Tag Archives: Paul Asaro

HAPPY BIRTHDAY OR ANNIVERSARY, BOYS! CHICAGOANS in CALIFORNIA, CONTINUED (The CHICAGO CELLAR BOYS at the SAN DIEGO JAZZ FEST, November 25, 2018)

I read recently that the Chicago Cellar Boys were celebrating being a band for two years: I don’t know whether we should wish them HAPPY BIRTHDAY or HAPPY ANNIVERSARY, but my impulse is to celebrate them: their wonderful mixture of exactitude and abandon is so very inspiring, so hot, so sweet.  How do we celebrate here at JAZZ LIVES?  We share video that you haven’t seen before unless you were at the gig.  That’s what we do!

KEEP SMILING AT TROUBLE, not only a good song but a fine life-maxim, performed in the style of the Apex Club Orchestra, with its verse as well:

ROSY CHEEKS, with an idiomatic vocal chorus by Paul Asaro:

Clarence Williams’ BOTTOMLAND, played at a yearning tempo:

A word about husbands who suffer; take it seriously or not, POOR PAPA:

Another song related to Jimmie Noone’s small band, which performed at the El Dorado Club — I read that EL RADO SCUFFLE was named because some of the lighting on the club’s sign was not working:

SO TIRED, which is obviously not the Cellar Boys’ theme song:

SWEET EMMALINE, recorded in 1928 by Clarence Williams.  Is there any truth to the rumor, half-remembered, which has Clarence saying, late in life, that he wrote none of the music for which he took credit?

A great band!

Incidentally, parents in the JAZZ LIVES audience are surely familiar with “the terrible twos,” where the toddler says NO to everything, dramatically.  The CCB say NO to many things: inauthentic music, badly played music, striped vests, stuffed pets on the gig, poor-quality snacks in the musicians’ room, too-tight polo shirts.  To wonderful music they say YES, as do we.

Two other bits of relevant information.  The Cellar Boys will be back at this year’s San Diego Jazz Fest, and they will have copies of their debut CD, BUSY ‘TIL ELEVEN, which is a Rivermont Records production.  Also for Rivermont, they’ve recorded a microgroove 78 rpm record (four songs) if it isn’t sold out by now.

And if you’ve never seen a copy of THE SYNCOPATED TIMES, you owe it to yourself to click on the bright-blue rectangle below, which is there for some good reasons.

May your happiness increase!

OUT WEST: THE CHICAGO CELLAR BOYS at the SAN DIEGO JAZZ FEST: ANDY SCHUMM, JOHN OTTO, PAUL ASARO, JOHNNY DONATOWICZ, DAVE BOCK (Nov. 25, 2018)

These Boys don’t disappoint in their hot and sweet renditions of Twenties and Thirties Chicago-style jazz and pop music.  The CCB are Andy Schumm, cornet, clarinet, tenor saxophone; John Otto, clarinet, alto saxophone; Paul Asaro, piano, vocal; Johnny Donatowicz, banjo, guitar; Dave Bock, tuba.  I recorded these performances on November 15, 2018, at the San Diego Jazz Fest.

BLUES IN A MINOR honors the Blue Ribbon Syncopators, a reasonably obscure territory band from Buffalo, New York, who recorded this song in 1925 for OKeh.  It’s not a blues; it’s not in A minor.  An error in labeling?  You’re on your own:

Jelly Roll Morton’s dark lesson in keeping your own counsel, BIG LIP BLUES:

Clarence Williams’ rousing CUSHION FOOT STOMP (and I need a good answer about the etymology of the title):

The very pretty melody, A GARDEN IN THE RAIN:

Cliff Jackson’s (stride pianist with intriguing bass patterns, also leading the “Krazy Kats”) THE TERROR:

I have more video of the CCB in various places, but you should also know about their debut CD for Rivermont Records, BUSY ‘TIL ELEVEN, and that wonderful new oddity, a 10″ 78 rpm microgroove stereo vinyl record — a limited edition of 550 copies — that plays four songs in lovely fidelity while its ornate label rotates at the reassuringly high speed of a vanished time and place.  Learn more, hear more, and buy more here.

May your happiness increase!

“BUSY ‘TIL ELEVEN,” A CHARLESTON LESSON, and OTHER ECSTASIES: The CHICAGO CELLAR BOYS at the JUVAE MINI-FEST: ANDY SCHUMM, JOHN OTTO, PAUL ASARO, JOHNNY DONATOWICZ, DAVE BOCK (March 30, 2019)

This started out as a video post — a sharing of platefuls of joy — of music from one of my favorite bands, the Chicago Cellar Boys — and then their wonderful debut CD, BUSY ‘TIL ELEVEN, landed in my mailbox.  So it’s now a CD review also.  You can learn more about the Rivermont Records CD here.  And in that same place you can hear some convincing sound samples as well.  For once, words seem superfluous.

If you like Twenties music, hot and sweet, expertly played, wonderfully recorded, thoroughly annotated, you will delight in this disc: twenty-one songs, many thoroughly rare, all uplifting and varied.  The band is thoroughly playful (the title is not a song in itself, but a line from one of the songs performed by pianist-vocalist Paul Asaro).

