Tag Archives: Nick Ball

“I’D LOVE YOU STRONG”: ENRICO TOMASSO PLAYS LOUIS (Mike Durham Classic Jazz Party, November 5, 2016)

one-hour-louis

Today is the day after Valentine’s Day, but we know that romance does not stop when February 14 ends.  Call it what you will, the light of love or the light of Louis or both, but they shine through Enrico Tomasso.  Here, Rico plays and sings his own version of Louis’ 1930 classic at the Mike Durham Classic Jazz Party (on November 5, 2016) accompanied by Keith Nichols, Andy Schumm, Alistair Allan, Claus Jacobi, Jean-Francois Bonnel, Richard Exall, Emma Fisk, Martin Wheatley, Phil Rutherford, Nick Ball.

I suppose it took and takes a particularly sensitized listener to understand the depths of Louis’ romantic passion, playing or singing.  Even Mezz Mezzrow, Louis’ great champion, said in his autobiography that the jukebox owners in Harlem had their machines full of Louis’ records, but that they had to have a few others because not everyone heard Louis so deeply.  But Rico does, and conveys that enthusiastic passionate energy, both singing and playing.  The only thing missing here is Vic Dickenson’s visual joke — holding up TWO fingers while singing about “one hour tonight.”  Sixty minutes is just too brief an interval to love someone effectively.

As is often the case, many thanks to Eric Devine for invaluable technical expertise — Eric is “CineDevine,” an expert videographer and a good fellow.

May your happiness increase!

JELLY ROLL MARTIN: LITTON PLAYS MORTON at the MIKE DURHAM CLASSIC JAZZ PARTY (November 4, 2016)

litton

I don’t think there’s such a thing as too much Morton, especially when it’s played as expertly as this — and from some unusual corners of the canon.  Here are Duke Heitger, trumpet; Graham Hughes, trombone, Jean-Francois Bonnel, Robert Fowler, reeds; Martin Litton, piano, transcriptions, arrangements; Martin Wheatley, banjo, guitar; Malcolm Sked, bass; Nick Ball, drums, at the Mike Durham Classic Jazz Party on November 4, 2016. “Sweet, soft, plenty rhythm” is at the foundation — these performances never rush or shout — but there is a good deal of rollicking energy here.  No doubt.

TRY ME OUT:

DEEP CREEK:

GAMBLING JACK:

ELITE SYNCOPATIONS:

May your happiness increase!

HAIL, ENRICO!

No disrespect to the other musicians, but my focus is on the name at top left: ENRICO TOMASSO: majestic, determined, hilarious, tender, indefatigable, joyous.

2016-rico

And here’s The Man Himself, in two performances from the November 2016 Mike Durham Classic Jazz Party, one hot, the other sweet and hot.

EVERYBODY LOVES MY BABY:

From November 4, 2016, a tribute to Mike Durham, the much-missed founder of what is now the Mike Durham Classic Jazz Party, the venerable EVERYBODY LOVES MY BABY, performed by Rico with Keith Nichols, piano / vocal; Spats Langham, banjo / vocal; Phil Rutherford, sousaphone; Richard Pite, drums; Thomas Winteler, soprano saxophone; Alistair Allan, trombone. And here is Rico’s SWEET GEORGIA BROWN from the same set.

And a day later, Enrico honoring Louis, singing and playing IF I COULD BE WITH YOU ONE HOUR TONIGHT:

Here, Rico is accompanied by Keith Nichols, Andy Schumm, Alistair Allan, Claus Jacobi, Jean-Francois Bonnel, Richard Exall, Emma Fisk, Martin Wheatley, Phil Rutherford, Nick Ball.  And for those hoboes who missed the train, here is Rico’s SHINE from the same set.

Mr. Tomasso is our hero.

This post would not have been possible without Eric Devine’s generous technical expertise.  (Eric is “Cine Devine” on Facebook and a world-class videographer.)

May your happiness increase!

LOUIS SHINES THROUGH HIM: THE GLORY OF ENRICO TOMASSO at the MIKE DURHAM CLASSIC JAZZ PARTY (November 5, 2016)

When I first met the trumpeter / vocalist Enrico Tomasso at the Mike Durham Classic Jazz Party a few years ago, I was stunned by the warmth and energy of the man and the beauty of his music.  I rather timidly came up to him in the pub and introduced myself, received a big grin, and said, “The light of Louis shines right through you,” which pleased him.  Rico proved that once again at the 2016 Party.

But first, a bit of history: Rico, at seven, having played trumpet for Louis at the Leeds airport in 1968.  Note Louis’s inscription: THE KISS OF JOY.

rico-and-louis-kiss-of-joy

The sounds of joy were in the air at the Party on Saturday, November 5, 2016, when Rico performed several Louis features from 1930 . . . miraculously, in front of us, with fine support from Keith Nichols, Andy Schumm, Alistair Allan, Claus Jacobi, Jean-Francois Bonnel, Richard Exall, Emma Fisk, Martin Wheatley, Phil Rutherford, Nick Ball.

Extraordinary, no?  And it’s not simply the virtuosity.  Rico sends a glowing message of loving exuberance to everyone.

And should you fall into the trap of reflexively assuming that any song called SHINE must be racist, please visit this 2012 shine-reconsidered and learn the truth.

