known now for AS TIME GOES BY, less so for LET’S PUT OUT THE LIGHTS AND GO TO SLEEP, NIGHT OWL, or SING SOMETHING SIMPLE) — that I’d written about it in 2015, but there are now new versions on YouTube, so I propose this blogpost as an improvement rather than plagiarizing from myself.  Here’s my favorite Thirties version, led by Adrian Rollini, with  possibly Bunny Berigan, Al Philburn, Pee Wee Russell, Arthur Rollini, Fulton McGrath, Dick McDonough, Art Miller, Herb Weil, Red McKenzie:

I don’t have any personnel for this version.  Possibly a Gene Kardos group?

and a British version that includes the verse:

We move out of the Thirties for a 2008 version featuring Marty Grosz, Dan Block, Scott Robinson, Vince Giordano, Rob Garcia:

And to return to the song’s inception, it comes from a film delightfully titled MOONLIGHT AND PRETZELS.  Evidence herewith.

 

 

 

 

 

 

 

 

 

and the relevant film clip — homage to Mister Berkeley:

Whatever your circumstances, may that other sock not elude you, and I hope your colleagues treat you kindly and with respect where you make your living.

May your happiness increase!

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MUSIC FOR THE TUESDAY AFTER LABOR DAY (September 8, 2015)

alarm clock

For all those people lamenting the end of the long weekend, who will be complaining when the alarm goes off and they have to resume their lives as adults, here is a more cheerful ditty — circa 1933, words and music by Herman Hupfeld, performed here by Marty Grosz and the Hot Winds in 2009 (Dan Block, Scott Robinson, Vince Giordano, Rob Garcia) for Arbors Records:

I confess that my favorite recording of this optimistic ditty is the one featuring Red McKenzie with Adrian Rollini’s Orchestra . . . and that I pestered Marty to record his own version, since he and I share an obsession with Mr. McKenzie. But the Rollini version is not on YouTube, although it is on a beautiful Jazz Oracle double-CD set devoted to Adrian.

Here is the source — an excerpt from a 1933 film, MOONLIGHT AND PRETZELS (two of my favorite things) with a good deal of Busby-Berkley-esque waving of attractive bodies and body parts [choreography by William Miller], then a positively stimulating rendition of “Are You Makin’ Any Money?” by Lillian Miles.  That second question is directly relevant to the going-to-work scenario I’ve chosen to describe:

For more about MOONLIGHT AND PRETZELS, visit this entrancing site devoted to pre-Code films, also the source for the film poster:

MoonlightandPretzelsPoster

I hope that all of you who want jobs have them, that you are treated nicely, that the work suits you — that even after you shut off that obscene noise in the darkness, you are OK with going to a place where they give you some money for doing some thing.

May your happiness increase!