Tag Archives: Oran Etkin

“HOTTER THAN THAT”! (on January 15 – 16, 2016)

It’s getting colder, which is both appropriate and reassuring because it is January.  But if the descending temperatures oppress you, here’s a wonderful chance to become HOTTER THAN THAT in the New York winter.  I don’t refer to new down parkas or thermoses full of the preferred hot dram . . . but to the New York Hot Jazz Festival. . . . the continuing creation of the indefatigable Michael Katsobashvili:

Art by Cecile MLorin Salvant

Art by Cecile MLorin Salvant

Here’s the Facebook event page.  And the Festival’s website.

Details?  How about a schedule of artists and times.  (And there are seats — first come, first served, as well as room to dance.)

FRIDAY (doors at 5:45 pm)

6:20 – Tom McDermott (New Orleans piano explorer)

7:20 – Bumper Jacksons

8:40 – Evan Christopher’s Clarinet Road with Hilary Gardner

10:00 – Jon-Erik Kellso and the EarRegulars with Kat Edmonson

11:20 – Mike Davis’ New Wonders

SATURDAY (doors at 5:45 pm)

6:20 – Christian Sands (solo stride)

7:20 – Michael Mwenso & Brianna Thomas: Ella and Louis Duets – 60 Years

8:40 – Rhythm Future Quartet

10:00 – Tatiana Eva-Marie & The Avalon Jazz Band

with special guest Oran Etkin

11:20 – Gordon Au’s Grand Street Stompers

with Molly Ryan & Tamar Korn

That’s a wonderful mix of music — solo piano, small band, gypsy jazz, singers — all of the highest caliber.  And although some New Yorkers might note local favorites, consider what it would cost to see them all in one evening, even if you could work out the transportation and timing.  New Orleanians McDermott and Evan Christopher will bring their own special rhythmic tang to the New York winter.

If you need more evidence, here are videos of the artists above.

Here‘s the way to buy tickets.  It’s an absolute bargain, and New Yorkers love nothing better.

The place?  The Ballroom at Greenwich House Music School, 46 Barrow Street (West of 7th Ave South), New York, New York.

And for inspiration, here’s a 1949 version of HOTTER THAN THAT, performed live on the Eddie Condon Floor Show — Eddie was the first jazz musician to have his own television show — featuring Wild Bill Davison, Cutty Cutshall, Peanuts Hucko, Ernie Caceres, Gene Schroeder, Eddie, Jack Lesberg, and Sidney Catlett.

May your happiness increase!

The GRAND STREET STOMPERS and FRIENDS at The Cupping Room Cafe (Sept. 5, 2012)

I had a delightful evening last Wednesday, September 5, 2012 at the Cupping Room Cafe (359 West Broadway, New York City).  I’d never been to the CRC before, but it’s a very amiable place with great food — and great music, in this case provided by the Grand Street Stompers, Gordon Au’s splendidly flexible little band.

That night, the Stompers were a quartet: Gordon, trumpet, compositions / arrangements, vocals; Oran Etkin, clarinet, tenor; Davy Mooney, guitar; Rob Adkins, string bass — and Friends, two engaging singers, Molly Ryan and Jessie Rogowsky.  The large-screen television to my left provided an amusing surrealistic backdrop for the singers, but the music was triumphant.

Gordon began with a pop tune from 1927 — notable for the recordings that showcase a young Jack Teagarden — but it remains an irresistible melody:


Gordon’s compositions mix comfortable phrases with surprising turns of harmony in delightful ways.  Here’s SOIGNEE (which means “sophisticated, elegant” — appropriately:

Wisdom, it’s said, is embracing one’s Not Knowing.  In that spirit, here’s I NEVER KNEW:

Molly joined the Stompers for a pretty WHAT A DIFFERENCE A DAY MADE:

And she found new ways to imbue I CAN’T BELIEVE THAT YOU’RE IN LOVE WITH ME with sweet delight:

The Stompers took their time, gratifyingly, with AUNT HAGAR’S BLUES:

Not only did Gordon write music and lyric for a sweetly off-center love song, SOMEHOW THE WORLD HAS TURNED UPSIDE DOWN, he delivers it most winningly:

Back to 1917 for FIDGETY FEET:

And another, more obscure song of that time — with patented Stompers choreography, CLEOPATRA HAD A JAZZ BAND:

Doctor Ryan prescribes a new level of curative relaxation, LET YOURSELF GO:

Something for Louis (and Mildred), SLEEPY TIME DOWN SOUTH — Molly stretches out luxuriantly on the final bridge:

Jessie Rogowski, posed against a background of Giant football, pays it no mind, and offers a sweet DREAM A LITTLE DREAM OF ME:

And we close off with Gordon’s own SUN TIME:

You can tell how fine the music was, but what you’ll have to take on faith for the moment is that the CRC is such a pleasing place — great attentive service and huge platefuls of food, and an overall quiet ambiance, so different from other places we know where music is played.  This night was also my first introduction to reedman Oran Etkin — with his delightfully bright clarinet and floating tenor sax lines.  And the Grand Street Stompers brought a wonderful floating intensity to their performances — a modern version of an imagined Kansas City Four.

May your happiness increase.