Tag Archives: Motown

EXPANSIVE, EXUBERANT: “THE VERY NEXT THING,” THE HOT JAZZ JUMPERS

Let me begin with a public service announcement.  If you prefer your jazz safe, timid, predictable; if you like it to be categorizable, neatly cut into half-inch dice, please read no farther.  The CD/DVD package I am about to announce and praise, THE  VERY NEXT THING,  is anything but formulaic.  It is, as leader Nick Russo says in the video below, an “eclectic mix of music.”

HJJ cover larger

The beautiful art is by Roy Kinzer.

Here’s some footage of the band — and a few pointed words from some of the musicians:

and here’s another view of Nick — with great insights from the musicians:

Now, I first met Nick a number of years ago as a member of Gordon Au’s Grand Street Stompers, Emily Asher’s Garden Party, and other groups.  I knew, when I came in the door and saw Nick that there were going to be engaging — sometimes surprising — melodies created, that the rhythm would be bountiful and imaginative.  I could relax and anticipate great things.  But I’d never heard Nick’s Hot Jazz Jumpers until now, when they are celebrating the pre-release of their new CD/DVD, and they make fine unfettered spacious music.

Most compact discs by one musical organization that come my way — and this is not surprising — offer similar musical experiences all the way through, sometimes seventy-five minutes’ worth.  And for many listeners, this is consoling, rather like buying a chunk of Manchego at the cheese counter. But the HJJ (if I may be so informal) are too large, energetic, and unruly to be confined to one stylistic box.  So the new disc — with seventeen performances — offers the beautifully idiomatic “traditional jazz” of WHEN THE RED, RED ROBIN COMES BOB, BOB, BOBBIN’ ALONG featuring trusted New York swing stars Gordon Au and Dennis Lichtman among others . . . three tracks later, one hears a free improvisation for Nick, guitar, and Miles Griffith, voice.  The range of repertoire is delightful broad, brave, and the results are compelling: CARAVAN, YOU ARE MY SUNSHINE, NOBODY BUT MY BABY IS GETTING MY LOVE (when was the last time you heard that Clarence Williams song performed?), IN A MELLOTONE, SWEET GEORGIA BROWN, MANHA DE CARNAVAL, AIN’T MISBEHAVIN’, I’VE GOT MY MOJO WORKING, and THIS LITTLE LIGHT OF MINE.  Then there are originals and less familiar numbers: two versions of the New Orleans JOCK-A-MO, the bluegrass FREIGHT TRAIN, JAM FOR LENNY, DIRTY40.

Listening to the CD, I was delighted by its expansive conceptions: the Hot Jazz Jumpers offered what their name promised, but I also heard more contemporary New Orleans music, echoes of Motown, of classic rhythm ‘n’ blues,  and less familiar forms that I learned were Gullah Geechee rhythms, North Indian classical music, and world music.  I heard subtle and bold percussion and rhythms, and two powerful voices: Bettina Hershey’s, vibrant, folk-inflected, eloquent, and the quite remarkable Miles Griffith, who — singing or scatting — roams freely in his own universe, whose monarchs are Leo Watson and Leon Thomas.

On the CD, you’ll hear Nick, guitar, tenor banjo, resonator, baritone resonator; Bettina Hershey, voice, guitar; Miles Griffith, voice / scats; David Pleasant, drums, harmonica, voice; Essiet Essiet, bass; Mamadou Ba, bass; Gordon Au. trumpet; Josh Holcomb, trombone; Dennis Lichtman, clarinet; Mike Russo, guitar.  The accompanying DVD has Eleven more songs, including video presentations of CARAVAN (with a delightful impromptu beginning), INDIANA, NOBODY BUT MY BABY, RED RED ROBIN, FIVE FOOT TWO, and some other surprises.

Now, I hope I’ve enticed the bold and tantalized the lively.  The best way to experience Nick Russo’s music is in person, although the two videos give strong evidence.

On Friday, July 24, 2015, you can hear and see the Nick Russo Trio featuring: Nick Russo, guitar/banjo;  Nathan Peck, string bass; Harvey Wirht, drums; with special guests Miles Griffith & Betina Hershey — at Bar Next Door (http://lalanternacaffe.com/) 129 MacDougal St, New York, NY 10012 (212) 529-5945 — three sets, at 7:30, 9:30, and 11:30.  Here is the Facebook event page.