Many thanks to Eric Devine (“CineDevine”) for kind and invaluable technical expertise.

May your happiness increase!

ÉLAN VITAL: THE VITALITY 5 ROCKS!

vitality-5

The VITALITY FIVE (and its band-within-a-band, the VITALITY THREE) are the real thing, and the quintet has released its debut CD, which is a complete delight.  They are a hot jazz band; their performances marry ferocious energy and precise delicacy.

Drum roll, please?

THE FAMOUS “VITALITY FIVE” JAZZ BAND of London.
Featuring internationally-renowned Syncopators from three corners of the globe :

Mr. MICHAEL McQUAID : Clarinet, Alto Saxophone & Trumpet.
Mr. DAVID HORNIBLOW : Bass Saxophone & Clarinet.
Mr. MARTIN WHEATLEY : Banjo & Guitar.
Mr. ANDREW OLIVER : Pianoforte.
Mr. NICHOLAS D. BALL : Drums & Percussion.

I know three of these Syncopators in person and will vouch for their Credentials of Hot.  Their biographies can be found here.

But mere words have their limitations, so here is audio-visual evidence:

and a Morton trio:

and some Nichols-Mole-Livingston-Berton modernism:

The repertoire on this CD says a great deal about the players and their overall conception.  Familiar hot tunes: EAST COAST TROT, MOJO STRUT, SMOKE-HOUSE BLUES, SHE’S CRYING FOR ME, WA WA WA — and the less familiar MOTEN STOMP, KANSAS CITY BREAKDOWN (both early Bennie Moten), CLARINETITIS (another Benny), STEAMBOAT STOMP (Boyd Senter), DIXIE (Adrian Rollini, for his wife), the pop tune IF YOU WANT THE RAINBOW, and the never-played DESDEMONA, BLACK RAG, REVERIE, RETOUR AU PAYS, suggesting a deep immersion and erudition about this period of music.  Although the credits say “transcriptions,” it’s easy to see that when you “transcribe” WA WA WA or SMOKE-HOUSE BLUES for this singular ensemble, it is much more a transformation.  And it’s thus a lively reimagining.  JAZZ LIVES viewers with memories will know Michael McQuaid, Nicholas Ball, and Martin Wheatley as peerless musicians; I assure that David Horniblow and Andrew Oliver are nothing short of spectacular.  In fact, the entire ensemble has an appealing looseness precisely because they are honoring the originals and the originators without striving to provide copies of the records.  So this is hot jazz of the middle Twenties that is also aware that it is no longer 1926, which is fine with me.

All I know is that it took an act of will to pry the disc out of the player.  The band’s website is here.  To purchase the CD, visit here.  I can assure you that this quintet superbly lives up to the band’s name.

And thanks to Julio Schwarz Andrade, of course.

May your happiness increase!

NOT A HUNDRED YEARS FROM TODAY, BUT A MONTH: NOVEMBER 3-6, 2016

mike-durham-classic-jazz-party

Some of the faces will be different, but that scene is where I will be in less than a month — at the Mike Durham Classic Jazz Party in Newcastle, England. More details here.

Rather than launch some well-deserved paragraphs about how wonderful it is and how you should go if you can, I thought I’d let some videos from last year do the talking, and singing, and playing.

Spats Langham at the imaginary cinema of romance:

Richard Pite’s Gramercy Five:

Menno loves Spike, and Gabriel returns the compliment:

Thomas Winteler and Matthias Seuffert play the Fatha’s blues — but wait! — has young Master Ball made off with the spoons?

Keith’s heartbreaking entreaty:

 

The Sentimental Miss Day:

Rico’s Bar-B-Que:

Torstein Kubban and Frans Sjostrom in the Victory Pub:

Now you see why I am going?  I hope to see some JAZZ LIVES friends there as well.

May your happiness increase!

MAGGIE FEELS THE HEAT (November 8, 2015)

MAGGIE Swing label

SWING indeed.  It gets very hot in Newcastle during the long weekend when the Mike Durham Classic Jazz Party gently but firmly occupies the Village Hotel in Newcastle, England.

Nick Ball and Graham Hughes at the 2015 Mike Durham Classic Jazz Party. Photograph by Emrah Erken.

Nick Ball and Graham Hughes at the 2015 Mike Durham Classic Jazz Party. Photograph by Emrah Erken.

This year, the Party begins with a jam session on Thursday, November 3 . . . and runs almost without a letup until late Sunday (really, early Monday morning) — either November 6 or 7, depending on what your watch or smartphone tells you.

I’ve posted links to the Party site below, but before you venture into the land of Clicks, how about some hot music?  This rousing performance (from November 8, 2015) was part of a set led by Thomas Winteler paying tribute to the 1938-41 recordings Bechet made for Victor Records.

The heroes onstage are Thomas Winteler, soprano saxophone; Bent Persson, trumpet; Graham Hughes, trombone; Morten Gunnar Larsen, piano; Jacob Ullberger, guitar; Henry Lemaire, string bass; Nicholas Ball, drums.

Visit the Party’s Facebook page here.

To see who’s playing, click here.  And to book your seat, click here.

The Party’s webpage has a number of delightful videos, so prepare to spend some happy (hot) minutes.  I’ve posted a substantial number myself from 2009 on, on this site, too.  Maybe we’ll see each other there this November.

May your happiness increase!