Tag Archives: New York Classic Seven

HOT SERMONS: STILL MORE FROM THE NEW YORK CLASSIC SEVEN: MIKE DAVIS, ANDY SCHUMM, COLIN HANCOCK, SAM CHESS, VINCE GIORDANO, RICKY ALEXANDER, JAY RATTMAN (St. John’s Lutheran Church, New York City, May 18, 2022)

Photograph by Rob Rothberg

This band rocked the church. Seismically, I mean. Christopher Street will never be the same.

I’ve shared several segments from this concert, and here’s the last dynamic offering. From the back, the New York Classic Seven are Colin Hancock, drums; Jay Rattman, bass saxophone; Vince Giordano, banjo; Andy Schumm, piano; Ricky Alexander, clarinet, alto saxophone; Sam Chess, trombone; Mike Davis, trumpet, vocal.

(For new visitors to this site: if you click on the post’s title, the still photographs below — if they are what you see — will open to reveal video-performances.)

For Bix, of course. THERE’S A CRADLE IN CAROLINE:

Hot needs sweet in the perfectly balanced cosmos, so here’s Romantic Mike Davis, pleading GUILTY. We pardon him:

And the gloriously futuristic BONEYARD SHUFFLE:

Here’s Andy Schumm’s Gershwin-inspired composition, LET’S DO THINGS:

A beautiful mini-Whiteman consideration of MY BLUE HEAVEN:

Don’t be afraid of the title. Colin and Mike aren’t truly ANGRY:

And the extravagantly “primitive” JUNGLE CRAWL by Tiny Parham:

What would a program of Twenties jazz and pop be without a song saying how much better everything is in the American South? Here’s a stellar example, THAT’S THE GOOD OLD SUNNY SOUTH:

This was the second — wonderful — US appearance by this band. If you want to hear them again, tell festival organizers and club-owners, tell your wealthy friends. They’re raring to go and play, as you can see and hear. And we need this kind of musical uplift.

Thanks again to Janet Sora Chung and St. John’s Lutheran Church (Christopher Street, New York City) for making this aesthetic gift-box possible, and for permitting me to video-record and share it.

And thanks to Red, Bix, Miff, Fud, Pee Wee, JD and TD, McDonough, Eddie, Challis, Artie, Vic, Adrian, and three dozen other luminaries for their inspiration.

May your happiness increase!

THE CHURCH WAS ROCKING: MORE FROM THE NEW YORK CLASSIC SEVEN: MIKE DAVIS, ANDY SCHUMM, COLIN HANCOCK, SAM CHESS, VINCE GIORDANO, RICKY ALEXANDER, JAY RATTMAN (St. John’s Lutheran Church, New York City, May 18, 2022)

Applause, applause! Photograph by Robert Rothberg.

Fortunately, the wooden benches were sturdy and solidly attached.

Here is the second (glorious) US appearance of the (glorious) hot orchestra, the New York Classic Seven, on May 18, 2022, at St. John’s Lutheran Church on Christopher Street (thanks to Janet Sora Chung). They are Mike Davis, trumpet, vocal, co-leader; Colin Hancock, drums, vocal, co-leader; Ricky Alexander, clarinet, alto saxophone, vocal; Sam Chess, trombone; Andy Schumm, piano; Vince Giordano, banjo; Jay Rattman, bass saxophone.

Hot enough for you?

The Gershwins’ DO DO DO (vocal, Mike Davis):

Sweetly durable: MY MELANCHOLY BABY:

A rousing ALABAMMY BOUND — another of the memorable songs about going South (Andy Schumm, arrangement):

THE WHISPER SONG (getting pastoral, with Mike Davis, vocal and vocal effects; Colin Hancock, whistling):

BUDDY’S HABITS (fashioned after the Red Nichols version):

Appropriately joyous, Mr. Morton’s MILENBERG JOYS:

In honor of the Sunshine Boys, Joe and Dan Mooney, here are Mike Davis and Ricky Alexander negotiating their way through WHEN I TAKE MY SUGAR TO TEA, which Sam Chess bowing low to Tommy Dorsey:

And finally, for this post — Cave canem — a growly low MEAN DOG BLUES, courtesy of Red Nichols and friends:

“What fun!” as Liadain O’Donovan says. More goodness on the way.

