Tag Archives: Ogden Nash

“WOULD YOU CARE TO SIGN OUR GUEST BOOK?” (Liberty Music Shop, 1956-57)

As of July 10, 2015, this was the eBay link for those who like an incredible collection of autographs — and who have $4500.

Here’s the description.

[Autographs] [Guest Book] Hemingway, Ernest. (1899 – 1961) & Barber, Samuel. (1910 – 1981) & Givenchy, Hubert de. (b. 1927) & Graham, Martha. (1894 – 1991) & Ferber, Edna. (1885 – 1968) etc.

Incredible 1950s Guest Book for the Liberty Music Shop

Guest book for the famed Liberty Music Shop of New York, containing approximately 200 autographs and inscriptions, signed by distinguished visitors, a virtual who’s who of the cultural life of 1950s New York. Written approximately 15 to a page on the first 14 pages, some with date or place or comments, concluding with a large bold signature by Marian Anderson, written diagonally across the blank page. Oblong 8vo, leatherette. New York, [1956-57]. The signers include Ernest Hemingway, Samuel Barber, Martha Graham, Anna Magnani, Hubert de Givenchy, Anthony Perkins, Fred Astaire, Hoagy Carmichael, Sarah Vaughan, Sammy Davis Jr., Bill Hayes (with an AMQS), Alan Jay Lerner (2x), Yul Brynner, Ogden Nash, Alfred Lunt, Lynn Fontaine, Andres Segovia, Margaret Hamilton, Tony Bennett, Myrna Loy, Edna Ferber, Zino Francescatti, Byron Janis, Farley Grainger, Rex Harrison, Broderick Crawford, Edward G. Robinson, George Szell, Jessica Tandy, Basil Rathbone, Claudette Colbert, Hazel Scott, Raymond Massey, Michel Auclair, Alexander Smallens, Kate Smith, James Mason, Ray Bolger, Benny Goodman, Noël Coward, Joan Blondell, Arnold Stang, Constance Talmadge, Garson Kanin, Mischa Elman, Erica Morini, Connee Boswell, Mario del Monaco, Robert Helptmann, Andor Foldes, Marta Eggerth, Vincent Price, Lillian Gish, Paulette Goddard, J. William Fulbright and dozens more.

The Liberty Music Shop was a fixture in the New York music scene from the 1930s through the 1950s, catering to cognoscenti and celebrities.

Why should this be on JAZZ LIVES?  One, it’s a spectacular rarity.  Some of the names above should excite people who apparently only listen to jazz, night and day.  But for the most seriously narrow readers, there’s also a genuine Benny Goodman signature and — happiness! — a Jo Jones inscription, which is how he signed two record jackets for me in 1981-2.  The seller offered photographs of sample pages — not all fifteen — which means that some of the signatures noted above aren’t visible.  But enough are to make it fascinating.

Here’s the first page, beautifully signed by Marian Anderson:

AUTOGRAPH BOOK NINE Marian Andersonand here I see Mischa Elman, Peter Lind Hayes, Alan Jay Lerner, Farley Grainger, Edward G. Robinson, and Joyce Van Patten, among others.

AUTOGRPAH BOOK TWOHere’s Jack Carter (who just left us), Bill Hayes, Garson Kanin, Herman Shumlin, and Earle Hyman . . .

AUTOGRAPH BOOK THREEAnd where else would you find Ray Bolger and Francoise Sagan in such proximity?

AUTOGRAPH BOOK FOURI love the strange combinations: Gene Tunney, Herb Shriner, Jo Jones, Margaret Hamilton, Tony Bennett, and Herb Shriner, the last asking for a discount.

AUTOGRAPH BOOK FIVE Jo Tony 1957Still more: David Rose and Chris Connor.

AUTOGRAPH BOOK SIX Chris Connor David RoseAnd Charles Boyer, an authentic Benny Goodman (unless he brought one of his staff to sign for him), Kevin McCarthy, Givenchy, and Anthony Perkins.AUTOGRAPH BOOK SEVEN BGFinally, Dorothy Gish, Hoagy Carmichael, Fred Astaire.

AUTOGRAPH BOOK EIGHT Gish Hoagy AstaireKeener eyes than mine will no doubt discern other famous names.  It’s an awful cliche to say that giants walked the earth, but I know for certain that they went to the Liberty Music Shop.

May your happiness increase!

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SONNY’S BLUES (and MORE): DIXIELAND MONTEREY, March 4, 2011

When the sweet-natured pianist and singer Carl Sonny Leyland took the stage at Dixieland Monterey, I expected rocking rhythms and down-home singing.  I wasn’t mistaken.

But mere recordings and videos don’t entirely summon up the romping momentum and good humor of this entirely complete player / vocalist / understated showman.  Carl does nothing more dramatic than pat his foot, adjust his glasses, speak softly to the audience between sips of water.  But he’s a jazz and blues volcano, someone whose motion is perpetual and perpetually exciting.  On the surface, he might initially sound like “a boogie-woogie pianist,” which he is — but he has (like Pete Johnson) tugged at the form to make it less restrictive.  He isn’t locked into eight-to-the-bar and his swing is ferocious but light, with echoes of Hines and Fats and Stacy woven into a beautifully organic style.

In this session, he had the finest musical comradeship in bassist Marty Eggers and drummer Jeff Hamilton (“our” Jeff Hamilton, I will point out).  The teamwork of this trio is sensational.  Marty plays the bass with the grace and fervor of Pops Foster or Milton John Hinton, no less.  And Jeff could swing a seventeen-piece band with just his hi-hat, and creates swaying columns of sound all over his set.

Without a hint of antiquarianism, we’re back in the Thirties with Little Brother Montgomery’s SHREVEPORT FAREWELL:

Groovy as a ten-cent movie!  Jimmy Yancey’s JIMMY’S ROCKS:

Sad, wistful, and blue: W.C. Handy’s variations on a folk lament, LOVELESS LOVE:

A favorite rag, BLAME IT ON THE BLUES:

Just an ordinary BOOGIE WOOGIE, inspired by Meade Lux Lewis:

For my dear Aunt Ida Melrose, a rocking OH, BABY:

YANCEY SPECIAL (plus litigation):

You made me what I am today — that’s THE CURSE OF AN ACHING HEART:

Carl’s own RAT CATCHER’S BLUES, funny and gruesome too.  To paraphrase Ogden Nash, “I’d hate to be  / the rat / That Carl is angry / At.”:

An exuberant HINDUSTAN BOOGIE:

And a romping set closer for Pete Johnson and Big Joe Turner, ROLL ‘EM PETE:

Want to learn more?  Visit http://www.carlsonnyleyland.com., http://www.jeffhamiltonjazz.com.  It doesn’t seem that Marty has his own website — he has bigger and better things to do (such as play the bass in a way that reminds me of Walter Page) — but you can find him in many places online and in real life.

Carl Sonny Leyland is so much more authentic than James Baldwin’s story.

THE MUSICIANS GIVE US SO MUCH: CLICK HERE!

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