I’m happy to have gone into the JAZZ LIVES archives for more good sounds (and sights as well) from the Ivory Club Boys — a band that knew how to groove in the best Swing Street ways. Caution: you might have to hold on to your chair. Here are some more delights, previously unseen, from Paul Mehling’s evocation of Stuff Smith’s hot little band: Paul, guitar; Evan Price, violin; Marc Caparone, cornet (subbing for Clint Baker); Sam Rocha, string bass; Isabelle Magidson, guitar. Recorded on May 31, 2014, at Armando’s in Martinez, California.
I’M CRAZY ‘BOUT MY BABY:
IT’S WONDERFUL:
AVALON, “with vocal chorus” by Isabelle:
I’ve posted a good deal more from this gig: search for IVORY and you will find an abundance of joyous heat.
The very expressive swinging violinist Emma Fisk was given a difficult assignment — to summon up the ghosts of Stuff Smith (violently, dramatically hot) and Eddie South (elegance personified) in thirty minutes at the 2013 Whitley Bay Classic Jazz Party. I’d give her and her colleagues very high marks at this nearly-impossible task.
The colleagues are Jeff Barnhart, piano and vocal (hear him romp on the verse to LADY BE GOOD — a feat that astonishes the band — as well as on a block-chord solo on SKIP IT), the ceaselessly rocking Richard Pite, drums; the energized Henri Lemaire, string bass; the versatile Spats Langham (called upon to be Django for seven choruses of uplifting accompaniment on EDDIE’S BLUES), and two guest stars to take us close to the Onyx Club Boys of fabled memory, Ben Cummings, trumpet (hidden behind someone’s coif, but he comes through clear as a bell); Jean-Francois Bonnel, clarinet.
Here they are — recorded on November 3, 2013, nimbly being themselves while honoring departed masters.
IF YOU’RE A VIPER (thank you, Jeff!):
MAMA MOCKINGBIRD (for Hoagy and Eddie):
LADY BE GOOD:
EDDIE’S BLUES:
SKIP IT:
Well played, Emma, Jeff, Spats, Henri, Richard, Ben, and Jean-Francois!
And I know that Emma has a feature set at this year’s Whitley Bay Classic Jazz Party called FIDDLESTICKS in honor of Signor Venuti, which I know will be fun.
Here’s a lovely swinging miniature swung and recomposed on the spot — the spot being Armando’s in Martinez, California, May 31, 2014 — by two of the Ivory Club Boys, Paul Mehling, guitar; Evan Price, violin, as part of their delightful evocation of Stuff Smith and his Onyx Club Boys.
You’ll recognize the theme. I knew it in childhood as having the opening phrase, “Go to sleep, my dusky baby,” but it is officially known as HUMORESQUE:
I’ve posted other delights by the Ivory Club Boys, who will be appearing on August 19, 2014, for one show at Yoshi’s in Oakland, California — an occasion I look forward to — featuring Paul, Evan, Clint Baker, trumpet; Isabelle Fontaine, guitar; Sam Rocha, string bass. (At the Armando’s gig, cornetist Marc Caparone took Clint’s place for the night.) Here is a recent post that has a link for the Yoshi’s appearance. JAZZ LIVES readers, wise folks, surely can take a hint.
This post isn’t a nostalgic celebration of the Doublemint Twins and their chewing gum. I offer here two live performances of a wonderful song — a spiritual in swingtime, evoking Stuff Smith and Louis Armstrong at once.
This marvel took place at the Ivory Club Boys’ triumphant May 31, 2014, evening at Armando’s in Martinez, California. The ICB are devoted to evoking the Onyx Club Boys, violinist / singer / composer Leroy Hezekiah “Stuff” Smith’s hot little band — with Jonah Jones and Cozy Cole — from Fifty-Second Street in New York City (when that street featured music rather than high-rise apartment buildings).
The Boys (and a Girl) are Paul Mehling, guitar, vocal; Evan Price, violin; Marc Caparone, cornet (subbing for Clint Baker); Isabelle Fontaine, rhythm guitar, vocal; Sam Rocha, string bass, vocal.
Here is the “rehearsal take” of NOBODY KNOWS THE TROUBLE I’VE SEEN — performed in an empty room for the soundcheck. A marvel, no arguments:
And Song Number Five of the actual Show. Another marvel, and comparisons are odious. The music isn’t:
The Ivory Club Boys will be performing at Yoshi’s in Oakland, California, on August 19. Details here!