Perhaps you’ve sat long enough.  In the mood for vigorous aerobics?

Before you delight in the Chicago Cellar Boys performing at the Juvae Jazz Mini-Fest last March 30, here’s some relevant dance instruction:

The hot music that follows was performed in Decatur, Illinois, by the Boys: Andy Schumm, cornet, clarinet, tenor saxophone, arrangements; John Otto, clarinet, alto saxophone; Paul Asaro, piano; Johnny Donatowicz, banjo, guitar; Dave Bock, tuba.  Now, roll up the carpets and put the pets outside.

Here’s one for Charlie Johnson’s Paradise Orchestra and Sammut of Malta:

And a statement of intent, courtesy of Coon-Sanders:

Willie “the Lion” Smith’s particular brand of uptown hedonism:

A rare Fats Waller tune describing someone entranced by the dance:

Finally, Cliff Jackson’s THE TERROR (which is only scary for those who choose to play it):

I feel thinner already, and I’ve only intermittently left my chair.  May the Boys flourish; nay they have so many lucrative gigs that they have to turn some down; may their CD sell out (if it hasn’t already).

May your happiness increase!

“NOONE KNOWS”: The CHICAGO CELLAR BOYS at the JUVAE MINI-FEST: ANDY SCHUMM, JOHN OTTO, PAUL ASARO, JOHNNY DONATOWICZ, DAVE BOCK (March 30, 2019)

More of the good stuff, Jimmie Noone’s Apex Club Orchestra-style, by the Chicago Cellar Boys: Andy Schumm, clarinet, cornet, and tenor saxophone; John Otto, alto saxophone and clarinet; Paul Asaro, piano and vocal; Dave Bock, tuba; Johnny Donatowicz, banjo and guitar . . . recorded at the delightful one-day jazz extravaganza put on by the Juvae Jazz Society in Decatur, Illinois.

A tune all the musicians in the world like to jam (more fun than brother Ted’s AN AMERICAN TRAGEDY), Paul Dresser’s MY GAL SAL:

and that Oriental romance, SAN:

and another I-want-to-go-home-to-the-Southland song:

finally, the rousing Youmans I KNOW THAT YOU KNOW:

Postscript: I originally entertained thoughts of calling this post NOONE CARES, but realized that would be wrong on so many levels: these musicians care deeply, and I am sure that you — if you are reading this post — do, too.

May your happiness increase!

FOR NOONE IN PARTICULAR: The CHICAGO CELLAR BOYS at the JUVAE JAZZ SOCIETY MINI-FEST: ANDY SCHUMM, DAVE BOCK, JOHNNY DONATOWICZ, JOHN OTTO, PAUL ASARO (Decatur, Illinois: March 30, 2019)

I had a wonderful time last weekend at the one-day jazz festival — the little party thrown by the Juvae Jazz Society in Decatur, Illinois.  Friendly kind people, hot music, sweet sounds, and good feelings in the Flatland.

The two bands I made the trek to hear are Petra van Nuis’ Recession Seven (more about them soon) and the Chicago Cellar Boys: Andy Schumm, cornet, clarinet, tenor saxophone, arrangements; John Otto, clarinet, alto saxophone; Paul Asaro, piano, vocals; Dave Bock, tuba; Johnny Donatowicz, banjo, guitar.

Andy made his name with most jazz audiences (I saw him, with Dave Bock, first in 2007, alongside Dan Barrett at Jazz at Chautauqua) as a hot cornetist, the closest thing to “the dear boy” possible.  But in the intervening years, he’s branched out to embody a whole variety of cornet styles, and he’s also shown himself to be a fine tenor player in the Jack Pettis mold, and a spectacular  clarinetist, evoking Tesch, Mezz, and Jimmie.  That’s Teschemacher, Mezzrow, and Noone for the newcomers.

The last fellow on that list — facetiously called “Jimmie No-One” by Kenny Davern, who loved his playing, is our subject today.  Noone’s little Apex Club band featured himself on clarinet, Doc Poston on alto, Earl Hines on piano, Bud Scott on banjo, Johnny Wells on drums, and Lawson Buford or Bill Newton on tuba.  This little band’s most remarkable trademark was the interplay between Noone and Poston, who had worked with Freddie Keppard and Doc Cook earlier.  Incidentally, I’m told that the Apex Club was at 330 East 35th Street on the South Side of Chicago.  Here is a current view of that address, not inspiring.  Sic transit gloria mundi.

Even though the architecture is obliterated, the music remains, so here are the Chicago Cellar Boys becoming the Apex Club Orchestra on two selections — one unrelated to Noone, the other a direct hit.

