Tag Archives: new CD

MY CREATIVE DOUBLE: “CURRENT RESIDENCE”

My name is not all that unusual, if Google is any indication. There’s me, then a Michael Steinman who’s a doctor, an authority on world government, an attorney, a provost, the deceased frontman for the band Inch, a realtor, an actor, a college dean, an author of a book on domestic abuse, a math teacher.  I gave up on the fourth page of the search because the apartment seemed crowded with ectoplasmic figures who were insisting that they were real and I wasn’t.

But I was greatly amused and pleased to encounter the Michael Steinman who is an appealing jazz trombonist and singer.  Born in Santa Clarita, California, this MS has lived and studied in Bloomington, Indiana, and now calls Six-Fours-les-Plage, France, home.  I was delighted — after the initial shock of seeing “my” name in print attached to another person — to meet this other (and talented) Michael here.

MS tbn w Alamel Giles

Michael, trombone, with Alamel Gilles

 

And the pleasure continues with Michael’s new CD, appropriately called CURRENT RESIDENCE.  It is an appealing blend: “traditional” repertoire with a charmingly quirky twist.  The songs would lead you to believe that the approach would be firmly grounded in early-jazz conventions: STRUTTIN’ WITH SOME BARBECUE / DARKTOWN STRUTTERS BALL / IS YOU IS OR IS YOU AIN’T MY BABY? / AFTER YOU’VE GONE / ON THE SUNNY SIDE OF THE STREET / BIG BUTTER AND EGG MAN / I DIDDLE / JACK, YOU’RE DEAD / JUMPIN’ WITH SYMPHONY SID / JUST A GIGOLO — but there are no straw hats, striped blazers, or sleeve garters here.  An unorthodox yet swinging instrumentation also helps the music be lively rather than formulaic.

What makes this CD special is a combination of a few things.  First, Michael is a splendid trombonist.  He doesn’t see the instrument as a way of spraying notes at a captive audience; he is a swinging melodist, a modern mainstreamer who doesn’t copy anyone.  He is also a really fine — and not ordinary — singer, someone who seems like a distant cousin of Mose Allison and one of the Everly Brothers (you can pick) without ever losing a jazz feel.  And the strolling players who accompany him (most often alto saxophone and a small quiet rhythm section) are on the same wavelength: thoughtful without being numb, enthusiastic without being raucous. Praise to his colleagues: Jonathan Soncasse, Willy Quiko, Lionel Pellister, Eric Merdiano, Gerard Murphy, Anne Carriere, Eric Fillou, Lorenzo Brignone, and Gabriel Charrier.

Here’s an auditory sample: 

Serious and ready for swing action

Serious and ready for swing action

I would have a listener begin at the end — a fitting tribute to quirkiness with its own reward — with a deeply tender reading of JUST A GIGOLO that begins with a smoothed down Monkish piano solo, then moves to trombone / piano, alto saxophone / piano, and finally vocal / piano — sweetly and sadly, more Crosby than Prima.  It’s one of those recorded musical performances that is shapely, quiet yet deep, and completely satisfying.

Here are more sound samples, and a way to make a purchase for the motivated among us.

michael-steinman-album-cover

The CD is also available through the usual sources — as a download on Amazon or iTunes, and at Michael’s website, herewhere the essay that accompanies the CD cover is both charming and candid.

This other MS has a future: his music is lively and full of feeling, and his CD sounds as if he knows the past but is not condemned to repeat it.  I recommend it highly, and would do so even if his name was not so melodious to my ears.

May your happiness increase!

PHILIPPE SOUPLET’S “PIANO STORIES”

Not long ago, I encountered the impressive French jazz / stride pianist Philippe Souplet on YouTube. 

Here’s the evidence: his 2009 performance of MULE WALK:

Now, Philippe has come out with his first solo CD, and it’s delightful: PIANO STORIES: FAT LIONS, GENTLE DUKES, AND OTHER OLD FRIENDS — which should give you an idea of his musical range and light-hearted approach to the music. 

On it, he explores compositions by Willie “the Lion” Smith, Billy Strayhorn, Duke Ellington, Fats Waller, Edgar Sampson, Arthur Schwartz, and of course James P. Johnson.

The CD benefits greatly from a wonderful piano, splendidly recorded, but Philippe’s approach to this material would come through in less ideal circumstances. 

Although he is deeply respectful of the Stride tradition, he doesn’t treat the repertoire as a series of rigidly established classical compositions.  He’s a graceful improviser, serving the music.  He isn’t combative — he doesn’t try to overwhelm the music with speed and volume.  His tempos are peaceful, giving the melodies time to breathe. 

And Philippe is not constrained by some narrow definitions of musical history: there’s an elegant openness to his playing, with sideways glances at Dave McKenna and Hank Jones.  It’s a varied CD that ranges from the pensive to the joyous. 

The selections are I GUESS I’LL HAVE TO CHANGE MY PLAN / HERE COMES THE BAND / CHELSEA BRIDGE / THE MULE WALK / HONEY HUSH / ELLINGTON – STRAYHORN MEDLEY: Passion Flower – Mood Indigo – Prelude To A Kiss – Do Nothin’ Till You Hear From Me / IF DREAMS COME TRUE / MORNING AIR / RETROSPECTION / IT DON’T MEAN A THING (IF IT AIN’T GOT THAT SWING) / I’VE GOT A FEELING I’M FALLING / MELANCHOLIA / AIN’T MISBEHAVIN’. 

Philippe produced the CD himself: you can contact him at psouplet@wanadoo.fr. for information about how to purchase a copy.

COMING SOON!

coming_soon I’d like to alert you to three new compact discs I’ve heard — available soon!  

MELISSA COLLARD has recorded a session for Audiophile — with Hal Smith, drums; Richard Simon, bass; Chris Dawson, piano; Bryan Shaw, trumpet.  I first heard Melissa some five years ago on her debut CD, “Old Fashioned Love,” (Melismatic Records), a wonderful disc, thoughtful, witty, and moving.  This one’s even better. 

For the same label, REBECCA KILGORE has recorded a disc devoted to Jerome Kern, “Sure Thing.”  It also features Hal, Richard, and Chris.  Until you’ve heard Becky sing I’VE TOLD EV’RY LITTLE STAR, you haven’t lived . . .

DANNY TOBIAS, who just brought his cornet to the Ear Inn, has recorded an intimate swing session with Joe Holt, piano; Gary Cattley, bass, that reminds me very much of the best late-period Ruby Braff recordings.  Need I say more?

Make room on your CD shelves . . .

AT LAST! A CANGELOSI CARDS CD!

cards

Thrilling news for those of us who have delighted in the band at live gigs, but always wanted something we could listen to at home, in the car, on the train . . . the possibilities are endless. 

I learned of it through Eve Polich’s posting on her AVALON site:

http://avalonjazz.blogspot.com/2009/08/cangelosi-records-for-sale.html,

which led me to: http://losmusicosviajeros.net/purchase.html

Even with my rudimentary Spanish, I can translate this as “something we have to have!”