Tag Archives: Paul Gill

“RADICAL SWING TRIO”: TAD SHULL, ROB SCHNEIDERMAN, PAUL GILL at MEZZROW (September 3, 2017): THE SECOND SET

On September 3, I had the immense pleasure of visiting Mezzrow, that shrine for fascinating rhythms and floating melodies, to hear two sets by tenor saxophonist Tad Shull, pianist Rob Schneiderman, and string bassist Paul Gill.  Ted called the group his “Radical Swing Trio,” which to him means a return to the roots: strong melodies, logical emotive improvisations, lovely ballads.  And, as I said the first time, don’t be put off by “Radical”: this trio would have been forward-looking but comfortable in the fabled New York jazz past, although they are far from being archaeologists.  Listen, and be delighted.

Here ‘s their first set.

Tad began the second set with Dizzy Gillespie’s onomatopoetic OO-BOP-SH’BAM from 1946:

Harold Arlen’s lovely ballad, OUT OF THIS WORLD, with Latinate roots:

Tadd Dameron’s GNID — one of those whimsical titles invented in the recording studio (I would guess) for an endearing melody:

The gorgeous ballad by Jule Styne and Sammy Cahn, only sixteen bars, which in some way belongs to the youthful Sinatra — I FALL IN LOVE TOO EASILY:

Wayne Shorter’s BLACK NILE:

And the justly famous blues line (think of Miles, Lucky Thompson, Gene Ammons), WALKIN’:

Very rewarding music — in the tradition but original and lively.

May your happiness increase!

Advertisements

“RADICAL SWING TRIO”: TAD SHULL, ROB SCHNEIDERMAN, PAUL GILL at MEZZROW (September 3, 2017): THE FIRST SET

Jazz from a Sunday night on West Tenth Street, but hardly as ordinary as those words would suggest, for the site was not just the Street, but Mezzrow, that wonderful jazz club now beginning its fourth year of sustaining the musical community:

The participants I enjoyed on September 3 were the “Radical Swing Trio”: Tad Shull, tenor saxophone; Rob Schneiderman, piano; Paul Gill, string bass.  Here’s their first set.

If the word RADICAL scares you off, it’s merely (I think) a way of saying that this trio, although aware and respectful of the past, players and composers and idioms, is not tied to it: they create rather than replicate.  And swing is not tied to any year: it flourished in 1960 as well as in 1940.  Hear for yourself how beautifully Tad, Rob, and Paul make it blossom in 2017.

Tadd Dameron’s TADD’S DELIGHT:

Jackie McLean’s OMEGA:

THE NEARNESS OF YOU.  “In D.”:

Eddie Harris’ FREEDOM JAZZ DANCE:

Monk’s WELL, YOU NEEDN’T:

and as a closer, Hank Mobley’s SOUL STATION:

Another set was just as exhilarating, with seriously focused, lyrical performances of music associated with Dizzy Gillespie, Dameron, Miles, Wayne Shorter, and a pair of lovely ballads.  It, too, will appear here.

May your happiness increase!