May your happiness increase!

ELEGANT SAVAGERY: ANDY SCHUMM at THE PIANO, “SHAKE IT AND BREAK IT” (St. John’s Lutheran Church, New York City, May 18, 2022)

We need good news, so here’s something that will gladden the hearts of listeners who like barrelhouse originality: Andy Schumm, so wonderful on all his instruments, will be releasing his first solo piano CD (on Rivermont Records) later this year.

Here is Andy’s riotous piano feature — I call his style Elegant Savagery — at the second (glorious) US appearance of the (glorious) hot orchestra, the New York Classic Seven, on May 18, 2022, at St. John’s Lutheran Church on Christopher Street, New York City (thanks to Janet Sora Chung).

Andy is a spectacular pianist, and what I mean by “Elegant Savagery” has something to do with the confidence and energy with which he approaches the keyboard. His power, his range, his fearlessness. (Some pianists are timid, as if they were anxious: press the keys down too firmly, someone will notice and they will lose the gig.) He is a swashbuckler, a Douglas Fairbanks of the Steinway or perhaps Yamaha. But he does not pound. His aim is beautiful. He knows where he is going, so notes and runs are clear, ringing, not smudged or vague. And he’s improvising: there’s music on the piano in the photograph, but he’s on his own path in the video.

The heat he generates is awe-inspiring; he is orchestral in the best way. And he does the neat trick the greatest artists do: he has heard and absorbed everyone, from Joplin to Confrey to Melrose, Schutt, Seger Ellis, Cassino Simpson, and Alex Hill and beyond, Morton and the stride gang — ferociously precise barrelhouse like a Mack truck on a steep downhill incline (although his tempo is admirably steady) — but he sounds like himself.

Can you tell that I admire his approach and what he creates? Listen.

I can’t wait until the CD (with notes by Andy, in both senses) appears, but in the meantime I will admire his playing whenever I can. (You know, of course, that he is a splendid cornet, clarinet, saxophone, and drum wizard as well . . . )

Thank you for being, Maestro, and for so generously sharing your selves with us.

May your happiness increase!

WHAT’S HOT IS HOLY: THE NEW YORK CLASSIC SEVEN GOES TO CHURCH (Part One): MIKE DAVIS, COLIN HANCOCK, RICKY ALEXANDER, SAM CHESS, ANDY SCHUMM, VINCE GIORDANO, JAY RATTMAN (St. John’s Lutheran Church, New York City, May 18, 2022)

Jazz doesn’t often end up in church (or similar religious institutions) which is a pity, because its creativity shouts hosannas to the universe, and in secular terms, it praises the great glory of being alive in this cosmos. A great solo or ensemble or beautifully-turned phrase is not “like” a prayer; it is a prayer. And the most rewarding improvisations are authentic and thus to be revered. So it was so rich an experience when a great jazz orchestra romped, shouted, whispered, and exulted in a lovely New York City church (built in 1821) last night.

Here’s one side of the septet:

and the other:

and a much better shot by my friend since 1972, the esteemed Rob Rothberg:

It was the second (glorious) US appearance of the (glorious) hot orchestra, the New York Classic Seven, on May 18, 2022, at St. John’s Lutheran Church on Christopher Street (thanks to Janet Sora Chung). They are Mike Davis, trumpet, vocal, co-leader; Colin Hancock, drums, vocal, co-leader; Ricky Alexander, clarinet, alto saxophone, vocal; Sam Chess, trombone; Andy Schumm, piano; Vince Giordano, banjo; Jay Rattman, bass saxophone.

And they rocked the room. Here are their first half-dozen selections.

FIDGETY FEET:

I NEED LOVIN’ (vocal by Mike):

CORNFED (for Red and Miff):

ARE YOU SORRY? (you know the answer is NO):

Fats’ MY FATE IS IN YOUR HANDS (vocal by Mike):

and HONOLULU BLUES:

There will be three more blogposts delineating the joys of this evening. Fervent thanks go to Janet Sora Chung and to the gentlemen of the ensemble.

I know this group would like opportunities to play for the widest variety of audiences, and their book is huge (and, as you can hear, varied). Promoters, producers, club-owners, concert organizers out there?

More to come.

May your happiness increase!