If you don’t like this — I mean these — in the words of Professor Harold Hill, you got trouble.
Hot music straight from their hearts: NOBODY KNOWS THE TROUBLE I’VE SEEN, as performed by the IVORY CLUB BOYS, Paul Mehling’s evocation of Stuff Smith’s delicious swing on Fifty-Second Street circa 1946-45. They are, for this hot concert, Paul, guitar; Evan Price, violin; Marc Caparone, cornet (subbing for Clint Baker); Sam Rocha, string bass; Isabelle Fontaine, guitar. This was recorded on May 31, 2014, at Armando’s in Martinez, California. I was behind the camera, so you can’t see how much I was and am grinning. emotionally deep but very light-hearted improvisations, the work of swing masters:
Oh, and for those in the know . . . that was the soundcheck. Draw your own conclusions about how wonderful this band is.
Here is the first posting — a riotous BUGLE CALL RAG from that same session. More to come, thank goodness. And the IVORY CLUB BOYS (with Clint on trumpet) will be appearing at Yoshi’s in Oakland on August 19. Make a note of that, please.
A second helping of The Ivory Club Boys, a hot band that satisfies. (Here is the first helping, for those who’d rather listen than read.)
On Sunday, March 2, 2014, while the rest of America was watching the Oscars, the Beloved and I were having a wonderful time with the Ivory Club Boys (presented by the Hot Club of San Francisco) paying tribute to violinist Stuff Smith and his Onyx Club Boys, at Rancho Nicasio in Nicasio, California.
The Ivories were (for this occasion) Paul Mehling, guitar and vocal; Evan Price, violin; Clint Baker, trumpet, euphonium, clarinet, and vocal; Sam Rocha, string bass, and guest star Mike Lipskin, piano.
And before we proceed: the Ivories aren’t a repertory band devoted to reproducing Stuff and Jonah’s hot sounds right off the record — so the scholars may find a certain liberty in their improvisations. (Whisper this: the Ivories even perform songs Stuff never recorded.) But they don’t want to make history; they just want to swing. Four-four, if you don’t mind. Charlie Christian and Teddy Bunn are at the bar, too.
Here are more rocking numbers from their second set:
ROSETTA (vocal Sam Rocha):
Stuff’s own IT’S WONDERFUL:
SOME OF THESE DAYS:
I COVER THE WATERFRONT:
‘S’WONDERFUL:
MOONGLOW:
SOLID OLD MAN:
MOTEN SWING:
This band was so rewarding. I’m looking forward to their next gig, their CD, their DVD, the world tour, the t-shirts, keychains, their own Facebook page. Until the Ivory Club Boys come to your town, enjoy this set.
On Sunday, March 2, 2014, while the rest of America was watching the Oscars, the Beloved and I were muggin’ lightly with the Ivory Club Boys (presented by the Hot Club of San Francisco) paying tribute to Stuff Smith and his Onyx Club Boys, at Rancho Nicasio in Nicasio, California.
The Ivories were (for this occasion) Paul Mehling, guitar and vocal; Evan Price, violin; Clint Baker, trumpet, euphonium, clarinet, and vocal; Sam Rocha, string bass, and guest star Mike Lipskin, piano.
And before we proceed: the Ivories aren’t a repertory band devoted to reproducing Stuff and Jonah’s hot ecstasies right off the record — so the scholars among us may find a certain liberty in their improvisations. My goodness, they even perform songs Stuff never recorded! But they don’t want to make history; they just want to swing. Four-four, if you don’t mind. Charlie Christian and Teddy Bunn are at the bar, too.
Here are eight rocking numbers from their first set:
CRAZY RHYTHM:
SARATOGA SWING:
I’M CRAZY ‘BOUT MY BABY (vocal by Paul Mehling):
DESERT SANDS (a Stuff original, very atmospheric):
CHINA BOY (Mike strides in):
I’M CONFESSIN’ (with commentary by Mister Lipskin at the start):
JEEPERS CREEPERS (ditto and likewise — hear the band shift into tempo after the verse!):
ONE HOUR (vocal by Clint Baker after Mike’s lovely exposition of the verse):
We were with them two hours that night, and the band was so very rewarding. I’m looking forward to their next gig, their CD, their DVD, the world tour, the t-shirts, keychains, their own Facebook page. Until the real thing comes along, enjoy this set — and there’s more to come.