On Saturday, July 25, 2015, Hot Jazz Jumpers New York City CD/DVD Release at WhyNot Jazz Room, 14 Christopher St. @ Gay St. NYC.  Tickets – $12
Doors 10:30pm // Showtime 11pm: Miles Griffith, voice/scats; Betina Hershey, voice/guitar;  Nick Russo, guitar/banjo/voice; David Pleasant, drums/harmonica/voice. Here is the Facebook event page for the 25th.

HOT JAZZ JUMPERS

Photo by Lynn Redmille

At these gigs, the CD/DVD will be available for sale — but the official national release of it is not until later in the year, so you will be well ahead of the pack. (Eventually, it will be available on CDBaby and iTunes, but right now you can have the delightful experience of purchasing it from the musicians who made it.)

Want to know more?  Here is the band’s website.  Nick is so versatile that he has two Facebook pages: here and here.

And for those who might be visiting Massachusetts in August, the HJJ have a mini-concert tour there in Woods Hole, August 3  – 5:  DVD/CD pre-release concerts at Quicks Hole Tavern in Woods Hole, 29 Railroad Ave, Woods Hole, MA 02543. Each concert goes from 9-11:30.  Details here.  At any of these concerts or gigs, I know you will hear honest, lively, stirring music. And purchasing the CD/DVD will enable you to take the Hot Jazz Jumpers home with you as well.  They’ve assured me they won’t mind.

May your happiness increase!

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CATHERINE RUSSELL, SWING SUPER-HEROINE

Catherine Russell

I don’t know how the singer and ebullient force of nature Catherine Russell would do in combat against Lex Luthor or a fleet of intergalactic starships.  But I do know that she is the sworn enemy of Gloom and Dullness, a tireless fighter for Joy and Swing.

She proved this again last night at Symphony Space in a concert sponsored by the Sidney Bechet Society.  With her were some of her usual comrades-in-arms: Matt Munisteri (guitar and musical director); Mark Shane (piano); Jon-Erik Kellso (trumpet); Dan Block (clarinet and tenor); Lee Hudson (string bass); Rocky Bryant (drums).

Catherine is not only a splendid singer, with an unerring internal pulse and gift for melodic invention; she moves easily through a variety of moods in the course of an evening.  In addition, she is a happy embodiment of living swing: flashing a gleaming smile, joking with the audience, and dancing all over the stage.

She truly has a good time, and it never seems artificial.

Rather, she is delighted to be there to make music for us and her pleasure comes through, whether she is picking just the right tempo for a bluesy slow drag or spontaneously interacting with an audience member.

After an instrumental exploration of BLUES MY NAUGHTY SWEETIE GIVES TO ME, Catherine came on to offer a varied program.  A special pleasure was observing a mature artist who has fully internalized a variety of influences — from the fierce women blues singers to Motown queens, from the dancers at the Savoy Ballroom to gospel choirs, all these influences seamless and fully developed within her own personal style.  Listening to Catherine, one never feels, “Now she’s becoming this performer or this one; now she’s acting out that recorded / seen performance.”  No, the result is fully in blossom — homage to the great influences before her but also singularly her own.

When she approached an early-Twenties blues, SHAKE THAT THING, it owned property in several universes — not only the kind of music one would grind to in 1923 Chicago but a sultry call-to-shake entirely appropriate ninety years later.  Her other blues performances — one about financial distress (the concert was, after all, held on April 15), her own evocation of Esther Phillips’ AGED AND MELLOW, and Dinah Washington’s ominious MY MAN’S AN UNDERTAKER — were just as dramatically compelling.  She wooed us with AFTER THE LIGHTS GO DOWN LOW and then hilariously dismissed us with I’M CHECKIN’ OUT, GOOM-BYE.  Other classics that Catherine has made her own — an encore of KITCHEN MAN, WE THE PEOPLE, standards SOME OF THESE DAYS and DARKTOWN STRUTTERS’ BALL — had their own joyous light.  In twenty songs, she turned herself and her personality to the light as many ways, but each time we recognized her essence: soulful, experienced, thoughtful, deeply feeling and deeply amused.

Visit Catherine’s websiteFacebook page or Facebook music page.

And for the immediate future . . .

CAT DIZZY'S

Catherine will be appearing with Mark Shane, Matt Munisteri, Lee Hudson, and Mark McLean at Dizzy’s Club Coca-Cola (Jazz at Lincoln Center) for four nights — Thursday, April 25, through Sunday, April 28 — with shows as 7:30 and 9:30 PM.

Come and be amazed by Catherine Russell, performing superhuman feats of humanity, humor, creativity, and swing, as if they were easy to do — which for her, they are.

May your happiness increase.