Tag Archives: PANIQUE

APRIL IS THE COOLEST MONTH, or NEW YORK JOYS (2013)

Every time I get ready to declare, “OK, I will spend the rest of my life happily in California,” New York crooks a dainty finger at me and whispers, “Not so fast, fellow.  I have something for you.”

ny skyline

These are some of the musicians I was able to see, hear, and video during April 2013 — an incomplete list, in chronological order:

Svetlana Shmulyian, Tom Dempsey, Rob Garcia, Asako Takasaki, Michael Kanan, Michael Petrosino, Joel Press, Sean Smith, Tardo Hammer, Steve Little, Hilary Gardner, Ehud Asherie, Randy Reinhart, Mark Shane, Kevin Dorn, James Chirillo, Brian Nalepka, Dan Block, Danny Tobias, Matt Munisteri, Neal Miner, Catherine Russell, Jon-Erik Kellso, Lee Hudson, Lena Bloch, Frank Carlberg, Dave Miller, Billy Mintz, Daryl Sherman, Scott Robinson, Harvie S, Jeff Barnhart, Gordon Au, John Gill, Ian Frenkel, Lew Green, Marianne Solivan, Mark McLean, Dennis Lichtman, Tamar Korn, Raphael McGregor, Skip Krevens, Andrew Hall, Rebecca Kilgore, Dan Barrett, Scott Robinson, Pat O’Leary, Andy Brown, Giancarlo Massu, Luciano Troja, Rossano Sportiello, Randy Sandke, Harry Allen, Dennis Mackrel, Joel Forbes.

And I saw them at the Back Room Speakeasy, the Metropolitan Room, Smalls, the Bickford Theatre, the Ear Inn, Symphony Space, the Finaldn Center, Jazz at Kitano, Jeff and Joel’s House Party, Dizzy’s Club Coca Cola, Jalopy Theatre, Casa Italiana, and Zankel Recital Hall.

T.S. Eliot had it wrong.  Just another average jazz-month in New York.

P.S.  This isn’t to slight my California heroes, nay nay — among them Marc Caparone, Dawn Lambeth, Carl Sonny Leyland, Clint Baker, Jeff Hamilton, Chris Dawson, Marty Eggers, Katie Cavera, Kally Price, Leon Oakley, Mal Sharpe, Tom Schmidt, John Reynolds, Melissa Collard, Ari Munkres, GAUCHO, PANIQUE, Bill Carter, Jim Klippert, JasonVanderford, Bill Reinhart, Dan Barrett . . . .

May your happiness increase.

Advertisements

“PANIQUE” SWINGS OUT at The Red Poppy Art House (August 16, 2012)

The band PANIQUE is a rare group, subtle and inventive, as their appearance at the Red Poppy Art House in San Francisco proved.  Click PANIQUE to be transported — in every possible way — back to their beautiful first set!

This imaginative quartet is Vic Wong, guitar; Benito Cortez, violin; Nick Christie, rhythm guitar; Daniel Fabricant, string bass.

Here is their second set.  I so admire the conversational eloquence of their solos, delightful ensemble interplay; their dynamics, tempos, and shadings, their love 0f melody.

WALTZ in C# MINOR / TOPSY (combining Chopin and Eddie Durham favors both of them):

MA PREMIERE GUITARRE:

Accordionist Gus Viseur’s SWING VALSE:

BOHEMIAN RHAPSODY / THERE WILL NEVER BE ANOTHER YOU:

SUITE YUGOSLAV:

DANSE NORVEGIENNE:

MINOR SWING:

Learn more about PANIQUE and their live CD here; visit Vic Wong on Facebook there.  And The Red Poppy Art House is a remarkable place, full of friendship and inspirations: click Poppy to find out more.

May your happiness increase.

“PANIQUE” MEANS JOY (Part One, August 16, 2012)

Don’t let this band’s scary French name make you run for the closet.

They are truly generous in their offerings of joy, as they proved lavishly last Thursday at the Red Poppy Art House in San Francisco.

This imaginative quartet is Vic Wong, guitar; Benito Cortez, violin; Nick Christie, rhythm guitar; Daniel Fabricant, string bass.

And in their mix of standards and less-known material, they embody the great virtues of memorable swing improvisation: a speaking eloquence in their solos, delightful ensemble interplay; extraordinary subtlety in their dynamics, tempos, and shadings, and a real understanding of how deeply listeners need melodies.  Although the members of the group look youthful, they are mature improvisers with well-developed imaginations, ears, hearts, and wit.  But I will let the music speak for itself:

An opening built from two songs, played back-to-back (something other bands could learn from PANIQUE): DOUBLE WHISKY and J’AI CHERCHE APRES TITINE:

NUAGES, a little more briskly than it is often played, the change bringing the song into sharper focus:

DINETTE, so much more than a little table in the corner of the kitchen:

TROUBLANT BOLERO, Reinhardt — not Ravel:

COQUETTE:

An exploration of BOULEVARD OF BROKEN DREAMS that slowly unwraps itself:

JE SUIS SEUL CE SOIR (“I am alone tonight”):

I’LL SEE YOU IN MY DREAMS:

Learn more about PANIQUE and their live CD here; visit Vic Wong on Facebook there.

May your happiness increase.