EL RADO SCUFFLE was in the band’s book, and I read somewhere that the club Noone’s group was working at was the El Dorado, but some letters were missing from the sign or some lights didn’t function.  If that was the Scuffle or something larger I can’t know: create your own stories to this soundtrack:

I associate KEEP SMILING AT TROUBLE with Bunny Berigan, Bud Freeman, Joe Marsala, Vic Lewis, Eddie Condon, Jim Goodwin and Ray Skjelbred, Marty Grosz, Bobby Gordon, Dan Levinson — so it is a song with a wonderful pedigree. Here the Cellar Boys are already grinning, and Trouble has left the building — Trouble don’t like verses:

Delicious.  And more to come.

May your happiness increase!

RARE OR FAMILIAR, ALL SPLENDID: THE CHICAGO CELLAR BOYS (and a GUEST) at the SAN DIEGO JAZZ FEST: ANDY SCHUMM, JOHN OTTO, PAUL ASARO, JOHNNY DONATOWICZ, DAVE BOCK, and COLIN HANCOCK (November 25, 2018)

I admire the Chicago Cellar Boys immensely, as JAZZ LIVES readers have seen since their inception in 2017, and I’ve been privileged to see and hear them in person (the most recent time just a day ago at the Juvae Jazz Mini-Fest in Decatur, Illinois . . . more from that occasion soon).  I also hear that their debut CD is on the way.

Their virtues are considerable.  They are that most glorious entity, a working band with beautiful arrangements, hot or sweet, wonderful solo and ensemble playing.  But something that may not catch the listeners’ attention quickly is the breadth of their repertoire — visible in the thick black binders brought to the stage.  Every CCB set has several tunes in it that I’ve known only as obscure recordings or ones I’ve never heard at all, and when they perform a “chestnut,” it is beautifully alive in its own idiomatic shape.  They are: Andy Schumm, cornet, clarinet, tenor saxophone, arrangements; John Otto, clarinet, alto saxophone; Paul Asaro, piano, vocals; Johnny Donatowicz, banjo, guitar; Dave Bock, tuba.  And here are six delights from the 39th San Diego Jazz Fest, performed on November 25, 2018.

First, a charming 1929 exclamation of delight:

and something cosmological from the same year, by Phil Baxter.  Feel free to sing the special aviation-themed lyrics as the Cellar Boys soar lyrically:

Here’s Andy’s superbly indefatigable reading of the Johnny Dodds showcase, LITTLE BITS:

and a reading of THE SHEIK OF ARABY that owes more to Rudolph Valentino than to Hot Lips Page, but I don’t mind at all:

I’ve already posted the two videos below, but these exercises in spontaneous combustion, Chicago-style, deserve multiple watchings.  Don’t be afraid to cheer! (As I write this, the first video has been seen 591 times.  One person took the trouble to “dislike” it.  What a pity, Sir!) Here the youthful multi-instrumentalist Colin Hancock sits in on cornet with the Cellar Boys (Andy switches to clarinet) and the results are ferocious:

SHIM-ME-SHA-WABBLE:

Finally, a rousing WEARY BLUES:

I promise you there will be more of the Chicago Cellar Boys “while breath lasts,” as my dear benefactor Harriet Sheehy used to say.  For now, enjoy the sweet heat.

May your happiness increase!

 

THEM THERE BOYS: THE CHICAGO CELLAR BOYS at the SAN DIEGO JAZZ FEST: ANDY SCHUMM, JOHN OTTO, PAUL ASARO, DAVE BOCK, JOHNNY DONATOWICZ (November 24, 2018)

They’re back!  And below I’ll have news of their appearance at a one-day Midwest festival on March 30, 2019.

The Chicago Cellar Boys made beautiful music at the 2018 San Diego Jazz Fest, and I caught as much of it as I could.  (Type in CELLAR on the search bar and see for yourself.)

Here is part of a set that I recorded on November 24.  The CCB are Andy Schumm, cornet, tenor saxophone, clarinet; John Otto, alto saxophone, clarinet; Paul Asaro, piano, vocal; Johnny Donatowicz, guitar, banjo; Dave Bock, tuba.  Dee-lightful.

INDIAN CRADLE SONG (in honor of the Dorsey Brothers and, faintly, Louis Armstrong).  Andy told me that he had hidden another song in the “chorale” section, but he’s too smart for me.  Maybe you’ll recognize it?:

BOSTON SKUFFLE (something for and by Jabbo Smith):

HOME, CRADLE OF HAPPINESS (a song popular in the early Twenties, recorded by a Sam Lanin group and by Ethel Waters):

FIDGETY FEET (a tribute to Bix and the Wolverines):

KING PORTER STOMP (the CCB’s homage to the 1924 Autograph duet session by King Oliver and Jelly Roll Morton — also the band-within-the-band):

Aside from their inspiring playing and singing, hot and sweet, there are the marvelous arrangements that make this two-horn quintet sound like a large group, and the positively exciting repertoire.  I know the music of this period fairly well, but I always go away from even one CCB set saying to myself, “I’ve never heard that wonderful tune before.”

And here — because listeners need to get away from their computers now and again (it’s good for us!) — is the festival they will be illuminating at the end of this month, along with Petra’s Recession Seven (featuring Petra van Nuis, Andy Brown, Russ Phillips, and other luminaries):

May your happiness increase!